Abstract: The object of research of this article is a novel by Mark Z. Danilevsky's "House of Leaves" in the context of postmodernism. The subject of the research is some concepts of the theory of poststructuralism – discourse, genealogy, "death of the author" – implemented in the work "House of Leaves" through reductive, metaphorical or allusive implantation into the fabric of the novel. A general analysis is given and the problem of the correlation between the theories of poststructuralism and postmodernism is outlined. The selection and analysis of theoretical works on a given problem has been carried out, and working concepts have been formulated, used as tools for analyzing forms, figures of poetics, as well as for interpreting the novel "House of Leaves".As a consequence, the article presents a detailed description of one of the sides of the artistic method of Mark Z. Danilevsky (the use of poststructuralism theories as a figure of novel poetics), which allows us to judge the techniques and means of artistic expression that determined the form of the novel. In this regard, the article discusses the so-called "form effects", for example: synchrony, the capture of a real figure by a simulacrum, the creation of genealogical–artistic images, the establishment of a special time mode – "simultaneity", etc. The novelty of the research lies in the fact that we have considered the interpretation of the work from the point of view of poststructuralism theories, as a result of which new formal techniques and mechanisms of their use in the creation of a work of art have been revealed.

Abstract: The object of research of this article is a novel by Mark Z. Danilevsky's "House of Leaves" in the context of Postmodernism. The subject of the study is the concept of a simulacrum, which appears in the novel "House of Leaves" as one of the funding components of the poetics of the work. The "House of Leaves" is considered from the position of postmodern sensitivity, in which Danilevsky deliberately blurs the boundaries between habitual space and hyperreality, real and unreal, fact and fiction. A similar effect is achieved through the simulacrum based on the novel – the short film "The Nevidson Film" – which was originally programmed by Danilevsky to expand into reality, to capture reality, that is, to limitless expansion of simulation through both material media (books) and the Internet. As a result of the proliferation of simulation within the work, the poetics of the novel text itself undergoes mutation, where genre mixing occurs, and mutually subordinate relations are established for the participants of author-reader communication due to the features of novel poetics. The text based on the simulacrum is absorbed by the simulation and eventually becomes a simulacrum due to the continuous formation and spread of the simulation. As a result, the language environment turns into a means of control, manipulation, subordination, both of the author and the recipient: the totality of simulation replaces reality and includes the perceiving consciousness in its own boundless becoming.

Abstract: In this article, the object of research is a novel by Mark Z. Danilevsky's "House of Leaves" in the context of postmodernism. The subject of the study is the phenomenon of the chronotope in the novel by Mark Z. Danilevsky's "House of Leaves". Special attention is paid to the cultural and historical analysis of the postmodern context and the belonging of Roman Danilevsky to it. A general cross-section of the state of the socio-cultural environment from the moment of publication of the work to the present is given. The analysis of the publications of foreign researchers who have already addressed this topic, and the analysis of their views on the spatio-temporal features of Roman Danilevsky is carried out. The characteristic features of the theories of postmodernism that took shape in the postmodern era in their relationship with the novel "The House of Leaves" are singled out and described separately. By means of a comparative analysis addressed to foreign studies in the field of philosophy, as well as to literary and critical works devoted to the "House of Leaves", an indirect conclusion about the categories of space-time in the novel is formulated. The properties of the "House of Leaves" narrative related to these categories are described: layering, intersection and interaction of various narrative levels of the novel. Based on the study of the features of the chronotope "House of Leaves", the dominants are established, according to which the novel can be attributed to the current of postmodernism. The scientific novelty lies in the description of the author's narrative strategy, which led to the creation of the chronotope of the original type. The question of the future of novels based on the chronotope of the type described in the article continues to be debatable.