Translate this page:
Please select your language to translate the article


You can just close the window to don't translate
Library
Your profile

Back to contents

Psychology and Psychotechnics
Reference:

Antonova, M. Credibility of the Cinema Illusion

Abstract: Cinema is a completely new form of art even though it has been considered just the advanced form of photography and theater for a long time. Today we can evidently say that it is a new way of perception the reality, nontrivial form of poetic expression, original type of reflection of the world around. The author of the article also talks about the combination of reality and fiction in the cinematograph and credibility of the ‘cinema illusion’


Keywords:

psychology, credibility, cinema, illusion, art, image, subjectivity, avant-garde cinema, esthetics, being


This article is unavailable for unregistered users. Click to login or register

References
1. Pazolini P'er Paolo. Plan-epizod v kinematografe kak semiologiya real'nosti // Informatsionnyy sbornik: Po stranitsam zapadnoy kinopechati. Nauchno-issledovatel'skiy institut teorii i istorii kino. 1977. ¹ 15. S. 45-61.
2. Guido Aristarko. Raspad razuma. Vvedenie v kino / Referat L. Mel'vil' // Informatsionnyy sbornik: Zarubezhnaya estetika i teoriya kino. Nauchno-issledovatel'skiy institut teorii i istorii kino. 1979. ¹ 24. S. 52-67.
3. Aronson O.V. Kant i kino // Estetika na perelome kul'turnykh traditsiy. M.: Rossiyskaya akademiya nauk Institut filosofii, 2002. S. 148-168.
4. Krakauer Z. Priroda fil'ma. Reabilitatsiya fizicheskoy real'nosti. M.: Iskusstvo, 1974.
5. Menegetti A. Kino, teatr, bessoznatel'noe // Sinemalogiya. Kino i bessoznatel'noe. T. 1. Italiya, 2001.
6. Lotman Yu. Semiotika kino i problemy kinoestetiki. Tallin: Eesti Raamat, 1973.
7. Lotman Yu. Priroda kinopovestvovaniya // Lotman Yu.G., Tsiv'yana Yu.G. Dialogi s ekranov. Tallin: Aleksandra, 1973.
8. Bazen Andre. Chto takoe kino? // Sbornik statey. M.: Iskusstvo, 1972.