Abstract: The subject of the present research is the linguistic analysis and interpretation of the metamessage 'Francis as an ideal poor man' referring to the concept of poverty in 'Das Sunden-Buch' ('The Book of Hours') written by an Austrian poet of the XXth century Rainer Maria Rilke. Poetic messages form a different message of the concept based on the generally accepted meaning of the message. The author of the present article pays special attention to the conceptual level of the concept. The article is mostly devoted to the interpretation of the last poem 'O wo ist der, der aus Besitz und Zeit' ('Where it is, the creator of the great poverty') in the third part of the cycle 'Das Buch von der Armut und vom Tode' ('The Book of Poverty and Death'). The author analyzes the lexical and conceptual structures of the concept's metamessage and discoveries their relations to the other concepts of The Book of Hours. In order to study the poetical concept, the author has used the hermeneutic-linguistic method involving the following three steps: 1) Roland Barthes' method of textual analysis; 2) the method of predicate nests; and 3) the method of hermeneutic circle. The novelty of the research is caused by the fact that the author provides a comprehensive linguistic analysis and interpretation of the final poem from Rainer Maria Rilke's 'The Book of Hours'. The realy period of the poet's creative writing is isually left out. The main conclusion of the research is that in The Book of Hours the phenomenon of poverty renders the message which differs from the generally accepted meaning. According to the researcher, the image of Francis is the prototype of Orpheus who appears in the late period of Rilke's creative writing. 

Abstract: The subject of the present article is the linguistic execution and interpretation of the poetic concept of God in the cycle of poems 'The Book of Hours' written by an Austrian poet of the 20th century Rainer Maria Rilker. The author of the article offers his own definition of the poetic concept within the framework of the linguistic poetic research. Special attention is paid to the definition of 'sense'. Poetic senses form the sense of the concept that differs from the generally accepted sense. Vorobey analyzes lexical and sense bearing structures of the concept of God. The main content of the article is devoted to the interpretation of the concept under review. The researcher also establishes relations with other concepts from the cycle of poems. To study the poetic concept, the authr offers to apply the hermeneutic-linguistic method that is based on the combination of Roland Barthes' method of textual analysis as well as the method of predicate nests and the method of hermeneutic circle. Researchers who study Rainer Maria Rilker's poetry mostly focus on his late period of writing while the cycle of poems 'The Book of Hours' which he wrote in his late period is often left out. The present research fills the gap. The novelty of the research is also caused by the fact that the author creates a new method for analyzing a poetic text. This method combines linguistic and hermeneutic methods. 

Abstract: Object of research of this article is language representation and interpretation of a poetic concept of "Lied" ("Song") in a cycle "The Book of hours" of the Austrian poet of the 20th century Ranier of Maria Rilke. Two types of language realization of a poetic concept in the text are considered by the author and methods of research of a poetic concept taking into account processes of dispersion and crystallization of sense are offered. The main contents of article are devoted to interpretation of the studied concept. Lexical and semantic structures of a concept are analysed, interrelations with other concepts of the cycle "Book of hours" are established. For research of a poetic concept the author offers the germenevtiko-linguistic method based on a combination of a method of text analysis of R. Bart, a method of predicate nests and a method of a hermeneutical circle. Novelty of research is that this work meets a lack in researches of poetic concepts in R. M. Rilke's creativity. Now the analysis and interpretation of poetic concepts isn't made yet and the complete kontseptosfera of the poetic world of the cycle "Book of hours" isn't simulated. Novelty of research consists also in the new technique of the analysis of the poetic text combining linguistic and hermeneutical methods.