Abstract: The subject of the study is the personal history of the outstanding Russian composer S.V. Rachmaninov and other representatives of the national musical culture of the late XIX – early XX century in the historical space of the Southern coast of Crimea. The literature has repeatedly suggested that composers and musicians played a significant role in the formation of the "cultural landscape" of the Crimea of the late XIX – early XX century. However, as the authors of the article have seen studying the history of country resorts formed on the Southern Coast at the beginning of the XX century, there are still a lot of "white spots" on this "historical and cultural map". The elimination of these gaps makes it possible to fill in both the history of the Southern Coast of Crimea and biographical information about cultural actors. With the help of complex work with historical sources – documents from the State Archive of the Republic of Crimea, reference and bio-bibliographic literature, ego documents (memoirs, correspondence), including ones that have been poorly introduced into historiographical circulation, the history of S.V. Rachmaninov's stay on the Southern Coast of Crimea is reconstructed, his visits are placed in the context of the historical space in flux. The circumstances of S.V. Rachmaninov's stay on the Southern Coast of Crimea in the late XIX – early XX century have been clarified or re-established, and related historical monuments and places in Simeiz, Mishor and Yalta have been identified. The reconstructed pages of life and creative activity on the Southern Coast of Crimea by S.V. Rachmaninov, M.A. Stankevich (Golostenova), F.I. Chaliapin and their circle of colleagues, relatives, friends and acquaintances from among the creative intelligentsia, South Coast summerfolk, patrons and patrons of cultural life undoubtedly complement the picture of a rich cultural life in the historical space of the Southern Coast Crimea in the late XIX – early XX century, contributing to understanding Crimea as a important place of "historical memory" of Russia.

Abstract: The subject of this research is the history of life, professional and social activity of the Mikhailov spouses – county physicians and philanthropists in the Southern Coast of Crimea throughout several decades of the first half of the XX century. The circumstances of this history, reconstructed in historiography for the first time based on comprehensive examination of the newly introduced into the scientific discourse sources (archives, materials from the museum funds, periodicals, sources of personal origin),  are placed into the context of large-scale sociocultural shifts that took place in the region and nationwide at the turn of the XIX – XX centuries and the first half of the XX century. The scientific novelty consists in reconstruction of the important page in the history of development of county medicine and philanthropy in the Southern Coast of Crimea in the early XX century. Due to the fact that in accordance with the modern requirements of historiographical direction of “ego-history”, the dynamics of personal fate of the heroes is viewed against the background of social correlations, The new data is acquired on the history of development of the Southern Coast of Crimea in the early XX century by the representatives of different strata of the Russian society – nobility, merchantry, and intelligentsia, as well as on establishment of the special sociocultural environment in the region.

Abstract: The subject of this research is the history of the first of country-style resort appeared on the South Coast of Crimea at the turn of the XIX – XX centuries on the lands of country estates of New Mishor belonged to Shuvalov-Dolgorukov family. The phenomenon of country-style construction on the South Coast of Crimes, which starting point was the foundation of the Novyi Mishor, is viewed in the context of the processes of economic and sociocultural modernization of Russian society, formation of self-identification mechanisms of the emerging “middle class”, and new urban culture. Special attention is given to the period from 1917 to 1920, when the cultural figures left the capital and resided in the villages of Novyi Mishor. Based on examination the body of historical sources, many of which introduced to the scientific discourse for the first time, the author formed the database of villages and countryside residents of Novyi Mishor. A vast array of archival funds, reference literature, sources of personal provenance (memoirs, correspondence), and visual sources was attracted in the course of research. The novelty of consists in establishment of identities and social status of the residents of country resort of Novyi Mishor, determination of a range of sources for its further research, reconstruction of chronology of the development of this resort, details of everyday life and mentality traits of the residents, among which were the prominent figures of culture and art of Russia of that time – writers, actors, painters, scholars, and philanthropists.

Abstract: The subject of this research is the history of two recognized landmarks of the Southern Bank of Crimea – villas Seafront villas “Mechta” and “Kseniya” in the rural locality Simeiz near Yalta. The were erected in the early XX century, and since then are the center of attention for admirers of the relics, residents and guests of this resort town, and its urban development dominant. For the first time in historiography, based on the newly introduced archival sources form museum collections, as well as the sources of historical memory, is reconstructed the sequence of transfer of ownership of land parcels, on which both buildings are erected. The author also discovers the names of the people who commissioned construction of both villas, as well as their architects. The work describes the fate of buildings, their owners and descendants after arrival of the Soviet government and nationalization of private property on the Southern Bank of Crimea. The scientific novelty consists not only in the conducted documental reconstruction of the fate of two historical and cultural landmarks of the late XIX – early XX century, which description hat lots of gaps in the historical, art and local lore literature, but also in placing this reconstruction into the context of examination of Russia’s sociocultural modernization in the beginning of the XX century, formation of new social strata with characteristic to them new culture of leisure and aesthetization of life. The revealed by the author sources and information contribute to preservation of Russian cultural heritage, as well as can be applied by the historians in the area of social history, history of culture, history of leisure, and history of mentality.