Translate this page:
Nota Bene. Books, journals, publishing technologies.
Please select your language to translate the article


You can just close the window to don't translate ☒
Library
 Your profile
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Back to contents

Culture and Art
Reference:

Petrov, V. O. Instrumental Theatre: Historical Pyramid of Genres

Abstract: The article is devoted to the genesis and formation of one of the magistral genres in modern music – instrumental theatre reß ecting the artists’ aspiration for art synthesis during the second half of XX century. The author of the article underlines the most important sources of instrumental theatre including: early man rituals, national theatre, jazz, musical actionism (happening, performance), innovations in the sphere of theatre arts in the middle of XX century. Special attention is paid at the most signiÞ cant opuses that provoked the formation of the instrumental theatre such as Haydn’s ‘Farewell’ Symphony, Charles Ives’ symphonies, Henry Cowell’s and Eric Satie’s piano experiments.

Keywords:

art history, music, history, art, avant-garde, post-modernism, synthesis, theatre, ritual, genre.

This article can be downloaded freely in PDF format for reading. Download article


References
1. Aranovskiy M. G. Simfonicheskie iskaniya. Problema zhanra simfonii v sovetskoy muzyke 1960–1975 godov: Issledovatel'skie ocherki. L.: Sovetskiy kompozitor, 1979.
2. Brekht B. Teatr. T. 5. Ch. 2. M.: Iskusstvo, 1965.
3. Voinova Z. V. Kheppening i ego teoretiki // Sovremennoe burzhuaznoe iskusstvo: kritika i razmyshleniya: Sb. statey. M.: Sovetskiy kompozitor, 1975. S. 176–214.
4. Demchenko A. I. Al'fred Shnitke. Konteksty i kontsepty. M.: Kompozitor, 2009.
5. Dubinets E. A. Made in USA: Muzyka — eto vse, chto zvuchit vokrug. M.: Kompozitor, 2006.
6. Ekimovskiy V. A. Avtomonografiya. M.: Muzyka, 2008.
7. Ivashkin A. V. Charl'z Ayvz i muzyka KhKh veka. M.: Sovetskiy kompozitor, 1991.
8. Karaev F. K. Lektsiya ob instrumental'nom teatre. URL: http://www.karaev.net/t_lection_instrumtheater_r.html
9. Katunyan M. I. Novyy triviy KhKh veka: zvuk, chislo, obryad (A. Pyart, L. Rubinshteyn) // Mif. Muzyka. Obryad: Sb. statey. M.: Izdatel'skiy dom «Kompozitor», 2007. S. 179–194.
10. Kireeva N. Yu. Khorovaya teatralizatsiya: kommunikativnye aspekty: Dis. … kand. iskusstvovedeniya. Saratov, 2010.
11. Kofman A. F. Primitivizm // Khudozhestvennye orientiry zarubezhnoy literatury KhKh veka. M.: IMLI RAN, 2002. S. 112–157.
12. Kremlev Yu. A. Fortepiannye novatsii Genri Kouela // Voprosy teorii i estetiki muzyki: Sb. statey. Vyp. 9. L.: Muzyka, 1969. S. 109–118.
13. Mel'nikas L. Ekologiya muzykal'noy kul'tury. M.: Kompozitor, 2000.
14. Nest'ev I. V. Istoriya odnogo sodruzhestva (Bertol'd Brekht i Kurt Vayl') // Iz istorii muzyki sotsiali-sticheskikh stran Evropy: Sb. statey. M.: Muzyka, 1975. S. 45–111.
15. Papenina A. N. Muzykal'nyy avangard serediny KhKh veka i problemy khudozhestvennogo vospriyatiya. SPb.: Izd-vo SPbGUP, 2008.
16. Pereverzeva M. V. Osnovnye tendentsii razvitiya avangardnoy muzyki SShA v tvorchestve kompozitorov vtoroy poloviny KhKh veka // Muzykal'nye peyzazhi Ameriki. Vyp 1: Muzyka SShA: voprosy istorii i teorii. M.: Nauchno-izdatel'skiy tsentr «Moskovskaya konservatoriya», 2008. S. 127–152.
17. Petrov V. O. Instrumental'nyy ritual kak raznovidnost' instrumental'nogo teatra // Muzyka i vremya. 2011. ¹ 7. S. 33–37.
18. Petrov V. O. Instrumental'nyy teatr Maurisio Kagelya // Iskusstvo i obrazovanie: zhurnal metodiki, teorii i praktiki khudozhestvennogo obrazovaniya i esteticheskogo vospitaniya. 2011. ¹ 5 (73). S. 36–48.
19. Petrov V. O. Instrumental'nyy teatr: tipologiya zhanra // Muzykal'naya akademiya. 2010. ¹ 3. S. 161–166.
20. Petrov V. O. Instrumental'nyy teatr: funktsii peredvizheniya ispolniteley // Aktual'nye problemy vysshego muzykal'nogo obrazovaniya: Nauchno-analiticheskiy i nauchno-obrazovatel'nyy zhurnal. N. Nov-gorod: NNGK im. M. I. Glinki. 2011. ¹ 2 (18). S. 40–45.
21. Petrov V. O. K voprosu o sobytiynosti v proizvedeniyakh instrumental'nogo teatra // Muzykal'nyy avangard: voprosy tvorchestva, ispolneniya, prepodavaniya: Sb. materialov IV Mezhdunarodnoy nauchno-prakticheskoy konferentsii. Perm', 2011. S. 97–107.
22. Petrov V. O. K teorii instrumental'nogo teatra // Muzykovedenie. 2010. ¹ 4 (aprel'). S. 8–12.
23. Pust' pesnya vsegda budet pesney. Dzhon Keydzh o Charlze Ayvze // Sovetskaya muzyka. 1991. ¹ 7. S. 19.
24. Savenko S. I. Postmodernizm: mezhdu elitoy i massami // Iskusstvo KhKh veka: Elita i massy: Sb. statey. N. Novgorod, 2004. S. 43–50.
25. Kholopova V. N. Kompozitor Al'fred Shnitke. Chelyabinsk: Arkaim, 2003.
26. Bene C., Deleuze G. Superpositions. Paris: Les éditions de Minuit, 1979.
27. Hitchcock H. W. Music in the United States: A Historical Introduction. New Jersey: Prentice-Hall, 1974.
28. Kirby M. Happenings: An illustrated Anthology. New York: Dutton, 1965.
29. Rudhyar D. The Relativity of Musical Conceptions // Musical Quarterly. 1922. VIII. P. 108–118
Nota Bene
 
For authors
 
Other
 
Our sites
© 1998 – 2024 Nota Bene. Publishing Technologies. NB-Media Ltd.