Abstract: The article analyzes the hidden semantic associations, allusions and reminiscences associated with the artistic technique of anagramming the surname of the main character of K.K. Vaginov's novel "The Goat Song" (1928) – the "unknown poet" Agafonov. The subject of our research attention was the linguistic and cultural complex of associations as part of an incomplete anagram of the writer's surname (Vaginov) in the family "mask" of the autobiographical hero (Agafonov).
Special attention is paid to the analysis of the phenomenological structure of this image, based on elementary semantic connections with the formally absent linguistic and cultural complex of the reconstructed context: the "Dionysian" component (the motif of the "unknown god" in the Pradionysian cults); the cultural and semantic stereotype of the Silver Age (in particular, the features of the symbolist "poet-theurgist" are obvious); the Nietzschean image "the artist of intoxication and sleep"; and finally, with the ancient Greek etymology of the word-concept ἀγάπη ( love, Christian meals of love) in the structure of the surname of the character in question – Agafonov.
The anagramming technique is presented from the perspective of the artistic teleology of Vagin's work and is considered by us within the framework of the methodological guidelines of historical poetics (O.M. Freudenberg) and selectively applied methods of deconstructivist analysis. As part of the analysis of the phenomenological structure of the image of the "unknown poet", we sought, using a wide range of interpretative possibilities of the Vagin text, to demonstrate the hidden semantic structures associated with the anagram of the surname of the main character of the novel – the "unknown poet" Agafonov. The main result of the conducted research is the conclusion that the anagramming technique is presented by K. K. Vaginov in the perspective of the artistic teleology of the novel narrative, which is based on the principle of multifunctional interaction between the author and the character. A special research contribution to the development of the presented topic is an indication of specific structural and semantic complexes linking the surname of the hero of the Vaginovsky novel with a wide linguistic and cultural tradition – from antiquity (Plato's "Feast" dialogue) to the modern era ("The Birth of Tragedy from the Spirit of Music" by F. Nietzsche).

Abstract: This article contains a conceptual description of the problematics of "foreign word" in the general literary methodology of analysis by Mikhail Mikhailovich Bakhtin (1895–1975), and a description of its individual theoretical aspects. The subject of the study is Bakhtin's concept of "foreign word". The author examines in detail such aspects of the topic as "alien speech", "alien consciousness" in the context of the ideas of M.M. Bakhtin, as well as his student and colleague in the "Nevelsk-Vitebsk seminar" - Valentin Nikolaevich Voloshinov (1895-1936). Particular attention is paid to the analysis of the centon genre, which in the history of verbal culture has become a source of creative discoveries and innovative techniques for various authors. The analyzed aspects of Bakhtin's theory allow us to draw an important conclusion about the distinctive features of the organization of a literary text in modernist and postmodernist literature. The organization of the artistic text in modern postmodern literature occurs in accordance with the principles of centonicity and quotation, i.e. cultural mediation of most artistic artifacts. The main difference between postmodern works and most reminiscent works of modernism is that allusions and reminiscences cease to perform the function of references to universally valid concepts, but work in the centonal mode (dramatically rethinking the original context - up to its leveling, "dissolution", "spraying" ) organization of a literary text.

Abstract: The meta-narrative structure of the works of the Russian writer and poet K.K. Vaginov (1899-1934) is analyzed, the strategies of the author's narrative are investigated. Most of the subject analysis is occupied by the texts of the novels "Goat Song" and "The Works and Days of Svistonov": the first – as a meta–textual narrative, maximally saturated with cultural codes, as well as auto-reminiscences and allusions of early Vagin creativity, and the second - as a text that plays the meta-narrative model of the first. Within the framework of the concept of the "aesthetic completion of the hero" by M.M. Bakhtin, such an aspect of the topic as "the author is a character" is considered in detail. Special attention is paid to the comparison of the narrative strategies of K.K. Vaginov and A.P. Chekhov. As a result of the conducted research, it is concluded that the novel dilogy "The Goat Song" and "The Works and Days of Svistonov" tells about the paradoxes of artistic reality and reveals its essence in the language of the formal arrangement of Vagin's works. Due to the specifics of such a language of forms, these novels require detailed textual and poetical analysis (consideration of the novels "Bambochada" and "Harpagoniana" reflects the specifics of the author's strategies in the structure of the "single text" by K.K. Vaginov). The complex polymorphic composition of the entire Vaginovsky literary and poetic compendium, the system of mutually reversible and mutually correlating comments, references, semantic saturation of style, functionality of peripheral images and details in the structure of Vaginovsky works - all these stylistic features characterize the original author's strategies.

