Abstract: The subject of the study is the Seljuk cultural code in the cultural landscape of the Crimea. The object of the study is the Seljuk style in the decorative and applied arts and architecture of the Crimea. The article uses the following methods: culturological (ontological and semiotic) analysis in deciphering the meanings of Seljuk elements, the method of historicism in the ontology of Seljuks in the Crimea, the method of analysis of previous studies, the method of synthesis in the identification of ethnic signs. The article discusses the following aspects of the topic: The semantics of the Seljuk code in the cultural landscape of the Crimea is revealed, examples and ways of applying Seljuk stylistics in decorative and applied art and architectural decor of modern and postmodern are considered. 1. The multinational cultural landscape of Crimea consists of the cultures of ethnic groups that inhabited the Crimea in different periods. The leading marker of the definition and self-determination of ethnic groups is religion and folk mythology, embodied in national traditions. A clear example demonstrating ethnic identity and its continuity is folk art. 2. The appearance of the Seljuks in Crimea and the wide spread of the Seljuk style, which has become one of the main components of the "Crimean style" in modern and postmodern architecture, is not accidental and is due to centuries-old ethnic migrations and the mutual influence of cultures. The Seljuk style, therefore, ceases to be purely ethnic, and becomes part of the cultural landscape of the Crimea, used in the decor regardless of the ethnic origin of the author / owner. 3. A special contribution of the authors to the study is the identification and justification of the Seljuk code as one of the main ones in the Crimean stylistics. The scientific novelty of the research consists in the semiotic and stylistic analysis of the Seljuk code in the cultural landscape of the Crimea.

Keywords: semiosis, cultural code, Seljuk style, postmodern, modern, ethnic culture, Crimea, cultural landscape, seljuks, decorative and applied art

Abstract: This article analyzes the successes of the Communist Party's power in Russia and the methods of achieving them from the point of view of Orthodox Christianity. The relevance of the research is due to the fact that this topic is directly related to the structure of society, and there are (often acute) discussions on this issue. In this paper, a historical and theological analysis of the topic under study is carried out on the basis of a critical study of the works of V. Lenin, his closest associates, historical and theological works and historical documents on the issue under study. In this article, an attempt is made to present a systematic analysis of the subject under study, an appeal is made to opponents. The novelty of the research lies in the fact that many documents are analyzed for the first time in connection with the topic under study. Also, in more detail and systematically, in relation to the available works, the analysis of this subject is carried out. The aim of the work is a critical study of historical documents, as well as historical and philosophical works on the issue under study. The article concludes that the methods of achieving the successes of the Bolsheviks in Russia are incompatible with Christianity. In addition, atheistic construction is like the construction of the Tower of Babel, stopped by God, i.e. from the point of view of Orthodoxy, the successes of Bolshevism cannot be called successes, and millions of souls forcibly torn away from God as a result of the planting of atheism repeatedly crossed off all the achievements of the USSR.

Keywords: the state system, morality, orthodox monarchy, sharashki, Church, The Tower of Babel, achievements of communism, christianity, orthodoxy, methods of the Bolsheviks

Abstract: The article is devoted to the Tibetan-language work of the modern Tibetan master Geshe Tupten Pelsang "Compilation of Sutras for the synthesis of the path to Enlightenment with reference to the topics set forth in the Great Lamrim" (lam rim chen mo'i sa bcad kyi zur rgyan mdo btus lam sgrig). It is established that this is the first Roman (extra-sectarian) Lamrim based solely on excerpts from the Word of the Buddha (Kangyur) and does not use a set of Buddhist shastras ‒ Tengyur. There are various texts that bring together the instructions transmitted by Shakyamuni Buddha. It is determined that in this case such kind of genre as anthology (btus-pa) is considered. It is a thematic selection and bringing in a certain order of quotations of the Word of the Buddha, but at the same time expresses a certain opinion and creativity of the author himself. At the same time, it was revealed that the work is based on a structural presentation of the stages of the path to enlightenment according to the "Big Lamrim" of Je Tsongkhapa. It is determined that the author does not derive the justification of the correctness of the provisions of the lamrim (step-by-step path) from logical argumentation, but conducts it by fully quoting a canon that is appropriate in the meaning of a part of the text. The source editions for citation are the Kangyur editions of Nartang (snar-thang) and Derge (sde-dge).

