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Culture and Art
Reference:

V.P. Rudnev On the problem of semiotics of the “mirror”: impact and “odd objects” in cinematography

Abstract: by the example of “The Mirror” by A. Tarkovskiy, the article explores the mirror phenomenon. According to W. Bion, cinema has the property of an “odd object” to affect us in a way similar to a two-mirror system within the model of individual and collective unconscious. This occurs through the “intimization” mechanism (according to B. Shifrin) via an “I-I” (or self to self) model of communication.

Keywords:

culturology, cinema, mirror, unconscious, strange, Tarkovskiy, intimization, Y. Lotman, time.

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References
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