Citations count: 13
Reference:
Shelomentsev M.A. —
Dynamics of the Reality Presentation in the Presidential Addresses to the Federal Assembly of Russia
// Litera.
– 2017. – ¹ 1.
– P. 39 - 49.
DOI: 10.7256/2409-8698.2017.1.22343 URL: https://en.nbpublish.com/library_read_article.php?id=22343
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Abstract:
The object of our research is the metaphors that can be found in the political discourse. The subject of our research is the dynamics of the reality representation in Vladimir Putin's Presidential Addresses to the Federal Assembly of Russia for 2000 and 2016. The aim of the article is to define dynamics in the reality representation in the Presidential Addresses to the Federal Assembly of Russia. As the material to study such dynamics, the author uses the analysis of metaphors in the Presidential addresses to the Federal Assembly of Russia based on the idea that metaphors perform the cognitive function and reailty categorization function. Analyzing texts of the aforesaid Addresses, the author defines the qualitative and quantitative contents of metaphors and describes changes in the contents in these reality representations. The methodological basis of this research involves George Lakoff's and Mark Johnson's idea about the conceptual metaphor based on the cognitive discourse padarigm. According to the author, the number of metaphors denotes not only what Vladimir Putin says in his Presidential Addresses to the Federal Assembly of Russia but also his attitude to what he says. This allows to speak of changes in his approach and thinking in terms of cognitive sciences.
Citations count: 9
Reference:
Mysovskikh L.O. —
Existential type of artistic consciousness:
genesis and ways of development in the literature of the XIX century
// Litera.
– 2022. – ¹ 4.
– P. 83 - 92.
DOI: 10.25136/2409-8698.2022.4.37521 URL: https://en.nbpublish.com/library_read_article.php?id=37521
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Abstract:
The article traces the origins of existentialism on the examples of writers and philosophers of the XIX century. The history of the study of the category «artistic consciousness» and the category «existential consciousness» is considered. The theoretical substantiation of the concepts of «artistic consciousness» and «existential consciousness» is proposed. The terms «existential» and «existentialist» are distinguished. The term «existential» is applied to writers and philosophers of the XIX century. S. Kierkegaard, M. Lermontov, F. Tyutchev, A. Schopenhauer, F. Dostoevsky, L. Tolstoy, A. Chekhov, F. Nietzsche are represented as existential writers. It shows the path that existential consciousness took in literature in the XIX century from Kierkegaard's «Knight of Faith» to Nietzsche's «Antichrist». The author makes an assumption about the existence of an existential type of artistic consciousness, considered as a type of artistic and aesthetic interaction of a person with the world, expressed in artistic creativity. It is suggested that in the twentieth century, the existential consciousness of a free person who found himself in a world where «God died» fell into an enchanted circle of absurdity. The opposite approach, considering human freedom as a gift from God, suggests using it in the name of creative improvement. Such a path leads to harmony with God, elevating the human creator to the role of a co-author of Divine creativity. Only this way is able to bring existential consciousness out of the dead end of the absurd.
Citations count: 9
Reference:
Tadzhibova A.N. —
The World of Metaphor in Mass Media Discourse
// Litera.
– 2016. – ¹ 2.
– P. 35 - 44.
DOI: 10.7256/2409-8698.2016.2.19135 URL: https://en.nbpublish.com/library_read_article.php?id=19135
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Abstract:
The subject of the research is the mass media discourse and a media metaphor as a method of impact on public consciousness. The object of the research is the web-based media in Russian and German that contain information on the events taking place in the world. Special attention is paid to the language of media discourse which is characterized by fast adaptation to the changing realities of our life, subtle analysis of the social priorities influencing consciousness of people and determining their behavior and exact reflection of these aspects in the texts. Evaluativity and capability to influence mass consciousness are important functions of media discourse. Changes of social conditions and public formations lead to the change of language and by that to change of people. In her research the author has applied the complex method of research which includes methods of the comparative description of metaphors and analysis and the method of continuous sampling of discursive fragments. The author comes to the conclusion about interrelation of lexico-semantic processes and social and political changes as it is most effective as means of reflection of changes in the society life. The scientific novelty of the research is caused by the fact that the author describes metaphors that are staticized in the Russian and German media discourses, and promoting, in general, the formation of ideas of election campaign in the USA and creation of the political image of candidates. Such approach to research has allowed to determine general tendencies of the development of mass media discourse in Russia and Germany.
Citations count: 7
Reference:
Kutyrev V.A. —
About Linguistic Counterrevolution, its Cause and Post-Human Prospects (Reflections on A. Nilogov's Book 'Philosophy of Anti-Language Published in 2013 in St. Petersburg)
// Litera.
– 2013. – ¹ 3.
– P. 1 - 27.
DOI: 10.7256/2306-1596.2013.3.10077 URL: https://en.nbpublish.com/library_read_article.php?id=10077
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Abstract:
There is a growing tendency towards critisizing the role of language in the sphere of the humanities. These tendencies form some kind of a counter-linguistic movement. One of the examples is the book 'Philosophy of Anti-Language' written by A. Nilogov. The main causes of these tendencies are the processes of technification and scientization of the modern world. The author of the article describes how these tendencies are presented in the humaities. The first level of so called 'linguistic counterrevolution' consists of the programming and digital communication languages which was implicitly demonstrated in Jacques Derrida's works. The second level presents trasnformation of communication into 'commutation' and 'syncretizing' of the world into undivided equation of the Other. Arithmetic, technological and speechless reasoning becomes the norm and creates a certain paradigm attitude to the world. This creates the grounds for technologization of modern humanities (even philosophy) and transformation of modern humanities into purely 'zombic' thinking on one hand and choatization and inclination to perversions on the other hand.
The author of the article emphasizes the need for overcoming these suicidal tendencies through protecting the language.
Citations count: 6
Reference:
Shteba A.A. —
Linguistic Features of Provocation
// Litera.
– 2017. – ¹ 1.
– P. 120 - 128.
DOI: 10.7256/2409-8698.2017.1.19580 URL: https://en.nbpublish.com/library_read_article.php?id=19580
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Abstract:
In this article Shteba analyzes the causal approach to defining the presence/absence fo provation features in communications behavior of a participant in a dialogue. The author differentiates between the definition of provocation and related terms describing direct or indirect psychological effect, direct, indirect or ulterior incitation. The author also provides a number of criteria allowing to define the dependence between communication actions of participants and transference of money by one of participants. These criteria include such dual terms as initiality/reactivity, determinabiilty/non-determinability, conventionality/non-conventionality, intensity/passivity, quantity/quality, rationality/irrationality, explicite/implicite information, verbality/(para-) non-verbality. The researcher has applied the methods of definitive and contextual analysis of cases when the word 'provocation' is used based on the materials of the National Corpus of the Russian Language in order to give a definition of the term 'provocation'. Further, the authro has viewed expert practice using elements of th conversational analysis and defining trigger utterances as well as reaction utterances. The main conclusion of the research is the author's provision that constituents of causality can be viewed as psycholinguistic features when defining the presence/absence of the features of provocative communications behavior demonstrated by one of interlocutors. The author also suggests that we should view provocation as a communication event that implies manipulation and incitation. At the same time the author underlines that it is methodologically wrong to interpret provocation in terms of imperativity and psychological effect.
Citations count: 6
Reference:
Griber Y.A., Jonauskaite D., Mohr C. —
The Colors of Emotions: Experimental Research of Associative Relations in Modern Russian
// Litera.
– 2019. – ¹ 1.
– P. 69 - 86.
DOI: 10.25136/2409-8698.2019.1.28892 URL: https://en.nbpublish.com/library_read_article.php?id=28892
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Abstract:
The subject of the research is the analysis of associative relations between twenty emotional concepts (interest, amusement, pride, joy, pleasure, satisfaction, admiration, love, relief, compassion, sadness, guilt, sorrow, shame, disappointment, fear, disdain, disgust, hatred and anger) and twelve basic names of colurs in the Russian language (red, orange, yellow, green, light blue, blue, violet, brown, pink, grey, black and white). The research is aimed at 1) discovering chromatic and achromatic meanings of emotions; 2)discovering syntagmatic and paradigmatic relations between color associations; 3) conduction of a linguocultural expertise of national specifics of discovered associative relations. The research is based on the on-line experiment that involved 103 Russian speakers (63 females and 40 males, the average age of resondents is 36.5, min age is 19 and max age is 78, sd=16.7). To analyze emotions, the researcher has applied the Geneva Emotion Wheel Inventory (GEW version 3.0) as a tool for self-evaluation of emotions and attitudes to a particular event. The results of the experiment have proved that Russian culture correlates the lightness of color to the valency of emotions. Positive emotions are associated with light colors and negative emotions are associated with darker colors. The closest emotional relations were demonstrated by yellow and orange, light blue and green, red and pink, black and grey. These pairs are often found as components of color images, too.
Citations count: 5
Reference:
Zou H., Novospasskaya N.V. —
Classification of elements of linguocultural information in the polycode text of printed advertising based on the material of Russian and Chinese languages
// Litera.
– 2021. – ¹ 2.
– P. 1 - 10.
DOI: 10.25136/2409-8698.2021.2.35001 URL: https://en.nbpublish.com/library_read_article.php?id=35001
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Abstract:
The subject of the study of this article is a polycode text, considered from the point of view of value in intercultural communication. The research material was a block of social and commercial advertisements (40 units in Russian and 40 units in Chinese), in which linguistic and cultural information can be both the subject of advertising and the background for the advertised product, service or idea. In the course of the research, the method of comparative analysis of the verbal component of two languages, the method of comparing the content and execution of the elements of the iconic level and also the method of semantic analysis of the verbal component of the polycode text of printed advertising were used. Â The novelty of the research lies in the established fact of the impact on the reader of a polycode advertising text, which forms an idea of national values containing physical-geographical, figurative, cultural-historical material and spiritual aspects. In accordance with the results of the study, conclusions were drawn that the polycode text of printed advertising is an effective means of broadcasting and obtaining information about the cultural specifics of a nation, an effective tool that reflects the state of another culture through the use of semantic and linguistic means. The elements of linguistic and cultural information considered in the article are presented as accessible as possible in a combination of visual and textual means.
Citations count: 5
Reference:
Golovanivskaya M.K., Efimenko N.A. —
The idea of truth in Russian, French and Chinese languages and cultures
// Litera.
– 2023. – ¹ 5.
– P. 249 - 267.
DOI: 10.25136/2409-8698.2023.5.40622 EDN: HQJANA URL: https://en.nbpublish.com/library_read_article.php?id=40622
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Abstract:
The article examines the idea of "truth" in three linguistic pictures of the world - Russian, French and Chinese. The study is contrastive, the results are compared. The description of each idea is made according to a clear algorithm: the etymology of the word, the mythological roots of the concept, its compatibility, from the compatibility is distinguished real connotation according to V. A. Uspensky, a comparison of dictionary definitions is made.The aim of the study is to identify the peculiarities of the idea of "truth" in the Russian, French and Chinese languages. The purpose of the comparison is to see the similarities and differences in the worldview of different peoples. Scientific methods of research are: comparative-historical method, method of generalization, method of semantic analysis. This topic is understudied, no linguocultural studies analyzing this idea in Russian, French and Chinese culture have been observed earlier, which constitutes the scientific novelty of the work. The results will contribute to mutual understanding between peoples, forming a kind of conceptual bridge, and will also be used in courses on regional studies, comparative studies of cultures, and in the teaching of the respective languages.
Citations count: 4
Reference:
Pishcherskaia E.N. —
Creolized text as an object of study in linguistics
// Litera.
– 2023. – ¹ 5.
– P. 55 - 65.
DOI: 10.25136/2409-8698.2023.5.40748 EDN: ZHKUAD URL: https://en.nbpublish.com/library_read_article.php?id=40748
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Abstract:
Linguistics as a science is constantly developing and expanding its boundaries, including in its competence all new objects of research. One of such objects is a creolized text, which is a special kind of communicative phenomenon consisting of signs of different semiotic systems. Creolized text is actively used in various spheres of public life, including advertising, media, art, education, etc. The article is devoted to the creolized text as an object of study in linguistics. The object of research in this article is a creolized text. The purpose of this article is to consider the creolized text as an object of study in linguistics through the analysis of published studies. The methodological basis and material of the study were the classical works of domestic and foreign scientists on the problems of text theory, paralinguistics, semiotics, communicative linguistics and linguoculturology, as well as recent studies, the object of study of which were creolized or polycode texts. The author defines the concept of a creolized text, highlights the specific characteristics of a creolized text compared to a single-code text, describes the main scientific approaches to the analysis of a creolized text and research methods. The article presents an overview of classical scientific works devoted to the analysis of creolized text, as well as studies published in recent years. The author concludes that the creolized text is a complex and multifaceted object of study in linguistics, which reflects the trends in the development of modern society and culture and allows expanding the boundaries of linguistic knowledge and understanding of language as a means of communication.
Citations count: 4
Reference:
Guan Q. —
Lexico-semantic Aspects of Word "Sanction" in the Russian Political Sphere
// Litera.
– 2022. – ¹ 11.
– P. 137 - 151.
DOI: 10.25136/2409-8698.2022.11.37500 EDN: QTIKDL URL: https://en.nbpublish.com/library_read_article.php?id=37500
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Abstract:
The article analyzes the structure and features of the lexico-semantic field (of the word) "sanction" in the Russian political sphere; author discuss the semantic connections of its lexical units and metaphorical models of this word in the political discourse of the Russian language. The subject of the study is the semantic content of the term under consideration, presented on the website Kremlin.ru and in the Russian National Corpus. The purpose of the study is to analyze a fragment of the Russian political picture of the world reflected in this field. To achieve this goal, a set of the following linguistic methods has been applied, such as statistical description, component analysis, field method, etc. The novelty of the study lies in the fact that, using the example of the term "sanction", an attempt is made for the first time to build a lexical-semantic field of a political term of the Russian language. The results obtained show that the lexico-semantic field "sanction" in the Russian political sphere consists of 7 microfields that are interconnected with each other and have their own model - "core-periphery", however, the boundary of the transition from the core to the periphery is not clearly traced. In addition, the lexico-semantic field is also a way of representing the language world picture, because the cultural features of the language of any nation are primarily reflected at the level of the lexicon - the most dynamic tier of the language system. The term "sanction" in modern Russian language is used not only in the legal, but also in the political spheres, and is also used as a tool for regulating relations between states and international organizations. In the Russian political sphere, lexico-semantic field "sanction" is accompanied by a large number of metaphors used to reveal the conflicting nature of the sanction and the dramatic nature of political life, the semantics and scope of the term, as well as stylistic evaluation, are expanded.
Citations count: 4
Reference:
Artamonova M.V., Mambetov A.A., Tulina E.V. —
Chatbot as a translation tool
// Litera.
– 2023. – ¹ 8.
– P. 235 - 253.
DOI: 10.25136/2409-8698.2023.8.43875 EDN: VMTZYT URL: https://en.nbpublish.com/library_read_article.php?id=43875
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Abstract:
This article is devoted to the study and analysis of modern technologies, namely artificial intelligence as an auxiliary tool in the work of a translator. The purpose of the study is to find out whether chatbots based on GPT–3.5 technology can be used in translation activities. The article compares the capabilities of chatbots and online text corpora, as well as checks their analytical abilities and ability to rhyme. Dialog assistants are given a task to find information or analyze it based on a query given to them. At the same time, it is checked whether chatbots developed by different companies provide the same information. The scientific novelty of the work lies in the attempt to find a universal tool that can automate the routine work of the translator. A special contribution of the authors of the study is an attempt for the first time to compare and analyze the rapidly developing functionality of chatbots in the context of translation activities and to identify key problems that do not allow the effective use of this technology in translation. As a result, it was determined that the modern GPT language model has many limitations and disadvantages that stop chatbots from becoming a reliable source of information and an efficient translation tool. Problems were identified, the solution of which would make it possible to use Chat GPT and other chatbots in translation activities.
Citations count: 4
Reference:
Dmitriev A.V., Kogan M.S., Vdovina E.K. —
Theoretical-applied significance of corpora in computer linguodidactics
// Litera.
– 2020. – ¹ 1.
– P. 200 - 216.
DOI: 10.25136/2409-8698.2020.1.32219 URL: https://en.nbpublish.com/library_read_article.php?id=32219
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The subject of this research is the application of corpora in teaching foreign languages. Prevalence of discursive practices and in-depth study of discourse marked the emergence of studies with cognitive-corpus focus; therefore, we are currently witnessing global coverage of corpus linguistics – both, substantively and methodologically – various professional and scientific zones in the area of humanistic research and other. The authors touch upon the question on the role and place of corpus linguistics in modern science, and support an opinion that corpus linguistics is meant to become a foundation for the new cognitive in its essence linguistic theory. The research methodology is structure on the interaction of such modern approaches as corpus-based and corpus-driven. Using these methods, the students take on the role of researcher-experimentalists, by means of corpora and in the process of performing specifically developed corpus-based tasks, conduct their own minor linguistic research. The authors’ special contribution consists in substantiation and generalization of theoretical experience of the forerunners in light of analysis of the direct and indirect application of corpora not only in teaching source language, but also computer linguodidactics; as well as description of such application from the perspectives of corpus-driven and corpus-based approaches for their future implementation into the educational process. As an example of such implementation, the authors developed a project task for the extra-mural master’s degree students of Peter the Great St. Petersburg Polytechnic University majoring “Computer Linguodidactics”: to compile their own corpus (based on the concordance software AntConc) on the selected topic of a particular textbook on general or specialized English language.
Citations count: 4
Reference:
Fedorova N.V. —
Neologisms and Their Word-Formation Tendencies in Modern English (Based on the Analysis of Mass Media Texts)
// Litera.
– 2018. – ¹ 2.
– P. 216 - 225.
DOI: 10.25136/2409-8698.2018.2.26182 URL: https://en.nbpublish.com/library_read_article.php?id=26182
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In her paper Fedorova analyzes English-speaking neologisms used within the framework of such a functional and stylistic variety of modern English as the style of mass communication. Neologisms, selected from materials of online media, are analyzed from the point of view of word-formation models according to which they are formed, in order to identify the most productive of them. The practical significance of the work is due to the fact that the results and selected language material can be used for scientific and educational purposes, for example, in the preparation of monographs and textbooks on the theory of translation, lexicology of the English language, etc., in practical classes, seminars on relevant topics, and also in the professional field when translating relevant language material. The researcher has used the methods of continuous sampling, linguistic observation and description, contextual analysis and quantitative counting. The author determined the quantitative ratio of word-formation models and means characteristic of English-language media texts in the present period. The obtained data are compared with the data of foreign researchers who worked with similar language material. The analysis of the language material showed that the composition and merging remain the most productive ways to form new words in the English language. A further increase in the number of semantic neologisms is predicted.
Citations count: 4
Reference:
Lobanova T.N. —
Foreign Policy Issues in China's Political Media Discourse: Linguistic Analysis (the Case Study of the CCTV中文国际 Channel)
// Litera.
– 2019. – ¹ 2.
– P. 236 - 250.
DOI: 10.25136/2409-8698.2019.2.29074 URL: https://en.nbpublish.com/library_read_article.php?id=29074
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Abstract:
The subject of the research is foreign policy issues covered by China's political media discourse. The object of the research is China's political media discourse. The author of the article examines such aspects of the topicas 'analytical concept of China's political media discourse, structure and features' and 'discursive practices'. The main method used in the research is the analysis of media texts of news and analytical channels 《CCTV 中文国际》, 《CCTV 中文国际频道》 and 《深度国际》 browseable by the Russian audience on 'nettlesome' foreign policy issues. The researcher focuses on the issues related to the language development of such political discourses as 'American-Chinese Trade War of 2018' and 'USA's Withdrawal from a Treaty' in China's state media. Using the methods of qualitative and quantitative content-analysis, critical discourse analysis combined with methods of contextual political analysis, the author of the article analyzes essentual features of China's position in international relations. The main result of the research include description of peculiarities of discoursive practices in China's media. The concept of China's political media discourse covered in this article combined with interdisciplinary methodology cause the novelty of the research because there are the aspects that have never been a matter of complex research in Russian language studies so far. The author's special contribution to the analysis of political discourse is the discourse-analysis of untranslated analytical broadcasts of China's media. The author renews the problems of the political discourse and defines the main linguistic features of China's media texts (based on the examples of 《CCTV 中文国际》 channel).
Citations count: 4
Reference:
Kuzmin G. —
'Morki Text' in Mari Prose (on the Problem Statement)
// Litera.
– 2018. – ¹ 3.
– P. 22 - 27.
DOI: 10.25136/2409-8698.2018.3.26717 URL: https://en.nbpublish.com/library_read_article.php?id=26717
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Abstract:
In his research Kuzmin brings forth the problem of the local (regional) text, in particular, 'Morki text' in Mari folk literature. In his research Kuzmin gives a definition of 'Morki text' in terms of existing definitions of 'St. Petersburg text', 'Moscow text', 'Northern text', etc. and defines the key factors that contributed to the origin and development of Morki text. In his research Kuzmin pays special attention to the geographical factor in the development of Morki text and describes the main features of the message, problem, topic, narration and style unity of all Morki texts. This article is of theoretical and methodological nature. Therein the author applies analytical, systems and comparative methods of literary analysis. Kuzmin analyzes Russian academic approaches to analyzing the origin, development and current state of local supertexts from the point of view of their importance and possibility to be used to describe the term 'Morki text' in Mari folk prose.
Citations count: 3
Reference:
Temirshina O.R., Belousova O.G., Afanas'eva O.V. —
Onomastic codes of the “Poem Without A Hero” by A. A. Akhmatova as hidden intertextual addressing
// Litera.
– 2021. – ¹ 12.
– P. 48 - 56.
DOI: 10.25136/2409-8698.2021.12.37214 URL: https://en.nbpublish.com/library_read_article.php?id=37214
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The subject of this research is the principles of correlation of onomastic code of the “Poem Without A Hero” with the text frame of its various editions, viewed from the communicative-pragmatic perspective. The object of this research is nine editions of the “Poem Without a Hero” and intertextual references marked within the text frame. The author dwells on such aspects as the interrelation between the literary onomastics and hidden meanings of the poem, transformations of the text frame, methods of “instilling” the authorial meanings to intertextual sources (the works of Byron, Pushkin, and Gumilyov). Special attention is given to projection of the personal myth of Anna Akhmatova, which is traced through the poem, on Western European and Russian literature and the evolution of the text frame. It is demonstrated that the ensemble of epigraphs, which represents an implicit dedication to the poet fallen in disfavor, dissolves leaving imprints in the form of mentioning of Byron and Don Juan in the text of the poem. The main conclusion lies in the establishment of a number of semantic correspondences between the text frame and the historical-cultural halo of names, which on the one hand are associated with the imagery-motif level of a particular poem, while on the other – with personal mythology of the poet. The author’s special contribution to this research lies in outlining the strategies aimed at preservation of special intertextual memory in the names. The novelty consists in determination of the semantic halo of the name, which specifies a range of implicit meanings of the poem. It is revealed that these meanings are “supported” by the corresponding references. Such reminiscences, interweaving into a complex ornamental pattern, on the one side are conceptually programmed by the very structure of the “Poem Without A Hero”, and on the other side, determined biographically.
Citations count: 3
Reference:
Zipunov A., Valganov S.V. —
Rhythmic semantic structures of the “particular-universal” in the lyrics of the author song and their search algorithms
// Litera.
– 2020. – ¹ 12.
– P. 168 - 176.
DOI: 10.25136/2409-8698.2020.12.34391 URL: https://en.nbpublish.com/library_read_article.php?id=34391
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Abstract:
Cultural phenomena and their correlation with social processes spark specific scientific interest. One of such cultural trends is the author song of the 1950s – 1980s, which became the subject to this research. Adequate interpretation of the content of compositions and their connection with public life requires a particular toolset, especially due to the fact that some texts contain interesting semantic structures. In reading the lyrics, the alternation of fragments with opposite meanings was revealed. Generalization of these meanings to abstract concepts demonstrates that they comprise a semantic rhythm. One of such rhythmic structures consists in rotation of the particular and the universal. This article describes and formalizes the algorithm that resembles the principle of LR (k)-analyzer of context-free grammars, which was used for the analysis of two author songs: “Ten Stars” by A. Krupp and “Romance of the Old Age” by A. Sukhanov based on the poetry of Omar Khayyám. In the indicated compositions, the author revealed common structures in form of the particular-universal rhythm and the motive of coping, as well as certain structural peculiarities. The songs under review differ in the degree of expression of dialectical contradiction of the “particular” and the “universal”. They also vary in the forms of translation of this semantic rhythm: through non-overlapping sets, additional orthographic dimensions, or storyline expansion on space-time scale.
Citations count: 3
Reference:
Zaitsev A.V. —
Lingvopolitical Studies VS Political Linguistics: Is There a Dialogue?
// Litera.
– 2012. – ¹ 1.
– P. 25 - 81.
DOI: 10.7256/2306-1596.2012.1.150 URL: https://en.nbpublish.com/library_read_article.php?id=150
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Abstract:
The article tells about the differences that exist between lingvopolitical and political-linguistic approaches to political communication and political dialogue. Political linguistics view political communication as a struggle for power, influence and mind control and actually exclude interaction between the government and society. This approach is opposed to the lingvopolitical point of view according to which modern political communication is based not on the subject-object relation but on the subject - subject interaction, i.e. the dialogue between the goverment and civil society.
Citations count: 3
Reference:
Bondarenko Y. —
Quasi-Autobiographical nature of PR-Biography
// Litera.
– 2018. – ¹ 1.
– P. 49 - 62.
DOI: 10.25136/2409-8698.2018.1.25301 URL: https://en.nbpublish.com/library_read_article.php?id=25301
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Abstract:
PR-biography is a new speech genre that was created as a result of adaptation of a traditional biographical narration to PR-dicourse essense and purposes. The subject of this research is the main grammar, lexico-semantic and textual linguistic means that indirectly demonstrate the speech situation and discursive context in which PR-biography texts and genres are created and function. These means also indicate transformations that happen to the biographical narration model as a result of its being included in the PR-discourse. Along with observation, induction and deduction, the author of the article has also used the method of explanatory description that is based on discovering relations between linguistic facts and extra-linguistic (communicative) situation that combines communicative features of both biography and autobiography in one text. The author of the research also describes how these features are demonstrated through the first-person and third-person narrations that become stylistic means of modelling a distance between a hero and audience, particular implementation of an authorship category and means of expressive a positive attitude developed by PR-biography. The results of the research can be used to clarify existing classifications of PR-biographies as well as to develop recommendations about how to write PR-biographical texts.
Citations count: 3
Reference:
Ol'shanskii D.A. —
Psychoanalysis of Literature
// Litera.
– 2015. – ¹ 2.
– P. 14 - 58.
DOI: 10.7256/2409-8698.2015.2.16364 URL: https://en.nbpublish.com/library_read_article.php?id=16364
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Abstract:
It is known that psychoanalysis exists in three options – philosophical, clinical and applied. In the latter case it is about a peculiar research of art, political and mass and psychological processes. Psychoanalytic ideas can be used in the sphere of philosophy, sociology, art and religion. Freud laid the patography foundation – one of applied disciplines of psychoanalysis studying and interpreting biographies of writers, scientists, artists, politicians. Peru the founder of psychoanalysis possesses the known patografichesky researches devoted to Leonardo da Vinci, F.M. Dostoyevsky, V. Wilson. Patography – a specific method and a genre of the psychological and patopsikhologichesky analysis, description of life and creativity of charismatic persons, artists, scientists, writers, political and religious figures. Psychoanalysis of literature is presented in this case by a series of reviews of the author of performances, movies and other works of art. The author uses methodology of philosophical anthropology, psychoanalysis and a hermeneutics. He seeks to analyse works of art from the point of view of psychological mechanisms which are revealed by psychoanalysis. For the first time in domestic literature psychoanalysis is widely applied to studying of literary works. The author considers plots which formed the basis of performances, of movies and operas, investigates motives of behavior of literary characters, reveals secrets of mentality through a prism of psychoanalytic opening. It is possible to call each response to this or that statement a peculiar metaphysical sketch.
Citations count: 3
Reference:
Faritov V.T. —
Elements of folk-laughter culture of in "Thus Spoke Zarathustra" by Friedrich Nietzsche (Nietzsche and Bakhtin)
// Litera.
– 2016. – ¹ 3.
– P. 60 - 74.
DOI: 10.7256/2409-8698.2016.3.19305 URL: https://en.nbpublish.com/library_read_article.php?id=19305
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Abstract:
The subject of the study of the present article are the philosophical aspects of folk culture of laughter as a source of conceptual and figurative content philosophical literature works. Object of research are elements of folk culture of laughter in his book "Thus Spake Zarathustra" Friedrich Nietzsche. The author, based on the conceptual development of MM Bakhtin analyzes the main features of philosophical ideas and poetics of the main work of the German thinker. The main attention is paid to the phenomena of laughter, the carnival attitude, buffoonery and body. The paper used to install and methodological principles of comparative literature and comparative philosophy. Used poststructuralist methods of work with texts. The main conclusion of the study is a thesis about the embeddedness of ideologically-shaped structure "Thus Spake Zarathustra" in the tradition of folk culture of laughter. Author substantiated the position of the accessories of the work of Nietzsche to genres carnivalized literature. The article reveals the connection of phenomena of laughter, carnival buffoonery and body with the ontological phenomenon of transgression.
Citations count: 3
Reference:
Khomyakov S.A. —
Architectonics of the Frame Text (the Analysis of Anna Ahmatova's 'Poem Without a Hero')
// Litera.
– 2018. – ¹ 3.
– P. 57 - 68.
DOI: 10.25136/2409-8698.2018.3.26923 URL: https://en.nbpublish.com/library_read_article.php?id=26923
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The subject of this research is the structure elements (the frame), in particular, in Anna Ahmatova's 'Poem Without a Hero'. In his research Khomyakov focuses on such elements of the 'frame text' as the title, epigraphs, dedications, nota benes that have their own semantics and serve the purpose to tell the reader about preceding events. Specific features of using a particular frame element are predetermined by genre peculiarities of Ahmatova's literary work. Elements included by the poet in the text of Poem Without a Hero conform with a strict hierarchy and model the space-and-time relations between one another and within the tissue of the main text in each of three parts of the literary work. The analysis of Anna Ahmatova's Poem Without a Hero is based on the comparative analysis and structural-semantic method. The novelty of the research is caused by the fact that the researcher analyzes all 'frame' elements of the final (the 9th) edition of Anna Ahmatova's Poem Without a Hero. The researcher offers an improved definition of a text as a literary work as well as definitions of literary work tissue and text tissue, as a result of his in-depth analysis of Anna Ahmatova's final literary work.
Citations count: 3
Reference:
Lamzina A.V., Kikhnei L.G. —
The “echo” of Edgar Poe in Anna Akhmatova’s “Poem without a Hero” and poems later period
// Litera.
– 2021. – ¹ 1.
– P. 1 - 14.
DOI: 10.25136/2409-8698.2021.1.34645 URL: https://en.nbpublish.com/library_read_article.php?id=34645
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Abstract:
The subject of this research is the hidden allusions to the novels of Edgar Poe in Anna Akhmatova’s “Poem without a Hero” and poems later period. The research material contains the framework text of the “Poem without a Hero” – the set of epigraphs to different parts of the poem, authorial commentaries, history of used and discarded epigraphs at various stages of revision of the poem, text of the “Poem without a Hero”, as well as the author's “Prose about the Poem” and a number of poems created during the work on the “Poem without a Hero” and afterwards. A. Akhmatova was interested in the works of Edgar Poe, and researched the references to Edgar Poe in the works of N. S. Gumilyov. The article employs comprehensive methodology, such as comparative-historical and biographical approaches, as well as intertextual and hermeneutic methods for determination of literary allusions and interpretation of meanings hidden by the author. The main conclusion lies in revelation of the profoundly concealed connection of the “Poem without a Hero” with the range of narratives of Edgar Poe, united by the cross-cutting motif of being buried alive and coming back from the dead: “The Black Cat”, “The Fall of the House of Usher”, “Morella”, “Ligeia”, “Berenice”, “The Oval Portrait”. This gives a new perspective on the literary characters that one after another appeared to the lyrical heroine in plot of the poem; and explains the fragment of one of the most mysterious works in Russian literature of the XX century, and some other poems of Anna Akhmatova.
Citations count: 3
Reference:
Liu L. —
Methods and motives for nominating geographical sites in the Chinese and Russian languages
// Litera.
– 2021. – ¹ 5.
– P. 97 - 105.
DOI: 10.25136/2409-8698.2021.5.35607 URL: https://en.nbpublish.com/library_read_article.php?id=35607
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Abstract:
The goal of this research is to determine the characteristics of methods in nominating geographical sites in the Chinese and Russian languages. Toponyms (geographical names) are a subsystem in the national language lexicon that describes the vast territory of each country, as well as the names of various specific geographical sites recognized in the geographical environment. Toponyms, being proper names, represent not only geographical nomenclature units, but are rich in historical and cultural connotations. The development of toponymy as an independent scientific field has an extensive background. In the course of time, the toponymic research was often reinforced by scientific data in different fields, such as comparative-historical linguistics, history, geography, and other. In continuation of previous research, this article analyzes the similarities and differences between the Russian and Chinese toponyms. The scientific novelty of the research consists in the following: 1) generalization of the data on the semantics of toponyms from linguistic perspective; 2) characterization of language specifics and significance of toponyms in the Chinese and Russian languages; 3) description of toponyms in connotative and linguocultural aspects. The relevance of the selected topic is substantiated by cultural importance of the Russian and Chinese toponyms, which are analyzed in accordance with principle of nominating motives. The comparison of toponyms in the indicated aspect is of particular importance for broadening the areas of research in toponymy and the theory of cross-cultural communication. As a result, the author reveals the similar and different types of the meanings of toponyms in the Russian and Chinese languages.
Citations count: 3
Reference:
Kudryavtseva R.A. —
"Sheklyanur text" in the novel by Yivan Osmin "Between Heaven and Earth"
// Litera.
– 2023. – ¹ 11.
– P. 126 - 145.
DOI: 10.25136/2409-8698.2023.11.69118 EDN: NCNJAO URL: https://en.nbpublish.com/library_read_article.php?id=69118
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Abstract:
This article is prepared as part of the study of the actual problem of local supertext in the literature. It examines the "Sheklyanur text" of the documentary-fiction (autobiographical, memoir) novel by the Mari writer Yivan Osmin "Kava den mlande koklashte" ("Between Heaven and Earth"). The author identifies, describes and analyzes the main components of the "Sheklyanur text" (the problems tied to the Sheklyanur plot line and the Sheklyanur part of the biography of the central character acting as a narrator, the system of characters and events, descriptions, administrative and geographical realities, ethnographic scenes and details, language features), their place in the artistic structure of the novel and also highlights the historical context of the "Shakespearean text", most clearly visible in its ring composition and having a dramatic and tragic orientation. The methodological basis of the research is the historical-genetic method and the structural-semantic analysis of the work. They made it possible to identify and adequately interpret the meaningful lines of the "Shakespearean text" to the maximum extent, to describe the key elements of its poetics. Yyvan Osmin's novel "Between Heaven and Earth" for the first time in regional and Russian science has become the object of special analysis, it is studied in the context of the actual, almost unexplored in Mari philology problem of local overtext in literature. The "Sheklyanur text" of the novel is considered as a focus of information about the specific aspects of the village of Sheklyanur (as a socio-cultural space) of the mid-1930s, sustained within the framework of an artistic and documentary (memoir, autobiographical, primary) narrative. The "Sheklyanur text" is filled with memorable everyday scenes of a personal and social nature, which, together with open ethnographic elements, recreate pictures of the Mari world and some features of its manifestation in a particular place of residence of Mari. The exceptional signs of the "Shakespearean text" were the authentic names of real characters, their destinies, topographical and administrative-economic realities, lexical features of the narrator's speech.
Citations count: 3
Reference:
Sun X., Chzhan C. —
Russian and Chinese National Personalities: Based on the Material of Phraseological Units, Proverbs, and Sayings With the Concept of "Family"
// Litera.
– 2023. – ¹ 12.
– P. 315 - 327.
DOI: 10.25136/2409-8698.2023.12.69220.2 EDN: LCRWHH URL: https://en.nbpublish.com/library_read_article.php?id=69220
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This article is devoted to the characteristics of Russian and Chinese national personalities based on the material of phraseological units, proverbs, and sayings with the concept of "family." The subjects of this study are Russian national personality (RNL) and Chinese national personality (CNL). The object of the study is the universal and national-specific linguistic and cultural features of Russian and Chinese national personalities. The practical significance of the work lies in the fact that the lexical-semantic and linguocultural analysis of phraseological units, proverbs, and sayings of family subjects can be used in educational activities in courses of lexicology, linguoculturology, linguistic and cultural studies, and sociolinguistics. The provisions and conclusions of the study can be applied in lexicographic practice in compiling dictionaries of phraseological units, as well as in the practice of teaching Russian as a foreign language and spreading Chinese culture in Russia.
To solve the problem, the following research methods are used: continuous sampling of material from dictionaries of the Russian and Chinese languages, linguistic and cultural commentary, and comparative-contrastive methods. Russian and Chinese national personalities are considered for the first time in the article, which has yet to previously be described in a comparative aspect. The family's traditional spiritual and cultural values of Russian and Chinese cultures are analyzed for the first time. Their ideas and attitudes toward marriage, love, women, men, wives, husbands, parents, children, and relations to relatives indicate common or different cultural attitudes among representatives of both linguistic cultures. This is the scientific novelty of this study.
This study shows that phraseological units, proverbs, and sayings with the concept of family recorded in Russian and Chinese lexicographic sources differ in quantitative and substantive terms. Russian and Chinese personalities view traditional family values such as marriage, love, women, men, wives, husbands, parents, children, relatives, etc. differently. For the Chinese, family and kinship relations are of great importance, and the preservation of these relations is carried out with the help of cultural values such as marital harmony, procreation, filial piety, fraternal friendship, and peaceful family relations.
Citations count: 3
Reference:
Zigmantovich D.S. —
Destabilizing factors in simultaneous interpreting (using the example of oral syntactic features in speeches delivered by French politicians)
// Litera.
– 2024. – ¹ 9.
– P. 1 - 10.
