Abstract: The subject of this research is the semantics, structure and plotline of other space in the Yakut heroic epic poetry. The object is the texts of the Yakut heroic epic poetry, namely Olonkho of Vilyuysky tradition. The goal lies in comprehensive analysis of the category of other space in the Yakut heroic epic poetry, particularly Olonkho of Vilyuysky tradition. The article employs the systemic analysis of Olonkho poetics, structural-semantic analysis, and comparative method. Special attention is given to construction of mythopoetic model of the world and correlation between space and plot of the epic poem. The acquired results can be implemented in folklore studies. The novelty of this research consists in the analysis of other space in Olonkho from the perspective of its semantics, structure, and narrative role. This article is first to describe the peculiarities of other space in the texts of Vilyuysky epic tradition. It is determined that other space in the Yakut heroic epic poetry Olonkho is depicted in form of the Lower and Upper worlds, “foreign country” in the Middle world, intermediate zones that hold an important place within the epic worldview and course of events in the plot of Olonkho. The author notes that the texts of Vilyuysky Olonkho preserve the traditional techniques depicting the three worlds; and the difference lies in emergence of the image of shaman dwelling in the intermediate zone, prevalence of the entry into the Lower world without demarcation of its boundaries.

Abstract: This article examines the specificity of geocultural images of the cold in folklore and literature of the indigenous peoples of Yakutia (Yukaghirs, Evens, Evenks, Yakuts) of the Soviet period. The goal consists in studying the specificity of geocultural images of the cold in folklore and literature of the indigenous peoples of Yakutia of the Soviet period and tracing the dynamics of development of such representations. The subject of this research is the geocultural images that characterize the attributes of cold, such as “cold”, “winter”, “snow”, “ice”, “permafrost”. The study leans on works of the scholars dedicated to examination of the folklore worldview, “northern text”, anthropology and conceptology of the cold, and the questions of mythopoeia. The author employs linguoculturological, cultural-historical, semiotic, and geopoetic approaches. The novelty of this research consists in comprehensive examination of the peculiarities of representations on geocultural images with attributes of the cold and extensive coverage of the folklore and literary material based on the folklore materials and literature of the Indigenous peoples of Yakutia of the Soviet period. It is revealed that the indigenous peoples of Yakutia have different representations on these natural phenomena. In the folklore worldview, the representations on the cold mostly have negative connotation. The Yakut national literature of the early XX century adhered to the canons of the traditional worldview, and since the second half of the XX century, the severe climate of the North started to be perceived as something unique and positive. The acquired results can be applied in the field of folklore studies, literary studies, and anthropology in examination of the peculiarities of cultural texts of the North and the Arctic.

Abstract: This article is dedicated to the creation of a folklore subcorpus of the national corpus of Yakut language. The need for creating a folklore subcorpus is substantiated by fact that it illustrates the initial, historical path of development of a particular language, cultural and linguistic richness, and folk traditions. Language corpora are considered incomplete if not contain folklore texts. The development of such subcorpus has a number of theoretical and technological difficulties, which defines the relevance of this work. The object of this research is the folklore subcorpus of the national corpus of Yakut language. The subject is articulation of the problem, structure, and technique of creating this subcorpus. Attention is focused on the problematic of creation of a folklore subcorpus. The scientific novelty lies in the fact that this article is first to develop the concept of creation of the Yakut folklore corpus and determine the cognate problems, structure and technique of its formation. It is revealed that the structure of folklore subcorpus must reflect the genre differences, forms of record, authenticity, various databases that characterize a folklore text, its performer or register.  The author determines the work stages and preparation technique of the folklore subcorpus. The conclusion is made that the folklore subcorpus can serve as a method for solution of fundamental and applied tasks of Yakut philology, as well as one of the ways to preserve folklore heritage of the Sakha people.