Abstract: The focus of this article is placed on the literary magazine Rubezh, published in Harbin from 1926 to 1945. The article's aim is to determine the value of this publication as a source on the history of the development of the global fashion industry in the 1930s - 1940s. In order to achieve the set goal, the author analyzes a wide range of publications by the Rubezh devoted to fashion topics (articles on men's and women's fashion with illustrations and photographs; tips on needlework, makeup, face and body care, etc.; advertisements of manufacturers and traders of clothing and accessories) by identifying the relationships between fashion trends and the socio-political and economic processes of this period. The article pays particular attention to the study of the fashion industry in Harbin in the context of examining the anthropology of Russian diaspora's fashion. To obtain the most objective and representative research results, the author relied on the methods of historicism, objectivity, integrity, and comparative analysis while conducting this research. The scientific novelty of this article lies in the fact that, for the first time in historiography, a comprehensive analysis of the émigré magazine "Rubezh" has been conducted, considering it as a source on the history of fashion in general, and on the anthropology of Russian diaspora in particular. During the course of this work, the author came to the conclusion that the materials of Rubezh help to recreate a retrospective picture of the development of the global fashion industry in the 1930s - 1940s. and serve as a serious aid in the study of the unique socio-cultural phenomenon of Russian Harbin.

Abstract: The goal of this article is to determine the level of impact of the emigrant magazine “Illustrated Russia” (1924-1939) for the history of development of the world fashion industry of 1920’s – 1930’s. The author analyzes a wide range of publication from the “Illustrated Russia” dedicated to the fashion theme (articles on the male and female fashion with images; advices on selecting wardrobe, hairstyle and makeup; advertisements of clothes and accessories manufactures) through identification of correlation between the fashionable trends and social processes of that period. Particular emphasis is made on the activity of the Russian emigrants in fashion industry of the 1920’s – 1930’s and their role in development of the aesthetics of fashion in the XX century. The author comes to a conclusion that the materials of the emigrant magazine “Illustrated Russia” help restoring the retrospective picture of evolution of the global fashion industry in the 1920’s – 1930’s and contribute to studying the anthropology of fashion of the Russian diaspora of the early XX century.