DOI: 10.25136/2409-8698.2024.9.71636 EDN: VWKRYB URL: https://en.nbpublish.com/library_read_article.php?id=71636
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Simultaneous interpreting (SI) is one of the most complex types of cognitive and communicative activity. Such factors as the simultaneity of speech perception and speech production, multichannel nature of data received for processing, high speed of interpreting, etc. dictate the need educate highly qualified interpreters. This also indicates the importance of determining the criteria that must be taken into account while selecting speeches for the step-by-step mastering of the technique of SI. The subject of the study of this article are the factors influencing the handling of information in the process of simultaneous interpreting and embodied in the individual syntactic features of the speaker's speech. These features determine speeches' translatability and can either represent some destabilizing factors for simultaneous interpreters, or contribute to a more accurate and high-quality interpreting. The author analyzes the syntactic features inherent in the speeches delivered by two presidents of the French Republic – N. Sarkozy and F. Hollande. The article provides a comparative analysis of written texts and delivered speeches and a linguistic analysis of the text in order to identify syntactic features and to describe the impact they can have on the work of interpreters. The author of the article came to the conclusion that the analysis of such features can help in the selection of authentic speeches at the initial stage of mastering the technique of SI and for practicing and automating certain skills at a more advanced level or in the selection of speeches for intensive training in the language combination "French – Russian". The results of the research can be used in the study of texts produced by other speakers and / or in other languages. The results of the research can find application in educational and pedagogical activities, as well as in real interpreting practice.
Citations count: 2
Reference:
Decheva S.V., Aristova D.D. —
The Rhetoric of University Lecturing and its Evolution in the Western Academic Community
// Litera.
– 2022. – ¹ 10.
– P. 128 - 140.
DOI: 10.25136/2409-8698.2022.10.38877 EDN: IVFGFQ URL: https://en.nbpublish.com/library_read_article.php?id=38877
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The article deals with the evolution of the rhetoric of academic communication in the genre of university lecturing. The main emphasis is laid on its socio-cultural, historical, psychological and phonetic antecedents beginning with the times of antiquity to these days. It is the speaking image of the lecturer and those rhetorical means that facilitate one’s interaction with the university audience that come into focus. The task is to show how knowledge is shared via university lecturing with respect to traditions of public speaking and the linguoculturological realia of this or that epoch. In other words, what comes to the fore in this paper is continuity and optimization of intellective communication in the present-day Global English space. The main conclusion the authors arrive at is that to introduce any changes in the non-native speakers’ rhetoric of academic discourse a really comprehensive cognitive processing of the genre of lecturing is required. Different aesthetic and ethical aspects of academic English are to be taken into account and weighed up from different angles, including its innovative phonostylistic design in the West and the traditions of intellective communication in other parts of the globe.
Citations count: 2
Reference:
Daulet F.N. —
Linguoculturological and semantic properties of phraseological units with zoomorphic components (on the example of Chinese language)
// Litera.
– 2019. – ¹ 6.
– P. 214 - 229.
DOI: 10.25136/2409-8698.2019.6.31168 URL: https://en.nbpublish.com/library_read_article.php?id=31168
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This article is dedicated to the analysis of linguoculturological, linguocognitive, and semantic properties of phraseological units with zoomorphic components with high connotative potential, which are one of the key sources of cultural-national heritage of the Chinese civilization. Language material of the research demonstrates that in Chinese language most productivity as a figurative core of phraseologisms belongs to zoonyms (common name for animals) from liuchu (六畜) group consisting of six kinds of domesticated animals and birds, which includes horse – ma (马), cow/ox – niu (牛), dog – gou (狗), pig – zhu (猪), chicken – ji (鸡)). The research results illustrate that the value-semantic aspect of national mentality is neither more nor less than an accumulation of systematized knowledge of people on the environment and world, viewed through the prism of their social and emotional experience. Methodological framework is the linguocultural and linguocognitive method, which allow giving a complex description of linguistic and cultural semantics of phraseologisms with the components – zoonyms. The scientific novelty is defined by the author’s original approach towards working with set objectives, comprehensive examination of the question of zoomorphic code of Chinese linguoculture through the basic concepts and their verbal meanings, as well as development of theoretical and methodological grounds of linguocultural and linguocognitive directions of studying linguistic concepts.
Citations count: 2
Reference:
Murzina O.V., Gotovtseva A.G. —
Neo-Quintilian paradigm of modern youth media
// Litera.
– 2021. – ¹ 4.
– P. 33 - 41.
DOI: 10.25136/2409-8698.2021.4.35318 URL: https://en.nbpublish.com/library_read_article.php?id=35318
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The subject of this research is the transformation of classical ancient rhetoric in modern media, namely of such a mandatory part of the classical presentation of speech according to Marcus Fabius Quintilianus, as rebuttal to an opponent's argument. The article employs posts of the authors of various blogs on the entertainment portals and their interaction with users’ commentaries. Response to an objection was an important element of the canon of presentation of speech in antiquity: by doing so, the speaker demonstrated a confident command of the topic, and at the same time, that the topic is objectionable and requires argumentation. The reduction of competitive eloquence turned this part of the canon into a ritual weakened its ties with the actual speech practice. In modernity, we can observe the return of rebuttal to an opponent's arguments as an independent genre – the author in his publications counts on rebuttal and prepares in advance. The novelty of this research consists in the fact that the Neo-Quintilian paradigm of modern youth media is analyzed for the first time. The main conclusions lies in revelation of transformation and deformation of the classical canon: being the so-called cultural constant, the classical canon of ancient rhetoric is conveyed to modern users through interaction with accepted patterns. The modern young audience perceives the canon indirectly, through approved or criticized examples of eloquence, eliciting rfagments thereof – thus, the semantic connection of argument and rebuttal is one of the versions of the deformed, but recognizable canon.
Citations count: 2
Reference:
Zipunov A., Valganov S.V. —
Macro-semantic rhythmic structures in popular author songs
// Litera.
– 2021. – ¹ 11.
– P. 106 - 115.
DOI: 10.25136/2409-8698.2021.11.36848 URL: https://en.nbpublish.com/library_read_article.php?id=36848
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Certain author song of the 1950s – 1980s are characterized with such structural peculiarity as semantic rhythms. This pattern manifests itself in two forms: dialectical juxtaposition of the particular and the general (PG-rhythm); as well as the conflict of non-entropic and entropic processes, order and chaos (OC-rhythm). For broader understanding of this phenomenon, it is necessary to determine its place within the framework of the author song as a large-scale cultural phenomenon. The author mass processing of popular compositions using the method of almost full enumeration. The research material includes all 5 thematic national collections that feature 487 songs. The analysis of the lyrics reveals the total number of works with the initial semantic rhythmics: 43% with the PG-structure and 23% with the OC-structure. The application of various strategies of analysis indicates that the sampling of no less than 70-80 compositions should be used for achieving accurate results in partial studies (for example, by authors) . In the course of research, the author determines new versions of manifestation of the semantic structures: PG-structure of fable-type, as well as variability of Brodsky's saw in songs with entropic rhythmics. There are also songs with intersection of both types of semantic rhythms. Correlation is established between the social processes of cultural environment associated with the author song and the dynamics of semantic rhythms in popular compositions. In the early 1970s, a bifurcation point is noticed in the moods of the corresponding social community.
Citations count: 2
Reference:
Gilemshin F.F., Galiullina G.R. —
Past participle in kyssa Tatar texts of the late XIX – early XX centuries
// Litera.
– 2022. – ¹ 1.
– P. 19 - 25.
DOI: 10.25136/2409-8698.2022.1.37320 URL: https://en.nbpublish.com/library_read_article.php?id=37320
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The goal of this research lies in the analysis of past participles used in the texts of kyssa genre. The object of this research is kyssa Tatar texts published in the late XIX – early XX centuries. These works emerged under the influence of Oriental literature. The translations of the following works especially popular: the collection of fairy tales “One Thousand and One Nights” by F. Khalidi, the books “Tutinama” and “Kalila and Dimna” by G. Faezkhanov, the books “The History of the Forty Vezirs” and “Abugalisina” by K. Nasiry. They had a significant impact upon the formation of morphological norms of the modern Tatar literary language. The novelty of this article is defined by the fact that the morphological peculiarities of the works belonging to this genre have not previously become the object of separate research in the Tatar linguistics. The conclusion is made that the language of kyssa texts is heterogeneous, incorporating the elements of the traditional written literary language and the folk colloquial language. This is testified by the grammatical forms of past participle. The analysis demonstrates that the most common and multifunctional forms are -γan /-gän, -qan/-kän characteristic to the Kipchak subgroup of Turkic languages. This form is mostly used in colloquial language. Past participles with the affixes -dyq /-dek, -myš/-meš, -muš/-müš characteristic to the Oghuz group of Turkic languages are the indicators of the written literary language. With the establishment of the modern Tatar literary language, they became obsolete.
Citations count: 2
Reference:
Bobodzhanova L. —
Peculiarities of national cultural adaptation of Grimm's Fairy Tales when translated into Russian
// Litera.
– 2020. – ¹ 9.
– P. 111 - 120.
DOI: 10.25136/2409-8698.2020.9.33627 URL: https://en.nbpublish.com/library_read_article.php?id=33627
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This article is dedicated to the analysis of fairy tales as a special genre of children's fiction literature with unique features and a long history. In the course of this work, the author gives definitions to the key concepts; examines correlation between the literary fairly tale and folk fairy tale, evolution of fairy tale genre, namely the works of Brothers Grimm. The article the stages of establishment of fairy tales as an independent genre in the history of literature. An attempt is made to determine the genre similarities that make fairy tales comprehensible within the framework of other linguocultures. Special attention is turned to the specificities of national cultural adaptation in translation of fairy tales from German into Russia, taking into account the peculiarities of translation transformations. The conducted analysis allows concluding that children’s fairy tale literature is a reflection of the national linguistic worldview, and largely depends on the existing in the society national cultural traits, mentality and perception of the world. These facts indicate that translation and adaptation of fairy tale literature requires the translator to understand the uniqueness of worldview of the people affiliating to different cultures, as well as convey the national cultural identity and specificities of foreign perception and mentality of the representatives of various linguocultures.
Citations count: 2
Reference:
Borunov A.B. —
Travesty as a cycle-forming technique of B. Akunin's “Fandorin Series”
// Litera.
– 2021. – ¹ 8.
– P. 97 - 104.
DOI: 10.25136/2409-8698.2021.8.33711 URL: https://en.nbpublish.com/library_read_article.php?id=33711
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The subject of this research is a set of cycle-forming techniques used by Boris Akunin in creating “Fandorin Series” dedicated to the detective Erast Fandorin. One of such techniques is travesty, “gender transitioning” that manifests on the imagery and linguistic levels. A range of characters in the novels and stories about Fandorin disguise themselves as the representatives of the other gender; this is common to the serial criminals who have committed multiple offenses. On the linguistic level, travesty manifests in a way that some characters, having a good command of Russian language, deliberately confuse masculine and feminine genders in their speech or writing. At the same time, travesty is always accompanied by the typical detective motif: the criminal character is initially introduced to the text and conceals his true self, so the detective has foster efforts to track him down. The novelty of this study consists in determination of the two basic strategies of travesty used by B. Akunin in “Fandorin Series”, and as well as in following their realization in various novels and stories dedicated to Erast Fandorin. On both imagery and semantic levels, travesty is more characteristic to the “sealed” type of detective, when the suspect is among a limited scope of persons and gradually reveals his true nature. At the same time, the implementation of such strategy in some texts is consistent (the hero constantly changes his appearance / grammatical gender), while in other texts manifests sporadically.
Citations count: 2
Reference:
Wu P. —
Semantics of red color designation within Chinese and Russian languacultures
// Litera.
– 2019. – ¹ 6.
– P. 137 - 146.
DOI: 10.25136/2409-8698.2019.6.31474 URL: https://en.nbpublish.com/library_read_article.php?id=31474
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The subject of this research is the semantics of the red color within Chinese and Russian languacultures. The aim of this research is to determine the cultural connotations, which found the reflection in the semantics of red color designation in Chinese and Russian languages. The novelty of this research consists in the comparative character of the analysis of the semantics of the color red. Methodology of the research included the works of Russian linguists N. B. Bakhilina, T. M. Vasilyeva, T. I. Vedina, L. S. Gurieva, I. V. Dvoretsky, V. G. Kulpina, F. N. Novikov, S. G. Ter-Minasova and T. Y. Svetlichnaya. The culture-specific use of the lexeme red within Russian language are the notions of “festive”, “valuable”, and “bright”. Results of this research can add to the general theory of color designations within languages. A conclusion is made that semantics of one of the main basic colors denotes in the two languacultures both elements of similarity, as well as culture-specific features.
Citations count: 2
Reference:
Barebina N.S., Glyzina V.E., Leontyev A.A., Maksimova N.V. —
The Study of Methods and Means of Intensity in Alarmist Discourses
// Litera.
– 2023. – ¹ 1.
– P. 69 - 77.
DOI: 10.25136/2409-8698.2023.1.39578 EDN: HPFKOT URL: https://en.nbpublish.com/library_read_article.php?id=39578
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The object of the study is linguistic facts in the form of a corpus of intensifiers functioning in modern Russian and English during the discussion of agendas related to the unstable situation in a particular sphere of society. The subject of this study is the semantic and grammatical structure of units functioning within the category of intensity. The authors consider in detail such an aspect of the topic as intensity and expressiveness in language, in this regard, an overview of the relevant works is given. Particular attention is paid to various linguistic ways of expressing the degree of intensification of meaning and the gradality of negative meaning. The data of disciplines related to the science of language on the practices of alarm broadcasting, the topics of alarmist agendas are also presented. The modern context supplies us with all new social practices that attract close attention from scientists investigating the mechanisms of influence on groups and masses of people. One of these phenomena was the spread of alarmist discourses that broadcast a state of increased anxiety or panic. These discourses, largely due to the network morphology of modern society, imperceptibly and uncontrollably enter the life of a modern person. Their systematic study by linguistic analysis has not yet been undertaken. At the same time, there are all prerequisites to consider which language mechanisms are involved in the formation of alarmist discourses in the aspect of speech intensification, which makes it different from the logical-rational content. The article argues the timeliness of studying the mechanisms and techniques of actualization of alarmism in connection with the possibility of monitoring the indicators of the latter. It is established that intensifiers, being the opposite of the rational mode of messages, serve as markers of alarmist discourses.
Methods of phraseological analysis and description, an interpretive method for interpreting intensifiers in their connections and relationships were used, techniques for describing innovations in discursive practices according to O. S. Issers were used.
Citations count: 2
Reference:
Shagbanova K.S. —
The Linguistic and Cultural Nature of the Concept of "Patriotism"
// Litera.
– 2023. – ¹ 4.
– P. 11 - 19.
DOI: 10.25136/2409-8698.2023.4.40116 EDN: NVWFFJ URL: https://en.nbpublish.com/library_read_article.php?id=40116
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The concept of "patriotism" has been the focus of research interest since the very first stages of the formation of science. Its uniqueness is due to the combination of polysemy, high nominative density and conceptual stability with a component of abstractness and active use in speech and text. This mental education is characterized by the ability to nominate actions and behavior patterns, reflect conceptual and linguistic specifics and constitutive features. The factuality component is implemented through a pair of correlates "the concept of "patriotism" – the intention of the speaker", expressing a nuclear or peripheral meaning relevant to a certain communicative situation and type of discourse. The extralinguistic aspect of the concept under study is formed by a set of culturally significant associations and the degree of interaction with a particular subsystem of the language. The article notes that the concept of "patriotism" plays a significant role in the modern national linguistic consciousness. The article focuses on understanding the concept of "patriotism" based on the traditional values of national culture. It is emphasized that the studied linguistic unit performs its functions in the aesthetic space as one of the connecting elements between the individual and society. The author attributes to the key features of this phenomenon such as praxeology, appeals of concentrated and dispersive properties, high conceptual stability, limit, polysemy.
Citations count: 2
Reference:
Kuleshova V.O. —
The Principles of Creation of English-Russian Terminological Dictionary of Photonic Crystals Terms
// Litera.
– 2019. – ¹ 1.
– P. 215 - 222.
DOI: 10.25136/2409-8698.2019.1.29322 URL: https://en.nbpublish.com/library_read_article.php?id=29322
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Abstract:
In her article Kuleshova proves the need to create an English-Russian terminological dictionary in a relative new field of knowledge, the theory of photonic crystals. There is no such a dictionary today. Creation of a dictionary is an integral task on the basis of the systems approach, in this case, it is caused by the need to develop the system of terms of photonic crystals in the Russian language. The author examines the conceptual grounds of the dictionary and defines thematic and aspect-related orientation of the dictionary, its purposes and volume, criteria for selection of terms, etc. The author offers her own classification of terms and harmonizes these terms to other terminological systems. The subject of the research is the anlaysis of the principles to be observed when creating a terminological dictionary, the object of the research is the terminological system of photonic crystals. To select the research material, the author has applied the continuous sampling method as well as the method of scientific description implying systematization and interpretation. The main results of the research are the structure of the dictionary at the marco- and microlevels, rules for selection of terms and development of a terminological system of photonic crystals. The novelty of the research is caused by the fact that the author systematizes terms in the theory of photonic crystals and harmonizes English and Russian terminological systems in this field. The dictionary is to be used by specialists in the field of photonic crystals theory as well as physics and other technical science students.
Citations count: 2
Reference:
Guo C., Chistyakov A.V. —
On the status of research of M. A. Bulgakov’s works in China
// Litera.
– 2020. – ¹ 6.
– P. 82 - 91.
DOI: 10.25136/2409-8698.2020.6.33181 URL: https://en.nbpublish.com/library_read_article.php?id=33181
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Abstract:
Since the very beginning of research of M. A. Bulgakov’s works in China, has not received due recognition; however, the interest of literary historians to studying and interpretation of his immortal classic has seen recent increase. The subject of this article is the studying of Bulgakov’s satiric literature in China. The object is Bulgakov’s satiric literature and characters of his works. At first, study of Bulgakov’s works in China was limited just by “obtaining information”. The author meticulously examines such aspects demonstrated Bulgakov’s texts, as aesthetics, ethnocultural tradition, figures, practical importance. The author divides the works of M. A. Bulgakov into chronological periods, as well as underlines recent transformation in the views pertinent to his oeuvres within the Chinese literary studies. It is concluded that the analysis of Bulgakov’s novels at the three aforementioned stages of Chinese literary studies demonstrates the transition from the “stage of acceptance” to the “stage of comprehensive analysis” in multifaceted and multidimensional articulation, which testifies to the fact that literary research of M. A. Bulgakov’s novels continues to surge.
Citations count: 2
Reference:
Ganskaya E.N. —
Soviet Mass Song as a Form of Ideology
// Litera.
– 2019. – ¹ 2.
– P. 251 - 261.
DOI: 10.25136/2409-8698.2019.2.29760 URL: https://en.nbpublish.com/library_read_article.php?id=29760
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Abstract:
This article is devoted to the analysis of ideological discourses around the Soviet mass song that have certainly made the influence on the development thereof. Since the moment of creation of the USSR and up to 1960s the musical culture of the Soviet Union had been under full control of the government (all mass media and means of producing and distribution of cultural products were in state hands. According to the Party's opinion, a new country needed a new art. Therefore, in the very first years the USSR created the genre of Soviet mass song. In fact, it was the only form of vocal and instrumental art that was permitted in the country. The interdisciplinary nature of the subject has made the author to appeal to the historical culturological and discoursive methods of analysis. The first researchers of the mass song believed the main fature of the song to be its conformity to the principles of nationality, ideological commitment and specifity, however, today researchers view ideological bias as the main feature of the Soviet state singing culture. The latter reflects the opinion of the researches of those times, too. Based on a number of examples, the author of the articlel demonstrates how the Soviet 'meaning-making machine' functioned.
Citations count: 2
Reference:
Chernova O.E., Osipova A.A., Buzhinskaya D.S. —
New phraseology in modern communicative space (to the question of replenishment of the corpus of chunks of language by phraseologisms with a component “electronic”)
// Litera.
– 2020. – ¹ 5.
– P. 27 - 38.
DOI: 10.25136/2409-8698.2020.5.32746 URL: https://en.nbpublish.com/library_read_article.php?id=32746
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Abstract:
Phraseological corpus of Russian language of the late XX – early XXI centuries has been enriched with multiple phraseological units. The subject of this research became neophraseologisms with “electronic” as the key component, actively used in modern publicistic discourse (electronic book, electronic textbook, electronic journal, electronic wallet, electronic library, and others). In Russia, the system of gradual fixation of emergence of new suprawords linguistic units did not form, thus composers of even the modern phraseological dictionaries include neologisms carefully, “sparsely”, often without due “linkage” to time and circumstances of their emergence, not fully answering the needs of a modern user. The scientific novelty consists in the fact that there is a need to conduct linguistic qualification and dictionary description of the Russian phraseological neologisms, emerged in the conditions of “digital pivot” of culture and formation of global communicative space. Abundance of supraword neologisms, which sensitively react to all changes in the life of society, is connected to a number of causes. On the one hand, on the background of geopolitical “redivisions” came drastic changes in the sociopolitical and socioeconomic life of the Russian native speakers. On the other hand, modern humanity is undergoing civilizational changes, caused by the “digital pivot” as coined by the renowned Polish phraseologist Wojciech Chlebda, driving formation of a global information network.
Citations count: 2
Reference:
Alhaded H.H., Shavtikova A., Merai M. —
Sociocultural features of the Arabic academic discourse
// Litera.
– 2022. – ¹ 4.
– P. 19 - 26.
DOI: 10.25136/2409-8698.2022.4.37759 URL: https://en.nbpublish.com/library_read_article.php?id=37759
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Abstract:
The Arabic academic discourse is a complex organism associated with the linguistic, national, cultural and religious characteristics of the inhabitants of the Middle East. The article is interdisciplinary in nature and can be considered from the point of view of sociolinguistics, comparative linguistics and psycholinguistics. The subject of the study is the social and cultural features of the Arabic academic discourse. The object of research is academic discourse implemented in Arabic. The purpose of this article is to identify the key features of the Arab academic discourse and the degree of influence of globalization on it. The methodological basis of the study was the results of a survey of Arabic–speaking native students studying at the bachelor's and master's degrees in the Levant countries. The novelty of the research lies in the fact that the Arabic academic discourse in the Russian and international linguistic tradition is insufficiently studied, which entails communicative failures between communicants within the framework of Arabic academic discourse and global, international academic discourse. As a result of the study, the authors come to the conclusion that the Arabic academic discourse is a synthesis of traditional, national and religious foundations of the Arabic-speaking society; the teacher in the Arabic academic discourse takes an authoritarian position towards students. The research materials can be used in universities of the humanities in the study of special courses on intercultural communication, discoursology and a practical course of the Arabic language.
Citations count: 2
Reference:
Lobanova T.N., Sivova D. —
Linguistic aspect of information wars in mass media discourse
// Litera.
– 2023. – ¹ 5.
– P. 143 - 152.
DOI: 10.25136/2409-8698.2023.5.37866 EDN: UIWNTA URL: https://en.nbpublish.com/library_read_article.php?id=37866
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Abstract:
Recently the process of active informatization of society and globalization of the world information space has been observed. The consequence of this process is different kids of Information Wars, where the mass media plays the main and the most important role. The immersion of an increasing part of humanity into the virtual world of media in the age of digitalization generates a high demand for the creation of information and cyber warfare. If the main tool of the information war is the media, then the main tool of the media is language. The subject of the study is the language functioning in the mechanisms of information wars. The main content of the research is the analysis of the concept of "information war" from a linguistic point of view. Theoretical analysis of literature, media linguistic analysis, methods of critical linguistics, etc. are used as research methods. The novelty of the research lies in the fact that it is a media linguistic study involving foreign scientific concepts (English), untranslated and unpublished in Russian. The article provides a number of clarifications and additions to the existing theories of information warfare with the involvement of linguistic and political science textures. A systematic, versatile and detailed description of the current state and changes that have occurred in linguistics over the past ten years in the light of the conceptualization of the phenomenon of "information war" is presented. Based on the results of the study, the concept of information warfare in mass media discourse is revealed, and a comprehensive method for studying this phenomenon is proposed.
Citations count: 2
Reference:
Kur'yanov S.O., Ivanova N.P., Kur'yanova V.V. —
Topical Issues of the Theory of Supertext: Literary Aspect.
Associative Semantic Supertext
// Litera.
– 2022. – ¹ 11.
– P. 124 - 136.
DOI: 10.25136/2409-8698.2022.11.39200 EDN: QWEDLH URL: https://en.nbpublish.com/library_read_article.php?id=39200
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The subject of this study is the associative-semantic supertext as a system of integrated texts, which is a textual community. The purpose of the study is to specify the terminology and clarify the features of some aspects of the associative-semantic supertext, in particular, to clarify the concepts of the core and structural components of the supertext, as well as to solve the problem of distinguishing between the types of associative-semantic supertexts according to the type of referent, that is, questions on the answers to which depend today there is clarity in the identification, classification and interpretation of supertexts. In questions of the theory of supertext, the methodological basis of the study was the work of V. N. Toporov, N. A. Kupina and G. V. Bitenskaya, N. E. Mednis, A. G. Loshakov, in questions of the theory of myth — the work of A. F. Losev and E. M. Meletinsky, in matters of the theory of concept, motive, archetype, symbol, intertext — the works of Yu. S. Stepanov, A. F. Losev, B. M. Gasparov, K. Jung, Yu. Kristeva, A. P Chudakov, I. V. Silant'ev.
The study clarifies the concept of the supertext core, designating the myth as the main component of the supertext and its modern version — a constant mythologized representation. The classification of associative-semantic supertexts according to the type of referent is given, it is shown that nominal, topical (spatial) and event supertexts are heterogeneous and are divided into personal and character, local and regional, casual and epochal supertexts, respectively. All this speaks of the novelty of the study, which continues the general theory of supertext.
The development of the theory of associative-semantic supertext contributes not only to further study of its various aspects, clarification of their functions, but also indicates new approaches to large text formations, since, generated by creative writers, they not only recreate the world in constant representations, but also form thanks to these mythologized representations of the picture of the world assimilated by the perceiving consciousness.
Citations count: 2
Reference:
Duktava L.G. —
Representation of cultural meanings when using national cultural codes in fiction
// Litera.
– 2023. – ¹ 12.
– P. 361 - 371.
DOI: 10.25136/2409-8698.2023.12.43969 EDN: LJIXKQ URL: https://en.nbpublish.com/library_read_article.php?id=43969
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Abstract:
The article is devoted to the consideration of the representation of cultural meanings when using national cultural codes in fiction. Research objectives: to substantiate the use of the category of cultural code in the analysis of a literary work; to characterize the features of the functioning of the national cultural code in relation to cultural universals; to show the specifics of national images associated with spatial and temporal cultural codes. Methods (historical and literary, structural, semantic) and methodological basis of the work are the works of Russian, Belarusian and foreign scientists in the field of philology (Yu. Lotman, R. Jacobson, M. Epstein, N. Tolstoy, S. Tolstaya, etc.), cultural studies and sociology (K. Rapay, J. Murdoch). The result of the work is that the main approaches to the definition of the cultural code are identified, cultural meanings, translated using national cultural codes, associated with images of the Motherland, small homeland, and Fatherland are identified on the example of works of Russian and Belarusian literature. The scientific novelty of the work lies in the fact that the features of the representation of cultural meanings when using national cultural images in Russian and Belarusian literature are analyzed. The practical scope of the results of the work is seen in the possibility of using this material for deep understanding and studying such academic disciplines as "History of Russian Literature", "History of Belarusian Literature", university historical and literary courses, during independent research work of students, when writing term papers and theses.
Citations count: 2
Reference:
Boykova S.E. —
Experiment with the images containing a recurring character: bilingual narrative analysis
// Litera.
– 2020. – ¹ 10.
– P. 37 - 50.
DOI: 10.25136/2409-8698.2020.10.33904 URL: https://en.nbpublish.com/library_read_article.php?id=33904
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Abstract:
This article analyzes the French-language and Russian-language discourse of bilingual children of different types. The goal consists in examination of specificity of correlation between the name and image in a bilingual discourse, as well as in description of the action depicted on the image. The respondents for this research became the natural bilinguals from mixed Russian-French or Russian families in France. The authorial corpus of Russian-French speech of bilingual children served as the material for this study. The corpus consists of the stories based on stimulus material. The research was conducted individually with each respondent in Russian and French separately. The respondents could select the initial language for conversation (Russian or French). The scientific novelty of this work is defined by the fact that the tradition of studying narrative was applied in the context of analysis of the bilingual French-Russian speech. The author examined the Russian-language and French-language names of characters and objects in different groups, and drew parallels between them. The results demonstrate that the name of a character within the framework of a single language could vary from image to image. At the same time, variability of names of the main character is greater in the Russian-language block. The most frequent name version for the main character in the Russian-language block was the cat, while in the French-language block it was “chat” with the definite or indefinite article. It is notable that initially some respondents had other options (cat, squirrel), but in the process of the experiment, they also changed the name of the character to corresponding to the author's concept of the name of cat. Due to the fact that the respondents were asked to adhere to the selected language, there was very few instances of code switching. However, their presence indicates that the respondents are lacking lexical tools in their weaker language.
Citations count: 2
Reference:
Solntseva E.S. —
Relevance of Elements in Multimodal Texts
// Litera.
– 2018. – ¹ 1.
– P. 77 - 84.
DOI: 10.25136/2409-8698.2018.1.25194 URL: https://en.nbpublish.com/library_read_article.php?id=25194
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Abstract:
The subject of the research is the multimodal elements in 100 articles of electronic edition of The New York Times of March, 2017. Solntseva examines various kinds of such elements, in particular, photo, video, hyperlink to associated articles, hyperlinks to the front-page news, subscription offer, advertising and technical links. The author focuses on frequency with which these elements can be found in electronic articles. The author also analyzes the dependence of the frequency of multimodal elements on their relevance. The author applies the method of empirical analysis (observation) and describes kinds of multimodal elements in the aforesaid edition using the method of continuous sampling as well as uses the method of classification depending on the frequency of each element in a given or other articles. The main result of the research is the author's description of 5 relevance levels of multimodal elements and discovery of the inverse relation between information relevance and frequency of references to this information in a given or other articles. This dependence can be described using the following formula: the more likely an element is to appear in an article and the more frequent similar elements are found within an article, the lower their relevance for the article is. The author also discovers the inverse dependence between the frequency of a multimodal element and relevance thereof: the more relevant information is, the more frequent this information can be found in articles and the more frequent this information is expressed in the best parts of the article.
Citations count: 2
Reference:
Seredina A.O. —
Interior Details in Apollon Grigoriev's Narrative Literature
// Litera.
– 2018. – ¹ 4.
– P. 35 - 45.
DOI: 10.25136/2409-8698.2018.4.27369 URL: https://en.nbpublish.com/library_read_article.php?id=27369
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The article is devoted to the topic that has never been studied before which is the interior details and development of the interior details in Apollon Grigoriev's fiction. The article is devoted to the peculiarities of the perception and description of the surrounding space by the hero of the memoirs 'My literary and moral wandering' (1862, 1864). Seredina traces back how the interior in Apollon Grigoriev's house and the writer's attitude to the external world (the world of objects) were reflected in the poetics of Grigoriev's early prose of mid 1840s. In addition, the author sets a task to demonstrate the connection between the interior and psychological portraits of the main heroes. The basis for the comparative analysis of Apollon Grigoriev's prose is the first theoretical research of the interior performed by I. Sudoeva. Despite the fact that in the majority of cases the description of the interior in Grigoriev's prose is pointing out individual elements of the interior (lighting, bed and door) and gives an insight into the internal world of the heroes. The universality of the description achieved through the absence of details helps to create the portrait type. The dreaminess of the hero of the memoirs, fed by the evenings spent on a bed without light, in early prose is embodied in the type of hero-dreamers the description of which is accompanied by a bed and the light of a burning candle. The audio perception of space, characteristic of the hero of the memoirs, turns into an aggravated attention to the sounds of wanderers in early prose which helps to expand the space of the room and give an idea of its structure.
Citations count: 2
Reference:
Gorelova O.O. —
Literary-documental narrative in the fictional autobiographic novel “My Secret History” by Paul Theroux
// Litera.
– 2020. – ¹ 5.
– P. 39 - 49.
DOI: 10.25136/2409-8698.2020.5.32908 URL: https://en.nbpublish.com/library_read_article.php?id=32908
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This article raises the problem of differentiation between authorial fiction and factual information in the fictional autobiographic prose that interfere with each other. The object of this research is the fictional autobiographic prose as a peculiar type of text with structure containing system codes of diverse narrative nature. The subject of this research is the characteristics and features of the literary-documental narrative in a fictional autobiographical text. The goal consists in demonstrating the dual nature of the fictional biographic prose on the example of literary-documental novel “My Secret History” (1989) by Paul Theroux. The following conclusions were formulated: 1) fictional autobiographic narrative as a variety of literary-documental narration is characterized with descriptiveness and aptitude to imitation of objectivity studying the personality of the hero; 2) the text in question contains the signs of realization of paradigms of fiction and actuality. The scientific novelty is consists in application of narratological approach towards analysis of the text, which demonstrates the specific constituting spheres associated with simultaneous implementation of the strategies of fictionalization and documental stylization of the material. It is determines that the fictional autobiographic material is characterized with subjective processing of represented data, and thus, it is essential to interpret the prose in question based on the accessible to audience contextual information (suggested authorial context and historical context).
Citations count: 2
Reference:
Skorik K.V. —
Semiotic status of objects and their functioning in the Anglo-Saxon and Russian charms
// Litera.
– 2021. – ¹ 4.
– P. 205 - 213.
DOI: 10.25136/2409-8698.2021.4.35272 URL: https://en.nbpublish.com/library_read_article.php?id=35272
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The research focuses on the problem of semiotic status of objects in the Anglo-Saxon and Russian charms. The text of charms is the object of the research. The aim of the research is to define the semiotic status of objects in the Anglo-Saxon and Russian charms and to reveal the functioning of the objects in the text of a charm. The work deals with charms as examples of a sacral text. The research is promising due to the fact that studying a sacral text in this context is based on the anthropocentric approach. The tasks of the research include the following: to denote the status of a charm as a sacral text, to describe the semiotic status of objects in a charm, to reveal the role of a ritual in the objects’ acquiring the features of signs, to define the functions of semiotic objects in the charms. The scientific novelty of the research is in its comparative analysis of Russian and Anglo-Saxon charms in terms of linguistic semiotics. The author points out and describes several functions of semiosis as a system of objects that have a semiotic status. The major conclusion made as a result of the research is that the symbolic functions of material cultural objects in a sacral text enable the objects to acquire various features when they are included in the ritual component of a charm.
Citations count: 2
Reference:
Yakhina R.R., Afonina E.V. —
Functionality of foreign-language inclusions in Russian-language texts (on the material of modern media)
// Litera.
– 2021. – ¹ 5.
– P. 33 - 39.
DOI: 10.25136/2409-8698.2021.5.35567 URL: https://en.nbpublish.com/library_read_article.php?id=35567
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The subject of this research is the approaches towards studying inclusions as a part of foreign-language technical terminology. This article is dedicated to examination of the problem of functionality of foreign language inclusions of English origin at the current stage of development of the Russian language. The texts from scientific and technical journals, automotive and aviation journals, and other periodicals served as the material for this research. The author considers the questions associated with graphical and functional adaptation of foreign-language terminological lexicon. Based on the available in linguistics classifications, the groups of foreign-language technical inclusions are determined according to the graphic arrangement in the texts and degree of assimilation. The acquired results can be used in compiling terminological dictionaries and teaching general linguistics. The novelty of this work consists in systematization, generalization, and analysis of the ways of functionality of technical foreign-language inclusions in modern Russian language and industry periodicals, namely on the example of aviation and automotive terminology. The conclusion is made that foreign-language technical terminology preserves the semantics of foreign-language inclusions in the recipient language, as well as heterogeneity of their arrangement. The increase of foreign-language inclusions in the scientific and technical literature is substantiated by the requirements specified for the terms: linguistic economy, systematicity. The frequency of functionality of foreign-language inclusions in the scientific and technical literature emphasizes the relevance of the selected topic.
Citations count: 2
Reference:
Zigmantovich D.S. —
The impact of the speaker's oral speech pausing on the quality of simultaneous translation
// Litera.
– 2021. – ¹ 5.
– P. 71 - 80.
DOI: 10.25136/2409-8698.2021.5.35634 URL: https://en.nbpublish.com/library_read_article.php?id=35634
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The completeness, accuracy and quality of simultaneous interpretation are influenced by the speaker and the peculiarities of his speech, which can act as destabilizing factors for the work of a simultaneous interpreter. Such factors, in particular, include the following: the speed of speech, intonation, accent, pause, syntax of sounding speech, lexical composition. This article describes the results of the analysis of the placement of pauses by two politicians (F. Hollande and N. Sarkozy) in oral speeches to various audiences. The purpose of the study is to establish what impact a logical or illogical pause can have on the implementation of simultaneous interpretation. The author of the article came to the conclusion that a number of patterns can be identified in the arrangement of pauses by speakers: place, duration and frequency. As a result of the analysis, it was possible to show that each speaker places pauses differently during a speech, which can have a direct impact on the quality of simultaneous interpretation. The patterns listed above can be taken into account when developing a system of exercises for teaching simultaneous interpretation at the initial stage and for practicing and automating certain skills at a more advanced level or when selecting speech material for organizing intensive training.
Citations count: 2
Reference:
Gerasimova A.A. —
Modern Arabic Scholars on Stress
// Litera.
– 2023. – ¹ 8.
– P. 262 - 280.
DOI: 10.25136/2409-8698.2023.8.39828 EDN: VNRNYG URL: https://en.nbpublish.com/library_read_article.php?id=39828
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Abstract:
The article comments on the most significant phonetic works, which describe:
• theoretical provisions on the physiology of percussive sound generation,
• its acoustic features and parameters of the vowel component – syllabic carrier,
• rules for placing stress in Arabic words,
• Peculiarities and differences in the generation of stress in different idioms of the Arab world.
The aim of the paper is to describe the basic concepts of Arab scholars regarding the stress in the Arabic word. The authors take a different look at the articulatory mechanism and acoustic characteristics of stress, highlighting various parameters of the stressed syllable, such as effort, exhaled air volume, intensity, tone, duration and distinctness. The purpose of the description is to identify the common features of Arabic stress.
