Abstract: One of the characteristic features of Julia Zhadovskaya's poetry (1824–1883) is the abundance of repetitions: each theme is repeated several times, while retaining all its main distinctive features. Such a feature of Zhadovskaya's creative method as double thematic repetition is revealed: some poems form semantic pairs. The published and unpublished poems of Yu.V. Zhadovskaya served as the material for the study. The following methods were used to conduct the research: the method of historical and philological analysis (in identifying the historical context in lyrical works), the comparative method (in determining the structural, formal and other features of poems included in the lyrical microcycle), as well as the method of complex text analysis. In the research we study about Zhadovskaya's work, the phenomenon of the existence of paired texts has not been considered previously. The scientific novelty of the research lies in the identification of "paired" texts and the creation of a typological classification of lyrical pairs. We decided to combine texts into pairs based on the following features: the identity of titles according to synonymic and antonymic principles, variations of a common theme, intertextual dialogue. In conclusion, the author made the point that Zhadovskaya's paired poetic texts express a single figurative system, complementing and strengthening it. Microcycles consisting of plot analogies, thematic repetitions and parallels are of particular interest not only as a way of expressing the author's view of the world, but also as a way of organizing the reader's perception. And the cyclization in Zhadovskaya's lyrics deserves attention as a natural phenomenon of the development of lyrical cyclization in the literary process of the second third of the XIX century.