Abstract: The present research is carried out in line with literary stylistics, focusing on the linguistic and expressive means of artistic representation of reality and the peculiarities of their use by one or another author. The research material was the novel "Decline and Destruction", written by one of the recognized masters of the English satirical novel Evelyn Waugh. The "Decline and Destruction" of twentieth–century England is a cross-cutting theme of the entire work of I. Vo, whose stylistic dominant is the satirical grotesque. The above-mentioned determined the purpose of the study, which consists in explicating the main mechanisms and means of creating a satirical grotesque in the novel, exposing and ridiculing the vices of English society in the 1920s, sharpening and criticizing the shortcomings of the existing education system in privileged educational institutions in England.   In accordance with this goal, the article considers the problem of the emergence of the term "grotesque", its connection with the aesthetic category of the comic is indicated, the role and place of this artistic device in the work of I. Vo are indicated. It is revealed that with the help of a satirical grotesque, Vo creates his own special – secondary to the real – world, violating the boundaries corresponding to our ideas of plausibility, for which any means available to the author are suitable. The study showed that the key mechanisms determining the grotesque beginning of the novel are a combination of mutually exclusive, hyperbolization, reification of characters, etc. A special satirical expressiveness and tragicomism, brought to the point of absurdity, is manifested at various levels of the work's organization (lexical, onomastic, morphological, syntactic, graphic). From this point of view, the novel "Decline and Destruction" is being studied for the first time, which determines the novelty of the research undertaken and outlines further prospects in the field of research devoted to the work of Evelyn Waugh and the satirical grotesque, in particular.

Abstract: The article presents the research experience in the aspect of intermedia correlation of poetry, sculpture, and music. The object of the study is the English ekphrasis of the statue  - immobility, and motion. The fundamental purpose of the present study is to identify the main factors (linguistic, extralinguistic) in the discourse space of ekphrasis, revealing the contradictions between the form and its content, and determining the process of transformation of the semiotic beginning of the statue into a single aesthetic whole. The study showed that the opposition of immobility to motion, realized in the binary opposition "lifeless matter – a living being", is represented by multi-level linguistic means (lexical, morphological, syntactic), as well as a number of techniques of artistic expression. It is revealed that the inclusion in the discourse of markers, explicating the interaction of verbal and plastic, mainly enhances the effect of immobility, while the intermedial interaction of verbal and musical creates the illusion of motion, vital activity of the statue. At the same time, the depicted referent appears before the reader not only as an object of semiotic and aesthetic development. In ekphrasis of the statue can be traced two main motive (the motive animating images and enigmatically motive mysteries) that contribute to the development of the hermeneutic of ekphrasis – its interpretation, reflection as a unified stylistic harmony. Appealing to the background knowledge of the reader, ekphrasis determines the variability of its readings, thus producing a process of artistic communication, a kind of "dialogue" with the reader, as a result of which the intermedial poetic discourse is enriched with new meanings.

Abstract: The article is devoted to ekphrasis as a verbal description of an artwork in finction and non-fiction. At the present time pretty much is known about the theory and practical use of ekphrasis. However, we can't say that this area lacks methodological gaps. There are still a lot of questions, in particular, about the definition of ekphrasis. Thus, the subject of this research is the correlation of such categories as 'genre' and 'discourse' in relation to ekphrasis. The aim of the research is to trace back the genesis of ekphrasis and describes prerequisites for transformation of an ancient rythoric exercise into an individual device/genre/discourse. The researcher focuses on the role of ekphrasis as a device/genre and the genre-creating function of an English ekphrasis discourse. As a result of the research, the author describes invariant features of ekphrasis writings and outlines the main genre invariants of an English akphrasis discourse. The results of the research make an important contribution to the further development of theoretical issues that relate to the definitions of ekphrasis genre/discourse and demonstrate the degree of the problem development at the modern stage.