The article examines the works of Ibrahim Anis, Muhammad al-Nuri, Tamam Hassan and Ahmad Mukhtar Umar – authors of the 20th century, when experimental phonetic studies among Arabic linguists were not yet carried out, therefore, the paper describes a purely theoretical study of the issue.
As the main factor of the stressed syllable, Arabic authors choose the effort applied for its implementation, as well as the tone – this is noted in the works of all the listed linguists. Two authors highlight the characteristics of distinctness and duration. According to all authors, intensity makes the least contribution to the stress of a syllable. All factors are associated with great effort at the stage of articulation.
The article describes the history of interest in stress in Arabic grammatical monographs, as well as the main provisions and approaches to its definition, which made it possible to further experimental study of the issue.
Citations count: 2
Reference:
Zarubina E. —
Combinability of the verbal relative «èñõîäÿ èç»: left and right components
// Litera.
– 2023. – ¹ 5.
– P. 277 - 291.
DOI: 10.25136/2409-8698.2023.5.40692 EDN: GRWYKC URL: https://en.nbpublish.com/library_read_article.php?id=40692
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This article is devoted to the process of grammaticalization in Russian on the example of the transition of the verbal unit «èñõîäÿ èç» into the prepositional one. Object of study is grammaticalization, due to which there is a transition from content words to function, the subject – the units that are grammaticalized and have a frontier status between content and functional units. The study focuses on combinability because only in the context the meaning and function of a unit is determined, the level of its grammaticalization is reflected and new features of lexical units are denoted. At present considerable attention is paid to derivative nominative prepositional neologisms. In the last two decades, a large number of studies have appeared which consider both single prepositional units and groups of units. A number of works are devoted to the description of nominative prepositions. At the same time, verbal prepositional neologisms have been neglected. The present paper is devoted to the description of the verbal relative «èñõîäÿ èç», the semantic and syntactic features of which have not been described in detail - this is the originality of the research. The study uses quantitative and descriptive methods of linguistic analysis. In the article lexico-semantic classification of verbs, which take position of the left component (main) in the combinations with the studied preposition, classification of nouns, which take position of the right component (dependent), as well as lexico-semantic correlation of components are given.
Citations count: 2
Reference:
Tsendrovskiy O. —
Philosophy of Antoine de Saint-Exupery: Experience in Reconstruction
// Litera.
– 2013. – ¹ 4.
– P. 1 - 33.
DOI: 10.7256/2306-1596.2013.4.10651 URL: https://en.nbpublish.com/library_read_article.php?id=10651
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Abstract:
The article is devoted to the philosophy expressed by Antoine de Saint-Exupery in his books. This topic is often underestimated and very scarcely described in research literature. By analyzing Exupery's book 'Citadelle' (titled in English as The Wisdom of the Sands) and more famous Exupery's works, the author of the present article shows the wholeness of Exupery's teaching and the acuteness of the humanistic, existential and moral issues in Exupery's philosophy. The author also underlines that Exupery's philosophy can be classified as the West European philosophy of late Art Nouveau because Exupery discusses such typical late Art Nouveau topics as the transvaluation of values, understanding of the place of human after the death of God and fight against nihilism. In the course of a detailed analysis and from the point of view of systematic interpretation, the author of the article describes Exupery's views on a number of fundamental philosophical issues such as the existence of God and the meaning of life, measure of value and the essence of the truth. The main emphasis is made on the so called 'ethical pathos' of Exupery's creative work. The author of the article in detail analyzes the 'heroic ideal' offered by Exupery as well as the system of values and basic ethical principles that are now deduced from the essence of a mortal man but not the divine reality. The result of the author's research is the creation of an integrated concept of Exupery's philosophy which is new in both Russian and Western scientific literature. The author shows that Exupery's views were very close to Nietzsche's teaching and gravitated towards the radical politics. The author also provides quite an interesting description of Exupery's psychological and cultural views.
Citations count: 2
Reference:
Huang S. —
Differences in the Principle of Politeness in Chinese and Russian Linguistic Cultures
// Litera.
– 2022. – ¹ 5.
– P. 176 - 183.
DOI: 10.25136/2409-8698.2022.5.37904 URL: https://en.nbpublish.com/library_read_article.php?id=37904
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Abstract:
The principle of politeness is a means of communication widely used in every society by individuals, but this principle has peculiarities in different cultures. The principles of politeness play an important role in the analysis of the speech etiquette of communicants of different cultures. In recent decades, there has been an increasing interest in their study. Despite the increased interest, no research has yet been conducted on the differences in the principles of politeness in Chinese and Russian linguistic cultures. This article examines these differences on the basis of the principle of politeness of J. Lich and the principle of courtesy of Gu Yuego with Chinese specifics. The characteristic features of Chinese national culture and Russian national culture are revealed through comparison. Compared with Chinese, Russians have different attitudes towards modesty; secondly, the Russian social interaction is much simpler than the Chinese one; thirdly, solidarity relations prevail in Russia, whereas power relations prevail in China; fourthly, China and Russia have different attitudes towards the word《老》 [ lǎo] /old Chinese character 《老》[ lǎo] in some cases is a symbol of wisdom, and when addressing the elderly using the word《老》[ lǎo], respect is shown to the addressee, whereas in Russia this addressing is considered as a manifestation of harshness and rudeness; fifth, Russians pay more attention to personal life than the Chinese. Thus, some principles of politeness applied in China may be considered very impolite for Russians and vice versa.
Citations count: 2
Reference:
Lyu V. —
Theory and practice of simultaneous Russian-Chinese translation teaching for Chinese students
// Litera.
– 2022. – ¹ 6.
– P. 22 - 34.
DOI: 10.25136/2409-8698.2022.6.38096 URL: https://en.nbpublish.com/library_read_article.php?id=38096
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Abstract:
The purpose of the study is to make special exercises for Chinese students who study simultaneous translation from Russian to Chinese, based on the classical Soviet theory of translation and comparative linguistics. At the moment of simultaneous translation a transformation of a different language system is necessary. Russian language at the level of phonetics, syntax, vocabulary, etc. is very different from the Chinese language — Chinese students inevitably encounter a number of language barriers. The relevance of the research is due to the rapid growth of the need for highly qualified Russian-Chinese simultaneous interpreters against the background of the development of the "One Belt, One Road" program. To overcome such problems, special exercises are required to cultivate the skills and abilities of searching and making translation in conditions of a tight time limit. In order to achieve this research goal, it is necessary to solve the following tasks: firstly, to formulate the purpose of teaching simultaneous Russian-Chinese translation from the point of view of A. F. Shiryaev; secondly, to compile a series of simultaneous translation exercises based on comparative linguistics.
Citations count: 2
Reference:
Iakovleva E. —
Modern Views on the Interpretation Model of a Text
// Litera.
– 2017. – ¹ 1.
– P. 57 - 66.
DOI: 10.7256/2409-8698.2017.1.21657 URL: https://en.nbpublish.com/library_read_article.php?id=21657
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Abstract:
The research is focused on the interpretation of texts as a rather difficult process which includes numerous components such as cultural and historical environment, actual events, symbolism, polysemy of words, dependence on the meaning and context, personal qualities of the Author and Interpreter, etc.). These components are dialectically interwined and each time they create new configurations which causes a modern concept of the interpretation model as a rhizomatic network spiral. In the course of her research Yakovleva has defined that the Interpretation Bridge connecting Point A (Author, Text, or beginning of the interpretation journey) and Point B (Interpreter, Life/Situation, ending of the interpretation journey) is just an external construct. If we go deeper into the intepretation process, it will look like a spiralling and extending rhizomatic network. The aforesaid issue is viewed by the author of the article on the basis of the dialectical, phenomenological and hermeneutical methods as well as the principle of intentional analysis allowing to construct the interpretation model. The interpretation process externally looks like the Bridge and internally like a rhizomatic network spiral. This allows the interpretation process to be flexible and variably mobile and extending in any direction. The key figure of the interpretation process is a recipient who sets the existence of the text through his or her Self-position and changes in the course of interpretation. Interpretation as a spiritual practice of Self combining the objective/subjective, conscious/unconscious, rational/sensual, fiction/reality brings us to the Other Self. This contributes to better understanding and extension of the horizon. Provisions and conclusions of this study can be used for further research of the interpretation process and reflection as part of the interpretation process as well as for analysis of all kinds of texts.
Citations count: 2
Reference:
Konovalova M.V. —
Speech and Evocative Influence in Internet Media Discourse
// Litera.
– 2018. – ¹ 3.
– P. 232 - 237.
DOI: 10.25136/2409-8698.2018.3.26622 URL: https://en.nbpublish.com/library_read_article.php?id=26622
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Abstract:
The subject of this article is the differences in speech and evocative effects in the online media discourse. The author considers the speech and evocative effects and reveals the concept of evocative effects in a media discourse. The article discusses the theoretical aspect of studying the impact of media texts on the recipient of information, special attention being paid to the cognitive and medialinguistic approaches to this phenomenon. The author of the article analyzes the linguistic means of representation of the evocative impact in the news media text and examines the account of the author of the background knowledge of the recipient. She also analyzes the evocative impact of headlines and media texts of news selected by the method of continuous sampling. In her study Konovalova uses the methods of observation, generalization and description of linguistic phenomena. The novelty of the study is caused by the fact that linguistic indicators are first considered from the standpoint of the evocative impact of the news media text on the recipient. It has been proved that the language means of the evocative impact are present both in the title of the media text and in the text of the news. It has also been established that the evocative impact is embodied with the help of linguistic means designed to intensify the background knowledge of the recipient when perceiving the news text.
Citations count: 2
Reference:
Dorfman O., Chernova O. —
Development of the communicative competence of students of technical universities as a strategy for teaching effective communication
// Litera.
– 2022. – ¹ 4.
– P. 27 - 35.
DOI: 10.25136/2409-8698.2022.4.37806 URL: https://en.nbpublish.com/library_read_article.php?id=37806
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Abstract:
The article is written at the junction of several branches of science, reflects one of the problems of university teaching of the Russian language in technical universities. The purpose of the study is to prove that the development of communicative competence, which is the most important task of modern education, should be carried out in the light of new requirements. The author considers the issues of formation of communicative competence of students of technical universities. It is argued that philological disciplines should be included at all levels of higher education, which contributes to the formation of a highly qualified specialist with not only professional, but also flexible skills (soft skills). The relevance of the issues of improving the level of communicative culture of students at the university is due to the requirements of the new time, the dynamics of changes in the professional industry. The author's special contribution to the research of the topic is a systematic view of the competence approach in university education: communicative competence in the system of learning outcomes; in the structure of university teaching; content modules that form communicative competence; didactic conditions, forms, methods and techniques of its development. The author dwells on the consideration of the communicative competence of the CC-4, presented in the Federal State Educational Standard of Higher Education in the block "communication", reviews the disciplines forming it in technical universities, identifying current teaching trends, analyzes the content of training and provides a list of effective methods and techniques for the formation of communicative competence.
Citations count: 2
Reference:
Zenkov A.V. —
Under a False Flag: Literary Hoaxes and the Use of Numerals
// Litera.
– 2023. – ¹ 10.
– P. 86 - 109.
DOI: 10.25136/2409-8698.2023.10.68743 EDN: TYDRFD URL: https://en.nbpublish.com/library_read_article.php?id=68743
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Abstract:
The present study pertains to stylometry. There are cases when a writer who has achieved fame, for various reasons, begins to create under a different name, tries to write in a different manner and, at times, again succeeds in a new incarnation. Whether the author is able to significantly change the literary style inherent in him or it is impossible to escape from himself – our work is devoted to the study of this issue. The study is based on the analysis of what numerals are present in the texts of an author. It has been shown by several examples from English-, French- and Russian-language literature, that the use of numerals is an author's feature that manifests itself in all or most of the sufficiently long texts of a given author. We apply our approach to the works of Romain Gary, Boris Akunin (Grigori Chkhartishvili) and some other authors of interest for stylometry. The conclusions are drawn on the basis of hierarchical cluster analysis and supported by the Pearson's chi-squared test.
Citations count: 2
Reference:
Kaverina V. —
The system of criteria for the choice of spelling in diachronic descriptive spelling
// Litera.
– 2024. – ¹ 1.
– P. 261 - 268.
DOI: 10.25136/2409-8698.2024.1.69588 EDN: BPJDPN URL: https://en.nbpublish.com/library_read_article.php?id=69588
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Abstract:
The article presents the methodology of research in the field of descriptive diachronic spelling. The aim of the work is to develop a system of criteria for choosing spelling variants at different stages of the formation of the studied orthogram. The need for such a system is justified both by the description of the diachronic analysis process and by a specific example of such an analysis. Special attention is paid to the disclosure of such important concepts for the theory of writing as "usage", "norm", "codification" and the relationship between these concepts. Special attention is paid to the question of the legality of the use of the term "customary norm", for which the arguments confirming the incorrectness of this term are considered in detail. In addition, the problems of correlation between the principles of spelling as tools of descriptive (descriptive) spelling and the rules as a result of the activities of orthologists codifying the norms of writing are discussed. The system of criteria for descriptive spelling is based on the system of rules of prescriptive spelling, namely the rules of modern spelling from the new electronic resource "Spelling commentary of the Russian Dictionary" (OROSS) by E. V. Beshenkova, O. E. Ivanova, E. V. Tenkova. The novelty of the results obtained in the article is due to the lack of research methodology in the field of descriptive diachronic spelling. The paper reveals such important concepts for the theory of writing as "usage", "norm", "codification" and clarifies the relationship between these concepts. As a result, the illegality of the use of the term "customary norm" was established, for which the arguments confirming the incorrectness of this term were considered in detail, in particular, that in certain contexts the terms "usage" and "norm" can be used indifferently. The result of the work was a system of criteria for choosing spelling options at different stages of the formation of the orthogram. The development of an original system of criteria for choosing spelling variants was carried out on the basis of a modern set of spelling rules. The scope of the research results is determined by describing the process of diachronic analysis of the orthogram and illustrated by a specific example of such analysis.
Citations count: 2
Reference:
Kim L. —
Theoretical Literary Analysis of the Term 'Network Literature'
// Litera.
– 2018. – ¹ 4.
– P. 112 - 118.
DOI: 10.25136/2409-8698.2018.4.27817 URL: https://en.nbpublish.com/library_read_article.php?id=27817
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Abstract:
The subject of the research is the theoretical literary structure of the phenomenon of network literature, important literary fact of the contemporary history. In the course of the research Kim analyzes and denies as insufficient several theories of network literature that are based on the search of necessary and sufficient grounds. In particular, Kim criticises post-modernist theory of network literature as a hypertext and historical theory of a network text placed on the Internet and created using technical means of the Internet environment. These theories, however, are not fully denied, the author uses elements of these theories in his integral theory of network literature that is based on the theory of an open concept. The research methodology includes the conceptual and logical analysis of relevant literary terms, theories of language games of late L. Wittgenstein and anti-essentialism of Ziff and Weitz, structural and post-structural reflection over the historico-literature definition of 'network literature'. The result of the research is the theoretical description of the intensional of the term 'network literature' that combines conceptual, historical, post-modernist and Wittgenstein's approaches. The results of the research can be used in theoretical literary and historico-literary research as well as teaching. The scientific novelty of the research is caused by the fact that the author establishes the grounds for the theoretical and methodological research framework of network vocabulary.
Citations count: 2
Reference:
Parfenenko E.N., Popova L.G., Nifanova T.S. —
Lexical-semantic representation of periphery of the notional component of the concept “clemency” in the English and Russian languages
// Litera.
– 2020. – ¹ 6.
– P. 124 - 131.
DOI: 10.25136/2409-8698.2020.6.33202 URL: https://en.nbpublish.com/library_read_article.php?id=33202
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Abstract:
The goal of this work became the identification of similarities and differences of peripheral conceptual attributes of clemency in the English and Russian languages. The subject of this research is the semantics of English and Russian lexemes representing the notional component of the concept of clemency in the compared languages, placed in the core and on the periphery of the concept. The concept of clemency was selected due to insufficient study of its verbalization in comparative linguistics. On the materials of lexicographic sources, the author determines the composition of nuclear lexemes and their synonyms that are capable of reflecting peripheral conceptual attributes of clemency in the English and Russian languages. The scientific novelty of this research consists in the fact that it is first to establish similarities and differences of peripheral conceptual attributes of clemency in the English and Russian languages. It is determined that core of the concept in English language is binominal and represented by the lexemes clemency and pardon; while in Russian language it is monomial. In conclusion, the author reveals that on the periphery of the concept in question in the English language are the lexemes grace, oblivion, allowance, indulgence, leniency, which are the synonyms of nuclear lexemes; and in the Russian language, there are fewer synonyms of nuclear lexeme – apology, mercy, grace, remission. Comparison of the composition of peripheral conceptual attributes of clemency in the English and Russian languages demonstrated that they differ for the most part. Thus, the peripheral conceptual attributes of clemency in the English language is the comprehension of forgiveness as leniency with regards to a human being who committed the transgression, as a punishment, but in mitigated form. In the Russian language, the understanding of forgiveness as condescension to the transgression and aiding the one who transgressed.
Citations count: 2
Reference:
Itskovich T.V. —
The value of family among youth (based on conversational language of youth)
// Litera.
– 2020. – ¹ 12.
– P. 110 - 117.
DOI: 10.25136/2409-8698.2020.12.34703 URL: https://en.nbpublish.com/library_read_article.php?id=34703
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Abstract:
The subject of this research is the conversational language of modern youth, which is thematically diverse, as followed from fulfilling grant of the Russian Foundation for Basic Research “Language that is commonly used in a family: axiological reality and methods of research (based on the conversational language of a Ural city)”, 2018-2020. Emphasis was placed on the topic of family values and parenting, which is explained by high relevance of this topic for young people. The goal consists in description of axiological reality of modern students in the area of family relations. In the course of analysis, the author uses the methodology developed by the grant collective, which implies determination of the value aspects of thematic and communicative content in text of the dialogue. The dialogue implements a number of value orientations inherent to the Russian national culture, such as: marriage, childbirth, parenting, relation to older generation. Participants of the dialogue describe parental attitudes that pertain to family and reality overall. The recordings of conversational speech of youth demonstrate that respondents directly explicate family values, as well as anti-values. Implicitly, the analyzed text contains the value of love and kindness. Analysis of the text indicates that respondent prefer harmonious and nonconfrontational communication. Unanimity in the value attitudes is reflected in communicative behavior: the respondents approve the raised topics, agree with the declared value orientations, and avoid conflict behavior.
Citations count: 2
Reference:
Yi L. —
Fashion and the buzzword in scientific coverage (based on the material of Russian and Chinese)
// Litera.
– 2023. – ¹ 3.
– P. 200 - 216.
DOI: 10.25136/2409-8698.2023.3.38013 EDN: KBSEPX URL: https://en.nbpublish.com/library_read_article.php?id=38013
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Abstract:
The article is devoted to the study of fashion and buzzwords in scientific coverage, the task of which is to identify the concept of "fashion" in various scientific fields and the characteristics of the buzzword in the discourses of the Russian and Chinese languages. The article describes the manifestation of the fashion category in philosophical discourse. A comprehensive analysis of the philosophers' points of view on fashion allows us to identify the load of meanings of the concept of "fashion" in clothing, its connection with the concepts of "prestige" and "taste" and characters (total, changeable). Separating the semiotics and semiology of fashion, R. Barth proves the inseparability of fashion and language. Semantic and cognitive analysis of the concept of a fashionable word in two languages shows common characteristics: relevance, mass character, prestige, transience, news, expressiveness. The study allows us to conclude that the concept of "language fashion" and "fashion word" is closely related to the category of fashion in culture and in civilization. In the philosophical discourse, the most important characteristics of the fashion category were highlighted: its inseparable connection with the category of taste, the social nature of fashion, its inclusiveness and changeability. In semiotics, fashion was defined as a sign system put at the service of the economy and social stratification of society. Language fashion is a powerful means of manipulating and influencing human consciousness. The buzzword is a significant dynamic linguistic phenomenon, it simultaneously creates a problem of lexicography and performs powerful functions. The author considers the concept of "fashionable word" in the everyday life of Russian linguistics in comparison with Chinese, which determines the novelty of the study.
Citations count: 2
Reference:
Bulgarova B.A., Tabatabai S. —
Leveraging the power of internet memes for emotional contagion as effective strategy for environmental communication
// Litera.
– 2023. – ¹ 12.
– P. 281 - 305.
DOI: 10.25136/2409-8698.2023.12.69398 EDN: KWJXHG URL: https://en.nbpublish.com/library_read_article.php?id=69398
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Abstract:
The article aims to address the research gap in the field of environmental communication by integrating the advances in emotional influence sciences to understand the mechanisms and pathways via social media by which emotions impact pro-environmental behavior. This research investigates how environmental communication can integrate research's results to design a more effective communication strategy that leads to environmental actions. Hence, the methodology of the article is an exploratory review of previous research on emotion in crisis and environmental communication, particularly on the role of social media and internet memes in promoting pro-environmental behavior through emotions and emotional influence. The findings are organized into three themes. First, we present the theory of emotional influence as a lens that can shed light on the underlying mechanisms in social media that awaken users' sentiments to modify or rectify their environmental behavior as well as entice their engagement in environmental preservation. Next, the main factors affecting emotional contagion in environmental communication are analyzed. Finally, we examine the empirical evidence of pro-environmental communication strategies that were successful under emotional contagion mechanisms. The article concludes that emotional influence by internet memes is a proper strategy, particularly for new generations, in crisis and environmental communication. This research contributes to science by highlighting the significant role of emotional influence and internet memes in environmental communication, emphasizing their potential to influence public attitudes and behaviors towards environmental issues, and providing a comprehensive understanding of how these factors can be leveraged to design effective communication strategies that lead to environmental actions, offering valuable insights for researchers and practitioners in the field of environmental communication and crisis management.
Citations count: 2
Reference:
Kovaleva A.V. —
Modern everyday realities in neo-phraseological locutions
// Litera.
– 2021. – ¹ 11.
– P. 196 - 202.
DOI: 10.25136/2409-8698.2021.11.34340 URL: https://en.nbpublish.com/library_read_article.php?id=34340
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Abstract:
This article examines the ability of the language to include new everyday realities in neologisms, namely in recently formed phraseological locutions in the German language. The Russian phraseological units (primarily idioms) are involved for comparative purposes. It is demonstrated that the process of creating phraseological units is not left far back in the past, but remains to the present day. The article considers one of the aspects of figurative reflection of reality by means of phraseological neologisms that emerged in the XIX and XX centuries. Phraseological locutions, and idioms in particular, which designate everyday realities, incorporate valuable information on the historical and cultural life of the country of the studied language. The conclusion is made on the degree of reflection of everyday realities in phraseology, as well as on possibility of using phraseology for reconstruction of representations on the life of people of a particular generation. Most of the time, neo-phraseological locutions occur in the language through the metaphor based on figurative reinterpretation of the phenomenon, or relevant situation. Restoration of the resemblance of situation may contribute to using phraseology for reconstructing the representations on the life of people of a particular generation. However, restoration of the image of the past is not always accurate. The emergence of certain phraseological units correlates with a particular historical situation or event.
Citations count: 2
Reference:
Anisimova O.V. —
Portrait of the writer: the peculiarities of literary technique of Roger Zelazny
// Litera.
– 2021. – ¹ 4.
– P. 145 - 153.
DOI: 10.25136/2409-8698.2021.4.35298 URL: https://en.nbpublish.com/library_read_article.php?id=35298
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The subject of this research is the unique literary technique of the prominent American fantasy and science fiction writer Roger Zelazny, the author of the world-renowned novels, such as “The Chronicles of Amber”, “This Immortal”, "The Lord of Light”, etc. The article is dedicated namely to determination of the key peculiarities of the poetics of his works. Special attention is given to characterization of his literary path, its periodization, the impact of Zelazny's predecessors – the authors of science fiction and classical world literature – upon his prose. It is noted that R. Zelazny was fascinated with various mythological systems, such as Egyptian, Greek, Norse, Celtic, and Christian. The scientific novelty of this article lies in the attempt to reveal and systematize the most remarkable features of the works of the American fantasy and science fiction writer, whose impact upon the modern fantasy literature can hardly be overestimated; however it has been poorly studied within the Russian literary studies. The conducted analysis of the poetics Roger Zelazny’s iconic novels, created within the framework of the four main stages, indicates the use such postmodernist literary technique as intertextuality. The matter of R. Zelazny is also characterized by psychologism, interpreted as the author's attention to the meticulous reconstruction of the inner cosmos of the hero, which resembles the result of the writer's passion for the ideas of psychoanalysis. Along with the other representatives of the New Wave, Zelazny was prone to the experiment with forms, as well as to the synthesis of the various fantasy genres. Therefore, many of his novels demonstrate the fusion of science fiction, fantasy, space opera, mystery, and detective fiction.
Citations count: 2
Reference:
Ryzhakov V.S. —
Linguistic bases of the intertextuality theory
// Litera.
– 2024. – ¹ 1.
– P. 57 - 64.
DOI: 10.25136/2409-8698.2024.1.69595 EDN: NHKAXI URL: https://en.nbpublish.com/library_read_article.php?id=69595
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Abstract:
As the object of the research the author chooses the linguistic characteristics of the intertextual unit as the main form of realization in texts of the stylistic device based on borrowing textual elements from other texts. Despite a significant development of the intertextuality theory, the analysis of the theoretical framework in the field of intertextual interaction reveals a lack of knowledge of the linguistic aspects of functioning of intertexts both at the level of expression and meaning. In the article the author analyzes the basic structural particularities of the intertextual unit in postmodernist fiction. This kind of textual material was chosen because of high content of intertexts in this discoursive system, the fact conditioned by the interest of postmodernist writers to the capacities of the stylistic device described in the article. To delineate the content of the notion “intertextuality” according to the “broad” and “restricted” approaches, the author applies cognitive methods and carries out an experiment based on semiotic methods whose the aim was to describe the mechanisms of decrypting intertexts in non-verbal texts. Having analyzed the content of the term “intertextuality” according to the “broad” and “restricted” approaches from the cognitive and semiotic points of view, the author suggests differentiating two distinct phenomena. One of them, the stylistic device based on inclusion of different elements of other texts into a proper text, is under-researched from the linguistic point of view. The article presents main theoretical conclusions about the correlation between the plane of expression of intertexts and their source-texts, as well as the types and the role of the attribution as a key intertextual element. The conclusions may be used in intertext-making activity, e.g. in translation. They may also serve as the basis for further researches in this field.
Citations count: 2
Reference:
Muromtseva A.O. —
Representation of the lyrical "I" in the poetry by A. Podgornova
// Litera.
– 2024. – ¹ 3.
– P. 205 - 208.
DOI: 10.25136/2409-8698.2024.3.70105 EDN: HPKHCI URL: https://en.nbpublish.com/library_read_article.php?id=70105
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The multidimensional study of women's poetry is one of the promising strategies of modern Russian literary criticism, which allows us to reveal not only the tools of women's writing, but also the female mentality, feminine identity, and the peculiarities of reflection by a female author of the natural and social world. Among the female authors, a special place is occupied by the Erzya poet Alina Podgornova, whose works trace postmodern trends. The subject of the research in the article is the means of representing the lyrical "I" in the poet's poems. The purpose of the work is to analyze a number of the author's works, to determine the system of images through which the lyrical "I" is represented, to trace their conditioning by the postmodern worldview of the poetess. The material was composed of poems from the collections "Except rhymes", "Stranded" ("Thought"). The methodological basis of the work is determined by the structural and semantic analysis of the lyrical text, through which the structural components of the poetic image, its semantic organization, and symbolic semantics are described. The scientific novelty of the study is determined by the fact that, in the stated aspect, A. Podgornova's lyrics are for the first time considered and introduced into the context of Russian literary criticism. The article argues that the emotional and psychological state of the lyrical heroine A. Podgornova is due to the author's worldview and axiological concept, his perception of the world as chaos, moral apocalypse. The poetess's worldview is filled with negative social manifestations that destroy the spiritual and moral essence of a person, leveling universal values. The conclusions and provisions presented in the article expand the understanding of the state and development of modern Mordovian literature.
Citations count: 2
Reference:
Minets D.V., Gorushkina A.V. —
Morphological Analysizer of a Text: Functional Opportunities
// Litera.
– 2017. – ¹ 3.
– P. 12 - 22.
DOI: 10.25136/2409-8698.2017.3.24112 URL: https://en.nbpublish.com/library_read_article.php?id=24112
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Abstract:
The object of the present research is the morphological analyzer of an autodocumental text with the subsequent profiling of the author's gender identity. It is an applied computer program written on the basis of Yandex MyStem v3.0, CentOS Linux, Apache v2.2, PHP v5.3, MySQL v5.5. This program allows to make morphological and syntactic markup, and also on the basis of linear discriminant analysis of Fisher diagnose the sex of the author of the text by the ratio of a number of morphological and syntactic parameters that are informative for this personal characteristic. The program is based on the results of the experiment conducted by the team of authors on the identification of the relationship between the formal and grammatical quantifiable parameters of the text and the author's sex on the material of the special body of autodocumentary texts created using statistical methods of data processing. The methods of text analysis used are statistical and descriptive. The methods of automatic text processing using the specially developed on the basis of the morphological analyzer "Mystem" from Yandex were extracted numerical values of the formal grammatical parameters of the text, the list of which was compiled from the materials of the Russian-language and English-language scientific literature and summarized by a number of works of this profile. The main conclusions of the study are as follows: 1) the possibilities of using morphological-syntactic markup in the stylistic analysis of the text are described; 2) on the basis of the analysis of data in L. Brik and V. Mayakovsky's autodocuments and comparison of the results obtained from the gender perspective, it is revealed that female speech is less subject and less qualitative.
Citations count: 2
Reference:
Diveeva A.A. —
The concepts of “human”, “time”, “life” and methods of their representation in the Russian-language rap lyrics
// Litera.
– 2021. – ¹ 5.
– P. 198 - 206.
DOI: 10.25136/2409-8698.2021.5.35524 URL: https://en.nbpublish.com/library_read_article.php?id=35524
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Abstract:
This article is dedicated to the semantic arrangement of rap lyrics. Based on the quantitative and statistical processing of the material, the author determines the lexical units that acquire a new functional purpose and conceptualization in the literary text. The goal of this research is to describe the functionality of the universal concepts of “human”, “time” and “life”, as well as the methods of their representation in the Russian rap lyrics. The relevance and novelty of this work are defined by the fact that despite the attempts existing in the linguistic science to determine the semantic and conceptual fields common to the lyrics of rap culture, this topic remains poorly studied within framework of interpretation of the Russian rap lyrics as a literary text. The concepts of “human”, “time”, “life” in rap lyrics manifest as the key indicator of the system arrangement of a literary text; and despite their universal nature, reflect the specific content, which is substantiated by communicative and stylistic peculiarities of rap. The conducted analysis of rap lyrics demonstrates that the concept of “life” can perform a leading role one in arrangement of the lexical-semantic space of the text, as it suggests a complex representation of social reality (time and space), life activities of the subject and their assessment, reflection on the new life and new people. The article employs descriptive method, contextual analysis, quantitative-statistical analysis, as well as the method of continuous sampling.
Citations count: 2
Reference:
Antonova E.M. —
Literature as an Avatar of Philosophy
// Litera.
– 2015. – ¹ 1.
– P. 53 - 73.
DOI: 10.7256/2409-8698.2015.1.15762 URL: https://en.nbpublish.com/library_read_article.php?id=15762
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Abstract:
The author of the article attempts to answer a question becomes: what communication exists between philosophy and literature? Both in that and in other case it is about deep personal creativity. Many works of poetry we call philosophical. At the same time philosophical thoughts and ideas find expression in an art form with use of images and other means of expression which are inherent in art. We know philosophical works which are stated by art language. For example, the ancient Roman philosopher Tit Lucretius Kar wrote the philosophical poem "About the Nature of Things". However between philosophy and literature it is possible to find various and difficult communications. The author puts the task to reveal the similarity and distinction existing between philosophy and literature as concerning their subject, and language. The author uses methods of various directions of modern philosophy. Analyzing the text, he addresses to receptions of a hermeneutics and structuralism. At the analysis of philosophical problems addresses to philosophical anthropology, linguistic philosophy. Novelty of article is caused by attempt to show that literature quite often acts as a peculiar avatar of philosophy. At the same time it is possible to see such inversion and in relation to philosophy which as much as possible approaches with literature. The author in this regard considers not only proximity of philosophy and literature, but also their mutual threats. This conflict arose already in ancient times. Various forms of a miropostizheniye are in a condition of the competition, challenging the right of the imaginary allies for an absolute priority in disclosure of secrets and paradoxes of the world. The author pays special attention to also axiological measurement of a problem.
Citations count: 2
Reference:
Anisimova O.V., Makarova I. —
Mythopoetic Images of Irish Mythology in American Fantasy (the Case of Roger Zelazny's "Chronicles of Amber" - Corwin Cycle)
// Litera.
– 2023. – ¹ 4.
– P. 92 - 101.
DOI: 10.25136/2409-8698.2023.4.39999 EDN: VOHZCA URL: https://en.nbpublish.com/library_read_article.php?id=39999
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Abstract:
The article is devoted to the study of key images of Irish mythology, widely used in fantasy literature, in particular, in American novels written in the second half of XX-th century. The paper considers the images of ship, tree and raven. Special attention is paid to their artistic interpretation in the novels of a famous American science fiction writer, the representative of New Wave - Roger Zelazny. The paper examines the etymology of these images, their origins in Sumero-Akkadian, Jewish and Greek mythologies, their main symbolic meanings and further interpretation in Zelazny's key novel - "The Chronicles of Amber". As a result, the complex characteristics of the three images both in the ancient mythologies and in the context of first five parts of the novel by the American science fiction writer, namely in the Corwin Cycle, have been provided. The findings achieved show that ship turns out to be connected with the key image of the novel - the Pattern, among other things symbolizing the process of initiation of the main characters. The tree, in its turn, acts as the primary basis of the Amber universe, its multilevel structure. Finally, the raven, the alter ego of the main character - Prince Corwin - stands for his destiny, filled with contradictions and relentless battles.
Citations count: 2
Reference:
Galankina I.I., Perfilieva N.V., Perfiliev A.K. —
The variety of models of terminological units of the hydraulic engineering industry and the sphere of state and municipal procurement
// Litera.
– 2024. – ¹ 1.
– P. 26 - 38.
DOI: 10.25136/2409-8698.2024.1.69596 EDN: PCNSTG URL: https://en.nbpublish.com/library_read_article.php?id=69596
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Abstract:
The relevance of the study lies in clarifying the terminological status of newly formed units and describing the variety of ways to replenish terminological systems. The subject of the study is the models of terminological units of hydraulic engineering and procurement for state and municipal needs. The aim of the work is to represent the methods of derivation in the language of hydraulic engineering, as well as to identify and classify specific terminological combinations of these industries.
The conducted research also made it possible to clarify the criteria for assigning terminological names to the following classes of words: term, quasi-term, pre-term.
Practical significance implies the application of the results in the compilation of databases and materials for teaching professional communication in foreign languages.
The perspective of the study is a contrastive analysis of these terminological systems in two or more languages in order to clarify the translation of terminological units. The structural features of the terminological units are determined using contrastive analysis. The selection and comparison of terminological units were carried out on the basis of a solid sample of normative documents from the studied industries. The statistical analysis data demonstrated the frequency of formation of two-, three-, four-, etc. terminological names in hydraulic engineering and in the field of procurement. Practical significance implies the application of the results in the compilation of databases and materials for teaching professional communication in foreign languages.
The conducted research allowed us to conclude that the accuracy of expressing the concepts of the new sphere of procurement for state and municipal needs is achieved through verbose models, the components of which are combined by an obligatory valence. The peculiarities of the hydraulic terminological system are the absence of five-, six- and seven-component models, which is largely compensated by the wealth of derivational means and is due to the "age" of this industry.
The novelty of the work is determined by several factors: firstly, the terminological status of the quasi-term and pre-term is clarified, and secondly, the criterion of mandatory valence is justified to determine a verbose combination of words as a stable terminological name.
Citations count: 2
Reference:
Morozova G.V., Yakupov B.I., Gavrilov A.R. —
The effectiveness of election information support as a factor in raising awareness of Russian youth about the voting procedure
// Litera.
– 2024. – ¹ 11.
– P. 228 - 236.
DOI: 10.25136/2409-8698.2024.11.72365 EDN: QOGXQC URL: https://en.nbpublish.com/library_read_article.php?id=72365
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Abstract:
The object of the study is the awareness of the youth segment of the electorate about the voting procedure in the elections of the State Duma and the President of the Russian Federation. The subject of the study is the impact of election information support on the level of awareness of the youth segment of the Russian electorate about the voting procedure and date. The authors' attention to youth is due to its socio-demographic characteristics, which mark a transitional period of development, lack of life experience and being at the stage of civic formation. The authors of the article consider raising awareness of young citizens about elections as a result of work on informing about the upcoming elections, creating conditions for equal access of this population group to sources of information about the electoral process. Special attention is paid to the connection between youth awareness of the elections and information campaigns conducted in the run-up to the elections. The main research method was a comparative analysis of the results of the information work of the CEC of the Russian Federation with various segments of the electorate represented by VTSIOM for the period from 2016 to 2024. The analysis was carried out according to such parameters as the level of awareness of the youth segment of the electorate about the election procedure and the date of voting. The article presents the results of measuring the effectiveness of information support for the electorate during election campaigns in the Russian Federation, identifies and argues the degree of awareness of its youth segment about the main components of the voting procedure in elections for the period 2016-2024. The main conclusion was the revealed dependence of the level of awareness of young people about the procedure of elections of authorities on the age factor. Between the two age groups compared, the work on information support of the electoral process most effectively affects the age group of 25 - to 34–year-old respondents, rather than the youth aged 18-24. The data obtained allowed us to conclude that more careful work is needed when preparing publications for the youth segment of the electorate. It is necessary to take into account not only the interests, needs, and problems in the social development of each age group of young people, but also the nature of their perception of content and its presentation forms.
Citations count: 2
Reference:
Pavlova L.V., Romanova I.V. —
"Color" Ñomponent of the Frequency Dictionary of the "Armenian Text"
// Litera.
– 2022. – ¹ 12.
– P. 20 - 32.
