Creative Work By The South Korean Filmmaker Kim-Ki-Duk (In The Frame Of The
Problems Of Identity And Transcultural Dialogue).


	Philosophy and Culture Reference: Usmanova, O. S. Creative Work By The South Korean Filmmaker Kim-Ki-Duk (In The Frame Of The Problems Of Identity And Transcultural Dialogue). // Philosophy and Culture. 2011. № 1. P. 59-66. URL: https://en.nbpublish.com/library_read_article.php?id=57968 Usmanova, O. S. Creative Work By The South Korean Filmmaker Kim-Ki-Duk (In The Frame Of The Problems Of Identity And Transcultural Dialogue). Abstract: The article is devoted to the problems of identity and transcultural dialogue based on the example of creative work by a South Korean fi lmmaker Kim-Ki-duk. Based on the analysis of his fi lm ‘Spring, Summer, Autumn, Winter… and Spring Again’ the author explicates the problem of personal self-identifi - cation in connection with the growing dialogue of cultures. In this fi lm the problem of a person losing his place in a modern world is interpreted from the point of view of Buddhism. Based on the author, the main achievement of Kim-Ki-duk is that he revealed the concept of identity from heuristic point of view and showed how important it is to free our minds from mass media stereotypes in order to understand the true meaning of human identity. Keywords: cultural studies, dialogue, self-identifi cation, cinematograph, Korea, Christianity, Buddhism, communication, existentialism, absurd This article is unavailable for unregistered users. Click to login or register References 1. Anashkin Sergei. Kim Ki Duk: revansh izgoya // «Chuzhoi» sredi «svoikh». Globalizatsiya i mezh- 2. kul'turnaya diffuziya v sovremennom kino / pod red. D.L. Karavaeva. – SPb: «Aleteya» NII 3. kinoiskusstva, 2004. 4. Aronson O. Yazyk vremeni / Zh. Delez. Kino: Kino 1. Obraz-dvizheniya; Kino 2. Obraz-vremya / Per. 5. s fr. B. Skuratova. – M.: Ad Marginem, 2004. – 622 s. 6. Bart Rolan. Dorogoi Antonioni… // Literaturnaya gazeta. – 2002. – №39. 7. Bakhtyzin A. M. Granitsy identichnosti: zapadnye i vostochnye traditsii // Put' Vostoka. 8. Kul'turnaya, etnicheskaya i religioznaya identichnost'. Materialy VII Molodezhnoi nauchnoi kon- 9. ferentsii po problemam filosofii, religii, kul'tury Vostoka. Seriya “Symposium”. Vypusk 10. 33. – SPb: Sankt-Peterburgskoe filosofskoe obshchestvo, 2004. – C. 22-27. 11. Borkhes Khorkhe Luis. Vecher chetvertyi. Buddizm / Sem' vecherov. Per. s isp. V. Kulaginoi-Yartsevoi. 12. – S.-Peterburg: Amfora, 2000. – 202 s. 13. Gusyatinskii Evgenii. Bez tainy // Iskusstvo kino. – 2007. – №7. 14. Gusyatinskii Evgenii. Nauka zabyvat' // Iskusstvo kino. – 2004. – №8. 15. Darenskii V. Yu. Dialogicheskie «mekhanizmy» formirovaniya kul'turnoi identichnosti // 16. Aktual'nye problemy dukhovnosti: Sb. nauchnykh statei. – Krivoi Rog, 2007. – S. 39-52. 17. Desyaterik Dmitrii. Doroga tsvetov // Iskusstvo kino. – 2002. – №4. 18. Kamyu A. Buntuyushchii chelovek. Filosofiya. Politika. Iskusstvo. – M.: Politizdat, 1990. – 415s. 19. – (Mysliteli 20 veka). 20. Kamyu A. Mif o Sizife. Esse ob absurde. 1941. 21. Kuzin E. V. Protestantskaya khristianizatsiya Korei: sintez s traditsiei kak osnova uspesh- 22. nogo prozelitizma // Mezhetnicheskii i mezhkonfessional'nyi dialog v rossiiskom obshche- 23. stve: problemy tolerantnosti. Mat-ly mezhregional'noi nauchno-prakticheskoi konf. Tomsk: 24. Del'taplan, 2003. 25. Nasilie – kontsentratsiya boli. Kim Ki Duk. Interv'yu vedet Ekaterina Mtsituridze // Iskusstvo 26. kino. – 2002. – №3. 27. Plakhov Andrei. Svyatye greshnitsy Vostoka // Iskusstvo kino. – 2004. – №4. 28. Rozhkov M. A. Dialog v sovremennom obshchestve // XXXVIII Ogarevskie chteniya: mat. nauch. konf. 29. Pril. fak. Inostr. yaz. – Saransk: Izd-vo Mordov. un-ta, 2010. – S. 39-41. 30. Torchinov E. A. Vvedenie v buddologiyu. Kurs lektsii. SPb: Sankt-Peterburgskoe filosofskoe 31. obshchestvo, 2000. 32. Fil'my Kim Ki Duka prizvany lishit' vas pokoya. Kinokritik Kim So Khi o rezhissere Kim Ki 33. Duke. 06.10.2003 Kinokompaniya «Pan Terra» // rezhim dostupa: http://www.cinemasia.ru

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Usmanova, O. S. Creative Work By The South Korean Filmmaker Kim-Ki-Duk (In The Frame Of The Problems Of Identity And Transcultural Dialogue).