Abstract: In this article, the subject of the study is the poetics of the poems of the people's writer of Yakutia Andrey Vasilyevich Krivoshapkin. A.Krivoshapkin is a major writer not only of Even literature, but also of national literatures of the peoples of the North. His talent is multifaceted: he is a poet, novelist, publicist. The highest achievements of the writer are his ethnographic poems – "The World of Even", "The Sacred Deer". The authors of the article consider in detail such aspects of the topic as the reflection of the sacred images of the Even people, the national vision of the world in the poetic world of A.Krivoshapkin. Special attention is paid to the writer's poetic description of the feat of his native people, who first mastered the Far North and for many centuries fought for survival in its harsh conditions.   After the research, the authors of the article came to the following conclusion: in his poems "The Sacred Deer", "The World of Even" Andrey Vasilyevich Krivoshapkin most deeply revealed the strength of the soul, the steadfastness of the northern man before the harsh nature, his wisdom. Depicting the special world of Even and its national character, he creates a full-blooded image of the entire way of life of his native people.
The novelty of the work lies in the fact that the authors were able to reveal the special poetic world of Andrei Krivoshapkin, where the spiritual and moral values of all the northern peoples are presented through realistic descriptions of the everyday life of the Evens. The poet becomes an expression of their aspirations and hopes for the future.

Abstract: This article makes an attempt of philological analysis of Platon Oyunsky’s poem “Farewell”. Systemic analysis of the poem at the sound, stylistic and ideological-imagery levels allows describing the attributes of P. Oyunsky’s innovativeness in using the syllabic verse of versification in the Yakut poetry, as well as determining the use of most frequency verbs and verb forms that endow the oeuvre meditativity and philosophicity. The authors reveal and explore the thematic fields: human and nature, time and space, human and society, death, poet and immortality. In the literary work, any element of the text is significant, as it carries a certain ideological weight, and thus, must be considered in the development of comprehensive philological analysis. A holistic philological analysis of the flagship poem of Platon Oyunsky is presented for the first time within the Yakut literary studies. The conducted philological analysis of the poem “Byrastɨ” (“Farewell”) once again proves the innovativeness and poetic mastery of P. Oyunsky. He was first in the Yakut poetry who used the syllabic verse and enriched its strophe. The poet in his work favors the nouns with the affix of belonging, mostly personal pronoun, which allows expressing his innermost feelings. Figurative and onomatopoetic words prevail among the verb forms, due to which the poem become not only lyrical, but also solemn and dramatic.

Abstract: The article is devoted to the study of the main trends of development of poetry of Yakutia of the late 20th century: ideological and thematic orientation, genre features, poetics and style, studying the women's lyrics in the gender aspect, examine of Russian-language poetry of Yakutia in the All-Russian context. The subject of the analysis is lyrical works of short and medium forms by poets of 1980-1990: Ivan Glagolev, Petr Toburkov, Savva Tarasov, Natalya Harlampyeva, Olga Koryakina-Ymsuura, Alexey Mikhailov, Aisena Doidu, Sofrona Osipova, and authors of the "White horse" association, and others. The research is based on empirical (observation, comparison) and theoretical (comparative-historical) methods. The methodological basis of the work was based on the works of famous literary critics of Yakutia: N.N. Toburkov, V.B. Okorokova, L.N. Romanova and others. In the process of the analysis of the poetry of Yakutia of the late 20th century, the national peculiarities of perception of the surrounding reality by lyrics of Yakutia were determined, what reflected in their works both in the ideological and thematic terms and the genre (transformation of the forms of the Yakut folklore). In the Russian-language poetry of this period, the main trends of the development of All-Russian literature of the 20 century manifested  - the search for new means of expression and genre forms, the desire for game transformations, elements of avant-garde, absurdity and paradoxical vision of life.