DOI: 10.25136/2409-8698.2022.12.39276 EDN: ZASFPP URL: https://en.nbpublish.com/library_read_article.php?id=39276
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Abstract:
The aim of the study is to reconstruct the "Armenian" local text of Russian poetry, its color segment. The research material is a corpus of poems by Russian poets of the XIX–XXI centuries dedicated to Armenia. The object of study is the poetics of color as an important component of the image of Armenia, the subject of study is color naming. The methodological basis was an interdisciplinary approach combining linguistics, literary studies and computer methods of text processing. To describe the poetics of color, language material is processed and a frequency dictionary is compiled. Data interpretation is performed at the level of the entire corpus and within the subcorpuses of individual authors. This is how data on individual and national pictures of the world are compared and considered against the background of Armenian folk ideas about color. The scientific novelty of the research consists in compiling an original alphabetical-frequency dictionary of color names in the "Armenian text" of Russian poetry and in describing the poetics of coloristic elements. It is proved that in the general linguistic picture of the "Armenian text" and in most of the individually authored artistic worlds, the blue color and its shades confidently dominate. The semantics of color in Russian poets when describing Armenia does not coincide with the ethnic representations of Armenians. The study is promising for the comparative study of both local texts and national linguistic worldviews. The peculiarity of the "Armenian text" is the construction of a color picture of the world based on the perception of the color of soils, stones, rocks and the mountains themselves, as well as impressions of paintings by Armenian artists, first of all, Martiros Saryan.
Citations count: 2
Reference:
Nacharova L.I. —
Event marketing as an effective tool for the advertising campaign of the social network "VKontakte"
// Litera.
– 2024. – ¹ 2.
– P. 230 - 236.
DOI: 10.25136/2409-8698.2024.2.69732 EDN: WVQEXG URL: https://en.nbpublish.com/library_read_article.php?id=69732
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Abstract:
The subject of this article is event marketing as a tool for the advertising campaign of the social network "VKontakte." It provides an analytical perspective on current trends in advertising and offers specific recommendations for the effective use of marketing tools in the evolving advertising environment. The main focus is on the importance of the social network's interaction with its audience through the organization and sponsorship of various events, as well as the optimization of feedback analysis and the effectiveness of advertising campaigns in the context of digital technologies and social media.
The article proposes a theoretical and practical justification for the feasibility of conducting not only online events and activities (forums, discussions, educational courses) but also offline events (concerts in clubs and open venues), as well as organizing events in collaboration with cultural and educational centers in the country. An example of the advertising campaign of the social network "VKontakte" serves as illustrative material to confirm the effectiveness of the proposed approaches.
The scientific relevance and novelty of this article are manifested in several key aspects. Firstly, the work considers event marketing as an innovative tool aimed at creating "viral messages" and improving the interaction of the promoted social network with its audience, opening new perspectives in brand promotion and consumer interaction. The second aspect is related to the reverse effect in this case - the influence of social networks on the effectiveness of event marketing. Given the complexity of the nature of social networks, as they simultaneously act as service providers to their users and media channels, the combination of these two functions in the activities of such market participants allows them to leverage many advantages associated with the complexity of their nature, which increases the importance of analyzing the theoretical foundations and possibilities of advertising campaigns.
Citations count: 2
Reference:
Bezrukov A.N. —
Hierarchy of an Artistic Discourse
// Litera.
– 2017. – ¹ 2.
– P. 45 - 53.
DOI: 10.25136/2409-8698.2017.2.22840 URL: https://en.nbpublish.com/library_read_article.php?id=22840
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The subject of the research is the interdependence between the language and verbal communication, language and thinking, language and various types of discourse, assessment and analysis of a discursive writing. The object of the research is the specification of gnoseological mainlines involved in the process of objectivation of both the meaning of an available text, hereinafter - discourse, and decoding the reader's contextual artistic reality. The author of the article examines the hierarchy of the discourse, the structure of the meaning in the practice of discursive creative writing formed by the combination of diametrical meaning points under conditions of transformational dispositions. Such aspects of the topic as the control over the reader's mind, systematisation of artistic forms, immanent variants, intratextual relations, semantic allocation, structuring and reception of the concept as a unit of the mental frame-based scheme, and registers of discursive practice methodologically complete the research and reveal the topic at the most. The author pays special attention to the analysis of discursive paradigm that is incomplete, tends to have infinite borders and, which is very important, regulated by the social historical environment and individual personal priorities. According to the author, cognitive approach is the most accurate research method providing that the composite research methodology prevails. Interpretation based on the aforesaid approach is close to the ontological correction of the meaning and statement of multiple connotations. Consequently, cognitive reception algorithms of the artistic discourse reversibly reveal possible paths for decoding all the volume of meanings. The novelty of the research is caused by the fact that for the first time in the academic literature the author views artistic discourse as a form of connection of nominative corpus units from the side of the author and the sphere of constant actualisation of meanings from the side of the reader. This allows to conclude that artistic discourse is a hierarchically normalized process. Unlike text, discourse performs the function of the language functional allocation. Communication manifests the model of the special relationship between the author and the reader, the recipient and the person who produces a literary text. The hierarchy of the discourse is not a literal composition but the interplay of paradigm language forms that functionally exist in the reader's mind. Conceptual modification of elements co-organise the matrix of of the cognitive evaluation of reality. The main conclusion fo the research is that artistic discourse should be perceived as a climax of a concretized aesthetic thought, narrative style, mind's marker, and evaluation method, in a word, everything that is axiologically correct for the author and recipient and formally correct at this or that historical stage.
Citations count: 2
Reference:
Borisova I.V. —
Modern Trends of the Occasional Word Formation Process in Internet Communication
// Litera.
– 2018. – ¹ 3.
– P. 281 - 288.
DOI: 10.25136/2409-8698.2018.3.27160 URL: https://en.nbpublish.com/library_read_article.php?id=27160
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The object of the research is the sources of oral speech presented on the Internet (posts and comments on social networks, blogs and forums). The subject of the research is the occasional word creation of Internet communicants. The novelty of the research is caused by the fact that the process of word creation in the global network is momentary and controversial, and therefore, the sample used in this paper is a unique “instant cast of reality” that will later help create a holistic picture of the phenomenon under investigation to identify its potential impact on revision of the norms of the Russian language. Moving from the abstract to the concrete (from the existing theoretical postulates in the area under study to working with factual material), the author applied methods that are relevant in collecting empirical data: accumulation, comparison, description, and statistical analysis of relevant examples. In formulating the final conclusions, certain provisions obtained in the course of an intent-analysis using a discursive approach were summarized. Based on the research results the author makes the following conclusions : 1. The process of formation of new words in oral and written speech of Internet communicants is continuous and unusually active; 2. The share of occasional methods of word creation prevails; 3. The most common methods of occasional word creation at this stage can be considered “education according to a specific pattern”, “holophrasis”, “creation” and “inter-step formation of words”; 4. With a sufficient amount of accumulated empirical material in the field of occasional word-formation and identifying the general trends of this process, it is possible in the future to revise the norms existing in the Russian language.
Citations count: 2
Reference:
Parkhomenko R.N. —
Evolution of Romanticism in Germany: From Literature to Politics
// Litera.
– 2015. – ¹ 1.
– P. 94 - 121.
DOI: 10.7256/2409-8698.2015.1.15783 URL: https://en.nbpublish.com/library_read_article.php?id=15783
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The subject of research is the evolution of romanticism in the German literature and philosophy, the main features and characteristics of romanticism were shown in process of romanticism are shown. The special attention is paid to specifics of typically German romanticism as spokesman of the main lines of the German mentality and national spirit. The author in detail considers such aspects of a subject as influence of romanticism in literature and art on political thought of Germany, and also the romanticism in practical policy which influenced development of a course of conservatism. Methodology of research is the appeal to heritage of the German romanticism - the author had opportunity long time to work at various universities and libraries in Germany. The main conclusions of the conducted research is the thought that use of concepts of nationalism and political mythology together with such "metaphysical" concepts as spirit, the soil, race, destiny, history, revival open theoretical essence and practical capacity of the current of the romanticism in Germany which passed evolution from literature to policy.
Citations count: 2
Reference:
Novikau A.V. —
Mark Z. Danilevsky's "House of Leaves": the Poetics of Simulacra
// Litera.
– 2024. – ¹ 2.
– P. 19 - 35.
DOI: 10.25136/2409-8698.2024.2.39799 EDN: KVOMAL URL: https://en.nbpublish.com/library_read_article.php?id=39799
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The object of research of this article is a novel by Mark Z. Danilevsky's "House of Leaves" in the context of Postmodernism. The subject of the study is the concept of a simulacrum, which appears in the novel "House of Leaves" as one of the funding components of the poetics of the work. The "House of Leaves" is considered from the position of postmodern sensitivity, in which Danilevsky deliberately blurs the boundaries between habitual space and hyperreality, real and unreal, fact and fiction. A similar effect is achieved through the simulacrum based on the novel – the short film "The Nevidson Film" – which was originally programmed by Danilevsky to expand into reality, to capture reality, that is, to limitless expansion of simulation through both material media (books) and the Internet. As a result of the proliferation of simulation within the work, the poetics of the novel text itself undergoes mutation, where genre mixing occurs, and mutually subordinate relations are established for the participants of author-reader communication due to the features of novel poetics. The text based on the simulacrum is absorbed by the simulation and eventually becomes a simulacrum due to the continuous formation and spread of the simulation. As a result, the language environment turns into a means of control, manipulation, subordination, both of the author and the recipient: the totality of simulation replaces reality and includes the perceiving consciousness in its own boundless becoming.
Citations count: 2
Reference:
Merzlyakova K. —
Particularities of Modality Realization in Spanish Gender Media Discourse (the Case Study of Cosmopolitan and Telva Magazines)
// Litera.
– 2018. – ¹ 1.
– P. 10 - 16.
DOI: 10.25136/2409-8698.2018.1.25269 URL: https://en.nbpublish.com/library_read_article.php?id=25269
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The subject of this research is functional and semantic particularities of expression modality in Spanish glamour magazines. The author of the article pays special attention to theoretical aspects of modality studies and various approaches to the matter because despite the growing interest in it, modality still remains one of the most multi-sided and contradictory phenomena in linguistics. The aim of this research is to define relationship between persuasion and illocutive modality in a media text. The author also analyzes the influence of utterances produced by a media discourse on gender construction. In her article Merzlyakova also presents results of popular Spanish glamour magazines analysis (Cosmopolitan and Telva) selected by using continuous sampling method. The novelty of the research is caused by the fact that Merzlyakova views the persuasion function in addition to illocutive force of a produced utterance as especially important functional characteristics of media texts that can be used to analyse the position of an addressant in a media discourse and his or her relationship with the audience. Analysis of the implicit manifestation of an addressant's opinion makes it clear how media manipulates values, assessments and opinions of recipients.
Citations count: 2
Reference:
Egorova O. —
Actualisation of Mythological Concepts in Folklore (Based on the Analysis of Russian and British Fairy-Tales)
// Litera.
– 2018. – ¹ 3.
– P. 296 - 303.
DOI: 10.25136/2409-8698.2018.3.26650 URL: https://en.nbpublish.com/library_read_article.php?id=26650
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The subject of this research is the specifics of the actualization of mythological representations in folklore works. The aim of the work is to trace the transformation of animism and totemism as the first most important beliefs of people in Russian and British fairy tales. Comparative analysis allows to determine the genesis of the historical development of the fairy-tale genre, the evolution of its moral, moral and aesthetic attitudes, as well as the influence of the mythological tradition on the fantastic images and motifs of folklore works. The corpus of texts selected from collections of Russian and British fairy tales served as the research material. The methodological basis of the article consists of a complex cultural-cultural method of system analysis in the form of a comparative comparative study, historical-genetic and historical-typological comparisons. The integrated approach used by the author allows to determine the originality and evolution of mythological representations in two folklore traditions as well as to reveal the influence of myths on fiction, the plot composition and the system of characters of Russian and British fairy tales. The scientific novelty of the work is caused by the fact that for the first time an analysis of the genesis of mythological views in folklore was carried out on the basis of Russian and British fairy tales. The author of the article concludes that mythological beliefs in folklore works are creatively rethought and serve as the means of transmitting socially important information and values.
Citations count: 2
Reference:
Nguyen T., Perfilieva N.V. —
Orientation metaphor in Economic Discourse (based on the headlines of Russian and Vietnamese Internet publications)
// Litera.
– 2022. – ¹ 5.
– P. 65 - 78.
DOI: 10.25136/2409-8698.2022.5.37846 URL: https://en.nbpublish.com/library_read_article.php?id=37846
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This article is devoted to the use of orientation metaphors in economic discourse in the headlines of Vietnamese and Russian online publications. The aim of the study is to identify the main types of conceptual orientation metaphors in Russian and Vietnamese, which are based on different spatial oppositions, as well as to establish the frequency of use of these metaphors in the headlines of Internet articles on economic topics. The research material was headlines taken from leading Vietnamese and Russian online publications for 2019-2022, which contain orientation metaphors. The main research methods are component analysis, comparative analysis, conceptual analysis method and continuous sampling method. The scientific novelty of the study lies in the fact that it is the first time that orientation metaphors in the Russian and Vietnamese languages have been studied. As a result of the work, the main types of orientation metaphors in the headings of economic texts are identified: top - bottom; forward - backward; right - left; inside - out, and similarities and differences in the use of these metaphors in Russian and Vietnamese are also presented. Based on the analysis of examples, it can be concluded that the use of orientation metaphors in the headlines of Russian and Vietnamese articles on economic topics has many similarities, despite the differences in geographical location, as well as in the economic systems of the two countries.
Citations count: 2
Reference:
Mysovskikh L.O. —
Existential and psychological grounds of criminal behavior of the heroes of Mikhail Lermontov and Fyodor Dostoevsky
// Litera.
– 2023. – ¹ 7.
– P. 84 - 93.
DOI: 10.25136/2409-8698.2023.7.38571 EDN: TMGBZT URL: https://en.nbpublish.com/library_read_article.php?id=38571
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Abstract:
In the article, through the prism of the philosophy of existentialism and social psychology, the prerequisites of the criminal behavior of the main characters of the novels by Mikhail Lermontov "Hero of Our Time" and Fyodor Dostoevsky "Crime and Punishment" – Grigory Pechorin and Rodion Raskolnikov are investigated. The author of the article claims that the reasons for the criminal behavior of both Pechorin and Raskolnikov are intrapersonal. However, the personal characteristics of an individual are formed under the influence of the society in which he exists, which is demonstrated by the example of the main characters of the novels of Lermontov and Dostoevsky. Thus, the article clearly shows the main principle of the philosophy of existentialism in action: the existence of a person precedes his essence. The author of the article comes to the conclusion that Pechorin and Raskolnikov have many similar character traits, and the main difference between them lies in the social status of the characters. In both novels, the writers decry the vices of Russian class society. The author of the article summarizes that from the point of view of religious existentialism, Pechorin's fate is much more gloomy than Raskolnikov's fate, since Pechorin's soul is taken away by an all-consuming nothingness, while Raskolnikov's soul gets a chance for salvation. Dostoevsky's heroes always have hope, because God shows them the way by which a person can come to grace. This is where the main difference between Lermontov and Dostoevsky lies.
Citations count: 2
Reference:
Gao J. —
The Impact of Digital Technologies on the Structure of Translation Activities
// Litera.
– 2022. – ¹ 10.
– P. 72 - 86.
DOI: 10.25136/2409-8698.2022.10.39067 EDN: HAJLNA URL: https://en.nbpublish.com/library_read_article.php?id=39067
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Abstract:
Automated and machine translation tools have become integral elements of the translation process, but their place in translation models is still not defined. On the one hand, the trend towards automating translation practices is reducing the burden on human translators, freeing them from repetitive, tedious and low-tech tasks and freeing them up for more complex and creative tasks, on the other hand, it is also invading into the territory of professional translators at the conversion level. This article attempts to comprehend translation activity in the era of digital translation and modeling of translation activity taking into account digital technologies, as opposed to the model of traditional translation activity. The main result of this work can be considered as definition of the place of digital technologies in the actant model of translation activity as auxiliary means. With the development of digital technologies, the model of translation activity is developing towards automation and the emergence of new forms of translation activity. At the level of intercultural communication, since AI does not yet have the emotional and creative intelligence of a higher mind, as well as the biological and social characteristics inherent in human intelligence, automatic translation models are subject to limited cultural, contextual, historical and social norms. It is for this reason that machine translations require final editing, interpretation, adaptation, and other cultural adjustments by human translators.
Citations count: 2
Reference:
Gutorenko L.S. —
On the Question about Ambivalent Nature of Trolling and Using Trolling in Comic Creolised Internet Memes
// Litera.
– 2018. – ¹ 4.
– P. 244 - 250.
DOI: 10.25136/2409-8698.2018.4.27846 URL: https://en.nbpublish.com/library_read_article.php?id=27846
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The subject of this research is the analysis of the definition of "trolling" in the works of Russian researchers, its transformation in the public consciousness, the goal-setting of virtual communication users when using trolling as well as the specifics of using trolling (in the broad sense of this term) in comic creolized Internet memes (based on the analysis of the Russian language). The analysis of the use of trolling was carried out based on the example of comic creolized Internet memes in Russian using case law, political and universal (everyday problems, gender relations, the conflict of generations). To achieve this goal, the following research methods were used: definitional, analysis and synthesis, synthesis and systematization, as well as descriptions. The novelty of the study is caused by the presentation of a broad interpretation of the phenomenon of trolling, as well as in the study of its use in comic creolized Internet memes. The analysis made it possible to come to the conclusion about the transformation of the notion of "trolling" and the popularity of its use in a broad sense (as irony and sarcasm addressed to the reader or case law personalities) in comic creolized Internet memes for the purpose of receiving pleasure from intellectual game, creativity, comic rethinking of problem situations as well as reflection on them. The results of this work can be used for further study from a linguistic and pragmatic point of view of communication on the Internet in general and comic creolized Internet memes in particular.
Citations count: 2
Reference:
Klochkova E., Evtushenko T. —
The peculiarities of realization of modal values of necessity and epistemic possibility in the Russian and Chinese languages
// Litera.
– 2021. – ¹ 2.
– P. 42 - 52.
DOI: 10.25136/2409-8698.2021.2.34928 URL: https://en.nbpublish.com/library_read_article.php?id=34928
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This article examines the linguistic-specific parameters of language means for expressing modal valies of necessity and epistemic possibility in the Russian and Chinese languages. Particular attention is given to the analysis of quantitative and functional-semantic characteristics of language means for expressing modality in the Russian and Chinese languages from the comparative perspective. The goal of this research lies on examination of functionality of the means of objective and subjective modality within the Russian language reflected in the Chinese language. The research is based on the material of the user parallel corpus, which contains Russian and Chinese literary texts with translation, as well as on the results of student poll conducted for the purpose of determination of meta-representations of the native speakers on functionality of a number of linguistic units of the corresponding microfields. The results of comprehensive analysis demonstrate that the core and periphery of the functional-semantic fields of necessity and epistemic possibility in the Russian and Chinese languages are similar with regards to the types of linguistic units that comprise the field (the core zone consists of modal verbs and modal words); however, the allocation of elements within the field differs. From the functional-semantic perspective, the author determines a group of modal values with accurate cross-lingual correspondences and a group of words with different meanings, as well as indicates the semantic lacunas. The survey results of the native speakers confirm varying degree of consolidation of the opinion on the value of modality markers.
Citations count: 2
Reference:
Sulaimanov M.U. —
Ethnocultural code in the Crimean Tatar literary criticism (on the example of Shakir Selim’s literary-criticism article “About Shamil Alyadin, Charyks and a Pocket Knife”)
// Litera.
– 2021. – ¹ 4.
– P. 104 - 117.
DOI: 10.25136/2409-8698.2021.4.35485 URL: https://en.nbpublish.com/library_read_article.php?id=35485
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Abstract:
Based on the analysis of causality and reasonableness of arguments of such literary scholars as Shakir Selim and Shamil Alyadin, this article attempt to determine the ethnocultural code of the Crimean Tatar literary criticism. The author applies the approach of methodological pluralism, as well as hermeneutical, logical, historical-genetic, comparative-typological, phenomenological, and psychological methods. This allows considering various perspectives of the aforementioned literary scholars upon the variants of critical analysis of the artistic heritage of the classic of Crimean Tatar literature Memet Nuzet. The article outlines the basic principles of literary criticism, declared by Shakir Selim and Shamil Alyadin, as well as their dependence on the ethnocultural code of the Crimean Tatars. The scientific novelty of this research consists in the attempt of carrying out a comprehensive hermeneutical analysis of Shakir Selim’s literary-criticism work “About Shamil Alyadin, Charyks and the Pocket Knife” through the prism of methodological pluralism in the aspect of ethnocultural code. The author’s main contribution consists in the reflection of the “clash of opinions” of three literary critics – this is the critical article by Shakir Selim, based on the response of Pirae Kadri-Zade, written to Shamil Alyadin’s criticism essay on the poem composed by the classic of the Crimean Tatar literature Memet Nuzet.
Citations count: 2
Reference:
Borisova I.V. —
Fulfillment of stylistic potential of the English-language advertising slogans in the Internet discourse
// Litera.
– 2021. – ¹ 9.
– P. 66 - 81.
DOI: 10.25136/2409-8698.2021.9.36239 URL: https://en.nbpublish.com/library_read_article.php?id=36239
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Abstract:
The article examines the English-language advertising content of modern Internet discourse (2010–2021). Leaning on the existing theoretical postulates of Russian and foreign scholars in the area of advertising business and taking into account the accumulated discursive practices of scientific research, the author analyzes the examples of the authentic English-language advertising slogans for the purpose of determining most common and effective stylistic techniques. The validity of the acquired results is substantiated by scientific rigor in selecting the methods of research that correlate with the goals and tasks set by the author: continuous sampling, contextual analysis, statistical data analysis, descriptive and comparative methods. The results presented as a diagram most vividly demonstrate the current trends in fulfilling stylistic potential of the English-language advertising slogans to influence the Internet communicants in the most effective way. The specifics of the online advertising discourse is defined by the fact that Internet is an experimental platform for language artistry of the communicants, who are able to appreciate the nonstandard linguistic intentions of the advertiser and their creative implementation. The author offers to continue the analysis of the stylistic component of the online advertising discourse, as well as trace the dependence of the success of realization of the tactics and strategies of the advertisers on the use of certain stylistic techniques in advertising slogans.
Citations count: 1
Reference:
Golubeva V.I., Morgunova O.A. —
Targeting by Sensory-representative Systems in Advertising and PR Texts (Experience in Developing a Methodology for MGIMO Students)
// Litera.
– 2023. – ¹ 9.
– P. 101 - 122.
DOI: 10.25136/2409-8698.2023.9.37551 EDN: ZOWYNO URL: https://en.nbpublish.com/library_read_article.php?id=37551
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Abstract:
The proposed methodology complements the arsenal of the usual methods of segmentation, which is traditionally based on socio-demographic and financial characteristics. It is based on the study of human perception and segments the audience by sensory-representative systems. Sensory-cognitive systems are the most important element in the process of any communication. The success of transmitting, consuming and assimilating information with minimal aberration largely depends on the ability and mood of the audience to perceive the text through one or more channels.
In the article, we will first consider the theoretical basis of this method, then give examples and provide an opportunity to monitor the reception of new techniques with the help of control questions. The task of PR practice is to facilitate this process for the audience by applying this technique. By targeting the audience through the leading perception channel and using the studied algorithms, professionals achieve more effective communication by fixing the consumer's interest not only on the information provided, but also on the emotional response. The algorithmic structuring of the communication process, which is an integral part of the methodology, helps to subsequently increase efficacy of PR activities, and reduce the time spent on the production of texts. In addition to obtaining the professional skill of interacting with the target audience, the technique allows one to determine the leading channel of perception by the student himself/herself and to improve the self-organization of their studies and their cognitive process. The use of workshops in teaching opens up new opportunities for personal and professional growth.
Citations count: 1
Reference:
Zipunov A. —
Macrosemantic rhythmic structures in the songs of A. Mirzayan
// Litera.
– 2022. – ¹ 6.
– P. 114 - 128.
DOI: 10.25136/2409-8698.2022.6.38151 URL: https://en.nbpublish.com/library_read_article.php?id=38151
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Abstract:
Earlier, semantic rhythms were found in several texts of the author's song of the 1950s-80s, determined by the oppositions "private-universal" and "order-chaos". In the process of analyzing these works, a method of categorical macrosemantic structures was developed. Previously, this approach was applied in a systematic study of cultural trends. As part of the current work, the songs of the famous bard Alexander Mirzayan are considered using this method. The totality of this author's creativity is analyzed. From the standpoint of semantic rhythms, a structural analysis of the song "Wanderers" based on the poems of A. Mirzayan was carried out, as well as several song adaptations based on the texts of I. Brodsky, V. Sosnora and T. Klangsor were considered. In the works under study, the general theme of the conflict of a certain alternative system with the state line is traced. Mirzayan's interest in this topic is probably connected with the social processes of the late USSR. In addition, the presence of semantic rhythms in songs based on poems by A. Mirzayan and poems by other authors is compared. As a result, it turned out that the indicators of PM-rhythmics in song adaptations exceed the indicators of these structures in A. Mirzayan's poetry. Thus, the method of categorical macro-semantic structures helped clarify the principle by which Mirzayan selects poems by other authors and what are the methods of their adaptation.
Citations count: 1
Reference:
Novikau A.V. —
The "House of Leaves" and the problem of the postmodern chronotope.
// Litera.
– 2022. – ¹ 6.
– P. 164 - 174.
DOI: 10.25136/2409-8698.2022.6.38300 EDN: PCEQBC URL: https://en.nbpublish.com/library_read_article.php?id=38300
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In this article, the object of research is a novel by Mark Z. Danilevsky's "House of Leaves" in the context of postmodernism. The subject of the study is the phenomenon of the chronotope in the novel by Mark Z. Danilevsky's "House of Leaves". Special attention is paid to the cultural and historical analysis of the postmodern context and the belonging of Roman Danilevsky to it. A general cross-section of the state of the socio-cultural environment from the moment of publication of the work to the present is given. The analysis of the publications of foreign researchers who have already addressed this topic, and the analysis of their views on the spatio-temporal features of Roman Danilevsky is carried out. The characteristic features of the theories of postmodernism that took shape in the postmodern era in their relationship with the novel "The House of Leaves" are singled out and described separately. By means of a comparative analysis addressed to foreign studies in the field of philosophy, as well as to literary and critical works devoted to the "House of Leaves", an indirect conclusion about the categories of space-time in the novel is formulated. The properties of the "House of Leaves" narrative related to these categories are described: layering, intersection and interaction of various narrative levels of the novel. Based on the study of the features of the chronotope "House of Leaves", the dominants are established, according to which the novel can be attributed to the current of postmodernism. The scientific novelty lies in the description of the author's narrative strategy, which led to the creation of the chronotope of the original type. The question of the future of novels based on the chronotope of the type described in the article continues to be debatable.
Citations count: 1
Reference:
Borunov A.B., Pinaev S.M., Sil'cheva A.G. —
The "alien child" motif as a through code in the prosaic macrocycles of Boris Akunin and Dina Rubina
// Litera.
– 2022. – ¹ 6.
– P. 175 - 182.
DOI: 10.25136/2409-8698.2022.6.38358 EDN: PKESPA URL: https://en.nbpublish.com/library_read_article.php?id=38358
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The subject of the study is a cross-cutting code that unites the prose macrocycles of modern authors as a supertextual unity. The object of the research is a macrotext as a format of a literary work in the works of writers Dina Rubina and Boris Akunin. The authors consider in detail such aspects of the theme as the cross-cutting theme of a strange / adopted / unrecognized / illegitimate child and its connection with the clan and family, and the implementation of this theme in novels united in trilogies or macrocycles. Particular attention is paid to such an aspect of the motif as the onomastic code - distortion, change, re-voicing of the name and surname of the protagonist becomes a recurring motif.
The main conclusions of the study are: a statement of the homological similarity of the supertextual unities of the works of contemporary prose writers, highlighting the motive of the interaction of the genealogical tree of the family with someone else's child, its self-identification as part of the family and woven into the fabric of the family and its history as the bifurcation point of the macrotext. A special contribution of the authors to the study of the topic is the consideration of this motif in its diversified interpretation in various works and the connection of this motif with the onomastic code of the works. The novelty of the study lies in the comparison of the works of Boris Akunin and Dina Rubina, which were not previously considered in a comparative aspect.
Citations count: 1
Reference:
Shukurov D.L. —
Author's Strategies in K.K. Vaginov's Prose: "The Eidos of Hunting"
// Litera.
– 2022. – ¹ 9.
– P. 33 - 46.
DOI: 10.25136/2409-8698.2022.9.38784 EDN: SVADVO URL: https://en.nbpublish.com/library_read_article.php?id=38784
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The meta-narrative structure of the works of the Russian writer and poet K.K. Vaginov (1899-1934) is analyzed, the strategies of the author's narrative are investigated. Most of the subject analysis is occupied by the texts of the novels "Goat Song" and "The Works and Days of Svistonov": the first – as a meta–textual narrative, maximally saturated with cultural codes, as well as auto-reminiscences and allusions of early Vagin creativity, and the second - as a text that plays the meta-narrative model of the first. Within the framework of the concept of the "aesthetic completion of the hero" by M.M. Bakhtin, such an aspect of the topic as "the author is a character" is considered in detail. Special attention is paid to the comparison of the narrative strategies of K.K. Vaginov and A.P. Chekhov. As a result of the conducted research, it is concluded that the novel dilogy "The Goat Song" and "The Works and Days of Svistonov" tells about the paradoxes of artistic reality and reveals its essence in the language of the formal arrangement of Vagin's works. Due to the specifics of such a language of forms, these novels require detailed textual and poetical analysis (consideration of the novels "Bambochada" and "Harpagoniana" reflects the specifics of the author's strategies in the structure of the "single text" by K.K. Vaginov). The complex polymorphic composition of the entire Vaginovsky literary and poetic compendium, the system of mutually reversible and mutually correlating comments, references, semantic saturation of style, functionality of peripheral images and details in the structure of Vaginovsky works - all these stylistic features characterize the original author's strategies.
Citations count: 1
Reference:
Anisimova O.V., Makarova I. —
Mythopoetics of Literature: a Symbolic Language of British and American Fantasy and Science Fiction
// Litera.
– 2023. – ¹ 1.
– P. 45 - 56.
DOI: 10.25136/2409-8698.2023.1.39451 EDN: JCJKPC URL: https://en.nbpublish.com/library_read_article.php?id=39451
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The paper deals with the study of peculiarities of mythopoetics inclusion in British and American literatures. In particular, it highlights the specificity of the way English-speaking writers refer to such mythopoetic images as tree, raven and dragon. The study is done on the works by famous fantasy and sci-fi writers: John Ronald Reuell Tolkien, Roger Zelazny, Jack Vance and George Martin. A wide range of writings in various genres of literature brings certain difficulties connected with the selection of the study material. The criteria applied to fictional texts selected for the undertaken research are as follows: the degree of influence of a particular writer, the significance of mythologemes under consideration in terms of a particular text, and their level of reinterpretation in the writings of selected novelists. The novelty of a given research is connected with considering selected mythopoetic images in the context of particular examples of British and American fantasy and science fiction never regarded together before. The research findings highlight two leading directions of English-language literatures references to the world mythopoetic heritage of ancient times. Firstly, we see the way such mythologemes as tree, raven and dragon are interwoven in the fictional discourse to create a medieval atmosphere; secondly, writers incorporate archetypical images into their texts as elements of their own myth. The second direction seems to be more promising for it results in new interpretations of classical images rather than their exploitation in new texts, thus encouraging the expansion of their symbolic content.
Citations count: 1
Reference:
Nilogov A.S. —
'Snipping' as the Name (Antilanguage Methodology in Aid of DNA-Genealogy)
// Litera.
– 2016. – ¹ 1.
– P. 18 - 25.
DOI: 10.7256/2409-8698.2016.1.17670 URL: https://en.nbpublish.com/library_read_article.php?id=17670
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In article the problem of allocation of new snips (one-nucleotide polymorphisms) as a lingvo-philosophical problem of the name ("onomafication") of our far ancestors is considered, still, it is possible, not having own names, but which it is possible to allocate/distinguish on the basis of assignment of serial number of snips as in any biological (in this case - genetic) of taxonomy. To us the problem of a "snipping"/snipping as the name "/antroponimofication" of far ancestors seems essential: from Y-chromosomal Adam through all nodal points (gapgroups / snips) to documentary confirmed factology of classical genealogy. The following methods are used in the research: anti-language, genetic (Y-chromosomal DNA testing), genealogical, DNA-genealogical, source study, heuristic method. The novelty of research is caused by the fact that the author establishes the interdisciplinary connection between two modern methods of scientific knowledge: anti-language methodology and by the DNA methods - genealogy (genetic genealogy). This allows to fulfil an opportunity as DNA genealogy due to expansion of anthroponimia factology when the documentary and source study base of classical genealogy, and anti-language methodology by means of inclusion of new types of anti-words in structure DNK-genealogisms is settled.
Citations count: 1
Reference:
Muromtseva A.O. —
Seasons in the lyrics by Alina Podgornova
// Litera.
– 2024. – ¹ 6.
– P. 280 - 289.
DOI: 10.25136/2409-8698.2024.6.70899 EDN: DGUZCJ URL: https://en.nbpublish.com/library_read_article.php?id=70899
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Seasonal imagery allows not only to reveal the chronotope of the lyrical text, the psychological state, and intentions of the lyrical subject, but also to reflect the specifics of the author’s reflection of the surrounding world, the peculiarities of his worldview. A dynamic and transforming motif-shaped cluster, the seasons are endowed with a symbolic load, semantic diversity, consonant with the historical and cultural era, and moral and ethical preferences of society. In this regard, the study of Mordovian women's poetry in the aspect of seasonal imagery is recognized as a productive research direction, since it allows us to present an objective picture of the level of aesthetic development of the national artistic discourse. Turning to the classical imagery (winter, spring, summer, autumn), female authors endow it with a wide range of different meanings. The seasons acquire original semantic content in the lyrics of the Erzya poet Alina Podgornova. The subject of research in the article is the functional-semantic features of seasonal imagery in the author’s poems. The purpose of the work is to analyze a number of the poet’s works, identify the most frequent seasonal images and motifs, reveal their semantic shades, meaningful connotations of images of winter, spring, summer, autumn. The methodological basis of the work is determined by the method of holistic analysis of a literary text, through which the structural and content components of a lyrical work are described and the semantic and symbolic organization of the poetic image is revealed. The scientific novelty of the study is determined by the fact that the aspect of seasonal imagery in A. Podgornova’s poems is analyzed for the first time. The article argues that the author's lyrics present an original interpretation of seasonal images, endowed with a variety of semantic shades and connotations.
Citations count: 1
Reference:
Krasikov V.I. —
"Language is Disguising Our Thoughts"? Linguistic Meaning of the Word As One of the Formative Elements of Its Meaning
// Litera.
– 2017. – ¹ 2.
– P. 132 - 142.
DOI: 10.25136/2409-8698.2017.2.22949 URL: https://en.nbpublish.com/library_read_article.php?id=22949
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The object of research in the proposed article is the meaning and its linguistic expression. The subject of the research is the interaction of semantic and linguistic meanings. The author of the article deals with such aspects of the topic as meaning in its totality, the relationship between semantic and linguistic meanings, and the influence of the sign means of expression on the meaning of the expression. Particular attention is paid to the analysis of the concepts of "meaning" offered by B. Russell, R. Carnap, H. Price, G. Reichenbach, A. Losev, K. Levi-Strauss, H.-G. Gadamer, R. Bart, L. Wittgenstein, C. Lewis and E. Sapir. The methodological basis involves typification, comparison, analysis, subject-object scheme, construction, and elements of philosophical reflection. As a result, an extensive conceptual material has been analyzed, matrices of interpretations of "meaning" have been revealed in the characteristic representatives of the neo-positivist, structuralist, hermeneutical and analytical traditions. The author's special contribution to the topic is that he offers defines a relationship between the features of the formation of semantic values and the specificity of their linguistic expression. The novelty of the research is caused by the fact that the author develops a philosophical-anthropological version of understanding the relationship of meaning and its linguistic expression based on the analysis of characteristic theories of meaning.
Citations count: 1
Reference:
Novikova V.G. —
The genre of "biographies through the prism of everyday life" in modern English literature (based on the works of Lucy Worsley)
// Litera.
– 2024. – ¹ 12.
– P. 124 - 134.
DOI: 10.25136/2409-8698.2024.12.72823 EDN: ZJOADY URL: https://en.nbpublish.com/library_read_article.php?id=72823
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The subject of the research is the genre specifics of documentary and artistic biographies, which include materials from everyday life studies of the depicted era. The research material was books by an L. Worsley “Jane Austen at home”, “If walls could talk”, “A Very British Murder” published in the 2010s. These works are examined from the point of view of the embodiment in them of the traditional dominant genre of literary biographies and the features of the emerging variant. Biographical, comparative historical, and cognitive analysis methods are used to clarify the specifics of this genre transformation. The research is relevant because it belongs to one of the most important areas in modern interdisciplinary knowledge – the study of the category "everyday life". The novelty lies in the fact that for the first time the works of the English writer Lucy Worsley are being studied, and the proposed name of a new genre form is introduced. The main conclusion of the study is the detection of a special genre form of biography in the work of Lucy Worsley, a professional historian, author of journalism, nonfiction, creator of television series about the everyday life, and customs of the British who lived in various historical periods. Its name is suggested by the publisher's successful subtitle: "biography through the prism of everyday life." The traditional biography is based on documents, it is built as a biography, it includes everyday details in order to create a "reality effect". The new form is full of detail, strung together in semantic series of details, which together are designed to show historical reality and prove its authenticity to the reader.
Citations count: 1
Reference:
Ding P. —
Features of the Formation of Prefix-Suffix Negatonyms
// Litera.
– 2025. – ¹ 7.
– P. 13 - 25.
