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Culture and Art
Reference:

Sobakina, O. V. Sonorism Movement and Aleotory Composition in Polish Music. Sonorous Piano Compositions by Kazimierz Serocki

Abstract: Polish music of the 1960th is well-known for the development of expiremental movements among which the most brightest achivement was sonorism. Special role in the development of the stylistics of this movement was played by Kazimierz Serocki whose piano compositions are being analyzed by the author of this article. The tendency of development of sonorism appeared to be stable and full of perspective while Serocki’s world of the sound with his own art issues and throbbing dramaturgy of emotions are stil topical. It is the sonorism basis which allows to enrich the modern musical language with other means of expression. Serocki’s new and colourful world o the sound has become a special event in moderm music. It showed the way to the development of a whole movement because eventually sonorism is not that innovative but emotional and rich sign of imagination and master skills.


Keywords:

history of art, culture, art, Polish music, Serocki’s music, sonorism, aleotory, the world of sound, modern musical language, composer’s way of thinking.


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References
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2. Chomiński J. M., Wilkowska-Chomińska K. Historia muzyki polskiej. Część II. Kraków, 1996.
3. Pociej B. Żródła aleatorismu. III. Gra // Ruch muzyczny. 1966. ¹ 20.
4. Zieliński T. A. «A piacere» Kazimierza Serockiego // Ruch muzyczny. 1963. ¹ 22