Abstract: Russian literature demonstrates a dangerous, in my opinion, tendency – to look at man’s spiritual world only with the eyes of a psychiatrist. Thus, there have appeared discussions about the psychotic Jesus Christ, autist Aleksander Pushkin, about schizophrenic and schizotypal disorders of Franz Kafka, Jacques Lacan, Andrei Tarkovsky, Salvador Dali, Andrei Platonov, Daniil Kharms, about schizophrenia in culture. It has been agreed that present-day postmodernism is none other than latent, in other words, «benign» schizophrenia. The strain of the mind has come to be interpreted as the beginning of insanity. Imagination as a human gift has come to be described only in the frame of morbid fantasies.The article employs methods of hermeneutic analysis of poetic texts. Also, the findings of clinical psychology and the techniques of a comparative analysis of literary texts are used.The novelty of the article refers to critical interpretation of a tradition that has taken shape in modern humanitarian thought. Man is investigated only as a defective creation, insane by his mental essence. Acquaintance with psychiatry made many researchers begin to mistrust a human being as soon as some morbid symptoms appear. So far as M. Tsvetaeva, say, reveals the secret of poetic creation: «Flowers grow as stars and as roses…», she can be regarded as a sensible individual. But then she adds: «To rebel with a verse – or to bloom as a rose…». There clinical imagination begins to work.

Keywords: mind, soul, degeneration, imagination, psychiatry, insanity, poetry, poet, derealization, hallucination

Abstract: The research subject of the present article is the scientific works devoted to collecting, describing and publishing folklore of the indigenous peoples of the North. In his research Kolesnikov tries to classify folklore of the indigenous peoples of the North according to their chronological order as well as their attribution to a particular ethnocultural group (Yakuts, Dolgans, Khanty, Mansi, Selkups, Evenks, Kets, Nganasans, Nenets, etc.). This review allows to outline the challenges of today's studies of folklore of the indigenous peoples of the North and provide recommendations for futher researhes of the cultural heritage of the Northern and Siberian poeples. The research methodology is mostly connected with the analysis of scientific works and researches on the topic. Kolesnikov has applied the comparative historical method and the chronological method to studying scientific works on the folklore of the indigenous peoples of the North. Based on the conclusions of the research, the researcher offers the following measures aimed at preservation of the folklore of indigenous peoples of the North:  - It is necessary to apply new preservation measures instead of the previous ones using digital techologies and othe opportunities. This would allow to create the common database of all the collected data and provide better opportunities for studying them.  - Taking into account the fact that some ethnic groups have already forgotten their national language, it is neessary to publish their folklore in Russian and other languages.  - It is important to conduct different activities (festivals, holidays, contests, etc.) for the youth. This would allow to ensure the continuity of folklore traditions.  - There should be target programs created and grants provided for the preservation, research and promotion of folklore.  - Folklore lessons should be given at schools, colleges, institutes and universities not only in the regions where a particular ethnic group lives but throughout the North in general.  - New collections of folklore songs, fairy-tales, legends, puzzles, etc. should be published and recorded. Audio books, audio records, videos and digital materials should be made to cover the largest audience possible.  - It is also necessary to create specialized folklore centers where folklore archives would be stored and special activities would be conducted. 

Keywords: Selkups, Evenks, Yakuts, Khanty and Mansi, the North, indigenous peoples, folklore, Kets, Nganasans, Dolgans

Abstract: In this paper I seek to find a middle way pragmatic solution to Williamson-Travis’s controversy about the principle of bivalence within a Wittgensteinian pragmatism. It seems to me that Travis does not distinguish between the new applications of one and the same concept and the applications of a similar, but different concept (for example, a more general concept). And his examples do not support his thesis about the violation of the principle of bivalence. On the contrary, Williamson, I think, does not take into account the pragmatic “open texture” phenomenon. I partly agree with Williamson that Travis’s examples look like those in which in different contexts words refer to different properties. Unlike Williamson, who operates with the notions of a character (linguistic meaning) and content, and unlike Travis who operates with the notions of a semantic meaning and understanding, I introduce tree levels of meaningfulness: the linguistic, the semantic (or the level of a rule/concept), and the pragmatic one (the level of the use of a rule/concept, or the meaning-use level). I agree with Williamson that the classical principle of bivalence holds. It is “violated” only in a domain of potential new utterances, whose truth-conditions are not pre-determined (such utterances are not fully meaningful). This is the phenomenon of the conceptual (hence, I think, also ontological) under-determination of the world. Travis’s «Aristotle condition» is equivalent to the condition that the gap between thought, language and the world is closed.

Keywords: family resemblance, concept, the principle of bivalence, meaning, utterance, Aristotle condition, pragmatism, contextualism, Timothy Williamson, Charles Travis

Abstract: Abstract: the phrase-semantic field of “family” subject, which we have distinguished in two genetically unrelated, distant languages – English and Turkish – unites in its composition a large group of phraseological units. All the units under analysis are structurally subdivided into collocations and sentences. Within their composition there can be evolved the following types: substantival, verbal, communicative, adverbial, adjectival. To the study of the sentence structure phraseological units we have engaged proverbs and sayings, as far as the latter possess imagery, metaphoric, originality and high stability of the components. In the article we apply the comparative and typological method, the method of phraseological identity by professor Kunin A.V., the contrastive method, the method of transformational analysis. The source of the research is the material collected through the continuous sampling from phraseological dictionaries. On the basis of single criterion a comparative analysis of the phraseological structure has been carried out in the phraseological systems of systematically different, unrelated languages. Consequently, among the English and Turkish phraseological units there can be defined either similar or different structural models. For example, the English language units are characterized by the schemes: noun+and+noun, noun+prep+noun, and the Turkish language units by: noun+verb, noun+noun+verb types.

Keywords: communicative units, verbal units, substantival units, phrase-semantic field of “family” subject, sentences, collocations, phraseological unit, adverbial units, adjectival units, structural scheme

Abstract: The object of research in this article is modern English musical compositions. The matter of research is the way to use them as a sociolinguistic phenomenon at classes with students for increasing their interest for learning English. The author analyses the phenomenon of English musical compositions under globalization and Internet space. Particular attention is paid to importance of learning English in this context and to significance of the problem of choosing means and authentic materials for teaching English to students. Didactic potential of modern English songs is revealed.The method of research is sociolinguistic and linguodidactic analysis of a modern English composition as an art phenomenon under globalization as well as author’s own experience in teaching students. The author concludes that potential of English songs, which unite people all over in globalized space, should be used for increasing interest for learning English. These compositions are authentic language material and have methodological potential both linguistically and pedagogically. The unity of social, linguistic and linguodidactic approaches form the novelty of this article.

Keywords: communication, authenticity, means, interest, motivation, lyrics, discourse, English, music, globalization