DOI: 10.25136/2409-8698.2025.7.75052 EDN: ESTQNE URL: https://en.nbpublish.com/library_read_article.php?id=75052
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The object of this study is negatonyms – a special type of negative pseudonyms found in «The Dictionary of Pseudonyms of Russian Writers, Scholars, and Public Figures» by I. F. Masanov. The paper analyzes 67 negatonyms formed by prefixal-suffixal derivation, with the use of the prefixes bez-/bes-, za-, and the suffix -n-. Special attention is paid to the distinction between one-word and multi-word negatonyms, with the latter predominating. The subject of the research is the structural and semantic features of negatonym formation. The study examines the methods and means of word formation (including base words and derivational elements), types of motivation based on the typical lexical meanings of the producing bases, and word-formation models – both productive and non-productive. Additionally, the motivation behind the selection of specific forms is analyzed, along with the correlation between negatonyms and the authors’ professional, social, and biographical characteristics. Special consideration is given to instances of language play, including oxymorons, metaphors, and transliterations, which emphasize the creative nature of naming. The material is analyzed using the descriptive method: the units of analysis are identified, their properties and characteristics are defined, and the collected data are generalized and interpreted. The scientific novelty of this research lies in the comprehensive analysis of 67 prefixal-suffixal negatonyms recorded in I. F. Masanov’s dictionary. It has been established that multi-word negatonyms not only dominate quantitatively, but also offer a more detailed characterization of the author – indicating their profession, social role, or biographical peculiarity. Both one-word and multi-word forms are predominantly created using the model with the prefix bez-/bes- and the suffix -n-. Language play (metaphor, transliteration, oxymoron) plays a significant role in shaping these pseudonyms, highlighting the creative approach to naming. The findings contribute to the development of onomastics, broaden our understanding of the mechanisms of negative self-identification in Russian culture and also serve as a reliable foundation for further research in this field.
Citations count: 1
Reference:
Kikteva K.D. —
Don Juan and His Servant: Twins and Antipodes
// Litera.
– 2018. – ¹ 2.
– P. 201 - 207.
DOI: 10.25136/2409-8698.2018.2.25839 URL: https://en.nbpublish.com/library_read_article.php?id=25839
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Three well-known interpretations of the plot about Don Juan in European literature of the XVII-XVIII centuries serve as material for the research: the play by Tirso de Molina “The Trickster of Seville”, a comedy by J. Moliere “Don Juan, or the Stone Guest”, opera V. A Mozart's "Don Juan" on the libretto of L. da Ponte. The creator of the image of the seducer, Tirso de Molina, introduced into the text, in addition to the main character, several important characters (Catalinon, Commander), who later migrated to different interpretations of the plot, in particular in the texts of Ponte and Moliere. The main subject of research in the article is the figure of the servant of the seducer, her role in the most iconic European interpretations of the myth and the main functions that it performs. The basis of the methodology is a comparative analysis of texts that exist within a single tradition. The historical-culturological method is also used to explain the changes that are being experienced in the same way within the framework of different literary trends and countries. The key conclusion of the article is the idea that the image of the servant (along with the images of some other characters) is an integral part of the plot about Don Juan (Spanish - Juan) Tenorio only at relatively early stages of its existence. Starting from the Romantic era, with greater freedom in dealing with national myths, the figure of Don Juan’s companion often disappears from the narrative, and its functions (responsibility for the comic, resonance and the affirmation of traditional morality) become irrelevant or carried out in another way.
Citations count: 1
Reference:
Gasharova A.R. —
Dagestan folklore motifs in the works of A. A. Beztuzhev-Marlinsky
// Litera.
– 2019. – ¹ 6.
– P. 185 - 196.
DOI: 10.25136/2409-8698.2019.6.28555 URL: https://en.nbpublish.com/library_read_article.php?id=28555
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The subject of this research is the prose works of A. A. Beztuzhev-Marlinsky related to Dagestan folklore and ethnography. The author attempts to demonstrate the reflection and transformation of Dagestan folklore in the Russian literature using the writer’s work as an example. The power and distinctness of Marlinsky’s talent consists in application of various means of artistic representation, including folklore, and translates hem in his manner and style. Using the descriptive, comparative and hermeneutic methods of analysis the author characterizes the moments in Marlynsky’s prose associated with the Dagestan folklore motifs and even some artifacts of folk art. This allowed revealing the semantic and expressive-visual function of folklore and ethnography in prose works of the writer. The “Dagestan” compositions of Marlinsky serve as a vivid example of cross-pollination through interaction between Russian literature and Dagestan folklore back in the early XIX century. The writer’s interest to Dagestan folklore and ethnography contributed to delving into the history of North-Caucasian peoples, peculiarities of their worldview and customs unfamiliar to the Russian readers. The scientific novelty consists in comprehensive analysis of Marlinsky’s Dagestan novels, which contributed to determination of specificities of expressing folklore origins and the principles of authorial interpretation.
Citations count: 1
Reference:
Selezneva E.V. —
In the Search for the Lost Gracefulness: Heinrich von Kleist and Thomas Mann
// Litera.
– 2019. – ¹ 1.
– P. 34 - 42.
DOI: 10.25136/2409-8698.2019.1.28699 URL: https://en.nbpublish.com/library_read_article.php?id=28699
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The article discusses the influence of aesthetical ideas and figurative language of Heinrich von Kleist's essay 'On the Marionette Theatre' on the early writings of Thomas Mann. The denial of reflection and gracefulness described in Kleist's essay is similar to the problem of the cognition and creativity relation that had been brought by Thomas Mann throughout his life. Published in 1810, the essay 'On the Marionette Theatre' was left unnoticed but in the early XXth century it experienced the burst of interest. The images, ideas and metaphysics of the essay were reflected in Rainer Rilker's, Hugo von Hofmannsthal's, Gerhart Hauptmann's and Thomas Mann's writings. By using the comparison method, the author of the article demonstrates that a series of motifs and images repeated in the early short stories by Thomas Mann (clumsiness of some heroes and careless gracefulness of others, vain and funny attempts to imitate the ideal image) are a bright example of the main metaphysical idea of Kleist's essay about the destructive influence of the mind on gracefulness. This allows to conclude that Thomas Mann's opposing concepts of spirit and cognition on the one side and true life on the other side are similar to the concepts of reflection and gracefulness described by Kleist. Kleist's inspiring conclusion about the need to 'again taste the tree of knowledge' is similar to the aspiration of Mann's heroes, artists, to again become 'naive and sentimental'.
Citations count: 1
Reference:
Kutalmysh S.L. —
Phoneme /i/ in Turkish and Kazakh
// Litera.
– 2019. – ¹ 1.
– P. 223 - 233.
DOI: 10.25136/2409-8698.2019.1.28907 URL: https://en.nbpublish.com/library_read_article.php?id=28907
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The present study applies to the /i/ status in Turkish and Kazakh in the field of phonology and phonetics. Turkish and Kazakh are both Turkic languages with a common origin. This study aims to explain the difference between the acoustic realization of the /i/ proto-phoneme in Turkish and Kazakh by analyzing the historical development of the phoneme and its modern acoustic characteristics in both languages. The comparison of acoustic and articulation peculiarities of [i] in Turkish and Kazakh reveals the difference in the movement of the speech organs in these languages. Different tongue movements make realizations of /i/ in the languages to sound different. Analysis of texts which is done in the framework of this study showed that this difference existed during at least 150 years. Moreover, as it is shown in the study it is typical not only for the realizations of the /i/ phoneme but also for realizations of other phonemes in Turkish and Kazakh. However, in spite of the different acoustic characteristics the /i/ phoneme is understood easily by native Turkish and Kazakh speakers. This fact is analyzed at the end of the article. The actual reason for the difference between Turkish and Kazakh languages is contained in the field of the issue that makes this articulation difference existent.
Citations count: 1
Reference:
Polonskaya O.Y. —
Metaphorical modeling of migration: on the material of the U. S. mass media
// Litera.
– 2020. – ¹ 3.
– P. 48 - 54.
DOI: 10.25136/2409-8698.2020.3.30050 URL: https://en.nbpublish.com/library_read_article.php?id=30050
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This article is dedicated to examination of metaphorical peculiarities of representation of migration in the U. S. press. The object of this research is the metaphorical perception of migrants and migration in mass media language of the United States. The subject is the metaphorical models structuring the concept sphere of “migration” in mass media language of the United States. The goal of this work consists in analysis of the peculiarities of metaphorical modeling of migration in the U. S. political media discourse. The relevance is defined by insufficient coverage of metaphorical perception of the migration processes by modern mass media of the United States. The research is based on the cognitive approach, according to which metaphor is a fundamental phenomenon in perception of the surrounding environment. Study of the linguistic material and description of metaphorical model allowed determining the attitude towards migrants at the current stage of development of the U. S. society. The analysis of conceptual metaphors was conducted via continuous sampling from digital versions of the well-known newspapers “The New York Times”, “USA Today” and “The Wall Street Journal”. The author highlights the three main groups of metaphors: signifying natural phenomena and disasters; military; and goods-commodity.
Citations count: 1
Reference:
Liashenko T. —
Lexis of the thematic group “food and food consumption” in the novel by Mikhail Saltykov-Shchedrin “The Golovlyov Family”
// Litera.
– 2020. – ¹ 11.
– P. 84 - 96.
DOI: 10.25136/2409-8698.2020.11.34150 URL: https://en.nbpublish.com/library_read_article.php?id=34150
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The subject of this research is lexemes of the thematic group “food and food consumption” in the novel by Mikhail Saltykov-Shchedrin “The Golovlyov Family”. The object of this research is the functional yield of these linguistic units in the text. The author of the article describes the functionality of food images in literature in form of the system of oppositions “external (existential) – internal (psychological)”, and “static-dynamic”. The four functions are differentiated: external static (food image as a detail scenery), external dynamic (food image as a theme-forming element), internal static (food image as an element of portrait of the character), internal dynamic (food image characterizes the dynamics of relations between the characters). It is noted that the thought on “low functionality” of gastronomic images in a literary text, which is expressed in some research, testifies to insufficient study of such rich material. Food as a literary image, as well as the motif of food consumption in a literary text always convey semantic meaning. In the novel “The Golovlyov Family”, the words with “food” semantics serve for the formation of external, existential aspect of narration, as well as internal, psychological aspects. Images of food alongside motifs of food consumption are characterological (describing portrait of the character) to a lesser degree, and more often used for demonstrating relationships between the characters.
Citations count: 1
Reference:
Yan Y., Mitrofanova I.I. —
The Concept of Honor in Russian and Chinese Linguistic Cultures
// Litera.
– 2023. – ¹ 2.
– P. 125 - 137.
DOI: 10.25136/2409-8698.2023.2.39529 EDN: DBSHEH URL: https://en.nbpublish.com/library_read_article.php?id=39529
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This article is devoted to the actual problem of the concept "honor" in the Russian and Chinese linguocultures. The concept "honor" is important both for the Russian and Chinese language picture of the world, and is found in different contexts with different meanings. The concept "honor" is of interest in the studies of Russian and Chinese scientists, it reflects the cognitive perspectives and psychological state of different peoples. The object of the research is the concept "honor", the subject is the concept "honor" in Russian and Chinese linguocultures. The author considers conceptual studies in the Russian and Chinese language pictures of the world. The aim of the research of this work is to fully disclose the concept "honor" in Russian and Chinese linguoculture, as well as to identify national and cultural characteristics of the studied concept, trace the concept of the "honor" with the help of different dictionaries, investigate different concrete and stable expressions of the concept "honor" with similar meaning, including proverbs, sayings and others, analyzing symbolization of the concept "honor" in the mentality of the Russian people. In the process of work were used general scientific methods, inductive, descriptive, comparative, etc. As a result of the study it was possible to find out that the concept is an extremely important subject of study in linguoculturology. From the position of linguoculturology the concept "honor" is a reflection of the external world in human consciousness, which organizes the category of the linguistic picture of the world. Honor as an important concept in the study of linguoculturology, and at the same time one of the main concepts constituting Russian and Chinese national spirit.
Citations count: 1
Reference:
Ignatova I.V. —
Government as the Sphere of Representation of the Concept of 'Power' in Youth Dystopian Novels of the Early XXIst Century (Anaylsis of Suzanne Collins' The Hunger Games' Trilogy)
// Litera.
– 2016. – ¹ 1.
– P. 9 - 17.
DOI: 10.7256/2409-8698.2016.1.18457 URL: https://en.nbpublish.com/library_read_article.php?id=18457
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Abstract:
Subject of the analysis of article is language representation of a concept "power" at the description of a state system of society in art work anti-Utopia of the beginning of the 21st century. The political concept "power" verbalized in all languages which carriers live in the society operated on the basis of the imperious relations is one of the most difficult owing to the ambiguity and valuable orientation. Having assumed that the sphere of the state is extremely significant for creation of a picture of the fictional world in anti-utopian novels, the author describes ways of verbalization of the studied concept on material of the popular youth trilogy anti-Utopia S. Collins "Hungry Games". The interpretative analysis of the revealed means of verbalization of a concept "power" including as key words-reprezentanty, so their wide and narrow contextual environment proves multidimensionality, complexity and valuable orientation of the studied mental essence, and also confirm the thesis about dual essence of the power: the "ideal" state, as a rule, the democracy, exercises "the power for" the people, achievement of social justice in society, freedoms, happiness, welfare; his contrast (the totalitarian state with the governor despot) realizes the "power for the sake of the power" installation through "the power over" the individual and society by means of tyranny, system of punishments, deprivation or extreme restriction of vital resources, shadowing, standards of behavior and the interpersonal relations. Novelty of work consists in the choice as material of research of the concept "power" which is typically staticized in a political discourse, the text of youth art work anti-Utopia of the beginning of the 21st century, definition of the leading imperious installations for the sphere of the state which are staticized as "the power over" a people at large for the purpose of providing "the authorities for" the tyrant.
Citations count: 1
Reference:
Baranova E.A., Bocharov I.I. —
The problem of implementing the cultural-forming function in the Russian media
// Litera.
– 2023. – ¹ 7.
– P. 1 - 14.
DOI: 10.25136/2409-8698.2023.7.43477 EDN: RVZEVP URL: https://en.nbpublish.com/library_read_article.php?id=43477
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In the context of the development of the information and ideological war between Russia and the West, the role of the media in the formation of cultural values is increasing. It is directly related to ensuring national security. One of the most important problems of our time is related to the fact that culture in the media has ceased to be a powerful tool for shaping the value system of society.
The article analyzes stories published during the period from December 2022 to May 2023 in the thirteen most cited Russiabn media (Rbc.ru, Russian.rt.com, Gazeta.ru, Lenta.ru, 360tv.ru, Kp.ru, Tsargrad.tv, iz.ru, Life.ru, Mk.ru, Aif .ru, Fontanka.ru, Mosregtoday.ru).
Approximately 2,000 stories related to the topic of "culture" in these media were analyzed. The stories were analyzed for compliance with the culture-forming function, which consists in promoting and disseminating high cultural values in society, educating the masses on samples of global culture, contributing to the comprehensive humanistic development of man.
The authors come to the conclusion that 1) samples of high, elite culture rarely come to the attention of the media. In stories on cultural topics, gossip, rumors, events from the life of show business stars are replicated. 2) On some media sites, there is no “culture” section at all. In the field of view of the reader who goes to the websites, cultural news rarely falls. 3) The same names appear in the news about culture, famous personalities from the world of show business predominate, and there is not a word about new, young, talented artists. 4) Culture on media sites covers large-scale events, Hollywood premieres, but news about regional festivals, the achievements of creative individuals, and folk crafts rarely get into the headings. 5) Culture on media sites is being replaced by entertainment.
Citations count: 1
Reference:
Makhina L.A. —
Negative Judgemental Expressions as Structure Elements and the Meaning of Conflictogenic Texts
// Litera.
– 2016. – ¹ 4.
– P. 1 - 10.
DOI: 10.7256/2409-8698.2016.4.20464 URL: https://en.nbpublish.com/library_read_article.php?id=20464
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The subject of the research is the expressive means of pejorative evaluation and particularities of using these means in conflictogenic German texts. Conflictogenic texts are practically not studied by linguistics as a particular kind of texts that constitute the field of agonal communication. Meanwhile, particular features of such texts include their ability to maintain and escalate the conflict through persuasive influence on recipients for the purpose of changing their communicative pragmatic attitude to the third parties or changing the matter of conversation to the alient one. Such change of the attitude to the 'alien' matter is made, among other things, by creating particular contrast images for the 'ours' and 'aliens' categories. The contrast between 'ours' and 'aliens' is created through polar evaluations of the aforesaid groups: meliorative and pejorative. In her research Makhina anayzes the negative evaluation of the 'aliens' group. The given linguistic analysis is based on lexico-semantic and contextual methods of analysis using the basic German dictionaries. Due the constant growth of tension in socio-political relations, modern linguistics focuses on studying language and speech phenomena that are functionally related t conflict communication situations and confict as a source and consequence of the opposition between participants of speech communication. A lot of researches conducted by Russian and foreign experts are devoted to the linguistic research of conflict situations in the process of communication. These researches are usually devoted to various aspects of the agonal communication, i.e. communication that is based no non-cooperative or dissonance speech actions of communicators. Despite a great number of researches on the matter, none of these researches cast enough light on the origin and structure of conflictogenic texts that are still the object of researches on forensic linguistics. The results of the given research allow to define conflictogenic texts from the point of view of linguistics and describe their main structural and semantic elements.
Citations count: 1
Reference:
Kirillov D.V. —
Research of ressentiment in the media communication space: opportunities and limitations
// Litera.
– 2024. – ¹ 9.
– P. 102 - 110.
DOI: 10.25136/2409-8698.2024.9.68957 EDN: FBTKLS URL: https://en.nbpublish.com/library_read_article.php?id=68957
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Abstract:
The article is devoted to the review of research on ressentiment in the media communication space. The subject of this article is the study of ressentiment in the space of media communication. Ressentiment is a phenomenon that includes feelings of anger, ressentiment, envy, indignation, directly expressed on the media communication platforms. The purpose of the study is to study the role of ressentiment in shaping public opinion and strengthening political polarization through media reports. The text describes the historical and philosophical reflection of the concept of "ressentiment" in the scientific works of German philosophers F. Nietzsche and M. Scheler. The author has identified and analyzed three areas of research of the Nietzschean concept of ressentiment in mass communications. Firstly, it is a study of ressentiment in social networks, secondly– the mediatization of political ressentiment, and thirdly, the representation of ressentiment in cinema.
The article uses the theoretical foundations of sociology, media studies and cultural studies for a comprehensive analysis of ressentiment in the field of media communications. The scientific novelty of this study lies in the consideration of ressentiment in the context of media communication.
By integrating the three aspects presented, the study expands our understanding of ressentiment in the space of media communications. This study examines the role of ressentiment as part of a shift in structural power relations, evidence of a crisis in interpersonal relationships and the inability of individuals to fully control their actions, offering insight into how media reports can shape public opinion and fuel political polarization in the modern communication landscape.
In conclusion, it should be noted that this research article contributes to a broader understanding of ressentiment by analyzing its manifestations in the media communication space. Considering ressentiment in social networks, its mediatization in political contexts and representation in cinema, the study sheds light on the possibilities and limitations for future research in this area. The results of this study provide a valuable insight into how media communication forms and reinforces ressentiment, contributing to a deeper understanding of its impact on society and public discourse.
Citations count: 1
Reference:
Il'chenko N.M., Chernysheva E.G. —
''Visible is a symbol'': Nature as an animated creature pictured by Russian and German romantics
// Litera.
– 2023. – ¹ 12.
– P. 15 - 27.
DOI: 10.25136/2409-8698.2023.12.69146 EDN: XNQPXQ URL: https://en.nbpublish.com/library_read_article.php?id=69146
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The topicality of the research refers to the problem of national identity, national code, embodied among other spheres of spiritual life and in literature. Romantics' worldview was composed on the foundation of folklore, myth and literary tradition. The system of symbolic motifs of 'infancy' and 'pre-earth life', affinity of souls, joining in death and others became significant elements of the works in the Romanticism period. The study object is the collection of writings connected to natural-philosophic ideas of Nature as a living creature. The subject-matter of the research is national identity of Romanticism, manifested in the peculiarities of Nature perception.
In the process of analysis, a comprehensive literary approach was used, combining historical-literary, historical-genetic, comparative-typological methods, which made it possible to establish the specifics of the embodiment of ideas about Nature by writers of Russia and Germany of the Romantic era.
Presenting the natural-philosophic system of life conception, the writers relied on F. Schelling's philosophy. It is demonstrated that Russian romantics associate the origin of ideal female images with Heaven (angel-woman) and German romanticists – with the Earth (flower woman). Angel woman and flower woman help the characters to understand the essence of the existence. Natural symbols used in the works (sky, earth, flower atc.) and other symbolic images (melody, kiss, icon etc.) convey the specific mystic world understanding of the authors. Novelty of the research lies in the analysis of dominant images, that makes it possible to determine 'the independence of the face' of romantics in Russia and Germany, basing on the idea of a man dependent on Nature that existed in the developed national tradition. This approach makes it possible to specify the understanding of the particular characteristics of archetypic female images presented in ethnic-cultural sphere.
Citations count: 1
Reference:
Bulgarova B.A., Tabatabai S., Elias R., Jomaa K. —
Formation of scientific-analytical and communication skills among students of humanities at the international university (Generation Z Humanities Students at an International University)
// Litera.
– 2024. – ¹ 2.
– P. 218 - 229.
DOI: 10.25136/2409-8698.2024.2.69627 EDN: WROUDM URL: https://en.nbpublish.com/library_read_article.php?id=69627
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Today, recruiting organizations, when selecting potential candidates for vacant positions, emphasize the importance of university graduates having developed communicative and scientific-analytical competencies, which are the main components of "soft skills" for students of the humanities cycle, more conducive to the formation of professionalism than "hard skills", due to the shift in society's priorities towards democratization and humanization socio-psychological principles of performance of official duties within the framework of professions. The purpose of this study is to identify methods and techniques for the formation of scientific, analytical and communicative skills at the international University among students of humanities. Intercultural communication in the context of the educational process, on the one hand, complicates the development of these competencies, on the other hand, requires improving the principles of teaching in the context of cultural dialogues, which determines the formation of the studied skills, taking into account the national and cultural specifics of the studied language and communication of the university where the foreign student is studying. These aspects are a prerequisite for successful integration into a potential professional environment. Research methodology: theoretical analysis of scientific literature on the issue under consideration, content analysis, descriptive and comparative methods. The novelty of the research is due to modern trends in improving the "soft competencies" of representatives of all professions in harmony with the global scientific space through the prism of effective intercultural communication. The results of the study indicate a mutual correlation of scientific, analytical and communicative skills, the synthesis of the main components of which contributes to the formation of metacognitive characteristics of students. It is advisable to form the studied competencies through role-playing games, memes, situational tasks, communicative professionally oriented trainings, the method of active problem-situational analysis ("case-study")
Citations count: 1
Reference:
Golikov A.A., Akimov D.A., Danilova Y. —
Optimization of traditional methods for determining the similarity of project names and purchases using large language models
// Litera.
– 2024. – ¹ 4.
– P. 109 - 121.
DOI: 10.25136/2409-8698.2024.4.70455 EDN: FRZANS URL: https://en.nbpublish.com/library_read_article.php?id=70455
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The subject of the study is the analysis and improvement of methods for determining the relevance of project names to the information content of purchases using large language models. The object of the study is a database containing the names of projects and purchases in the field of electric power industry, collected from open sources. The author examines in detail such aspects of the topic as the use of TF-IDF and cosine similarity metrics for primary data filtering, and also describes in detail the integration and evaluation of the effectiveness of large language models such as GigaChat, GPT-3.5, and GPT-4 in text data matching tasks. Special attention is paid to the methods of clarifying the similarity of names based on reflection introduced into the prompta of large language models, which makes it possible to increase the accuracy of data comparison. The study uses TF-IDF and cosine similarity methods for primary data analysis, as well as large GigaChat, GPT-3.5 and GPT-4 language models for detailed verification of the relevance of project names and purchases, including reflection in model prompta to improve the accuracy of results. The novelty of the research lies in the development of a combined approach to determining the relevance of project names and purchases, combining traditional methods of processing text information (TF-IDF, cosine similarity) with the capabilities of large language models. A special contribution of the author to the research of the topic is the proposed methodology for improving the accuracy of data comparison by clarifying the results of primary selection using GPT-3.5 and GPT-4 models with optimized prompta, including reflection. The main conclusions of the study are confirmation of the prospects of using the developed approach in the tasks of information support for procurement processes and project implementation, as well as the possibility of using the results obtained for the development of text data mining systems in various sectors of the economy. The study showed that the use of language models makes it possible to improve the value of the F2 measure to 0.65, which indicates a significant improvement in the quality of data comparison compared with basic methods.
Citations count: 1
Reference:
Zolotova T.A., Ivanova E.S., Plotnikova E.A. —
Vyatka Folklore: Regional Features and Forms of Presentation
// Litera.
– 2017. – ¹ 3.
– P. 47 - 55.
DOI: 10.25136/2409-8698.2017.3.23723 URL: https://en.nbpublish.com/library_read_article.php?id=23723
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The authors of the present article offer a possible model to describe passage (initiation) rites in traditional (folklore) culture. The article is focused on the Vyatka maternity rite. The research is based on the materials that have been collected in the territory of the Kirov Region and north-eastern part of the Mari El Republic by folklore expeditions of Lomonosov Moscow State University and Mari State University during the past decades of the 20th century and present a chronological cut of the maternity rite of the 20 - 30s of the 20th century. According to the authors, the summary model of the Vyatka maternity rite should include three description types: ethnographic, structural-semiotic and hypertextual (hypermedia). The description algorithm offered by the authors of the article allows to get an insight into the maternity rite as a rite of 'double passage' (during the labour both a child and a mother attain a new essence; both of them become new members of the society and raise their social status), to clarify the regional features of such rites (main cycles, order and frequency of actions, chronotope organisation kinds, character selection patterns, 'thematic' kinds of 'hoodoo' texts, productive types of their structures, particularities of lexical-morphological, syntax-oriented, rhythmic and artistic levels). In its turn, the multimedia model allows to describe a multidimensional nature of a rite: the main text is illustrated with graphical and/or digital materials, images, music notes and voice records oif speech and music, photo and video fragments.
Citations count: 1
Reference:
Feng M. —
Peculiar Features of the Documentary Biographical Sports Literature of the XXth Century (the Book of Selected Works 'Sportsmen' From the Series 'Lives of Great People'
// Litera.
– 2019. – ¹ 1.
– P. 243 - 250.
DOI: 10.25136/2409-8698.2019.1.29126 URL: https://en.nbpublish.com/library_read_article.php?id=29126
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The literature about sports and sportsmen of the XXth century still remains an understudied issue. The author of the article demonstrates that sports essays unite the documentary writing and literary writing when an author describes the world of sports based on sports facts and biographical memories. In the XXth century researchers often referred to the synthesis of documentary and literary beginnings in works of different genres and themes, however, the nature of the documentary-literary prose is sitll difficult to be defined. The subject of this research is the synthesis of the documentary and literary in essays about sportsmen as well as the conceptual and genre peculiarities of a series of essays 'Sportsmen' from the Lives of Great People. The author has applied the following methods and approaches: biographical that implies interpretation of an essay as reflection of biographical and personal features of famous sportmen as well as problem thematic and comparative methods. The novelty of the research is caused by the fact that for the first time in the academic literature the researcher views sports documentary literature in the form of essays. The main conclusions of the research are the following. The results of the analysis demonstrate that essays from the Sportsmen collection presents a synthesis of documentary and literary methods and genres. The researcher describes particular means and method used by the author to depict important sports events that played a great role for the entire country and reveal personal traits and biographies of sportsmen. Some essays combine analytical and essay-like free narration form that is based on complex association relations and figurative generalisations. These and other aspects define peculiarities of the literary manner of essay writers.
Citations count: 1
Reference:
Dulova S.A., Nikolaev N.I. —
Gaito Gazdanov's Prose in Terms of Changing Worldview in Literature
// Litera.
– 2019. – ¹ 4.
– P. 128 - 134.
DOI: 10.25136/2409-8698.2019.4.30501 URL: https://en.nbpublish.com/library_read_article.php?id=30501
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Modern literary studies view the first wave of the Russian Immigration of the XXth century as a heterogeneous phenomenon. Traditionally, researchers describe two generations of the Russian Immigration, the 'seniors' (Bunin, Shmelev, Zaitsev, Gippius and others) and 'juniors' (Nabokov, Varshavsky, Yanovsky and Gazdanov). Peculiarities of each writer's creative style still need to be clarified. Description of experimental and innovatory searches of each junior and analysis of the influence of modern European literature on them have not allowed to make conclusions about general trends in their writing. The question about the changing worldview in literature has been partly covered in researches of Gaito Gazdanov's creative legacy and era. The most famous modern approach to this problem is an attempt to describe changes in the worldview by focusing on particular aspects (the feeling of upcoming catastrophe, crisis, loneliness, etc.). These observations prove extension, clarification, and explicitation of a traditional worldview, however, they do not always mean a qualitative change. The novelty of this research is caused by the fact that the author views the initial cause of changes in the worldview in litrature as the search for a principally new position towards the world that would allow to model the world as one whole.
Citations count: 1
Reference:
Danilova V.A. —
Ways of conveying ethnocultural lexicon in translation of the novel Eugene Onegin by A. S. Pushin into Portuguese (on the materials of Dário Moreira de Castro Alves’ translation)
// Litera.
– 2020. – ¹ 5.
– P. 100 - 108.
DOI: 10.25136/2409-8698.2020.5.32880 URL: https://en.nbpublish.com/library_read_article.php?id=32880
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The subject of this research is the ethnocultural lexicon in translation of A. S. Pushkin’s novel in verse “Eugene Onegin” into Portuguese language. The author views the term realia as a lexicon with ethnocultural semantics inherent to determination of linguistic identity. The goal of this research consists in the analysis of the methods of conveying realias in the two non-cognate languages, as well as in determination of ethnocultural differences of the lexemes signifying similar notions. The author assumes that understanding and accurate interpretation of culturally marked lexicon are essential for translating foreign literature, as well as studying and teaching foreign languages. Contextual and comparative analysis of the realias of Russian literature in translation of the novel served as the methods for this research, which allowed determining the distinctions in cognition of text among the Russian and Portuguese native speakers. The novelty of this work is defined by reference to the only translation of the novel “Eugene Onegin” into Portuguese language that has not previously been an object of linguoculturological study. It is revealed that realias are being used in multiple spheres of human activity and may contain cultural component in the meaning of words and their connotation. As a result, the author indicated the differences of language means of conveying realias in the Russian and Portuguese languages; as well as established the ways of conveying ethnocultural lexicon in translation of the novel, such as correlation, hypo-hypernymic translation, adaptation, periphrastic translation, and calquing.
Citations count: 1
Reference:
Knyazeva N.V., Kurkova N.V. —
The transformation of phraseological units as a manifestation of language game in the journalism of V. V. Nabokov
// Litera.
– 2021. – ¹ 5.
– P. 222 - 231.
DOI: 10.25136/2409-8698.2021.5.35694 URL: https://en.nbpublish.com/library_read_article.php?id=35694
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The object of this research is the transformed phraseologisms determined through the method of continuous sampling in the journalistic texts of V. V. Nabokov. The subject of this research is the structural-semantic and functional-pragmatic peculiarities of transforms. The subject of this research is define by various “game” mechanisms of transformations in the area of phraseology, as a result of which the individual-authorial transformations ensure the implementation of the author's plan. The goal of this work is to determine the peculiarities of the authorial transformation of phraseological units in the context of language game, and establish the role of modified phraseologisms in enhancing the influencing potential of the journalistic text. The theoretical and methodological framework contains the works that view the phenomenon of language game and the general principles of occasional transformation of phraseological units. The author advances the hypothesis of the pragmatically justified use of transformed phraseologism, substantiated by the stylistic specificity of resorting to language game as a means of creating certain expressive effect and implementation of the author's plan in the journalistic text. The scientific novelty consists in the complex structural-semantic and functional-pragmatic approach towards studying the transformed phraseological units. This article is first to describe the individual-authorial transformations of phraseological units in the journalism of V. V. Nabokov. It is noted that in the journalistic texts of V. V. Nabokov, the language game pursues both, aesthetic and functional-pragmatic goals, which correlate with the specificity of journalistic genre. The use of familiar, easy to reproduce phraseological units creates a cultural presupposition, which in the context of language game acquires additional connotations, substantiated by game transformation of the usual form and the meaning of phraseological locution, which contributes to the periphrastic expression of the author's attitude towards the topic under review.
Citations count: 1
Reference:
Fomicheva A.A. —
Lexical polysemy and homonymy in the Middle High German language in light of the problematic of lexical synonymy and lexical-semantic analysis
// Litera.
– 2021. – ¹ 8.
– P. 51 - 62.
DOI: 10.25136/2409-8698.2021.8.36311 URL: https://en.nbpublish.com/library_read_article.php?id=36311
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Based on the compositions of pre-courteous epic poetry and chivalric romance written in the Middle High German language, this article reviews the problem of lexical polysemy in relation to the phenomena of homonymy and synonymy, as well as the problem of structural description of lexis. The need for comprehensive examination of polysemous lexemes in the Middle High German language, which includes structural analysis of the meaning of polysemous word and the lexical-thematic group and/or synonymic row it belongs to, well as the study of contextual implementation of the meanings of polysemous word, is substantiated by the principle of diffusivity of meanings of polysemous word that complicates comprising dictionary definitions and creates difficulties for the researcher in distinguishing the meanings of a polysemous word and separating polysemy from homonymy. Based on the example of lexical-thematic group for denomination of edged weapon in the Middle High German Language, the author demonstrates the appropriateness of using lexical-semantic analysis for establishing systemic relations between the analyzed lexemes, as well as postulates the importance of the context in determination of the structure of polysemous word. Discussion of the given examples from the compositions of pre-courteous epic poetry and chivalric romance written in the Middle High German language is accompanied by the author’s clarifications to the dictionary definitions of the lexemes under review. The conclusion is made on feasibility of the authorial approach towards detection of the discrepancies between lexicographic data and use of the lexeme in the texts written in the Middle High German language. The author also believes that this research is valuable from the perspective of lexicographic practice.
Citations count: 1
Reference:
Ilin B.B. —
Space transformations in the hagiographies (based on the materials of Uspensky Collection)
// Litera.
– 2021. – ¹ 10.
– P. 31 - 43.
DOI: 10.25136/2409-8698.2021.10.36484 URL: https://en.nbpublish.com/library_read_article.php?id=36484
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Fragments of the text that represent the category of space in the Old Russian hagiographies from the Uspensky Collection became the sources for this research. The object this article is the contexts that depict spatial images in dynamics. The subject is the semantics of the analyzed contexts. The relevance of the selected topic is substantiated by undiminishing interest to the interpretation of the category of space in the Old Russian texts, as by elaboration of the concept of sanctity in studying the hagiographic literature. The goal of this research lies in determination and description of the semantics of spatial transformations in the analyzed hagiographic texts. Research methodology leans on the descriptive method, which includes observation, interpretation and classification; as well as hermeneutical analysis with consideration of anthropological and axiological approaches. The scientific novelty consists in revealing the new aspect of the category of space in the hagiographic texts – spatial transformations. The author highlights several groups that characterize space transformations in the hagiographies: semantics of construction, semantics of destruction, semantics of expansion, semantics of transfiguration, and semantics of the miraculous. The keynote in the hagiographies is the idea of sanctity, which is important for the interpretation of the transforming space. All changes in the physical world take place under the influence of divine intervention for asserting sanctity of the hero or sanctity of the place. The depicted in the hagiographies spiritual reality impact the state of visible spatial images. In addition to the idea of sanctity, the perception of space transformations is affected by pragmatics of the text – the edifying focus of the genre. The acquired results can be valuable in studying the corpus of hagiographic texts from perspective of the category of space.
Citations count: 1
Reference:
Shcherbakova M.V. —
On determination of the part-of-speech affiliation of modal words
// Litera.
– 2021. – ¹ 11.
– P. 161 - 170.
DOI: 10.25136/2409-8698.2021.11.36637 URL: https://en.nbpublish.com/library_read_article.php?id=36637
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The subject of this research is the part-of-speech affiliation of modal words – a special group of lexemes that are irreplaceable, syncategorematic, and lack formal unity. The author examines four most widespread approaches towards determination of the part-of-speech status of modal words, modal semantics, in particular, and the function of modal meaning; provides summary of the existing in Russian linguistics classifications of modal words, and lists their basic lexical-semantic categories. In the course of studying the genesis of modal words, the author correlates them with other parts of speech. For determination of the part-of-speech status, emphasis is placed on the degree of manifestation within this group of lexemes of semantic, morphological, syntactic and word-forming characteristics, namely the compliance of modal words with the listed criteria. The novelty consists in the analysis of the part-of-speech affiliation of modal words through the prism of the traditional semantic-syntactic approach, considering the formal-morphological aspect of modal words, which allows accumulating the avaliable knowledge on modal words, as well as compiling holistic representation on the nature of their origin and functionality. The research materials can be used in teaching morphology of the modern Russian language, as well as in preparation of lectures and textbooks on cognate disciplines. The conclusion is made that in synchrony, modal words represent an isolated group that is in-between of autosemantic and functional words. The recommendation to classify this group as a separate part of speech remains polemical; however, segregation of modal words in the grammatical system is unarguable.
Citations count: 1
Reference:
Mustapha M., Agyei S. —
The era of information pollution: new definition of news production in Nigeria
// Litera.
– 2021. – ¹ 11.
– P. 39 - 44.
DOI: 10.25136/2409-8698.2021.11.36726 URL: https://en.nbpublish.com/library_read_article.php?id=36726
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This article explores the possibility of redefining professional news production in order to suspend the disseminators of disinformation. For achieving this goal, the author examined the areas of the likely distortion of information: headlines and editors of online news. Headlines play the key role within information ecosystem, since they can deceive the audience. This is acquired by using arresting phrases to draw attention of the audience. It is determined that some editors of online news do not observe certain ethical standards, and thus, post articles without verifying the accuracy of the material. It is noted that politicians have infiltrated the online media space, which affects that the editors choose what to post. It is recommended that headlines should not only be attractive, but also written in a way not to deceive the audience, as well as the extent of influence of the political figures upon media agenda should be established. And ultimately, the people who have no experience in journalism, should be trained by an experienced journalist in order to minimize the information pollution common to the era of Internet and social networks.
Citations count: 1
Reference:
Lenkova T.A. —
Hermeneutics as a basis for the analysis of creolized media text.
// Litera.
– 2022. – ¹ 7.
– P. 60 - 69.
