Abstract: The research considers articles by Polish journalists devoted to the external threats of modern Poland as the subject of research. They reflect the opinions of the authors on the most relevant aspects of this issue. Based on the materials of the most famous media outlets Dziennik Zachodni, Gazeta Wyborcza, Polityka, Rzeczpospolita and Wprost, coverage of Poland's foreign policy problems in late 2023 and early 2024 is demonstrated, when an information campaign launched in Western countries intensified, related to the dissemination of false information about Moscow's upcoming invasion of Europe. It is emphasized that the materials of Polish publications are biased, especially publications about Russia. Special attention is paid to the background of the issue – the Three Seas project and Polish-American relations. The characteristics of all used newspapers and magazines are given. As a research method, content analysis is used, which allows analyzing the content of the publications in question in the media. The novelty of the work lies in the fact that for the first time it provides a comprehensive analysis of the materials of the leading Polish media on the topic of the article. The author concludes that in the Polish press the main external threat is considered to be the threat from Russia. In order to eliminate this threat, the Poles propose measures to strengthen Ukraine in order to defeat Russia as soon as possible. Polish media pay great attention to Russia's special operation in Ukraine, which they call the war of Russia with Ukraine, and are afraid of Moscow's further advance to the West. At the same time, journalists often refer to the opinions of Western politicians, military and journalists. Some Polish journalists publish optimistic articles about the possibility of a peaceful settlement of the Russian-Ukrainian conflict and the elimination of the military threat from Russia. However, in general, the Polish press remains negative towards the Kremlin.

Abstract: The subject of this research is the origins of Russian Opera and its evolution. The grounds of Russian Opera can be observed in folk and Church rites of the Ancient Rus’. The origins of Russian Opera stem from the Middle Ages, when the cantatory tradition formed under the impact of Byzantine and Russian folk traditions. The folk-Church events of the XVI – XVII centuries contained the theatrical elements, which later on were incorporated by the professional musical theater. Until the XVIII century, theatrical performances were open only to royalty and upper class society. The first theatre in Russia was built in 1672 for the Tsar and received a name “The Comedy Mansion”. It staged operas on the Biblical themes. The first secular operas appeared in the second half of the XVIII century. In 1756, the Empress Elizabeth of Russia turned the theater into a state and public institution. Russian operas of that time mirrored the Western models to a large extent. The emergence of truly national operas is related to the name of M. I. Glinka (1804-1857). The conclusion is made that modern Opera borrowed the principles of nationalism and humanism from its precursors. The author draws parallels between the first operas, classical Russian Opera on the one hand, and modern Russian Opera on the other. Analysis is carried out on the origin of the plots and libretto of the operas. P. I. Tchaikovsky, M. P. Mussorgsky, A. P. Borodin, N. A. Rimsky-Korsakov, S. V. S. V. Rachmaninoff, S. S. Prokofiev, D. D. Shostakovich and others, same as the inventors of the opera, wrote their operas based on literary and historical storylines.