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PHILHARMONICA. International Music Journal
Reference:

Îáðàç è èìèäæ â òâîð÷åñòâå àíãëèéñêèõ ïîï-ìóçûêàíòîâ (70-80 – ãîäû XX âåêà).

Lebedeva Elena Gennadievna

PhD in Cultural Studies



109444, Russia, g. Moscow, per. Tashkentskii, 5

heleb@mail.ru
Other publications by this author
 

 

DOI:

10.7256/2453-613X.2015.1.15018

Received:

14-04-2015


Published:

16-06-2015


Abstract: The subjects of study in this article are two concepts: soul-image and image. Offers the author's view on understanding the differences and similarities of these concepts. An attempt to explain the motivation of the choice. What meaning lies in them and that mean people who choose specific a soul- image, and creating a particular image. How important is it to have a creative soul-image and creative image for a popular artist, in particular, in English musical culture. The methodology of the study lies in the comparative analysis of these concepts using the known writings on the subject and personal observations of the author. The novelty of this work consists in introducing into the scientific circulation of creative soul-image and creative image, using as an example the images of popular English artists 70-80 years of XX century. However, the problem understanding of image has created a demand for an ongoing philosophical reflection, and the concept of "soul-image" requires further research.


Keywords:

soul-image, image, subculture, David Bowie, Marc Bolan, Ziggy Stardust, punk rock, new romance, Stephen Strange, Boy George

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