DOI: 10.25136/2409-8698.2022.7.38371 EDN: GNKHYK URL: https://en.nbpublish.com/library_read_article.php?id=38371
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The proposed work examines the media analysis of the modern creolized text of the media from the standpoint of classical hermeneutics of the German philosophers of the XVIII-XIX centuries and their modern followers. The aim of the author was to show the possibilities of interpreting a polycode media text using a hermeneutic approach, namely one of its leading methods – the hermeneutic circle. In connection with the study of the creolized media text, the author pays special attention to such a concept as a representative form of the object of interpretation, combining both linguistic and extralinguistic means of producing and perceiving meaning. The author analyzes both verbal and visual components of the media text from the standpoint of hermeneutics. The novelty of the research lies in the consideration of diametrically opposed points of view on the process of interpretation, from the "limitlessness" of the possibilities of this process to the complete denial of the idea itself to comprehend the meaning contained in the text, from the stimulation of newly emerging possibilities of interpretation in the form of not only verbal, but also extralinguistic means, which are so rich in the creolized media text, to nostalgia for the old "respectful" model of interpretation. The idea runs through the whole article that not only hermeneutics is the optimal basis for media analysis, but also the modern creolized media text is the best suited for the practical refraction of the principles of hermeneutics.
Citations count: 1
Reference:
Xu M. —
Features of Nonverbal Means of Communication as a Way to Express Social Status in a Literary Text (on the Example of A.P. Chekhov's Short Story "Thick and Thin")
// Litera.
– 2022. – ¹ 11.
– P. 34 - 43.
DOI: 10.25136/2409-8698.2022.11.39188 EDN: LJYFCC URL: https://en.nbpublish.com/library_read_article.php?id=39188
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Abstract:
In his early works, A.P. Chekhov often draws the reader's attention to the forms of behavior of the characters. In a literary text, nonverbal means of communication used to describe communication between actors acquire special significance. The article is devoted to the problem of typology, role and effectiveness of nonverbal linguistic means of communication in the aspect of their use in the author's literary text. The relevance of the research lies in the insufficient knowledge of the place and role of paralinguistic means of communication in the early works of A.P. Chekhov. The subject of the study is the linguistic means of describing nonverbal behavior in a literary text. The object of the study was the ways of expressing nonverbal communication of the characters of the work. In the course of the work, descriptive and analytical research methods were used. The research material was the story of A.P. Chekhov "Thick and Thin" (1883). The practical significance of the work consists in the application of the research results in the courses of the Russian language, communication theory, philological analysis of text, stylistics. The aim of the study is to identify and analyze, based on the classification of nonverbal means of linguistic units existing in linguistics, with the help of which A.P. Chekhov in his early stories describes the nonverbal behavior of the characters, their composition and functions.
Citations count: 1
Reference:
Shagbanova K.S. —
Semantics of the Concept "Yard" in the Work of A.I. Solzhenitsyn "Matrenin Yard"
// Litera.
– 2023. – ¹ 1.
– P. 78 - 86.
DOI: 10.25136/2409-8698.2023.1.39577 EDN: GLJWUP URL: https://en.nbpublish.com/library_read_article.php?id=39577
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Abstract:
The article presents an analysis of the concept of "yard" based on the material of A.I. Solzhenitsyn's story "Matrenin Yard". The problem of studying the logical and semantic content of the studied language unit is complicated by its multicomponent content, through which the author of the work forms the depth of the storyline. The concept "yard" functions mainly as a space reflecting the system of spiritual and moral values of Matryona Vasilyevna, her life priorities and principles: charity, mutual assistance, humility and modesty. In the work, the semantics of the concept "yard" is represented by two components – material and spiritual; as a semantic unity, the lexeme yard states the importance of concentrating spiritual life, the ability not to respond with rudeness to rudeness, to find strength to overcome difficulties. Matryona's yard is a reflection of the spiritual disposition of its mistress: it has lost its external splendor, has aged, faded and rotted in places, but is filled with an atmosphere of peace and silence. The main character of the story embodies the best features of patriarchal Russia, such important moral qualities as kindness, humanity, non-possessiveness. The master brings to the thoughtful reader the idea that Matryona, who gives herself to others without a trace, and "... is ... the very righteous man, without whom ... the village is not worth it. No city. Not the whole earth is ours."
Citations count: 1
Reference:
Selemeneva M.V. —
The City as a Theme and Text in the Prose of Victoria Tokareva
// Litera.
– 2023. – ¹ 2.
– P. 54 - 63.
DOI: 10.25136/2409-8698.2023.2.39815 EDN: HLZGOY URL: https://en.nbpublish.com/library_read_article.php?id=39815
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Abstract:
The subject of the study is the image of the city in small and medium prose by V.S. Tokareva. The author reveals the uniqueness of the artistic concept of the city in the work of Victoria Tokareva, which consists in a combination of the image of a generalized conditional space and recognizable spatial images that can be considered in the context of the poetics of local texts. Clarification of the characteristics of a generalized conditional city occurs through the analysis of a system of characters whose moral and philosophical paradigm is correlated with urban loci. Recognizable spatial images are correlated with the autobiographical context of the author's work and considered from the point of view of the author's contribution to the "Moscow" and "Petersburg" text of Russian literature. The author's main contribution to the study of the poetics of V.S. Tokareva's prose is to clarify the typology of images of short stories and novels and to identify "episodic heroes" - characters with an unformed moral and philosophical paradigm and a life position of non-participation in the destinies of other characters and their own fate. The poetics of the episode determines both the key characteristics of such characters and the properties of the urban loci associated with them. The main artistic techniques contributing to the identification of the characteristics of the characters of urban prose are V.S. Tokareva's precedent comparisons and details revealing the author's position. As a result of the conducted research, it was revealed that reading Tokareva's small and medium prose through the prism of the poetics of local texts makes it possible to clarify the originality of the author's interpretation of the images of the two capitals. Shifting the research focus to the generalized image of the city is productive from the point of view of clarifying the typological features of the character sphere and identifying relevant moral and philosophical issues.
Citations count: 1
Reference:
Kuptsova M.Y. —
The vicissitudes of life in the mirror of Nikolai Gumilyov`s literary reputation in the post-symbolist period
// Litera.
– 2023. – ¹ 4.
– P. 58 - 65.
DOI: 10.25136/2409-8698.2023.4.40539 EDN: OLZPNK URL: https://en.nbpublish.com/library_read_article.php?id=40539
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Abstract:
Nikolai Gumilyov is one of the key figures of acmeism and the literary life of Russia in the 20th century. The image of Nikolai Gumilyov, aspects of his work and influence on literature are of keen interest for modern philology. The article is devoted to a review of the elements of the biography that affect the literary reputation of the poet. The chronological framework of the study is the period from 1910 to 1914, from the period of the decline of symbolism to the outbreak of the First World War. The subject of the study is the reputation of the poet N. Gumilyov in the post-symbolist period. The analysis of the subject is carried out by means of system-typological, biographical and cultural-historical methods.
The ups and downs of N. S. Gumilyov's fate influenced not only the creative process, serving as inspiration, but also the literary reputation of the poet, which determines the scientific novelty of the study. The result of the work carried out was the selection, through the analysis of selective places from the biography of N. S. Gumilyov, of such components of his reputation in the period of post-symbolism as “writer”, “traveler” and “lover”.
The conclusions presented in the material can serve as a basis for considering both literary reputation in general and directly in the analysis of the image of the poet, as well as in determining the specifics of other periods of Nikolai Gumilyov's work and their influence on the literary reputation of the poet.
Citations count: 1
Reference:
Vodyasova L.P. —
The Functions of Metalexemes in the Literary Text (Based on the Works of Mordovian Writers)
// Litera.
– 2016. – ¹ 2.
– P. 11 - 19.
DOI: 10.7256/2409-8698.2016.2.18957 URL: https://en.nbpublish.com/library_read_article.php?id=18957
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Abstract:
The subject of analysis in the article is the metalexeme as the class of words with the highest level of generalization. Research objectives include: 1) to define the class of metalexemes; 2) to describe the main features thereof; 3) to determine the functions that they perform in the literary text. According to the author, metalexemes have the following features: broad conceptual basis allowing to relate it to a wider class of denotations; absence of a definite denotative meaning and high level of abstraction generalized in the language system; indirect nominaton and, consequently, sinsemantia. The descriptive research method was used based on observations of metalexemes and their functioning in the literary texts written by Mordovian writers in Erzya. Based on the research results the author concluded that the marked words are often used by writers for shorter names of a detailed written fact, phenomenon, or a whole episode for its generalization, summarization and qualification . These words generally reflect the author's evaluation of the reported and repeat the previous part of the text or any of its component at a higher level of abstraction (anaphoric replacement) and can also be used in the exposition, thus organizing all further description or narration (cataphoric replacement).
Citations count: 1
Reference:
Nerents D.V. —
Specifics of Artificial Intelligence Application in Modern Media Space
// Litera.
– 2024. – ¹ 8.
– P. 186 - 198.
DOI: 10.25136/2409-8698.2024.8.44025 EDN: UUYSOS URL: https://en.nbpublish.com/library_read_article.php?id=44025
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Abstract:
In 2023 the disputes and discussions about the use of artificial intelligence (AI) in different spheres of life have flared up with renewed vigor. As the indisputable advantages of the use of automated systems and algorithms in the media are efficiency (the ability to quickly and accurately search for information, create template texts, check data), comprehensiveness (the ability to analyze any topic, to work with any direction), convenience (when properly configured does not require extra effort from the media specialist), learning (the ability to quickly absorb new knowledge and to analyze the needs and demands of the audience). The disadvantages are a noticeable number of errors and inaccuracies, fears of job cuts (especially in newsrooms), limitations in communication, lack of legislative regulation of AI, dependence on technology, the ethical aspect of work. The scientific and professional communities are increasingly drawing attention to the serious threats posed by the use of neural networks and computer algorithms. The article raises questions about the risks and challenges of using artificial intelligence, analyzes its capabilities regarding the threats to media safety (both the creation of fakes and deepfakes and the exposure of such content). Special attention is given to the methods of applying neural networks in the media space, which seems especially relevant nowadays, when IT developments have become one of the central themes for discussions at many international venues. Possible options for the further use of these technologies in the near future and the consequences of this application are presented as conclusions.
Citations count: 1
Reference:
Wu X. —
The image of a "new woman" in the novel "Virgin Soil" by I. S. Turgenev and in the short story "Mourning the Dead" by Lu Xun
// Litera.
– 2023. – ¹ 11.
– P. 221 - 227.
DOI: 10.25136/2409-8698.2023.11.68968 EDN: ZLOZBJ URL: https://en.nbpublish.com/library_read_article.php?id=68968
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Abstract:
The object of this article is the image of "new woman" in Russian and Chinese literature. The subject of the study is the correlation between the characters of two heroines, Zijun and Marianna, who are the bearers of a new female identity, in the story "Mourning the Dead" by Lu Xun and the novel "Virgin Soil" by I. S. Turgenev. The aim of the study is to identify the main factors that determined different outcomes of the storyline of these characters, despite the similarity of their fates. In order to achieve the set goal, it is necessary to solve the following tasks: 1) to reveal the personality of the two characters by analyzing their life path, as well as the beginning and end of their respective love; 2) to analyze the author's intention based on the socio-historical context of the period of creation of these two works. The following methods were used during the study: comparative method, method of holistic analysis of a literary work, as well as cultural-historical method. The scientific novelty of the work lies in the fact that the article is the first attempt to compare Lu Xun's short story "Mourning the Dead" with I. S. Turgenev's novel " Virgin Soil ", with special attention paid to the opposite denouement of the stories of Zijun and Marianna. Based on the analysis, it is concluded that the outcome of the fates of these heroines is directly related to their perceptions of their own lives and love, which are conditioned, in turn, by the different intentions of the authors regarding the logic of the development of their characters. The scientific significance of the study lies in the fact that the data obtained not only reveal the ideas about the image of the "new woman" in general, but also contribute to a deep comparative understanding of the analyzed books, which can contribute to the field of comparative literary studies between Russia and China.
Citations count: 1
Reference:
Barinova B.V., Kharchevnikova R.P., Pyurbeev G.T., Bitkeev P.T., Monraev M.U. —
Kalmyk meteorological vocabulary of the off-season in comparison with closely related languages
// Litera.
– 2023. – ¹ 12.
– P. 328 - 337.
DOI: 10.25136/2409-8698.2023.12.69244 EDN: LEYYJK URL: https://en.nbpublish.com/library_read_article.php?id=69244
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Abstract:
Kalmyk meteorological vocabulary related to lifestyle, environment and mentality belongs to the primordial stratum, as in other closely related languages of the Altai family. The commonality of the grammatical foundations of this vocabulary is confirmed by lexicographic data recorded in old Mongolian, Kalmyk and Turkic sources. The object of the study is nominative units (words, phrases and phraseological units) in the Kalmyk language, denoting the weather phenomena of the off-season.
Special attention is paid to the meteorological vocabulary of the off-season of the autumn-winter intermediate period.
The relevance of this study is related to the study of meteorological vocabulary in the Kalmyk language, the identification of the features of the linguistic picture of the world of the people as a whole and its influence on vocabulary. The linguistic and cultural analysis of meteorological vocabulary makes it possible to consider the life and culture of the Kalmyk people.
This article uses a descriptive method, a comparative method, a method of linguistic and cultural analysis of lexical units. The meteorological vocabulary of the off-season is considered in this article taking into account the modern linguistic and cultural orientation and is presented in the aspect of an interdisciplinary category: a) the role of this phenomenon in human life (natural landmarks and human locations); b) the vocabulary of the off-season and related human economic activity; c) the comparative and evaluative feature of the use of this vocabulary in oral and written samples in the languages under consideration. The Kalmyk meteorological vocabulary of the off-season is an independent integral category that is present in all Mongolian and Turkic languages, recorded in old-written sources and has retained its original meaning in the modern Kalmyk language. This vocabulary reflects the peculiarities of the linguistic picture of the world and worldview, the specifics of the way of life and the inner world of the Kalmyks and is universal for other closely related peoples belonging to the Altai linguistic community.
Citations count: 1
Reference:
Spalek O.N. —
Linguistic and cultural images of Moscow and Warsaw in Russian and Polish language parodies
// Litera.
– 2024. – ¹ 6.
– P. 188 - 198.
DOI: 10.25136/2409-8698.2024.6.71056 EDN: LQFFRQ URL: https://en.nbpublish.com/library_read_article.php?id=71056
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Abstract:
The subject of this study is the parodies of the Russian and Polish languages, containing ideas about Moscow and Warsaw. The material was proverbs and sayings recorded in the dictionary of V.I. Dahl "Proverbs of the Russian people" and the collection of Y. Krzyzanowski "Nowa księga przysłów i wyrażeń przysłowiowych polskich". The Paremiological Foundation plays a special role in preserving the cultural memory of the linguistic community, expresses the most important and stable stereotypes of national consciousness. At the same time, the ideas verbalized in the parodies can have both a universal, timeless character, and fix the features of the socio-historical context, the material and spiritual culture of society in a certain epoch. In the course of the research, the author identifies, analyzes and compares the components of the linguistic and cultural images of Moscow and Warsaw, verbalized in the parodies of the Polish and Russian languages. In this work, the method of synchronous description was used, as well as methods of semantic and linguistic-cultural analysis.
The scientific novelty of this work lies in the multicomponent analysis and comparison of the expression of the image of Moscow and Warsaw in Russian and Polish paremiology.
In the course of the study, it was possible to establish the multicomponence of linguistic and cultural images of Moscow and Warsaw. Russian and Polish parodies contain ideas about these cities as the centers of economic, political and cultural life in Russia and Poland. At the same time, the parodies express the traditional attitude towards Moscow and Warsaw as rich, beautiful cities with a high standard of living, developed trade, but at the same time expensive and dangerous. The parodies characterize the residents of Moscow and Warsaw, their habits and mores, and also refer to the role of individual streets and districts in the life of cities. The study also found that the Russian language parodies contain ideas about Moscow as a city associated with important events in the history of Russia, a city with rich architecture and certain relief features. The above-mentioned ideas about Warsaw were not recorded in the Polish language parodies.
Citations count: 1
Reference:
Shitkova M. —
Interaction of Verbal Sequences in a Literary Text
// Litera.
– 2019. – ¹ 2.
– P. 165 - 174.
DOI: 10.25136/2409-8698.2019.2.29749 URL: https://en.nbpublish.com/library_read_article.php?id=29749
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The subject of the research is a verbal sequence as a type of a text. The term under research refers to text stylitics and thus requires analysis of a text from the point of view of use of language. Such approach allows to speak about peculiarities of narration in general but not only language facts that can be discovered. The author of the article focuses on kinds of interaction of verbal sequences in literary texts and describes such kinds of interaction as 'interpenetration', 'collision' and 'parallel development' of verbal sequences in a literary text. To achieve the research targets, the author has applied linguistic analysis methods as well as observation, analysis and synthesis which have allowed to discover internal relations between language facts in the texts under research. The novelty of the research is caused by the fact that verbal sequences have been mentioned but rarely studied by Russian science. The analysis carried out by the author has allowed to discover different variants of verbal composition and has pointed out that there is a certain connection between how verbal sequences are organized in a text and what message the writer wants to convey. Thus, the researcher emphasizes the importance of verbal sequences in a literary text and underlines the need for further research.
Citations count: 1
Reference:
Pradid O. —
The Language of Law: Questions of Stylistic Qualification
// Litera.
– 2019. – ¹ 2.
– P. 68 - 77.
DOI: 10.25136/2409-8698.2019.2.29913 URL: https://en.nbpublish.com/library_read_article.php?id=29913
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The subject and the aim of the research is the official business style of modern Russian used as the language of law and other legal acts and regulations. The author of the article focuses on the stylistic qualification of law-making and law-enforcement texts and explains the grounds for using the term 'legal substyle'. Pradid also analyzes the interaction between business style and publicist writing style used within one document or presentation. The results of the research have a wide scope of application in the sphere of law-making and law-enforcement, in particular, in the process of legal linguistic expertise and research, office paperwork and business correspondence, and editorial revision, as well as teaching different linguistic disciplines and preparation of disciplines for students majoring in journalism and law. The research is based on findings in law linguistics, research in different spheres of language studies and use of methods, techniques and approaches including systems, functional, parametric approaches and etc. The research proves the language of law to be an independent functional style (substyle of business style) and gives the grounds for calling this substyle 'legal substyle'. Moreover, apart from secondary texts under modern conditions of the development of communicative abilities, their methods, techniques and strategies, another essential and important role for the social needs is played by the 'product' of shifting from business and publicistic style within the same document, or integral informative presentation that implies the use of not only documents but also additional means such as video clip.
Citations count: 1
Reference:
Zhgun D. —
Cases of Asymmetry between Semantic and Pragmatic Meanings in Emotional and Evaluative Utterances (Based on the Analysis of English Fiction)
// Litera.
– 2019. – ¹ 4.
– P. 109 - 117.
DOI: 10.25136/2409-8698.2019.4.30344 URL: https://en.nbpublish.com/library_read_article.php?id=30344
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The subject of the article is emotional and evaluative utterances in literary texts. The article briefly appraises the current research of emotions in linguistics, emphasizing their role in communication. The linguistic data are also enforced by theories from psychology. The author thoroughly studies emotional and evaluative utterances that reveal asymmetry between the semantic and pragmatic meanings. Emotional and evaluative utterances are defined as utterances that express, imply or describe emotions, emotional states and reactions. Asymmetry is defined as the deviation from the norm as a result of a language natural functioning. Research methods include definition, semantic and pragmatic analyses of emotional and evaluative utterances, selected from English fiction by the continuous sampling method. The author comes to conclusion that asymmetry occurs due to the subjective experience of emotions and linguistically manifests itself in reverse reactions and ambivalence. It has been revealed that true knowledge about emotion is context dependent and it is the context that shows whether emotion is appraised positively or negatively.
Citations count: 1
Reference:
Kukushkina E. —
Theatre of the neo-absurd in Malaysia: dramaturgy of the paradox
// Litera.
– 2019. – ¹ 6.
– P. 84 - 93.
DOI: 10.25136/2409-8698.2019.6.31074 URL: https://en.nbpublish.com/library_read_article.php?id=31074
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This article examines the dramaturgy segment of Malaysia, usually referred by literature scholars and critics to the theatre of the absurd. This circle of dramatic texts was created in the 1970’s – early 1980’s. The subject of this research is the worldview foundation of this layer of dramaturgy and the fundamental principle of creation of the scripts. The goal of this work consists in determination of specificity of the Malaysian absurdism, generated by a distinct perception of its Western prototype by the Malaysian dramaturgists. The key objective of this analysis is to identify the methods of realization of the author’s ideological message in the plays. The orientation of the Malaysian theatre towards the Western source suggest the use of the comparative-typological approaches. This aspect of the Malaysian theatre of the absurd has not been previously examines in the works dedicated to modern literature. The research results demonstrate that the key approach towards structuring the script is the approach of literary paradox, as well as recommend the term “neo-absurdism” as a more precise designation for the phenomenon in question.
Citations count: 1
Reference:
Alieva F.A., Mukhamedova F.K., Bekeeva A.M. —
Artistic system of the children’s poetic folklore of Dagestan
// Litera.
– 2020. – ¹ 11.
– P. 42 - 56.
DOI: 10.25136/2409-8698.2020.11.34158 URL: https://en.nbpublish.com/library_read_article.php?id=34158
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The subject of this research is the artistic system of children's folklore of Dagestan. Based on the analysis the example of cradlesongs, play poetry, and calendar songs, the author determines their thoughtful humanistic and democratic motif, high ideological focus, and aesthetic perfection. The article covers the ideological, thematic and artistic content, and highlights the archaic elements of cradlesong poetry, which enjoys most popularity among other genres of the poetic folklore. The author’s special contribution consists in explication of specificity of artistic means and aesthetic foundations of the folk worldview and culture reflected in folk poetry; as well as in analysis of compositions of various folklore genres as the elements of single literary system, which indicates their focus on labor, strong ideals of patriotism, kindness and continuity throughout the entire social practice of the people. The oriented towards a young developing individual, children's poetic folklore reconstructs the work and life experience in a form comprehensible to a child. This is why were created the cradlesongs, nursery rhymes, games that involved poetry, and all these word-creating activities, which in their centuries-long evolution led to higher imagery, infused and gifted each upcoming generation truly humanistic values. Children's poetic folklore that reflects the questions of folk pedagogy based on life experience of the mountaineers, had a major impact upon the development Dagestan children's literature.
Citations count: 1
Reference:
Xiuqing C. —
The Role of Cognitive Metaphor in Chinese and Russian Languages
// Litera.
– 2023. – ¹ 8.
– P. 226 - 234.
DOI: 10.25136/2409-8698.2023.8.38456 EDN: XDCIVA URL: https://en.nbpublish.com/library_read_article.php?id=38456
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Abstract:
Communication refers to cognitive activity, therefore it is necessary to comprehensively investigate its individual aspects. The purpose of this article is to study the role of cognitive metaphor in Russian and Chinese. The subject of the study is cognitive metaphor in Russian and Chinese languages. The object of the study is the meaning of cognitive metaphor in Russian and Chinese. The author used methods of deduction and induction, comparative, contextual analysis. The author examines in detail the stages in the study of metaphor. Translation is a special act of retransmission in the form of international communication, in which the transfer of thoughts, feelings, and cultural experience is especially important. Through language it is possible to reflect the system of spiritual culture. The main content of the moral foundation of the Russian cultural tradition is the principles of Orthodoxy. Chinese traditions are based on a powerful moral experience, the basis of which are the ideas of Confucianism. The scientific novelty of the study consists in the analysis of specific examples of cognitive metaphors in the text materials of Chinese-Russian intercultural communication. The concept of metaphor is investigated, its characteristics in the cognitive approach are revealed. A metaphor is a universal sign that performs an epistemological function in the process of transmitting information. Cognitive metaphor allows you to know and describe the unknown through acquired experience, is a key element of the thought process. Cognitive metaphor is of great importance in economic and political international translations. Most concepts in the commercial sphere are multi-component and difficult to perceive. The specific examples of cognitive metaphors in the materials of Chinese-Russian intercultural communication are analyzed. Practical recommendations on the correct understanding and use of cognitive metaphors in the translation process are offered.
Citations count: 1
Reference:
Stefanchikov I.V., Davydov T., Gorshkov A.I. —
Etymology and Adaptation of Loanwords in Greek: μοῦτζος / μοῦτσος and μουζακίτζης [L. Diac. hist. V 91–92] — Span. mozo? Pers. موزک? Arm. մուճակ? Slav. ìѹæü?
// Litera.
– 2022. – ¹ 10.
– P. 30 - 49.
DOI: 10.25136/2409-8698.2022.10.39015 EDN: FAXQPU URL: https://en.nbpublish.com/library_read_article.php?id=39015
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The object of our research is the problem of the integration of Spanish, Persian, Armenian and Slavic loanwords into the Greek language, while the subject is the etymology of μοῦτζος / μοῦτσος and μουζακίτζης. Special attention is paid to the problems of etymology and the nuances of dictionary entries throughout various time periods and source languages. It can be stated that the loanwords originated from various spheres of human activity, such as: seafaring, commerce, warfare, politics and government. We take in account both linguistic peculiarities and the usage context of μουζακίτζης, which is a hapax legomenon in Leo Deaconus’s Historia. The main conclusion of the study is that the most plausible version of the origin of μουζακίτζης is the Persian one (from موزک mūzak). We also provide solid counter-evidence against the Irano-Armenian and Slavic versions. The Spanish etymology of μοῦτζος / μοῦτσος (← mozo) is confirmed, possibly via Italian mozzo. The novelty of the study consists summarizing of the lexicological and lexicographic descriptions of the analyzed words and in the systematization of Byzantine and Modern Greek anthroponymy containing the Μο(υ)ζακ- element, as well as in the proposed conjecture into the text of Leo Deaconus’s edition, which assumes capitalization (Μουζακίτζης instead of μουζακίτζης). The relevance of the study is determined by the analysis of the loanword borrowing into the lexical fund of the Greek language within the context of the multilingualism of the Byzantine Empire, including the use of vocabulary, which has so far received insufficient attention in linguistics.
Citations count: 1
Reference:
Makarova M.S., Turunov D.M., Smirnova E.D., Osipova A.A., Korti M., CHzhao I., Klimova E.A. —
Features of building communication with international students using modern online media
// Litera.
– 2024. – ¹ 6.
– P. 37 - 48.
DOI: 10.25136/2409-8698.2024.6.70632 EDN: IZYPUG URL: https://en.nbpublish.com/library_read_article.php?id=70632
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This article explores the influence of online media on the process of adaptation of foreign students in educational institutions. The study was carried out in relation to the Peoples' Friendship University of Russia and some other universities of the Russian Federation that actively use international educational and academic exchange. The authors analyze the main barriers students face when transitioning to a new learning environment, such as cultural, linguistic and academic differences. The authors of the article discuss the role of online media in overcoming these barriers, emphasizing their importance in the process of exchanging information, developing communication skills in a foreign language, and creating trusting relationships. The contribution of online media to the integration of different cultures and traditions is considered, which contributes to the formation of cultural understanding, tolerance and respect for the diversity of worldviews in the educational environment. An analysis is made of how students use online resources to obtain additional information, develop relevant skills and deepen their knowledge, as well as an analysis of existing research on the topic of adaptation of foreign students and the role of online media in education.
In addition, the article covers the following subtopics. Features of collecting data on the experience of foreign students and their use of online media. Conducting interviews with foreign students, teachers, and university administrations to obtain high-quality information about adaptation problems and the role of perception of Internet resources and their impact on the adaptation process.
The novelty of this study lies in the following characteristics of the work performed. Focuses were made on a specific university or region. The specifics of different groups of students were taken into account. The analysis was carried out taking into account how online media is used by students from different countries, with different language levels, different specialties, etc. The influence of specific types of online media was studied: for example, social networks, educational platforms, chatbots, specialized applications for international students. The analysis of the influence of online media was explicit on various aspects of adaptation through such sections as academic performance, psychological well-being, social integration, cultural adaptation and others. The project ends with a presentation of recommendations developed by the authors of the article on the use of online media to increase the effectiveness of adaptation of foreign students in other countries or universities around the world.
Citations count: 1
Reference:
Zheng L. —
Particularities of Healthy Lifestyle Promotion in China's Printed Media (the Case Study of The Popular Medicine Journal)
// Litera.
– 2018. – ¹ 1.
– P. 1 - 9.
DOI: 10.25136/2409-8698.2018.1.25098 URL: https://en.nbpublish.com/library_read_article.php?id=25098
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Abstract:
At the age of the social and economic development of modern China, the issues of physical and mental health and healthy lifestyle values are growing especially important. The present article is devoted to the role played by Chinese general audience medical publications in promotion of health-saving technologies. In this regard, the author of the article pays special attention to the general review of the genesis and gradual development of Chinese general audience medical publications in accordance with particular sociohistorical periods. The author focuses on modern printed media that transmit today's China's health care policy. The author provides results of the analysis of typological and substantial particularities of The Popular Medicine Journal issues that have been published since 2006 till 2016. This journal is a long tradition and today has a dominant position in China's printed media. The Journal publishes articles and researches of respected representatives of modern Chinese medicine. The author emphasizes the important role and main provisions of traditional Chinese medicine, and their importance for health and well-being of a modern person.
Citations count: 1
Reference:
Skalnaya Y. —
Genre Innovation of Bernard Shaw's Play 'Saint Joan': at the Origins of a Documentary Theatre
// Litera.
– 2018. – ¹ 3.
– P. 28 - 38.
DOI: 10.25136/2409-8698.2018.3.26739 URL: https://en.nbpublish.com/library_read_article.php?id=26739
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Abstract:
The subject of this research is the place of an Irish playwright Bernard Shaw in the history of the documentary theatre development. Contrary to common belief that the founder of the docudrama performance was a theatre director Erwin Piscator and the founder of the docudrama methodology was Bertolt Brecht, the author of this article points out that Shaw's plays preceded them. As the proof of her thesis, Skalnaya has chosen to analyze the play 'Saint Joan' (1920) written by Shaw right after the First World War. This research is structured as having three parts. The first part of the research is devoted to the analysis of the principles used by the playwright as the written evidence of that epoch demonstrate. The first part of the research proves that Shaw used a lot of verbatim (paraphrase and direct quotes from historical sources). The second part of the article is intended to extend the interpretation of 'document' in docudrama and provide examples of how the images of Joan of Arc and her contemporaries in fine arts and sculpture impacted the appearance of Shaw's play characters. In the final part of the research the author appeals to the comparison of the present and previous experience of the documentary theatre and traces back the performance of 'Saint Joan'. In the process of the research the author has used the historical literary method that involves analysis of the biographical, historical and cultural contexts of creation of a play, as well as the comparative method that allows to compare different points of view on the matter of the research. The author has also used some elements of the close reading technique. The results of the research demonstrate that Shaw's play 'Saint Joan' has all the typical features of the docudrama which proves the innovative nature of the play and explains why the play was not accepted by Shaw's contemporaries. Generally speaking, the conclusions made by Skalnaya in her research, create grounds for reviewing the current chronology of docudrama and tribunal theatre development.
Citations count: 1
Reference:
Korol E.V., Yacovets T.Y. —
Means of the Creation and Borrowing of the Jargon in Game Chats
// Litera.
– 2018. – ¹ 4.
– P. 68 - 75.
DOI: 10.25136/2409-8698.2018.4.27563 URL: https://en.nbpublish.com/library_read_article.php?id=27563
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Abstract:
This article is devoted to a linguistically complex phenomenon of modern life, texts of game chats and jargonic formations used in communication. The authors of the article analyze the main methods of the development of this vocabulary and formation of new units in the course of communication based on the structural and component analysis. The authors describe the means of borrowings of lexemes and collocations from English vocabulary, problems of their assimilation in the Russian language and opportunities of translation of the computer jargon. The subject of the research is jargonisms that are used by Russian-speaking players in the process of communication on game chats. The research involves the units selected by the continuous sampling method from game chats 'Discord' and online dictionaries of game terms, jargonisms and abbreviations. The main research methods is the structural and component analysis of verbal units tkaing into account functional and grammatical aspects. The novelty of the research is caused by the fact that the author applies the standard method of analyzing the structure, sign-oriented and semantic forms to actively developing and constantly changing vocabulary layer, youth game jargon. Based on the results of their analysis, the authors conclude that verbal English elements are actively borrowed and assimilated in the Russian game communication, however, their semantic meanings are not taken into account (and sometimes even modified). This makes their translation difficult.
Citations count: 1
Reference:
Mikheeva G.V. —
Specific Features of the Art Space in Stepan Pisakhov's Fairy-Tales
// Litera.
– 2018. – ¹ 4.
– P. 168 - 174.
DOI: 10.25136/2409-8698.2018.4.28028 URL: https://en.nbpublish.com/library_read_article.php?id=28028
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Abstract:
The subject of the research is the art space in the fairy-tales of Stepan Pisakhov who writes about the Russian North. In her research Mikheeva analyzes such aspects of the topic as the art space structure, methods of creation of space images on the basis of combined reality and fantastic world, peculiarity pf space locuses, and interaction between the symbolic meaning of space images and the writer's worldview. Mikheeva focuses on the description of the closed space locuses, the Uyma Village and the house of the main hero as well as the 'friend-alien' opposition that represents moral messages. The research is based on the structure-semiotic approach to the analysis of the art space of a literary work. The theoretical basis of the research is the works of Yury Lotman, in particular, his thesis that in a text the space is the means of creating messages. The main conclusions of the research are the following: the structure of the single art space in Stepan Pisakhov's fairy-tales has two spatial levels: reality and fantastic world, which do not have a border but even penetrate. Such organisation of the space brings a particular meaning into the text. The novelty of the research is caused by the fact that for the first time in the academic literature the author analyzes the art space of Stepan Pisakhov's fairy-tales.
Citations count: 1
Reference:
Zholudeva L.I. —
Baldassare Castiglione's Treatise 'About the Courtier': The Concept of the 'Courtier' Language and Italian Cultural Identity
// Litera.
– 2018. – ¹ 4.
– P. 251 - 258.
DOI: 10.25136/2409-8698.2018.4.28102 URL: https://en.nbpublish.com/library_read_article.php?id=28102
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Abstract:
In this article, the subject of the research is the treatise of B. Castiglione “On the Courtier” (1528); it is of interest not only in connection with the position that the writer touches upon the Italian “dispute of the language” of the XVI century, but also as one of the evidences of the transformation of Italian national cultural identity. The purpose of this work is to research how the theory of the “court” language, which Castiglione was a supporter of, was inscribed in its system of views on the social significance and historical role of the Italian educated class of 'courtiers' in the broad sense of the word. The research methodology is of a combined nature, since the material under study is interesting from the standpoint of the external history of the Italian language, as well as from the point of view of the history of linguistic teachings. An analysis of the text of the treatise, taking into account the sociocultural context of the epoch and comparing with alternative points of view expressed by contemporaries of Castiglione, allows us to conclude that the generally accepted idea of the "defeat" of Castiglione and his associates in disputes about language, at least, needs to be clarified. If on a practical level, the model of codification of a literary language that was proposed by P. Bembo won an unconditional victory, then as regards the nature of the functioning of a literary language, its social role and its transformation into a component of national identity, B. Castiglione’s concept demonstrated its viability throughout the history of the Italian language.
Citations count: 1
Reference:
HAITONG P. —
Comparative Study of the Concepts of Russian and Chinese Linguocultures: Results and Problems
// Litera.
– 2019. – ¹ 2.
– P. 44 - 52.
DOI: 10.25136/2409-8698.2019.2.29598 URL: https://en.nbpublish.com/library_read_article.php?id=29598
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Abstract:
This article is devoted to the comparative study of the concepts of Russian and Chinese linguocultures. The author of the article notes that it is necessary to study these concepts from the point of view of cross-cultural communication and language picture of the world. The researcher focuses on the monolingual and polylingual analysis of the concepts. The researcher underlines that Russian-Chinese cross-cultural language relations is an understudied topic and thus is of great interest to researchers. The article is of theoretical nature and based on such research methods as analysis of researches and descriptive method. The main conclusions of the research are the following: comparative conceptology is a relatively new sphere of linguistics, however, much research has been already done in this sphere. However, Russian-Chinese cross-cultural language relations are still an understudied topic that lacks fuller research and better systematization. All this proves the importance of further researches in this sphere.
Citations count: 1
Reference:
Dmitrieva E.I., Grubin I.V. —
Differences between automotive and traffic terms in England and the United States
// Litera.
– 2020. – ¹ 1.
– P. 103 - 110.
DOI: 10.25136/2409-8698.2020.1.32272 URL: https://en.nbpublish.com/library_read_article.php?id=32272
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Abstract:
The subject of this research is the different automotive and traffic terms in the English language from the perspective of their variance. The article explores the similarities and differences between the terms of the topic group “Automobile Transportation” in the British and American variants of the modern English language. Special attention is given to the etymology of the terminological units in questions. On the examined examples of terminology, it can be observed that some basic concepts carry national arrangement within the American and British tradition of formation of terminology. For selection of language material, this article utilizes such sources as The Oxford English Dictionary, The Dictionary of Transport and Logistics, Macmillan English Dictionary for Advanced Learners, Oxford Dictionary of Current English, Cambridge Dictionary Online, and Collins English Dictionary Online. The scientific novelty of this research is justified by the insufficient elucidation of the problem of territorial variance within the English language on the material of transportation terminology, which is a reflection of national perception of the surrounding world. The authors make a conclusion that despite the importance of the standardization and formalization processes, it is necessary to remember that terminology vastly reflects professional worldview.
Citations count: 1
Reference:
Griber Y.A. —
Gerontolinguistics of color: research overview
// Litera.
– 2020. – ¹ 5.
– P. 79 - 99.
DOI: 10.25136/2409-8698.2020.5.32890 URL: https://en.nbpublish.com/library_read_article.php?id=32890
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The goal of this article is an overview of the existing research in the area of gerontolinguistics of color – a new branch of linguistic science, conterminous with gerontolinguistics and linguistics of color, which studies the state of the lexis for color designations in vocabulary of the senior and elderly people. The author meticulously examines the works that discuss sizes and boundaries of separate color categories, complexity of color designation lexis in the speech of different generations of native speakers of a certain language, intergenerational dynamics of color designations, inappropriate usage of color terms by senior people, and possibilities of modeling of age-related physiological changes in the color vision. The search of sources was conducted through the following systems: Russian Science Citation Index, Google Scholar, Scopus, and Web of Science. In the course of research, the author applied methods of theoretical and comparative analysis, systematization and generalization of materials. The scientific novelty consists in the comprehensive overview of scientific publications in the area of gerontolinguistics of color from the perspective of comparison of the topics, empirical scope, methods and methodology of studying color vocabulary of the senior population. The author’s special contribution lies in determination and description of the established trends in explaining senior changes in the color vocabulary, as well as discussion of further development prospects of the toolset of experimental research.
