Abstract: The object of this research is the artistic ethnic heritage as a cultural phenomenon. The subjectified results of artistic crafts existing in the traditional cultures, in modern era remain preserved only as the museum compilations. The study is based on the results of examination of the museum collections of the indigenous people of Siberia – the Shors and Bachatsky Teleuts in the 23 Russian museums and field research conducted in the habitat of these peoples by one of the authors of this article. The subject of the work is the determination of specificity of the structure of artistic culture of the Shors and Bachatsky Teleuts within the framework of analysis of the antecedent theoretical tradition. Using the structural functional method, the artistic ethnic culture correlated with various forms of economic activities of the indigenous people of Siberia, is being analyzed from the perspective of the following dimensions: information (spiritual-conceptual), institutional (organizational-structural), and morphological (zonal-visual). The main conclusion consists in the fact that due the ruination of the production technologies within the environment of existence of the subjects characterizing the artistic ethnic culture, the authors formulate the notion of the “object of artistic heritage”; indicate the methods of presentation of the objects of artistic heritage in the modern sociocultural space,  which include interpretation of the conceptual content of décor and decorating technologies, their reconstruction and translation.