Abstract: The subject of this research is M. Akhmedov's literary reflections and his poetic works dedicated to Russian writers and Russian poetry. The purpose of this article is to present a picture of the development of artistic reflections on Russian poetry in the works of M. Akhmedov. The concept of the article is based on the material of works related to Russian literature and Dagestan-Russian literary relations.
Introducing into the study a part of artistic reflections related to Russian poetry, we set ourselves the task of defining and identifying the principles and techniques of artistic expressiveness and figurativeness of M. Akhmedov, serving to embody the national and international character of his artistic thinking. The methodological basis of this research is based on the analysis of artistic works and is designed to determine the following research methods: comparative-historical, through which the nature of M. Akhmedov's literary connections is interpreted as an artistic phenomenon that has passed certain historical stages and is developing to the modern stage; comparative, which allowed to compare the ideological and artistic significance of Russian writers in the person of his predecessors and like-minded people; a method of holistic analysis of a literary work, which made it possible to determine the specifics of the evolution of M. Akhmedov's artistic thinking and its connection with the history of national and Russian literature.
The results of the study can serve as a promising support for further study of Dagestan-Russian literary relations, as well as M. Akhmedov's artistic creativity in the context of the national and international literary process. Russian poetry and poets The scientific novelty of the study is due to the fact that the analysis of the works of M. Akhmedov devoted to Russian poetry and Russian poets was undertaken for the first time. The obtained results have shown that M. Akhmedov's artistic reflections on Russian poetry make it possible to highlight the role and significance of Dagestan-Russian literary ties.

Abstract: The subject of this article is the artistic features of the system of images and the image of the poet in the poems of M. Akhmedov. The system of images in the poems of M. Akhmedov is an integral mechanism that reveals the results of the poet's tireless artistic search, interprets many answers to the questions of the person and the poet. Modeling the poet's image in the system of images is not a new phenomenon in Avar poetry, nevertheless, it is an attempt by the poet to draw the reader's attention to universal problems again, to reveal the poet's vocation and the significance of his image in a new way, both in the system of images of the poetic text and in the consciousness of the poet himself, man and society. The object of the study is the image of the poet and the system of images in the poems of M. Akhmedov. The purpose of the work is to identify characteristic artistic techniques in creating the image of the poet, which occupies a significant place in the system of images of M. Akhmedov's poems, in understanding the essence of the artistic image, its dynamics and connections with the integral figurative system of the poet's poems. The scientific novelty of the research is due to the fact that the artistic analysis of the system of images and the image of the poet in the poems of M. Akhmedov in this aspect was undertaken for the first time. The obtained results showed that the artistic structure of the poet's image and the figurative system in the poems of M. Akhmedov allows to reconstruct, expand the poetic concept of the world order, to allocate a well-deserved place in it to the poet-man. The study of details related to the author's artistic intention showed the deep ideological content of M. Akhmedov's poems, as well as important features of the author's worldview. The theme of the poet and poetry, which is revealed through the image of the poet and the figurative system of M. Akhmedov's poems, evolves in the ways of cognition of life and the image of man and society.