Citations count: 1
Reference:
Nabigulaeva M.N., Murtazaliev A.M. —
Children's poetry by Rasul Gamzatov
// Litera.
– 2021. – ¹ 10.
– P. 117 - 130.
DOI: 10.25136/2409-8698.2021.10.34165 URL: https://en.nbpublish.com/library_read_article.php?id=34165
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Abstract:
The object of this research is the works of Rasul Gamzatov, while the subject is his poetics and style of children's poems. Detailed analysis is conducted on the genre and ideological-thematic peculiarities of children's poems by R. Gamzatov. Attention is focused on the techniques and means of expressiveness of the literary image. Rasul Gamzatov's children's poetry has not previously become the object of comprehensive research. The author observes the lack of scientific research that touch upon this side of the poet’s activity, namely substantive, formal, and artistic peculiarities of his poems for children. This topic requires in-depth scientific examination. The conclusion is made on the extensive representation of children's poetry in the works of Rasul Gamzatov, the key motifs of which are hard work, education, patriotism, love for the mother, plea for peace on earth, and propaganda of the traditional highland upbringing. The scientific novelty consists in the attempt of holistic study of the poetics, as well as genre, stylistic and ideological-thematic peculiarities of children's poetry. The author’s special contribution to this research lies in shedding light on the little-studied aspect of R. Gamzatov's works, which arouses interest in further research of his literary heritage.
Citations count: 1
Reference:
Grekhneva L.V. —
Implementation of the functionality of periphrasis in language and speech
// Litera.
– 2021. – ¹ 2.
– P. 53 - 60.
DOI: 10.25136/2409-8698.2021.2.34947 URL: https://en.nbpublish.com/library_read_article.php?id=34947
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The subject of this research is the functionality of periphrastic expressions: an attempt is made to revise the existing functional typology of periphrasis and reflect the key language and speech functions therein. Periphrasis as a multifunctional linguistic means is widely used in the texts of different styles and genres; the author indicates its diverse functional aspects. Analysis of the literature on the topic demonstrated the ambiguity of description of both, the essential characteristics of periphrasis and its functional classification. In this regard, it is relevant to generalize and systematize the existing in science classifications, outlining the key functional aspects and their specific speech implementation. The main result of the conducted research consists in determination of the three primary functions of periphrasis – nominative, descriptive and expressive. Namely these functions are the basic, and reflect the key essential characteristics of periphrasis. Each function includes subfunctions, which are their incidental manifestations. The author reveals some functional aspects of periphrasis that are not autonomous, but derivatives from the selected basic functions. Thus, the euphemistic and synonymic functions are considered the derivatives from the nominative function of periphrasis; explanatory function – manifestation of the descriptive; evaluative, expressive, game, and manipulative functions are inseparable from the periphrastic expression.
Citations count: 1
Reference:
Pokhalenkov O.E., Nikulicheva S.E. —
Female images in the novel “Arch of Triumph” by Erich Maria Remarque
// Litera.
– 2021. – ¹ 5.
– P. 165 - 173.
DOI: 10.25136/2409-8698.2021.5.35263 URL: https://en.nbpublish.com/library_read_article.php?id=35263
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Abstract:
This article is dedicated to the analysis of female images in the novel “Arch of Triumph” by Erich Maria Remarque, particularly their symbolic meaning infused by the author into some characters. The research objective consists in the analysis of female images from the cultural, artistic and literary perspectives. The article employs structural analysis based on the methodology of N. V. Pavlovich. Special attention is given to the references to mythology for describing one or another image. The author substantiates the idea of the connection of each female character with the time and place of her initial stay or origin. Review is conducted on the following heroines: Joan Madou – a mediocre actress and singer, mistress of the protagonist; Kat Hegstrom – a patient and close friend of Ravic; Sybil – beloved of the German doctor died in the gestapo. The scientific novelty of this work consists in consideration of images of the heroines through the prism of associative-imagery, metaphorical meaning of the prototypes used by the author in creating and describing the characters. A comparison of the compositional roles of the aforementioned heroines is carried out. Particular attention is given to the female characters from “Osiris” brothel (which is an important location in the novel and plays a significant compositional role in the text), and their manager Roland. The similarity is noticed between “Osiris” brothel and the boarding house for noble girls, as well as few other comparisons of the women of easy virtue with the ladies brought up in the spirit of the Victorian Era. The article determines certain intertextual correlations n the historical-literary and cultural-historical context. Attention is also paid to consideration of the[WU1] philosophical views of the novelist and the process of their implementation in developing the images of the characters. The work indicates the impact of philosophical ideas of “lost generation” upon the characters of the novel and their life attitudes. The author of the article touches upon the theme of romantic relationships and behavior of the heroines therein.
[WU1]
Citations count: 1
Reference:
Granin R.S. —
Problem of Reconstruction of Eschatological Paradigm in P.A. Florensky’s Metaphysics of Space-And-Time
// Litera.
– 2013. – ¹ 1.
– P. 243 - 262.
DOI: 10.7256/2306-1596.2013.1.242 URL: https://en.nbpublish.com/library_read_article.php?id=242
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Abstract:
The author of the article describes the method of the system research of eschatology. The variety of eschatological ideas and concepts are viewed as a logical system or eschatological paradigm that has a diachronic and synchronic structure. The author analyzes functional and structural correspondence between eschatological and initiative paradigms. It is shown that the eschatological paradigm comes down to the system of logical invariants, i.e. eschatological and initiative scenarios or patterns that are defined by the author as eschatological homologies. Introduction of the terms 'eschatological paradigm' and 'eschatological homology' allows to formalize the method of structural and comparative analysis applied to eschatological and initiative concepts describe by different religious and philosophical teachings. The author views this approach as methodology of structural eschatology. Structural method is used in Florensky's metaphysics including metaphysics of space and time. In this regard, the author defines the following basic categories: reversed causality, circularity of space and time, ostensibility and describes the idea of synchrony. Analysis of metaphysics of the space-and-time ostensibility allows to discover the structural basis - eschatological paradigm which, in its turn, makes it possible to apply the method of structural eschatology to reconstruction of eschatological paradigm.
Citations count: 1
Reference:
Anikyan T. —
Expressive potential of prosody in the inaugural rhetoric (on the material of 2021 Joe Biden speech)
// Litera.
– 2021. – ¹ 8.
– P. 70 - 80.
DOI: 10.25136/2409-8698.2021.8.36334 URL: https://en.nbpublish.com/library_read_article.php?id=36334
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Abstract:
The subject of this research is the expressive potential of prosody in the 2021 inaugural speech of Joe Biden. Analysis is conducted on the peculiarities of functionality of such prosodic means as melody, accentuation, pausation, rhythm and other. Assessment is given to their interaction with the widespread stylistic techniques, as well as their role in carrying out the traditional functions for inaugural rhetoric that determine its genre distinctness. The article employs the method of auditory scene analysis of speech of the political, which vividly illustrates the significance of modifications of suprasegmental parameters for conveying the communicative intent of the speech. The scientific novelty lies in studying the expressive capabilities of prosodic means within a specific variety of political discourse – the inaugural speech as a genre of epideictic rhetoric, viewing the implementation of specific functions in the unity of linguistic and extralinguistic factors. Attention is given to the general peculiarities of discursive practice of the inaugural speeches, as well as the context of a specific communicative situation – unprecedented circumstances of delivering speech by the the 46th President of the United States, as well as the personal traits of the speaker. The acquired results demonstrate the expressive potential of prosodic modifications in the oral speech, which can be used in teaching students majoring in philology the principles of text analysis of the political discourse through the prism of prosody, expressive syntax, stylistics, and rhetoric.
Citations count: 1
Reference:
Iudakhin A.A. —
The polemic of F. M. Dostoevsky with Catholicism: towards the formulation of the problem.
// Litera.
– 2023. – ¹ 5.
– P. 125 - 142.
DOI: 10.25136/2409-8698.2023.5.38246 EDN: UFKIME URL: https://en.nbpublish.com/library_read_article.php?id=38246
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Abstract:
The subject of the study is the journalistic work of F. M. Dostoevsky in the aspect of his religious and confessional problems, which includes a complex of specific motives, among which the anti-Catholic question stands out. The author points out that the Catholic theme, the genesis of which dates back to the early 1860s, will become one of the leading ones for all subsequent publicistic and artistic creativity of Dostoevsky. Criticism of Catholicism as a sum of ideas, denunciation of the Catholic Church, correspondence polemics with the anti—Christian and even "anti-Christ" principle of papal Catholicism - all these topics are implicit or explicit in the novels of the Great Pentateuch and publicistic articles by F. M. Dostoevsky, influencing the conceptual design and architectonics of the works. It is based on this fact that the problem of the genesis and evolution of the writer's anti-Catholic views acquires a relevant significance in literary studies and Dostoevistics. The author demonstrates that the Catholic theme appears in Dostoevsky's field of vision in the first half of the 1860s in connection with the events unfolding in the west of the Russian Empire and on the Apennine Peninsula - the Polish uprising of 1863-1864 and the Italian Risorgimento. Catholic problems initially arise in Dostoevsky's field of view as a journalistic fact — various eventful incidents, everyday episodes captured by foreign and domestic press. The author of the article believes that it was the factology of the "Polish question" and the "Roman question", along with the anti-Catholic rhetoric of Slavophiles and soil scientists, that had a decisive influence on the formation of Dostoevsky's steady rejection of Catholicism, with which the writer will confidently and convincingly polemize until the end of his days.
Citations count: 1
Reference:
Isaeva L.F., Popova L.G. —
Explication of the Central Features of the Concept of "Fidelity" in German and Russian Literary Texts
// Litera.
– 2022. – ¹ 10.
– P. 87 - 94.
DOI: 10.25136/2409-8698.2022.10.38955 EDN: FYSGRE URL: https://en.nbpublish.com/library_read_article.php?id=38955
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Abstract:
The purpose of the article is to identify and establish common and distinctive central features of the concept of "fidelity" based on the materials of German and Russian literary texts of the first half of the twentieth century. The object of the study are lexemes representing the value representation of the linguistic and cultural concept of "fidelity" in the Russian and German languages. The subject of the proposed research is the lexical and semantic explication of the conceptual component of the concept of "fidelity" in German and Russian literary texts, the direction of realism in the first half of the twentieth century. The study used such methods as: definitional analysis, component analysis, comparative method, as well as the reception of quantitative calculations. In the work, as a scientific novelty, it is proposed to study for the first time the verbalization of the conceptual component of the concept of "fidelity" on the material of literary texts in a comparative aspect. The analysis allows us to conclude that the conceptual component of the concept can be verbally represented in the form of synonyms of nuclear lexemes, which, according to their meanings, can represent the center and periphery of the concept. Also, as a result of the conducted research, the presence of distinctive central conceptual signs of loyalty was determined, namely: in German literary texts, it is devotion and affection, and in Russian texts - constancy.
Citations count: 1
Reference:
Ding L. —
Russian and Chinese phraseological units of religious themes with components-numerals five, seven and ten
// Litera.
– 2023. – ¹ 7.
– P. 108 - 116.
DOI: 10.25136/2409-8698.2023.7.43595 EDN: TMRFRZ URL: https://en.nbpublish.com/library_read_article.php?id=43595
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Abstract:
This article is devoted to the comparative analysis of the numbering phraseological units with a religious component in the Russian and Chinese linguistic cultures. The object of the study is phraseological units of the Russian and Chinese languages of religious themes containing components-numerals five, seven and ten. The subject of the study is the linguistic and national-cultural features of Russian and Chinese phraseological units with a religious component. In order to identify and describe the similarities and differences in the vision of the world peculiar to the Russian and Chinese peoples, such research methods and techniques as linguistic and cultural analysis, comparative method, descriptive method, etymological analysis, etc. were used. The tasks of this article are carried out with the help of linguistic and cultural analysis of some fragments of the national mentality reflected in the mirror of phraseology. The scientific novelty of the work consists in a detailed study of numeral phraseological units with a religious component in two languages. It seems that Russian phraseological units containing components- the numerals seven and ten, mainly carry a connotative meaning, denoting completeness and perfection. In Chinese, phraseological units with the above components have a closer connection with Taoist teaching than with Buddhism and Confucianism. The comparative study of numeral phraseological units in both languages contributes to the penetration into a different cultural reality, the understanding of the ethnocultural specifics of the numerical code associated with the religious sphere.
Citations count: 1
Reference:
Malyshkin D.V. —
On the varieties of the official functional style of the English language
// Litera.
– 2024. – ¹ 10.
– P. 108 - 117.
DOI: 10.25136/2409-8698.2024.10.68900 EDN: EMNELA URL: https://en.nbpublish.com/library_read_article.php?id=68900
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Abstract:
The subject of the study are sets of linguistic units that convey different types of content. The purpose of the paper is to study the official functional style in connection with its internal heterogeneity. Although functional stylistics has received a detailed description as a philological discipline which concerns itself with the varieties of developed literary languages, the issue of the internal heterogeneity of functional styles still remains unresolved. The novelty of the paper lies in the fact that it shows the heterogeneity of the official functional style. The practical significance of the work is due to identifying the varieties of the official functional style, which is carried out in the paper and which helps to optimize the choice of teaching material depending on the needs and on the general linguistic competence of students. To solve the task, an integrated approach to the study of the material was chosen: the method of linguostylistic and functional-stylistic analysis, the method of continuous sampling, the descriptive-analytical method, as well as the comparative analysis of texts. It has been established that texts belonging to the official functional style can be divided into three groups (prescriptive official texts; descriptive official texts; evaluative official texts) in accordance with the proportions of linguistic components that perform the main functions of language and render a certain type of content.
Citations count: 1
Reference:
Minasian S.V. —
Russian writers in french press at the turn of the XIX-XX century. Newspaper “L’Aurore”
// Litera.
– 2024. – ¹ 6.
– P. 253 - 266.
DOI: 10.25136/2409-8698.2024.6.71085 EDN: CZCKZX URL: https://en.nbpublish.com/library_read_article.php?id=71085
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Abstract:
The subject of the study is the interest of the French socialist press at the turn of the XIX–XX centuries in the spiritual and political position of Russian writers (using the example of the socialist newspaper "L'Aurore". The article is devoted to an urgent topic – Franco-Russian cultural ties based on the analysis of the Russian literature Since 1870. The purpose of the work is to analyze and generalize the semantic content of published texts from the perspective of determining their adherence to a given political course and the idea of engagement. The material was selected by the method of directional sampling, collection and classification of articles, taking into account the editors' particularly close attention to such writers as F.M. Dostoevsky, Lev Tolstoy, Maxim Gorky. The research methodology is complex and includes content analysis using biographical, historical, cultural and comparative methods. The author's special contribution to the research of the topic is the explication of the close attention of the Western press, especially of the left, to the position of Russian writers, which served to attract the interest of the mass reader to their works. However, the main conclusion of the author is that the driving incentive for the press to address the names of great thinkers was the affirmation of socialist ideals and the idea of the writer's engagement, his unity with the people and opposition to power. The novelty of the work is determined by the scrupulous selection of relevant material and the practical development of this topic, which has so far remained outside the field of research by other authors.
Citations count: 1
Reference:
Uryupina A.D. —
Functioning and translation of English and Russian architectural terms in academic discourse
// Litera.
– 2024. – ¹ 8.
– P. 241 - 251.
DOI: 10.25136/2409-8698.2024.8.71385 EDN: WVWHGP URL: https://en.nbpublish.com/library_read_article.php?id=71385
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Abstract:
The study provides the analysis of architectural terminology in English and Russian in academic discourse. The object of the study is the terminological system of architecture. The subject of the study is the specifics of the use, functioning and translation of English and Russian architectural terminology in academic discourse. The classification and systematization of architectural terms, their hierarchical structure and functional types in academic texts are considered. In addition, the interdisciplinary nature of the architectural sublanguage is emphasized, which intersects with terms from the fields such as engineering, architecture, construction, art and design. The paper also identifies existing difficulties and problems that arise when translating English and Russian-language architectural terms, including differences in the linguistic structure of languages, semantic ambiguity, the need for a high degree of specialization of the translator for the correct interpretation of the term, the use of idiomatic and figurative language to describe some architectural terms, etc. The study uses a comprehensive methodology, in particular, methods of comparative and component analysis, as well as methods of corpus linguistics used to study semantic fields, hierarchical relationships and functional types of terms. The research results emphasize the importance of standardization of architectural terminology, understanding of cultural and historical background, as well as technical knowledge to ensure effective communication in the global architectural community. Analyzing the corpus of texts, including dictionaries, architectural reviews and academic articles, the author explains how specific terms function in academic discourse. This study makes a special contribution to the development of linguistic research in the field of architecture, offering an in-depth analysis of semantic fields and their role in structuring architectural vocabulary. The novelty of the research lies in an integrated approach to the study of the functioning and translation of architectural terms, which allows to identify the difficulties associated with the interdisciplinary character of the terminology. The results of the study will be useful not only for teachers and translators, but also for international experts in the field of architecture.
Citations count: 1
Reference:
Savel'ev V.S., Ding P. —
Features of the Formation of Negatonyms (Based on M. Shruba's "Dictionary of Pseudonyms of Russian Emigrants in Europe (1917–1945)")
// Litera.
– 2025. – ¹ 1.
– P. 1 - 15.
DOI: 10.25136/2409-8698.2025.1.72884 EDN: VBCNYW URL: https://en.nbpublish.com/library_read_article.php?id=72884
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Abstract:
The object of this study is negatonyms (negative pseudonyms) of authors from the first wave of Russian emigration in the 20th century. Negatonyms represent a type of pseudonym whose meaning essentially amounts to the negation of what is named by their base. The material for the study consists of negatonyms included in M. Shruba's "Dictionary of Pseudonyms of Russian Emigrants in Europe (1917–1945)." This source includes approximately 9,800 pseudonyms, from which 71 negatonyms were identified. The subject of the research is the peculiarities of the formation of negative pseudonyms, which include the methods and means of their formation (including the producing bases and derivators), types of motivation (determined by the typical lexical meanings of the producing bases of negatonyms), as well as word-formation models (productive and unproductive) used in the formation of negative pseudonyms. The analysis employs a descriptive research method (units of description are distinguished, their properties and characteristics are defined, facts are generalized, and their interpretation is provided). The study identifies the methods and means of formation, spelling peculiarities, and types of motivation for both one-word and multi-word negatonyms. A comparative analysis allows for determining the most productive models. Two peculiarities of negatonyms used by authors of the first wave of emigration between 1917 and 1940 are noted: 1) the meanings of many negative pseudonyms are linked to the realization of the concept of "own" vs. "their" with most pseudonyms reflecting the author's sense of foreignness to the "new world," positioning themselves as someone who does not consider themselves part of it; 2) the political views of the author are regularly indicated—either affiliation with a particular party or, conversely, apoliticality. The study also finds that negatonyms allow authors to demonstrate their creativity in coinage, utilizing various language-play mechanisms.
Citations count: 1
Reference:
Lugovskikh K.M. —
Manipulative techniques in the US Political media discourse on the example of the election debates by D. Vance and T. Waltz
// Litera.
– 2025. – ¹ 2.
– P. 176 - 183.
DOI: 10.25136/2409-8698.2025.2.73348 EDN: HORBAW URL: https://en.nbpublish.com/library_read_article.php?id=73348
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Abstract:
The article highlights the problems of political discourse, saturated with manipulative techniques that prevail especially in the media space and vividly illustrate the various manipulations of public consciousness in pre-election debates. The purpose of the study is to identify the means of manipulative techniques implemented in the US political media discourse. The material of the analysis is the debates of D. Vance and T. Waltz, which were held in the summer of 2024 and which are an actual example of the clash of two different positions on current and important issues related to US domestic and foreign policy. The real debate caused a great resonance among political scientists and the public due to the expertise and experience of D. Vance and T. Waltz, who, representing different points of view, stimulated a keen discussion of the debate in the media space. The methodological basis is the work of A. P. Chudinov, E. I. Sheigal, J. S. Altynbekova in the field of political discourse, as well as the ideas of A. N. Glushchenko, E. L. Dotsenko, O. C. Issers on issues of manipulative techniques in media discourse. It has been established that in American media discourse, speech manipulation often uses means of expression, such as political metaphors, hyperbole, allusions and comparisons, as well as various types of comic, which indicates the importance in the socio-cultural space of the linguistic aspect, which embodies the ideological objectives of political leaders. The novelty of the research lies in the results obtained, which give an idea of modern strategies and tactics of political communication used to achieve an effective translocative effect. Conclusions are drawn about the patterns of language development and change, and its dynamics in political rhetoric, which are a multifaceted process that includes various aspects of linguistics, sociology, and political science. In addition, language, as a means of communication, is a powerful tool of influence in the political media space.
Citations count: 1
Reference:
Seferova E.E. —
The song culture of the Crimean Tatars in the works of E. Shemya-zadeh
// Litera.
– 2025. – ¹ 6.
– P. 56 - 67.
DOI: 10.25136/2409-8698.2025.6.74296 EDN: WMUQIC URL: https://en.nbpublish.com/library_read_article.php?id=74296
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The present study is devoted to the literary and folklore heritage of E.Shemyazade, an outstanding poet and scientist of the Crimean Tatar people. The main aspects of his work are analyzed, including the synthesis of philosophy, lyrics and oral traditions, as well as their interaction and mutual influence. Special attention is paid to the issues of preservation and transformation of folk song culture, the role of dialectal and cultural features in poetic texts, as well as the influence of traditional ethnocultural heritage on modern Crimean Tatar literature, the main directions of E. Shemyazade's scientific research are revealed. The subject of the research is the poetics of traditional folk songs. The object of the research is the scientific heritage of E.Shemya-zadeh. The purpose of the study is to analyze the scientific works of E. Shemy-zadeh devoted to the issues of folk lyrics. The material for the study was the collection of articles "Edebiy ve tenkidiy makaleler" ("Literary and critical articles") (2000). The structural method was used as the main research method. The novelty of the research lies in the fact that we chose the poetics of folk songs in the scientific research of E.Shemyazade as its subject. Also, for the first time, the article systematically analyzes the main aspects of the relationship between the literary heritage of E. Shemyazade and the folk folklore tradition, and identifies the mechanisms and features of the use of oral forms in his poetic work. E. Shemya-zadeh's scientific research reflects the most important facets of the author's worldview, gives us the opportunity to see the features of his value system. The works of E. Shemya-zadeh introduced qualitatively new features in relation to the study of folk lyrics and cultural issues. According to E. Shemya-zadeh's research, the historically established system of genres of Crimean Tatar folk songs is undergoing changes. Stylistic changes affect the content of the songs.
Citations count: 1
Reference:
Aleksandrova T. —
Apocryphal Motifs in the Poetry of Empress Eudocia
// Litera.
– 2018. – ¹ 3.
– P. 143 - 153.
DOI: 10.25136/2409-8698.2018.3.26963 URL: https://en.nbpublish.com/library_read_article.php?id=26963
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The object of this study is the two works that are thought to be written by the Byzantine Empress Eudoxia (V century): the poem "On St. Cyprian" and Homeron centon, and the subject of the study is the use of apocryphal motifs in these works. With respect to both works, it is still an open question whether the poetess took part in plotting, or she took advantage of already existing models, since both works are paraphrases (the poem is the life of St. Cyprian and Justina, and centon is the Four Gospel). In her paper Alexandrova uses a comparative method of research. The apocryphal sources used in each of the works and the motives borrowed from them are consistently considered. The novelty of the research is caused by the fact that the use of sources reveals the features of a single author's manner, manifested in both of the works in question, which helps to solve the question of authorship. Among the sources of the poem "On St. Cyprians ”-“ Apocrypha Iannia and Jambria ”,“ Acts of the Apostle Andrew ”,“ Lives of the Prophets ”and the Gospel of Nicodemus. The sources of the Homeric Center are the “Proto-Evangelical of James,” the legend of Veronique the Bleeding, and the Gospel of Nicodemus. The author comes to the conclusion that the interest in apocryphal motifs unites both works, and it can be attributable to Eudocia, although the use of apocrypha cannot be considered an exhaustive proof of her authorship.
Citations count: 1
Reference:
Lityagina E.A. —
Comparative and Socio-Cultural Aspect in English and Spanish Business Vocabularies. Analysis of Business Jargon
// Litera.
– 2018. – ¹ 4.
– P. 101 - 111.
DOI: 10.25136/2409-8698.2018.4.27781 URL: https://en.nbpublish.com/library_read_article.php?id=27781
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The subject of this research is the English and Spanish business vocabularies viewed from the point of view of socio-cultural specific features. The aim of the research is to carry out classification and comparative analysis of the word-formation means of English and Spanish business terms, to describe their general and special features and analysis of the socio-cultural element of business vocabulary based on the analysis of jargonisms. The latter systematizes the types of borrowings from the English language, which prevail against the background of Spanish terms and are a distinctive feature of Spanish business jargon. The research methodology includes a comparative method, a method of systematization and classification of the material under study, a descriptive-analytical method, a method of continuous sampling, a method for analyzing vocabulary interpretations. It is a distinctive feature of the Spanish business jargon. This is a method of systematic sampling, a method of continuous sampling, and a method of analyzing vocabulary interpretations. The scientific novelty of this work lies in the fact that it was the first to describe and compare English and Spanish terms and jargon in business from the point of view of word-building models, as well as the impact of sociocultural factors on the formation of business terminology from the standpoint of an anthropocentric approach to the study of linguistic phenomena. The role of the English language as the main donor language in relation to Spanish slang business terminology is revealed. The author demonstrates the variety of themes from the point of view of naming processes and phenomena of business practice as well as the prevailing use of metaphors created using components of different forms and thus referring to different notions (color, animal world, national cuisine, body parts, household items and weapon, etc.).
Citations count: 1
Reference:
Abdul'manova A., Lekomtseva I. —
The Creative Legacy of Geoffrey Chaucer and Russian Translations of His Works in Terms of the World Culture
// Litera.
– 2018. – ¹ 4.
– P. 259 - 265.
DOI: 10.25136/2409-8698.2018.4.28242 URL: https://en.nbpublish.com/library_read_article.php?id=28242
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The article is devoted to the description of the creative heritage of medieval English poet Jeffrey Chaucer through the prism of his internationality. Describing the attitude of representatives of the English-speaking culture to the role of the poet in the formation of the national English language and English national literature, the authors pay attention to the works of the so-called “Chaucer canon”, offering them a brief overview. Describing the reflection of the plots of Jeffrey Chaucer’s works in the traditional culture of medieval Europe (the work of ancient, Italian, French authors) as well as examining popular adaptations in today's popular culture (art and animated films based on “Canterbury Tales”, texts intended for the general reader, etc. .), the authors of the article emphasizes the “internationalism” of the writer's creativity. The focus of the study is the story of the emergence of translations of works of the poet into Russian. The research methodology involves the description of works of mass art based on the works of this author, as well as Russian translations of his works in order to prove the "internationalism" of Jeffrey Chaucer and the importance of his work for the modern Russian-speaking reader. The novelty of the research is caused by the fact that for the first time in the academic literature the authors have made an attempt to systematize and implement a comprehensive description of the well-known Russian-language translations of the works of Jeffrey Chaucer. The relevance of the research is due to the unceasing interest in the poet's work, which is emphasized by the emergence of modern translations, film, video adaptations and editions of his works. The research methodology involves the description of works of mass art based on the works of this author, as well as Russian translations of his works in order to prove the "internationalism" of Jeffrey Chaucer and the importance of his work for the modern, including Russian-speaking, reader. The novelty of the research is seen in the fact that for the first time an attempt is being made to systematize and implement a comprehensive description of the well-known Russian-language translations of the works of Jeffrey Chaucer. The relevance of the research is due to the unceasing interest in the poet's work, which is emphasized by the emergence of modern translations, film, video adaptations and editions of his works.
Citations count: 1
Reference:
Zavialova I. —
Functions Performed by Transformations that Appear in the Process of Translating German Article Headlines on Deutschland.de to Russian
// Litera.
– 2019. – ¹ 2.
– P. 1 - 5.
DOI: 10.25136/2409-8698.2019.2.28867 URL: https://en.nbpublish.com/library_read_article.php?id=28867
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Because of different standards of the source and target languages, literal translation is often impossible. When facing difficulty, a translator uses translation transformations. The subject of the research is translation transformations that are used to translate headlines on Deutschland.de. The author examines peculiar functions of such translation transformations as substitution, supplementation, transposition, omission and their combination as well as discovers the frequency of particular kinds of tranformations used in the German-Russian translation. To select the research material, the author has used the random sampling technique. The main research methods included description, comparision of the source text and translation, and statistic-linguistic analysis. The scientific novelty of the research is caused by the fact that the researcher analyzes transformations based on the comparison of headlines in the source and target languages, in particular, articles posted on Deutschland.de. The results of analyzing the research material demonstrate that the most commonly used translation transformations are substitutions, mostly grammatical substitutions. Supplementations, transpositions, omissions and complex transformations are used less frequently.
Citations count: 1
Reference:
Borisova I.V. —
Language archivation in online socialization
// Litera.
– 2019. – ¹ 5.
– P. 84 - 92.
DOI: 10.25136/2409-8698.2019.5.30279 URL: https://en.nbpublish.com/library_read_article.php?id=30279
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The object of this research is smileys (emoticons) as means of archivation of information responsible for emotional colorization of the transmitted or received message. The subject of this research is the possible variants of expansion of the implicit component depending on the level of intellectual and emotional completeness of the sender or receiver and their inclusion into the cultural values of the nation (in this case the Russian classical literature). The author expands the concept of speech compression to the language archivation, including into this process the technical accompaniment and ergonomic component. The following works served as the factual material of this research: M. Gorky “Konovalov”, F.M. Dostoyevsky “Karamazov Brothers”, N.V. Gogol “Dead Souls”, and I.A. Bunin “Mitya’s Love”. The following conclusions were made: one the one hand, the process of language archivation through smileys presents creative usage of language resources, defined by new means of communication in the digital environment; on the other, it threatens the existing language norms that establish the fundamental traditions. The scientific novelty of this research consists in the fact that decompression of included information is projected unto figures taken out of works of Russian classics, endless value of which is validated by several generations of native readers of the language.
Citations count: 1
Reference:
Li Y. —
Precedent name and its connotations
// Litera.
– 2020. – ¹ 4.
– P. 30 - 36.
DOI: 10.25136/2409-8698.2020.4.32815 URL: https://en.nbpublish.com/library_read_article.php?id=32815
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This work gives special attention to examination of precedent name and its connotative meaning in mass media texts. Precedent name is viewed as a result of semantic condensation of the corresponding precedent text and/or precedent situation. The purpose of using precedent name in speech consists in giving a concise and brief characteristic to the subject of assessment through the system of meaningful standards, clichéd images that became an etalon of certain qualities of a person within the framework of the culture, as well as in expressing a subjective attitude that can be negative or positive. In the course of research, the author applies the method of contextual analysis, component analysis and comparative analysis. Precedent name, being the means for preservation of achievements of spiritual culture of the society and conveying ethical and aesthetical norms from generation to generation, simultaneously represents the way of expressing subjective assessment in the atypical context of application, which leads to the extension of its communicative functions and emergence of potential (and eventually realistic) secondary meanings, as well as reflects a dynamic situation of a cultural linguistic community.
Citations count: 1
Reference:
Zinnatullina L. —
National-cultural specificity of adverbial phraseological units in English and Russian.
// Litera.
– 2020. – ¹ 8.
– P. 72 - 79.
DOI: 10.25136/2409-8698.2020.8.33636 URL: https://en.nbpublish.com/library_read_article.php?id=33636
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The article is devoted to the study of the national-cultural specifics of adverbial phraseological units in English and Russian. The subject of the study is the peculiarities of the three levels of manifestation of the national-cultural specificity of phraseological units: 1) in the aggregate phraseological meaning, 2) in the meaning of individual lexical components, 3) in the direct meaning of a free phrase that has been figuratively reinterpreted (i.e. in prototypes of phraseological units). The paper gives a characteristic of each level of manifestation, based on the analysis of the study of the component composition of phraseology. Russian Russian and English phraseological units, selected from the Dictionary of Russian Phraseology, Russian and British National Corpus, are analyzed in the analysis of examples of a number of phraseological units of the English and Russian languages. The scientific novelty of the work is to determine the manifestation of the national - cultural specificity of a number of unique phraseological units of the English and Russian languages that do not have correspondences, based on the conducted study of the component composition. The methods of studying phraseological units are: contextual method, method of phraseological description. The main conclusions of the study are the following: The first level of manifestation of the national-cultural specificity of phraseological units is associated with non-equivalent or lacunary adverbial units.
Phraseological units of the second group, the number of which is very limited, have a national-cultural component in their component composition, which can be represented by words denoting the realities characteristic of English or Russian peoples – speakers of two languages. phraseological units of the third group reflect the history of the peoples – native speakers of English and Russian, their peculiar traditions, customs, historical facts, superstitions, originally laid down in the prototype.
Citations count: 1
Reference:
Alekseeva O.A. —
Syntactic peculiarities of Turkish news materials
// Litera.
– 2021. – ¹ 10.
– P. 44 - 60.
DOI: 10.25136/2409-8698.2021.10.34108 URL: https://en.nbpublish.com/library_read_article.php?id=34108
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This article reviews the syntactic peculiarities of Turkish news materials determined as result of analysis of the most reputable Turkish online news sources, such as Anadolu Ajansı, Hürriyet, Cumhuriyet etc. The key syntactic peculiarity of news materials is the direct order of words in sentences (SOV) without inversion. News reports usually represent a set of simple sentences, which are complicated by the extended sentence parts (most commonly with forms ending with -DIğI/-AcAğI) and homogeneous parts of the sentence. News materials are characterized by the use of simple sentences, in which the subject is expressed in forms ending with -DIğI/-AcAğI or the verb name ending with -mA, while the predicate is in passive voice. Extended participial clauses with a semi-predicative meaning, pronounced present or past participle ending with -An. The subordinate word of such participial clauses is generally the subject of the superordinate clause. The article examines the formats of direct and indirect speech, lists the most commonly used phrases that introduce direct speech, as well as provides the examples of sentences that contain both direct and indirect speech. The author also cites statistical data on the prevalence of sentences containing direct and indirect speech in news materials. The article lists grammatical structures typical for sociopolitical discourse. These include constructions with the verb ‘bulunmak’ (to have), the peculiarity of which lies in replacement of verbs such as ‘ifade etmek’ (to express), “çağırmak” (to call) , etc. by compound nominal structures in locative case, which forms a single-affix ezāfe with the previous phrase and the verb ‘bulunmak’ (to have). Construction is -DIğI görüşünde or -AcAğI görüşünde.is commonly uses alongside constructions with the verb ‘bulunmak’.
Citations count: 1
Reference:
Kunic Z., Muzykant V.L. —
The image of Serbia in the Russian media in terms of language techniques and its impact on bilateral relations between the two states in the era of the Covid-19 pandemic (2020-2022)
// Litera.
– 2022. – ¹ 3.
– P. 12 - 20.
DOI: 10.25136/2409-8698.2022.3.37565 URL: https://en.nbpublish.com/library_read_article.php?id=37565
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The purpose of this study is to get an idea of the peculiarities of the perception of Serbia by the Russian media and to identify the linguistic and cultural features of its image created in the Russian media space. The scientific novelty of the study lies in the fact that no analysis of the linguistic characteristics of the image of Serbia in the Russian media has been carried out before in science. In particular, for the first time, based on the materials of the Russian media, the linguistic features of the creation of the image of Serbia and the main categories of the linguoculture of the Russian language used in this process are investigated. As a result of the study, the nature of Serbia's image reflected in the Russian media was not only determined, but also the main lexical techniques used in this process were identified. The purpose of this study is to get an idea of the peculiarities of the perception of Serbia by the Russian media and to identify the linguistic and cultural features of its image created in the Russian media space. The scientific novelty of the study lies in the fact that no analysis of the linguistic characteristics of the image of Serbia in the Russian media has been carried out before in science. In particular, for the first time, based on the materials of the Russian media, the linguistic features of the creation of the image of Serbia and the main categories of the linguoculture of the Russian language used in this process are investigated. As a result of the study, the nature of Serbia's image reflected in the Russian media was not only determined, but also the main lexical techniques used in this process were identified.
Citations count: 1
Reference:
tayebianpour F., Valipour A. —
Means of Expressing the Modal Form of Possibility in the Persian Language
// Litera.
– 2014. – ¹ 2.
– P. 129 - 143.
DOI: 10.7256/2409-8698.2014.2.12190 URL: https://en.nbpublish.com/library_read_article.php?id=12190
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In Russian modal opportunities value, still draws attention of the Russian linguists and researchers. This concept, undoubtedly, contacts not one language unit, and the whole statement. As existence of the statement without embodiment of its ultimate goal – communications – doesn't make sense, definition of possible means for knowledge and understanding of the statement in each language deserves special attention. The special characteristic of modal opportunities value, its communication with logical concepts of reality and unreality, its ability in representation of various language means of expression in any language, draw attention to this subject not only the Russian linguists, but also linguists of the whole world. In this article lexical and grammatical means of expression of modal value of opportunity in the Persian language are considered. This consideration is made on the basis of the dissertation work comparing these means in the Russian and Persian languages. For writing of the thesis relating to article methods of consideration of scientific sources, the comparative and comparative analysis of the Russian and Persian offers in the sphere of functional grammar were used. Novelty of this work consists in primary consideration of means of expression of the concept "opportunities" of the Persian language. In initial work this consideration took place taking into account the approaches accepted in the Russian linguistics for definition of these lexical and grammatical means. As a result we found important and common lexical and grammatical means of expression of value of opportunity in the Persian language.
Citations count: 1
Reference:
Sukhikh O.S. —
Utopia and Dystopia as Two Facets of Artistic Reality in V. P. Krapivin's novel "Green's Ampoule"
// Litera.
– 2022. – ¹ 9.
– P. 70 - 82.
