Abstract: This article studies the issue of preserving Cyprus' choreographic culture as a crucial factor in reviving national pride. UNESCO's involvement in cultural, educational, and scientific initiatives has played a pivotal role in preserving and developing the island’s intangible cultural heritage. The authors of the study highlight the government’s financial support of folk music groups and dance projects. Special attention is given to motion capture technology and its various forms. The variety of marker technologies is presented as a system in which the groups differ in dance movement delivery. Based on the field research materials over many years, the authors emphasize the possibility of combining digital technologies with folk tradition. This research is the first in the Russian language to cover the results of the work the University of Cyprus' virtual reality laboratory has done over eight years, which is described by the head of the laboratory during an interview. The 3D video game designed at the University of Cyprus is a mediator for studying and practicing Cyprian folk dances and developing an individual performance manner using the feedback from the program. The authors conclude that motion capture technology holds significant potential in capturing choreographic sequences, digitizing traditional folk dances, and popularizing them among diverse Cypriot age groups.  

Abstract: This article studies the issue of preserving Cyprus' choreographic culture as a crucial factor in reviving national pride. UNESCO's involvement in cultural, educational, and scientific initiatives has played a pivotal role in preserving and developing the island’s intangible cultural heritage. The authors of the study highlight the government’s financial support of folk music groups and dance projects. Special attention is given to motion capture technology and its various forms. The variety of marker technologies is presented as a system in which the groups differ in dance movement delivery. Based on the field research materials over many years, the authors emphasize the possibility of combining digital technologies with folk tradition. This research is the first in the Russian language to cover the results of the work the University of Cyprus' virtual reality laboratory has done over eight years, which is described by the head of the laboratory during an interview. The 3D video game designed at the University of Cyprus is a mediator for studying and practicing Cyprian folk dances and developing an individual performance manner using the feedback from the program. The authors conclude that motion capture technology holds significant potential in capturing choreographic sequences, digitizing traditional folk dances, and popularizing them among diverse Cypriot age groups.