Abstract: The goal of this research is the philological examination of principles of nomination of God in the Oriental theological tradition of Christianity. The concurrent conceptual objective lies in comparison of Eastern Christian (Oriental) doctrine of nominations of God and the Cappadocian divine onomatology. The subject of this article is the so-called revealed nomination Other nominations of God are interpreted as replacements for the proper name of the Biblical God Yahweh, the profane usage of which was a taboo back in the Old Testament era. The research employs the methodological principles of Biblical exegetics and linguistic hermeneutics. The author differentiates the exegetic and hermeneutic approaches accepted in the theological science. It implies that that the firs is associated with the particular philological methods of interpretation of Biblical texts, while the second – with the theological generalizations and interpretations that are based on the results of exegetic explication. The conclusion is made that the key features of Syriac (and Eastern overall) divine onomatology consist in a distinct categorization of divine nominations, among which special status belongs to the proper name (nomen proprium) of God, which is inherited by Eastern Christians from the Old Testament Jewish traditions; as well as in preservation of the common to Old Testament religiosity sacralization of the name of God as a source of sanctifying power and symbol of God’s presence. Therefore, within the Syriac Christian tradition, which prompted the development of traditions of all Eastern (Oriental) non-Chalcedonian churches, was formed a special type of divine onomatology based on the Old Testament cult of the nomination of God, which is an attribute of semitic sense of the world, manifested in linguistic peculiarities of Biblical translations into Semitic languages (Targum and Peshitta).

Abstract: The subject of this research is the question of the name of God in biblical texts. From the linguistic perspective, the author reviews the religious doctrine of the banned in the Russian Federation pseudo-Christian organization Jehovah’s Witnesses, which speculative teaching has a destructive impact upon the society. This community endows a biblical name with exclusive meaning that is implicitly presented in Tetragrammaton (YHWH), and explicitly – in the medieval Masoretic version of vowel marking Jehovah (in fact, erroneous). Beyond the sectarian doctrine hides the polemical rhetoric, aimed at the names of Jesus Christ in the New Testament, since the proclamation of Jesus as Good (ὁ Κύριος)in the Greek Language, according to sectarian logic, is merely a titular nomination, relegating Christ Himself to the level of most venerated righteous men and prophets. The scientific novelty consists in the thesis that the principles of nomination of God in biblical texts are studied from the linguoculturological perspective. The conclusion is made that speculative teaching of pseudo-Christian religious organization is structured on the wittingly distorted and inaccurate interpretations of translation of the name of God. Philological research of the principles of nomination of God in biblical texts not only exacerbates the understanding of the religious doctrines belonging to the traditional Christian confessions, but also allows to critically assess the speculative teachings of pseudo-Christian organizations.

Abstract: The goal of this research is the philological study of the principle of nomination of God in liturgical practice of the ancient Oriental Churches pertaining to the reverence of the name of God. The object of this research becomes the liturgical service in Oriental Christian Churches; the subject is the principles of nomination of God in liturgical texts of oriental traditions. The author examines from linguocultural perspective the religious interpretations of the name of God in terms of liturgical theology. Special attention is paid to the analysis of peculiarities of the formation of structural parts of oriental anaphors on the context of the developed linguistic hermeneutics of the name of God. To achieve the set objectives, the author applied the methodological principles of linguistic hermeneutics and Biblical exegetics; methodological systems of comparative-historical, typological and comparative linguistics, liturgical theology and liturgics. Exegetic-philological method within the framework of methodological system of Biblical exegetics, liturgical theology and liturgics was used to explain the meaning of liturgical texts. The novelty of this scientific work consists in studying the principles of nomination of God within the oriental liturgical texts and identification of their similarity with the doctrine of onomatodoxy. The article provides an extended hermeneutic characteristics of these principles.