Keywords: Lamrim chenmo, Je Tsongkapa, lamrim, Geshe Thupten Pelsang, anthology, Tengyur, Buddhist sutras, Buddha's words, Narthang, Derge

Abstract: The subject of this article is naive art, one of the important artistic trends of the XX - early XXI centuries. The object of the study is the main approaches of experts to the study of naive art. At the first stage: 1930s–1950s – a historical approach was formed, which is associated with the definition of naive art as one of the forms of amateur art, "hobby". At the second stage – the 1960s-1990s, the traditional approach is considered, which includes the consideration of naive art as a separate artistic direction. Innovative approach: 1990-2000: determined by the study of naive art from the point of view of outsider art. The main contribution of the research is to determine the criteria of naive art as a separate direction, and in the context of a whole range of directions of non-professional art. These include amateur creativity, naive art, "borderline artists", art brut, the art of outsiders. Their main features are determined. The novelty of the research is a generalizing analysis of the presented approaches to the study of naive art of the twentieth century, the main criteria of naive art are clarified and described. During its attribution and examination, it will allow the most accurate and complete to give an art criticism assessment, to talk about the authenticity, authorship, historical value of specific works of naive art.

Keywords: non-professional art, folk art, amateur art, primitive art, naive art, features, criteria, fine art appraisal, art brut, outsider art

Abstract: The article deals with the biography and scientific achievements of one of the founders of Tamil studies, G.U. Pope. His many years of selfless activity in the field of Indian education, the creation of basic textbooks and anthologies of the literary Tamil, which generations of schoolchildren and students studied, and translation of the main texts of ancient and medieval Tamil literature, have earned well-deserved honor and respect from the Tamils, for whom he is a national hero. His identification and study of the main ideas of Śaiva Siddhānta based on the biography and poems of the Tamil poet Māṇikkavācakar using Tiruvaruṭpayaṉ and Civappirakācam by Umāpati Civācāriyar (which he introduced into academic discourse) have largely retained their scientific significance and today. For the first time in Russian Tamil studies, Pope is shown as the first person to realize the philosophy of Tamil Śaiva Siddhānta value for understanding South Indian Śaivism. The article discusses in detail Pope's analysis and formulae of the main provisions and key ideas of Śaiva Siddhānta based on the comparative method, which allowed him to involve previously unexplored treatises of Umāpati Civācāriyar, and sacred writings of Hinduism, in comparison with the Christian religion, including the Gnostics and the Apocrypha. In conclusion, the author characterizes Pope's main scientific achievements, which influenced not only the development of academic Tamil studies, but also the national consciousness of the Tamils, their awareness of their unique identity, value and originality of own culture.

Keywords: Tiruvācakam, Umāpati Civācāriyar, Māṇikkavācakar, George Uglow Pope, missionaries, Bhakti, Tiruvaruṭpayaṉ, Śaiva Siddhānta, Śaivism, Śiva

Abstract: The article is devoted to the 100th anniversary of the Institute of Philosophy of the Russian Academy of Sciences (IPhRAS), held in 2021. The purpose of the article is to give an overview of IPhRAS's contribution to the study of Aristotle's ethics within the framework of domestic Aristotelian studies, to note the main works of IPhRAS employees in this field. The material of the article is aimed not only at summing up the results to a significant date, but can be used as an auxiliary reference point in the domestic research literature by all those interested in the ethics of Aristotle. The article examines the articles and monographs of IPhRAS employees, makes brief descriptions of the most significant ideas expressed in them, analyzes the general process of development of Aristotle's ethics research in IPhRAS. The result of the conducted research is the identification of two directions in the study of Aristotle's ethics by IPhRAS employees – philosophical-theoretical and historical-philosophical. Within the framework of the first direction, two types are also distinguished: those aimed at the theoretical reconstruction of Aristotle's teaching on morality itself and those that turn to Aristotle's works in search of modern significant concepts. The second direction is represented by translation work, structural and comparative analysis of Aristotle's texts in order to reproduce them as accurately as possible and clarify individual concepts and statements. The main conclusion of the study is the statement that IPhRAS has not yet developed a holistic school in the approach to the study of Aristotle's ethics, and also that the two discovered areas of research are being implemented separately from each other. However, in both directions, researchers proceed largely from the analysis of the philosophical language of the Stagirite, which makes not only historical and philosophical works significant for philosophical and theoretical ones, but also vice versa. Also, despite a relatively short history, the study of Aristotle's ethics at IPhRAS has a systematic nature, all generations of employees are involved in it, which promises its further successful development.

Keywords: greatness of soul, friendship, research history, Eudemian Ethics, virtue, RAS Institute of Philosophy, justice, Aristotle, morality, ethics