Abstract: The subject of this research is the specificity of re-Sovietization practices of the urban population of Ulan-Ude related to the image of USSR in generational perspective. Preservation of loyal attitude towards the Soviet past is observed. Based on the conducted sociological survey among city residents, the author determines the constitutive role of authoritative discourse and immanence of social memory, associated with incompleteness of the reformatory socioeconomic project of 1990’s. Comparison of the data acquired in survey in Ulan-Ude with the Russian and regional polls demonstrates the phenomenon of ambivalence of mass consciousness and divergence of opinions on the Soviet past among the representatives of different generations (487 residents of Ulan-Ude of different gender, age, education, nationality have been surveyed). Based on generational slice it is proven that the stronger is the generational differences and the older is the generation of respondents, the more affable are the assessments of people who caught the Soviet period of Russian history. Collective solidarity has ambivalent characteristics that marks the exaggerated, loyal assessment of the Soviet past, occasional associative personalization of specific time with a particular political leader, and at the same time, critical moods towards the image of USSR are especially evident among young and middle-aged population.

Abstract: The subject of this research is the dynamics of interethnic relations in the Republic of Buryatia. On the background of the changing socioeconomic realities in the Russian Federation and around the globe, examination of the process of ethnic mobilization, ethnic employment, and politicization of ethnicity becomes mainstream. The State Ethnic Policy Strategy and the need for expertise support of implemented solutions in the ethnic regions, requires government programs and forecasting of ethnosocial processes. The author determines the factors contributing to destabilization of interethnic balance in the republic, among which is the escalation of hate speech in the Internet, weakening of the system-based educational work, contest for the political leadership to the benefit of ethnic groups. The sociological survey in form of expert panel was conducted over the period of 2016-2017; information was collecting through questionnaire and focus group methods. The main conclusion lies in the fact that at the present stage, the experts in various spheres see the problems of ethnosocial stability in the Republic of Buryatia, acknowledging the weakening of state educational policy, inefficient development of regional economy, unsecured social guarantees that serve as the foundation for interethnic concord in the region. Considering the formation of civic identity of the oncoming generation, the ensuring of stability is associated with the development of sociocultural ties, establishment of social capital and interethnic solidarity.

Abstract: The subject of the present research is a visual representation of ethnic (Buryat) masculinity based on the analysis of Solbon Lygdenov's film 'Bulag. The Sacred Spring'. During her descriptive analysis, Dashibalova has discovered visual markers of the masculinity crisis in a modern society as well as construction of various codes of Buryat ethnicity. She has based her description of the rural Buryat community on forming and deconstructing characteristics of identity: boyhood institution, internal rules and autonomy of the male union, moral code of masucline behavior, military service, kindred-community associations, patterns of verbal communication, physical habitus, fatherhood, and decay of family. When analyzing the film 'Bulag', the researcher also describes parameters of Buryat ethnicity through kindred patterns, system of gestures, linguistic space of the film, audio sequence, ethnic anecdotes, religious cults, physical habitus and body practices. During sociological analysis of the film the researcher has used a combination of structural and narrative approaches. Dashibalova has reconstructed the plot, described the frame space and film segments based on David Bordwell's approach. The researcher's description of social characteristics of characters and modern realities of a Russian village is based on actual concepts of theoretical sociology. The main conclusions of the research are as follows: 1) The researcer has defined binary oppositions of male scenarios in a modern Buryat community conveyed in the film 'Bulag' and polar lines of social behavior. On the one pole, there is a standardized pattern of masculinity as a reference to the 'real man' code. The opposite pole of modern masculinity fixes a representation of a deprivation state. 2) The researcher has also discovered the need to develop the phenomenon of ethnic masculinity constructed in works of fiction and film construct. 3) The original film offers the audience to return 'ad fontes' and in this sense, it creates te ethnomobilisation rhetorics. The author's contribution to the research is caused by the fact that she reveals the phenomenon of ethnic masculinity, and its ambivalence in a modern society. The novelty of the research is caused by the fact that the author describes parameters of ethnic (Buryat) masculinity depicted by the means of cinematography.

Abstract:  
The subject of this research is the reconstruction of the audience’s vision of the documentary film and the typology of cinema audience based on the ethnicity, level of education, and spectator’s competence. The author analyzes the social differentiation of the ethnic actors regarding the Soviet documentary cinematography based on the examination of the Buryat film audience. The author thoroughly studies such aspects of the topic as spectator’s experience in the context of watching the newsreel, rebroadcast of the Soviet identity, conservation of ideological orientations and visual reception in the documentary cinematography, reflection of cinema audience regarding the changes in the traditional pattern and its possible ethnic renaissance. The focus group research method in the Republic of Buryatia was implemented in this sociological study. The group interviews were performed in form of watching the materials filmed during the Soviet period in Buryatia. The selection consisted of the following parameters: ethnicity, gender, age, profession, place of residence, and education. The author also gathered the expert interviews with the producers of the documentaries. The main conclusion consists in determination of social differentiation of the ethnic actors with relation to the documentary cinematography as means of establishment of group identity. The receptive analysis of the Buryat film audience demonstrated that today the Soviet newsreel is the incitement of reflection about the ethnic culture, and at the same time, due to its powerful ideological charge preserves the nostalgic effect of the memories about the Soviet pas for the majority of the audience.