DOI: 10.25136/2409-8698.2022.9.38832 EDN: PSHXUO URL: https://en.nbpublish.com/library_read_article.php?id=38832
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The object of literary analysis in this article is V. P. Krapivin's novel "Green's Ampoule", the subject of the study is the features of utopia and dystopia in the artistic world of this work. Its genre nature is complex and multifaceted, but the signs of utopia and dystopia, from the point of view of the author of the work, are clearly visible in the text. The study of social and moral-philosophical issues characteristic of the genres mentioned above is being conducted. The author also analyzes the features of the poetics of this work, which work to create images of dystopian and utopian worlds. The method of holistic analysis helps to identify the relationship between two toposes: Empire and the city of Insom – and features of two genres: dystopia and utopia. The study of these genre components of "Ampoule Green" is conducted for the first time and allows us to come to the following conclusions. The image of the Empire, which is associated with the dystopian component of the novel, is the embodiment of totalitarianism, and the life of this country is marked by a deep contradiction of the interests of the individual and the state. The image of the Free City of Insk bears the features of utopia. Describing his life, the author uses the technique of breaking expectations. The assumptions of the reader and the hero playing the role of a traveler in a utopian world are motivated by patterns typical of a society that is far from ideal, and they are refuted by the reality of Insk, where goodness and harmony reign in human relations. It is not by chance that the novel presents the hypothesis that Insk arose from the materialized fantasy of children. If the image of the Empire has the features of the world of the beginning of the XXI century, when the novel was created, then the image of Insk is replete with details related to the past. It is natural to assume that dystopian features for the author are embodied in the present, and utopian – in the past, in the memories and impressions of childhood, that is, the world of adulthood is represented as dystopian, and the world of childhood is represented as utopian.
Citations count: 1
Reference:
WANG S., Zhdanova L.A. —
The "Lost Generation" in the Modern Russian-language Journalistic Discourse
// Litera.
– 2023. – ¹ 3.
– P. 1 - 10.
DOI: 10.25136/2409-8698.2023.3.39866 EDN: INVAEM URL: https://en.nbpublish.com/library_read_article.php?id=39866
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Abstract:
The article examines the use of the term lost generation in modern journalistic discourse, which originally referred to writers of the first half of the twentieth century who passed the First World War and expressed in their work its tragic experience, their inner emptiness and alienation from society. The presence of an attribute with a characterizing meaning in this idiomatic term allows it to be determinologized and used in modern Russian speech as a free phrase: in relation to different generations of people, primarily to modern Russian youth. The purpose of the article is to describe the main types of usage of the syntagma lost generation in modern Russian speech and to identify their connection with the original meaning of the term. The research material is contexts extracted from the National Corpus of the Russian language, as well as the results of the linguistic experiment conducted by the authors. The authors uses quantitative, functional-semantic, descriptive methods, uses the method of component analysis, highlights the main meanings and areas of use of syntagma as a steadily reproducible precedent nomination. Comparison of the experimental results and analysis of the contexts of the National Corpus of the Russian language shows significant consistency. Both in the survey and in the corpus, the terminological use is quite frequent (the second most frequent among all the selected types), however, it is significantly inferior to the totality of non-terminological uses, among which both close to the original and rather distant ones stand out (‘youth’, ‘people who did not justify the hopes placed on them in the professional sphere’, ‘socially unprotected groups' and others).
Citations count: 1
Reference:
Sharonova E.A., Savonina N.A. —
The idea of eternal femininity in the poetry of A.M. Sharonov (based on the poem "Valentine")
// Litera.
– 2023. – ¹ 5.
– P. 10 - 18.
DOI: 10.25136/2409-8698.2023.5.40677 EDN: YQSLWY URL: https://en.nbpublish.com/library_read_article.php?id=40677
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Abstract:
For centuries, world culture has been thinking about the essence of the idea of Eternal femininity, manifested in philosophy and art. The idea of Eternal femininity is formed from a set of concepts that define a Woman, beauty, love, motherhood, chastity, wisdom, harmony. The purpose of the work is to consider the idea of Eternal femininity in the work of a modern Russian poet – A.M. Sharonov. The goal is realized in the process of analyzing the poem "Valentine" dedicated to the poet's wife. The lyrical heroine is the embodiment of femininity for A.M. Sharonov. The research is based on the application of a set of methods ‒ cultural-historical, comparative-historical, method of holistic analysis of a work of art. The scientific novelty of the research lies in the analysis of A. M. Sharonov's poem "Valentina" in the proposed context for the first time. The article proves that the image of Eternal femininity is formed by A.M. Sharonov through the mythological perception of femininity, which has demiurgic features peculiar to a woman by right of her birth as a woman. She is a demiurge because she was created to give birth (= create), for her this is not goal-setting, as for a man, but a given. A. M. Sharonov's woman is not secondary, not passive, not only an object of admiration and worship, but also a subject who energetically carries out life. According to A.M. Sharonov, a Woman contains wisdom, beauty, love, creative power that contributes to the transformation of the world and gives a person the opportunity to ascend to the heights he has chosen, which determines for him the idea of Eternal femininity.
Citations count: 1
Reference:
Feng W., Perfiliev A.K., Hu P. —
Translation of medical terms into Chinese
// Litera.
– 2023. – ¹ 12.
– P. 306 - 314.
DOI: 10.25136/2409-8698.2023.12.69349 EDN: KWAFAA URL: https://en.nbpublish.com/library_read_article.php?id=69349
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Abstract:
The subject of this study is the peculiarities of translating medical terms into Chinese. The purpose of the study is to analyze strategies for translating medical terms into Chinese, as well as to identify the most effective and frequent methods of translation of medical terms. The research material is medical terms (60 hieroglyphic names of medicines and medical equipment) and their translation into Chinese. The article analyzes the four most commonly used ways of translating medical terms: phonetic, semantic, graphic and mixed. The analysis also focuses on alphabetic words of the Chinese language: full alphabetic words and partial alphabetic hieroglyphic words. The features of translating medical terms of Latin origin into Chinese and medical terms borrowed from English are compared. To achieve this goal, the following methods were used: descriptive method, method of analysis of theoretical literature, as well as methods of systematization of material and classification. The novelty of the study lies in the fact that with the advent of new medicines and medical equipment, the question of translating new concepts into other languages, in particular into Chinese, has become acute. The article provides examples illustrating typical ways of translating medical terms into Chinese. The authors conclude that when translating borrowings from Latin into Chinese, preference is given to the phonetic method, while when translating English medical terms, phonetic-semantic, semantic and graphical methods are mainly used. The semantic method allows you to convey the meaning of borrowed words most fully, as well as create a pragmatic effect. The frequency of using the graphical translation method is significantly lower, since English and Chinese have different types of writing, which also introduces limitations for the transmission and interpretation of information.
Citations count: 1
Reference:
Ptukyan A.R. —
Motivational discourse and its place in the discursive knowledge system
// Litera.
– 2025. – ¹ 2.
– P. 435 - 441.
DOI: 10.25136/2409-8698.2025.2.70180 EDN: EJZLOY URL: https://en.nbpublish.com/library_read_article.php?id=70180
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Abstract:
The subject of the study is motivational discourse, its characteristics and features. The purpose of the study is to determine the motivational discourse specifics and its distinctive features from other types of discourse. The key features of motivational discourse are analyzed, reflecting its determining features, which allows to formulate a number of properties inherent in this type of discourse. The author examines in detail such aspects of the topic as emotiveness and speech impact on the recipient. The relevance of the study is due to the increased interest in personal training and motivational speeches, which are aimed at exerting some influence on recipient. Particular attention is paid to such concepts as: motivational discourse, motivation, speech influence and communication. In the article, the author examines motivational discourse from the perspective of its influence on communicants and its illocutionary power. The novelty of this study lies in the definition of motivational discourse as a separate type of discourse. The author formulated a definition of motivational discourse and identified its distinctive features. The conducted research revealed some specific features inherent in motivational discourse. In particular, motivational discourse is formed with a specific goal to change the picture of the world that is familiar to communicants or to have a certain influence on the recipient. The author’s special contribution to the study of the topic is the identification of the key features of motivational discourse, allowing it to be formulated as a separate type of discourse. The results of this study can be used to develop methods of speech influence, manuals on public speaking, as well as providing support for psychological trauma.
Citations count: 1
Reference:
Lobanova T.N., Dubyaga A.M. —
Representation and stereotyping of the female image in modern mass media (based on glossy magazines)
// Litera.
– 2024. – ¹ 4.
– P. 375 - 387.
DOI: 10.25136/2409-8698.2024.4.70344 EDN: OIMVZM URL: https://en.nbpublish.com/library_read_article.php?id=70344
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Abstract:
In the 21st century, the need for the development of the glossy sector is increasing every day. The main object of the study is the image of female beauty in modern glossy magazines; the subject of the study is the formation of a stereotypical idea of beauty in modern mass media. The purpose of this article is to analyze the linguistic and visual representation of women in modern mass media (based on glossy magazines), as well as the features of the linguistic (linguistic and visual) construction of the image of a woman in modern discursive linguistics. In addition, when conducting this research, not only general scientific methods are used, such as comparison, description, classification, systematization, interpretation, analysis, classification, but also special linguistic methods for analyzing lexical-semantic groups: contextual and stylistic analysis of semantics, the method of psycholinguistic modeling, method of complex analysis. The scientific novelty of the study is due to the subject of the study and the lack of modern comparative studies in the field of the specific representation of the image of beauty in the media (in glossy magazines) for young women. During the study, the features of modern visual culture and mass media products were studied, the standards of beauty and the female image being a sociocultural phenomenon were described, the methods of applying various methodologies to the visual content of glossy magazines and digital analogues were analyzed, axiological pictures of the world in different cultures and social gender stereotypes were partially described, reflected in language, the representation and stereotyping of the beauty of the female image in modern mass media (based on glossy magazines) is analyzed and ways of stereotyping beauty in glossy magazines are identified, including the features of visual design and promotion of content personalization (recommendation technologies) in the modern glossy segment.
Citations count: 1
Reference:
Avagyan A.A. —
Special Features of Tourism Text Translation from Russian into English
// Litera.
– 2024. – ¹ 11.
– P. 264 - 274.
DOI: 10.25136/2409-8698.2024.11.71526 EDN: QSDMES URL: https://en.nbpublish.com/library_read_article.php?id=71526
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Abstract:
The active development of international tourism contributes to a steady increase in demand for high-quality translation of tourist texts explaining the importance of research on the common problems of their translation into foreign languages. The research subject is the specific features of translating tourist texts from Russian into English. The research objective is to identify the key features of tourist text translation. The article examines the stylistic features of tourism discourse texts which are the most difficult for translation from Russian into English. A definition of the international tourism discourse is given, popular types of tourist texts are listed, and common ways of translating these texts into English are pointed out: creative translation, descriptive translation and translation by searching for functional analogues. The author used the methods of generalization, content analysis, systematization of data from recent studies on this topic and comparative analysis of Russian and English tourist texts. The research novelty lies in the systematization of the works of Russian linguists devoted to the problems of translating tourist texts and in the proposed ways to eliminate possible mistakes. The key problems of translating tourist texts include underestimation of translation in tourism and translation by non-specialists often using machine translation, mistakes in translating terminology, ignoring the genre of the source text and insufficient adaptation of the translation text to the target audience of another culture. It is proposed to create new Russian-English and English-Russian dictionaries of tourist terms, train translators in special courses for translating tourist texts, providing them with knowledge of key concepts in tourism at least in their native language and experience in translating these concepts into a foreign language, and teach students majoring in linguistics to translate tourist texts. It is noted that translation methods and strategies depend on the text genre.
Citations count: 1
Reference:
Zhang R. —
Trends in the Development of Mass Media in the Context of Modern Chinese Political Ideology
// Litera.
– 2024. – ¹ 12.
– P. 69 - 79.
DOI: 10.25136/2409-8698.2024.12.72672 EDN: WFYZWD URL: https://en.nbpublish.com/library_read_article.php?id=72672
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Abstract:
Mass media have historically played a crucial role in shaping societal values and advancing political ideologies. This study aims to identify the distinctive features of the ideological functions and political characteristics of Chinese media at various stages of their development. The object of the study is Chinese media as an instrument of state power and a mechanism of ideological influence. The subject of the study is the evolution of the ideological functions of Chinese mass media throughout different stages of their development.
The research employs historical, comparative, systemic, and functional analysis. The novelty of the study lies in its comprehensive examination of the transformation of Chinese media through the lens of their political functions and ideological objectives. The study emphasizes that Chinese media play a pivotal role in promoting party ideals, ensuring political stability, and shaping international discourse.
The key findings of the research are as follows:
1. The dynamic process of adaptation by Chinese media to changes in social and political conditions is evident.
2. The critical role of media in fostering public consensus and legitimizing governmental authority is highlighted.
A notable contribution of the author is the systematic classification of the stages in the evolution of Chinese media—from complete politicization to more subtle forms of political activity, and eventually to re-politicization in the modern era. The study illustrates the uniqueness of China’s media system, which blends national and international objectives, thereby strengthening political order domestically and advancing the nation’s interests on the global stage.
This research is valuable for scholars and political scientists studying the history of communication, the use of media to achieve political goals, agenda-setting, and political propaganda.
Citations count: 1
Reference:
Kharchenko M.A. —
Intercultural Competence and Multiple Identities in the Context of English Language Use in an Institutional Setting
// Litera.
– 2025. – ¹ 2.
– P. 464 - 474.
DOI: 10.25136/2409-8698.2025.2.73161 EDN: EPKYRA URL: https://en.nbpublish.com/library_read_article.php?id=73161
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Abstract:
The aim of this study is to explore the connection between the cultural content of the English language as a means of international communication and the formation of the identity of its speakers within the context of intercultural interaction in institutional settings. The study proposes to rethink the perspective of using English, focusing not on communication with native speakers, but on developing skills for interaction in a multilingual environment. The practical significance of the research lies in its potential to promote the development of intercultural communication and improve interaction in multilingual and multicultural contexts, fostering better understanding and acceptance of diverse cultural identities in a globalized world. The study also emphasizes the importance of adapting educational programs aimed at preparing individuals for professional interaction in a culturally diverse environment, which is particularly relevant in an era of global interdependence. The scientific significance of the research lies in introducing a new concept of English cultural competence as a phenomenon that transcends individual cultures and embraces diverse contexts. The study employs methods of theoretical analysis and synthesis, sociolinguistic and socio-constructivist approaches, as well as comparative analysis, to reinterpret the role of English as a lingua franca and its connection to multilingual communicative practices. The practical significance of the research lies in its potential to advance intercultural communication and improve interactions in multilingual and multicultural contexts, fostering greater understanding and acceptance of diverse cultural identities in a globalized world. The findings underline that the focus should be on developing intercultural competence resources rather than on studying isolated linguistic and cultural traditions.
Citations count: 1
Reference:
Belavina E. —
Poetic writing in contemporary French scientific thought
// Litera.
– 2025. – ¹ 5.
– P. 33 - 45.
DOI: 10.25136/2409-8698.2025.5.74356 EDN: IKHJGZ URL: https://en.nbpublish.com/library_read_article.php?id=74356
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Abstract:
The article is devoted to modern theoretical approaches to the study of poetic writing. ‘French theory’ developed in dialogue with the works of Freud, Husserl, Heidegger, Merleau-Ponty, Benveniste and Saussure. Criticism of Saussure's dualism of the sign and logocentric models can be found in Merleau-Ponty, Benveniste and Meschonnic. Meschonnic's works on the anthropological theory of rhythm are not well known in our country. The aim of this article is to arouse the reader's interest in the anthropological theory of sound by pointing out its Russian sources and integrating it into the conceptual apparatus of philosophy (Derrida, Merleau-Ponty) and linguistics (Benveniste, Saussure). The key concepts for Meschonnic are the subjectivity and historicity of writing, which allows her to study the processes of signification (writing and interpretation) in the light of the anthropological turn in science. The concepts of trace, writing, voice, and presence are analysed on the basis of a comparative analysis of the texts of Debray's "Mediology", Derrida's "Freud and the Writing Scene", and Meschonnic and Dessons's "A Treatise on the Rhythm of Poetry and Prose", among others. The field of interdisciplinary research of writing as a transmission and preservation of experience is supplemented by raising the question of the material medium. For the first time an attempt is made to combine the conceptual apparatus of mediology (communication and transmission), phenomenology (trace, presence, voice, phusis-writing, logos-writing) and anthropological theory of rhythm (rhythm, subjectivity, historicity). For French verse studies (sillabic), the novelty of Meschonnic's approach lies in the analysis of the system of accents and sound repetitions, genetically connected with the works of Russian formalists (in particular, the comparativist E. Polivanov). This component of Meschonnic's works paradoxically complicates its reception in Russia, as it creates the illusion of familiar material. The results obtained help to fit Meschonnik's theory into the Russian and European scientific apparatus and show its novelty and effectiveness in combining the theory of rhythm with the consideration of the register of transmission.
Citations count: 1
Reference:
Alekseev A.V. —
On the Genre Specificity of the Graphic Novel
// Litera.
– 2025. – ¹ 8.
– P. 190 - 209.
DOI: 10.25136/2409-8698.2025.8.75624 EDN: PCBJHI URL: https://en.nbpublish.com/library_read_article.php?id=75624
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The article explores the genre nature of the graphic novel as a unique narrative form that emerged at the intersection of literary and comic traditions, occupying a special place in the contemporary literary process. The object of study is the graphic novel as a graphic-literary genre, combining the structural complexity and thematic depth of the novel with the grammatical tools of comics. The subject of the article is the genre specificity of the graphic novel in terms of its compliance with the criteria of the novel genre accepted in modern literary studies (primarily in the works of M.M. Bakhtin and N.D. Tamarchenko). The aim of the work is to identify and systematize the genre characteristics of the graphic novel, as well as to critically reassess its initial genre labeling based on the materials of the graphic novels "A Contract with God" by W. Eisner, "Maus" by A. Spiegelman, "Watchmen" by A. Moore and D. Gibbons, and "Batman: The Dark Knight Returns" by F. Miller. The methodological foundation includes the works of M.M. Bakhtin and N.D. Tamarchenko dedicated to the genre characteristics of the novel, as well as the works of V.I. Tyupa on genre categories and narrative strategy. The scientific novelty of this research lies in the poetological analysis of the genre nature of graphic novels, which not only established this genre definition for a broad audience but also took on the role of a standard for the further development of genre identity in the field of visual narratives. The results of the study show that the graphic novel is formed at the intersection of a wordless novel and comics: from the former, it borrows the depth of thematic issues, focus on historical experience, and individual fate; from the latter, the grammar of visual storytelling, compositional techniques, and the dialogue between word and image. The poetics of the novel manifest in the verbal-visual synthesis through motif organization, graphical transformation, and the counterpoint of inserted texts. The chronotope of the unfinished present is expressed through the comparison of graphic styles, the dialogicity of spatial-temporal plans, and the openness of the ending, while the zone of contact is conveyed through the artistic organization of autobiographical material and the limitations of superhero discourse. The genre synthetic nature of the graphic novels discussed demonstrates the realization of novelistic nature in a hybrid sign system.
Citations count: 1
Reference:
Balikoeva M.I. —
National-Cultural Peculiarities of Farewell (the Analysis of the Ossetic and English Languages)
// Litera.
– 2018. – ¹ 1.
– P. 70 - 76.
DOI: 10.25136/2409-8698.2018.1.25461 URL: https://en.nbpublish.com/library_read_article.php?id=25461
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Abstract:
In her article Balikoeva analyses speech etiquette farewell formulas in the Ossetic and English languages. Cross-cultural differences, specific picture of the world of different nations and language differences affect relationships between people of different culture and efficiency of their interaction and mutual understanding. This creates the need to analyze different mechanisms of cultural perception. The author of the article analyzes and compares speech farewell formulas in two languages in order to define similarities and differences in the national speech etiquette, the latter being part of natoinal culture, behavior and communication. In the course of her research the author has used methods of semantic, structural and comparative analysis, continuous sampling method and survey using a questionnaire. The results of the comparative analysis demonstrate common and specific features of farewell formulas in these two languages. The author underlines that speech farewell formulas are a stereotype that demonstrates one's attribution to a certain language and culture and performs different functions. They are intended to preserve national culture, on the one hand, and identify one's attribution to a certian national culture, on the other hand.
Citations count: 1
Reference:
Matytcina M. —
Areas for Integration of Critical Discourse Analysis into Empirical Tool of Political Research
// Litera.
– 2019. – ¹ 2.
– P. 175 - 182.
DOI: 10.25136/2409-8698.2019.2.29847 URL: https://en.nbpublish.com/library_read_article.php?id=29847
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The subject of the research of the areas for critical review of modern critical discourse analysis as a theoretical and practical discipline as well as anaylsis of new courses of development of modern critical discourse. The aim of this research is to describe practical use of critical discourse analysis and analyze new areas for critical discourse analysis development such as analysis of multimodal featurs thus underlying the reasonability of inclusion it into the methodological framework of modern science. The author of the article emphasizes the need in a scientifically-based definition of critical discourse analysis. Opportunities and limitations of critical discourse analysis demonstrate prospects of integration of this interdisciplinary quality method into empirical tools of political research, this proving the reasonabiilty and pratical importance of its integration into a set of methods of modern political research. The novelty of the research is caused by the fact that the author gives a description of soem limitations of critical discourse analysis as a scientific approach such as the absence of general principles and methods of research and scientific objectivity, inconsistency, inaccurate selection of material, consideration of the environment and heuristics of cognitive linguistics and analysis model. The author has also describes new trends of modern critical discourse. Obviously, the time has come to critically review theoretical and methodological approaches and gruonds typical for critical discourse analysis as a research method.
Citations count: 1
Reference:
Fazlyeva Z.K. —
The role of youth jargon within the system of Russian language
// Litera.
– 2020. – ¹ 4.
– P. 37 - 45.
DOI: 10.25136/2409-8698.2020.4.30799 URL: https://en.nbpublish.com/library_read_article.php?id=30799
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Despite the fact that youth jargon in a certain way reflects the worldview of young people, the Russian linguistics did not dedicated due attention to this question. At some point, significant contribution to the research of this problematic was made by the experts in linguistics such as A. M. Selischev, E. D. Polivanov, M. A. Grachev, V. M. Mokienko, etc. However, there are still gaps and multiple controversial issues in studying this phenomenon. One of them pertains to terminological definition of this concept, since there is no evident characteristics and properties that allow to clearly differentiate it from other linguistic phenomena, such as argot, slang, dialect, sociolect. There is also no unified system of dictionary noted for lexicographic fixation of jargon units, as well as systematized description for youth jargon in various Russian regions. Youth jargon represents rich material for linguistic analysis, since it has diverse lexical composition – alongside multiple neologisms and foreign borrowings, it contains a significant portion of archaic lexicon. Examination of jargon reveals certain mechanism of word formation, uncommon for the standard lexicon. Knowledge and application of such lexicon is essential for better understanding of the modern fiction literature and periodicals, modern colloquial, translation activity, as well as social differentiation of national language.
Citations count: 1
Reference:
Dmitriev A.V. —
Structural-semantic peculiarities of English-language telescopic units and their key models in light of derivational processes
// Litera.
– 2019. – ¹ 6.
– P. 257 - 263.
DOI: 10.25136/2409-8698.2019.6.31615 URL: https://en.nbpublish.com/library_read_article.php?id=31615
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Abstract:
The subject of this research is the structural-semantic peculiarities of English-language telescopic units. Relevance of this topic is substantiated by the extensive proliferation of the various so-called compressive methods of word formation. Leaning on the 300 analyzed units, the author seeks to determine the most frequent derivational models of telescopes for future inclusion of the acquired data into the developed bilingual thematic dictionary. The complexity of analysis and interpretation of telescopic formation substantiates the ambiguity of interpretation of the term “telescopy” itself, as well as variation of approaches towards studying these units. The author’s special contribution consists in the attempt of thematic description of the revealed 300 telescopes with their future inclusion into the bilingual thematic dictionary; this may be also considered as contribution to the modern anthropocentric lexicocgraphy which central focus is the lexicographic description of neologisms. The main results consist in the following: determination of the construction model of telescopes; dominance of the model “initial rhythm” over “center of the code”; prevalence of trisyllabic words due to their maximum informativeness and relative shortness; conceptualization of the three types of meaning on the bases of structural-semantic analysis of telescopes – 1) new meaning does not integrate into the general concept and breaks down into the initial elements, 2) new meaning is more narrow than the initial, 3) creation of the completely new meaning somewhat cognate to the initial semantics.
Citations count: 1
Reference:
Daulet F.N. —
Conceptualization of gender aspect in the Chinese linguoculture
// Litera.
– 2019. – ¹ 6.
– P. 274 - 283.
DOI: 10.25136/2409-8698.2019.6.31854 URL: https://en.nbpublish.com/library_read_article.php?id=31854
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Abstract:
This article explores gender traditions of Chinese culture and their mainstream in the verbal means of Chinese language. The author highlights the national cultural peculiarities of Chinese gender culture and ways of their realization in the linguistic units: word, established collocations, proverbs and sayings. Studying the language facts demonstrates that gender stereotypes in the Chinese culture have not only universal cultural, but also linguistic properties implemented in the language through extensive verbal means. For the description of internal form of linguistic units, the study uses the following methods common to linguoculturological research: description, semantic definition, and linguistic interpretation. The article is one of the first works within the post-Soviet Sinology that illustrates that gender stereotypes in the modern Chinese society are objectivized by the extensive and well-structured lexical-phraseological field, proverbs, sayings and other linguistic units, which testifies to its communicative relevance in the Chinese linguistic consciousness.
Citations count: 1
Reference:
Ershova I. —
Compilation of stories “On Both Sides” by Dewi Lestari: belles-lettres as the foundation of literary unity
// Litera.
– 2021. – ¹ 1.
– P. 170 - 183.
DOI: 10.25136/2409-8698.2021.1.34884 URL: https://en.nbpublish.com/library_read_article.php?id=34884
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Abstract:
This article examines the modern Indonesian women's prose. The object of this research is novelistics of the prominent Indonesian writer Dewi Lestari and the compilation of stories “On Both Sides” (Rectoverso; 2013). The collection demonstrates the features common to popular women's literature, as well as to meaningful, socially biased women's prose of Indonesia of the XXI century, known as “sastra wangi”. The subject of this analysis is the correlation of characteristics inherent to the two aforementioned phenomena in the stories by Dewi Lestari; while the goal consist in finding the beginning that allows the writer to blend different literary codes. The research is based on descriptive and comparative methods. Neither in Indonesia nor outside it, the women's prose “sastra wangi” has not been considered as a holistic literary phenomenon due to diversity of the discourses applied therein. The scientific novelty and relevance of this study are defined by the attempt to analyze sastra wangi based in on the works of the prominent contemporary Indonesian writer. It is revealed that literary unity of the texts of stories of Dewi Lestari imparts belletristic character on her writing, which allows combining the fields of classic and popular literature. This fact is important for understanding the artistic peculiarities of contemporary Indonesian women's prose sastra wangi as a whole.
Citations count: 1
Reference:
Mekhtiev V.G. —
Semantics of Lermontov's poetic myth about the Demon in The Islanders by N.S. Leskov
// Litera.
– 2021. – ¹ 3.
– P. 1 - 9.
DOI: 10.25136/2409-8698.2021.3.35024 URL: https://en.nbpublish.com/library_read_article.php?id=35024
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The subject of the study is the negative-evaluative, satirical layers of the novel "The Islanders" associated with the image of the demonic hero, who, thanks to M.Y. Lermontov, acquired the meaning of an archetype and a poetic myth in Russian literature. The object of the study is N.S. Leskov's stylistic techniques and ideological motives underlying the "desacralization" of the romantic myth. The author examines in detail such aspects of the topic as 1) the role of Lermontov's poem "The Demon" and romantic poetry of the 1840s in the formation of the myth of the demonic hero; 2) semantic deformations that led Leskov to the deviation of the myth from its conventional meanings; 3) the satirical mode used as the main method of creating the image of Istomin. Particular attention is paid to Leskov's satire in its function of "recoding" the myth. The main conclusions of the conducted research are: the image of the artist Istomin is entrusted with the author's task to debunk the romantic myth. For this reason, evaluative and emotional vocabulary, elements of satire that express the point of view of the "subjective" narrative are grouped around it. All this gives the image a semantic transparency that contradicts the "mysterious code" of the myth of Romanticism. A special contribution of the author to the study of the topic is the discovery of the connections of the myth of the demon with the myth of Prometheus, which is important for understanding the complexity and versatility of the semantic core of the phenomenon under consideration. The novelty of the research lies in the fact that the author reveals the main motive of Leskov's satirical manner. Its meaning is not to create a "myth about a myth" or an "anti–myth"; in the novel, a "non-myth" is formed in order to achieve the complete elimination of the literary myth about the demonic hero. Satire is necessary for a writer to typify, not individualize, a character.
Citations count: 1
Reference:
Dai M. —
“Oriental” specificity of in the works of A. A. Fet: comparative analysis of the verbless poems of A. A. Fet and ancient Chinese poets
// Litera.
– 2021. – ¹ 8.
– P. 9 - 19.
DOI: 10.25136/2409-8698.2021.8.36090 URL: https://en.nbpublish.com/library_read_article.php?id=36090
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The subject of this research is the works of A. A. Fet, namely verbless poems, which are used as manifestation of his interest in the Orient and ancient Chinese poets. Analysis of A. A. Fet’s works from the perspective of projection on the compositions of Chinese poets and reflection of oriental specificity in his poems is a widespread topic in cross-cultural studies on the peculiarities of the establishment of literature. Multiple Chinese scholars keep seeking similar motifs as the factors mutual interest in depiction landscapes and surrounding reality. The acquired results allow interpreting the works of the poets belonging to different cultures. The scientific novelty of this research lies in combining different opinions on studying the oriental specificity in the poems of A. A. Fet, placing emphasis on the analysis of one his verbless poems. The article presents a compilation of various approaches towards examination of the works of A. A. Fet. The materials can be valuable for those interested in the creative path of the Russian poet. In future structuring the route of interaction and enrichment of knowledge in the field of cross-cultural communication, the obtained result of the works of authors of foreign cultures contributes to the understanding of culture, strengthens relations between the cultures, as well as improves the quality of translation, which is also important in the dialogue of cultures.
Citations count: 1
Reference:
Polinichenko D., Burkhanova M.S. —
Amateur Linguistic Concepts in Modern Russia (Based on the Example of Mikhail Zadornov's Creative Work)
// Litera.
– 2013. – ¹ 2.
– P. 67 - 81.
DOI: 10.7256/2306-1596.2013.2.693 URL: https://en.nbpublish.com/library_read_article.php?id=693
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Abstract:
The article is devoted to historical and linguistic views of a famous Russian satirist Mikhail Zadornov. The authors of the article analyze the principles used by Zadornov in etymologization of Russian and English words. It is shown that the satirist's views are quite similar to moern Russian amateur linguistics. This is true for both theorizing on linguistic topics (principles of etymologization, original views on morphology and lexical semantics, the priority of the Russian or the Proto-Slavic language and compassion towards dilettant language theories of XIX century) and his particular views, for example, his negative attitude to 'official science' and underlined patriotism. Despite obvious ifluence of other amateur authors on Zadornov's style (A. Dragunkin and S. Alekseev first of all), it is no doubt that he is the author at least of a part of his propagandized ideas. Zadorov plays an important role in modern Russian amateur linguisticsand should be really taken into account.
Citations count: 1
Reference:
Nasr M.T. —
Literary hero in modern Russian intellectual novel of the XXI century
// Litera.
– 2022. – ¹ 1.
– P. 78 - 90.
DOI: 10.25136/2409-8698.2022.1.37224 URL: https://en.nbpublish.com/library_read_article.php?id=37224
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The subject of this article is the specificity of modern Russian intellectual novel by Andrey Astvatsaturov “Do not Feed or Touch the Pelicans”. Analysis is conducted on the role of this work in modern literary process. The relevance of the topic lies in the fact that the intellectual literature of the XXI century raises same questions that were asked by the writers of previous eras, but modern Russian intellectual novel marks certain contradictions that distinguish it from this genre variety of the past years. It worth noting that the intellectual novel as a genre features conceptuality of the text, literary experiments with the text, active engagement of the audience in the text, intertextuality, mythopoeia, and stylistic abundance. The article illustrates the development stages of modern Russian intellectual novel. The acquired results are of practical importance and can be applied in writing course projects on the history of modern literature, as well as in university lectures dedicated to modern literary authors. The main conclusions are as follows:
1. The role of the novel “Do not Feed or Touch the Pelicans” by Andrey Astvatsaturov in modern literary process is on the boundary of postmodernism and digimodernism, as it has many features of postmodern works, and the protagonist lives in his own isolated digiworld. Alongside many other works, this novel is created at the intersection of genres.
2. The text of the novel features of a range of characteristics of intellectual novel as a genre: conceptuality of the text, literary experiments with the text, active engagement of the audience in the text, intertextuality, mythopoeia, and stylistic abundance.
3. The structure of the literary hero of A. Asvatsaturov is the recurrent personality traits, which make him stand out among other heroes of the novel
Citations count: 1
Reference:
Makashova V. —
Structural model of the concept of "education"
// Litera.
– 2022. – ¹ 5.
– P. 55 - 64.
DOI: 10.25136/2409-8698.2022.5.37891 URL: https://en.nbpublish.com/library_read_article.php?id=37891
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The article is devoted to the study of the concept of "education". This concept is fundamental for the Russian consciousness, since it is inextricably linked with the generally accepted system of moral coordinates. The purpose of this study is to build a structural model of the concept of "education" and determine its type. The solution of the following tasks contributes to the achievement of this goal: to systematize the definitions of the concept as a key category of cognitive linguistics, to consider approaches to the structure of the concept developed by representatives of various directions in cognitive linguistics (cultural, linguistic, logical, semantic-cognitive, philosophical-semiotic directions), to identify and describe the structural models of the concept. The novelty of the study lies in the fact that it is for the first time a segment-field model of the concept of "education" is proposed. The study was conducted using the method of free associative experiment. In the course of the study, the hierarchical relations core-periphery of the concept of "education" were described, as well as the attitudes of consciousness arising from its content. It is revealed that the concept of "education" is segmented, since the basic and additional cognitive layers that make up the scope of this concept surround strictly defined segments. The results of the study can be used in lexicographic practice in the compilation of associative dictionaries, as well as in courses of cognitive linguistics, linguoculturology and psycholinguistics.
Citations count: 1
Reference:
Kolesnik M.A. —
Review of the Studies of Folklore of Indigenous Peoples of the North
// Litera.
– 2014. – ¹ 3.
– P. 39 - 59.
DOI: 10.7256/2409-8698.2014.3.13998 URL: https://en.nbpublish.com/library_read_article.php?id=13998
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Abstract:
The research subject of the present article is the scientific works devoted to collecting, describing and publishing folklore of the indigenous peoples of the North. In his research Kolesnikov tries to classify folklore of the indigenous peoples of the North according to their chronological order as well as their attribution to a particular ethnocultural group (Yakuts, Dolgans, Khanty, Mansi, Selkups, Evenks, Kets, Nganasans, Nenets, etc.). This review allows to outline the challenges of today's studies of folklore of the indigenous peoples of the North and provide recommendations for futher researhes of the cultural heritage of the Northern and Siberian poeples. The research methodology is mostly connected with the analysis of scientific works and researches on the topic. Kolesnikov has applied the comparative historical method and the chronological method to studying scientific works on the folklore of the indigenous peoples of the North. Based on the conclusions of the research, the researcher offers the following measures aimed at preservation of the folklore of indigenous peoples of the North:
- It is necessary to apply new preservation measures instead of the previous ones using digital techologies and othe opportunities. This would allow to create the common database of all the collected data and provide better opportunities for studying them.
- Taking into account the fact that some ethnic groups have already forgotten their national language, it is neessary to publish their folklore in Russian and other languages.
- It is important to conduct different activities (festivals, holidays, contests, etc.) for the youth. This would allow to ensure the continuity of folklore traditions.
- There should be target programs created and grants provided for the preservation, research and promotion of folklore.
- Folklore lessons should be given at schools, colleges, institutes and universities not only in the regions where a particular ethnic group lives but throughout the North in general.
- New collections of folklore songs, fairy-tales, legends, puzzles, etc. should be published and recorded. Audio books, audio records, videos and digital materials should be made to cover the largest audience possible.
- It is also necessary to create specialized folklore centers where folklore archives would be stored and special activities would be conducted.
Citations count: 1
Reference:
Baranova E.A., Andrianova D.D. —
The modern Russian Market of business Information in the Conditions of Competition of daily Mass media and Telegram channels
// Litera.
– 2022. – ¹ 8.
– P. 100 - 111.
DOI: 10.25136/2409-8698.2022.8.38536 EDN: WKSDKX URL: https://en.nbpublish.com/library_read_article.php?id=38536
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Abstract:
The subject of the study is the business information market in the context of the development of Telegram channels. The relevance of the work is due to the increased competition in the information market between journalists of classical business publications and the authors of Telegram channels of business orientation. Telegram channels of business topics are developing most actively. This is especially acute in the business environment.
The object of research is content created by journalists of classic daily business newspapers (RBC, Vedomosti and Kommersant) and authors of Telegram channels who write on business–related topics. We studied it to find out how the business information market is being transformed in Russia. The problem associated with the fact that traditional media are losing their importance as translators of socially significant information and expert opinion is being heard more and more often. For the first time, we consider it on the example of the competition of daily business media and Telegram channels.
Using the random sampling method, we reviewed materials published from October 30 to November 5, 2021 in seven Telegram channels, with an audience of 5 to 86 thousand subscribers. We considered the channels that write about the real estate market ("Real estate insiders", "Reinforced concrete batch", "Kompromat GROUP", "Domostroy", "Novostroyman. Moscow. Real estate", "Real Estate", "Moskvastroy").
For the period from 2021 to 2022, three authors of anonymous Telegram channels were interviewed ("Reinforced Concrete batch", "Real Estate insiders" and "Novostroyman. Moscow. Real estate"). In October-November 2021, expert interviews were conducted with representatives of the press services of five Russian companies (Colliers, Stone Hedge, Knight Frank, Accent Capital, Dom.RF).
The authors come to the conclusion that the press services of companies treat Telegram channels as full-fledged players in the business information market: they send them comments and press releases. The problem of regulating the content published in Telegram channels remains open.
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