Abstract: The subject of the research is the fine art of the Vyg Monastery. The object of the research is the phenomenon of the old believers in the culture of the Russian North. During the research particular attention was paid to identifying the concepts of sustainability and modernization of the old believer traditions in the art of the North. It is proved that for all the controversy, the impact of the old believers on the culture of Northern Russia was positive, in particular, it extended the range of artistic traditions of the region. In her research Skorobogacheva has studied the factors contributing to the spread of Northern art beyond the marginal land: in the Urals, Siberia, the Volga region and Central Russia. In this research it was necessary to use an integrated and multidisciplinary approach. Special research methodology involved the holistic approach, which is based on the ideas of system analysis. When working on specific research tasks, the author relied on the following methods of research: 1. art criticism analysis of works that it is important to understand figurative, ideological solutions and to identify their artistic language; 2. in matters of attribution comparative technical and technological methods are important because they allow to describe the classification and specifics of a particular monument. 3. historical-ethnographic method which encourages the research of old believers ' art samples and analysis of Russian traditions and symbolic meanings therein. The main results of the research are: 1. proof of the the importance of the Vyg Monastery as an artistic centre of the Russian North; 2. determination of the uniqueness of the phenomenon of the old believers in the historical-cultural and religious-philosophical environment, both in the North and far beyond its borders; 3. description of the significant role of the old believers in the distribution of the Northern traditions in most regions of Russia.

Abstract: The subject of study is fine art the Vyg wilderness. The object of study is the fenomen of the old believers in the culture of the Russian North. During the work particular attention is paid to identifying the concepts of sustainability and modernization of the old believer traditions in the art of the North. It is proved that for all the controversy, the impact of old believers ' environment on the culture of Northern Russia has been positive, in particular, expanding the range of artistic traditions of the region. We have studied the factors contributing to the spread of Northern art beyond the marginal land: in the Urals, Siberia, the Volga region, Central Russia. In this article it is necessary to use an integrated and multidisciplinary approach. As a special methodology of study chosen by a holistic approach, which is based on the ideas of system analysis. When working on specific research tasks, the author relied on the following methods of research:1. art criticism analysis of works that it is important to understand figurative, ideological solutions, to identify their artistic language; 2. in matters of attribution and significant comparative technical and technological methods, allowing to reveal the typology and the specifics of a particular monument. 3. historical-ethnographic method promotes the study of old believers ' art samples and identify them all-Russian traditions, symbolic meanings. The main conclusions of the research are: 1. the importance of the Vyg desert as an artistic centre of the Russian North; 2. determination of the uniqueness of the phenomenon of the old believers in the historical-cultural and religio-philosophical environment, both the North and far beyond its borders; 3. identify the significant role of the old believers in the distribution of the Northern traditions in most regions of Russia.