Abstract: This article analyzes the anthroponymy of the detective novella “Wolves Do Not Sleep” (1974) by Lev Gabyshev and Ivan Zozulya, which reflects the author's message, promotes understanding and perception of the text by readers. The subject of this research is the semantics and functions of literary names in artistic space of the text, process of adding meaning, and saturation of content of onym. The goal of this work is to determine functions and multidimensional semantics of anthroponyms based on the internal form of the word, connotations and paronymic associations, as well as reveal the impact of all implicit and explicit components of onym upon discovery of intentions and worldview orientations of the authors. The article is first to analyze the system of literary names of the novella “Wolves Do Not Sleep” by L. Gabyshev and I. Zozolya, and reveal the meanings and functions of the last names of the protagonists. The work contributes to further development of methodology of analysis of proper nouns in artistic space of the text, specification of such fundamental concepts as connotative semantics, function of onym, text, language game, etc The conclusion is made that the literary names of the novella differ in semantic diversity, have a vast and complex lexical background, and characterized as multifunctional symbols. Onyms perform the role of linking structural elements of semantic space of the text, ensuring its coherence. In addition to the text-forming function, anthroponyms fulfill a characteristic and meaning-making function; indicating the spatial-time coordinates of the text as a whole, they localize the character in a certain time and geographical space, giving information on his national affiliation. Being involved in creation of semantic multidimensionality of the text, literary names are verbal means for realization of the author's intentions and worldview.

Abstract: The subject of this research is the metaphorical meanings of landscape terms as the fragment of mythopoetic worldview of the Yakut epos Olonkho. The words denoting marsh, tundra, gully, ravine, snag, windthrow, etc. in the texts of Yakut epos attain connotations of an unclean place and opposed to the words signifying an open even terrain. The latter have positive attitudinal epithets. Special attention is given to the functions of landscape terms, which served as the so-called framing markers between the worlds, as well as comprise full names of the characters of Olonkho, demarcating Aiy and Abasy. Referring to the semantics of landscape terms, the article applies the structural-semantic method, contextual analysis, lexicographic sources and comparative-historical linguistic data. The author is first to establish connotative meanings and functions of words in the Yakut epos Olonkho designating open even terrain on the one hand, and marsh, tundra, gully, ravine, snag, windthrow, etc. on the other. Semantic opposition even/uneven dates back to the myths and melodies of the ancient Yakut dance Osuokhai usually performed in celebration of New Year. Incorporation of the terms of land and steppe in one multivalent word dojdu produces associations with the prototype of historic original homeland of the Turkic peoples, possibly preserved in the language and memory of people.