Shumilov K.S. —
The idiom of V.G. Chernov in wind orchestra works (the example of the :Oriental fantasy” in memory of N.A. Rimsky-Korsakov)
// PHILHARMONICA. International Music Journal. – 2019. – ¹ 3.
– P. 35 - 44.
DOI: 10.7256/2453-613X.2019.3.29754
URL: https://en.e-notabene.ru/phil/article_29754.html
Read the article
Abstract: The aim of the article is to study the idiom of Gennadii Vladimirovich Chernov for wind orchestra using the example of the “Oriental fantasy”. The choice of this composer is conditioned by his contribution to the development of Russian music and instrumentation for wind orchestra. His creative activities cover many genres of wind music: march, suite, fantasy, rapsody, ouverture, poem, ballad, concert. In every genre V.G. Chernov created the works accumulating that integrity natural for the best wind scores. The creative activities of Chernov became publicly recognized and widely spread in concert practice. The research technique of the idiom is based on the musicology experience of studying the peculiarities of music thematic invention, harmony, metro-rhythmics, orchestra texture, expressive and shape-generating role of timbre, and interpretation of orchestra means. The main tasks of the research are: to give esthetic evaluation of Chernov’s Symphony #1 ‘Great Russia”; to reveal genre and style features of thematic invention and the peculiarities of its timbre realization; to demonstrate quality changes of the timbre texture; to demonstrate the characteristics of Chernov’s orchestra narration in the interpretation of instrumental means of wind orchestra; to study the continuity character and the deflection of the principles of orchestration of Russian and Soviet music in wind music.
Shumilov K.S. —
The idiom of V.G. Chernov in wind orchestra works (the example of the :Oriental fantasy” in memory of N.A. Rimsky-Korsakov)
// PHILHARMONICA. International Music Journal. – 2019. – ¹ 3.
– P. 35 - 44.
DOI: 10.7256/2453-613X.2019.3.40300
URL: https://en.e-notabene.ru/PHILHARMONICA/article_40300.html
Read the article
Abstract: The aim of the article is to study the idiom of Gennadii Vladimirovich Chernov for wind orchestra using the example of the “Oriental fantasy”. The choice of this composer is conditioned by his contribution to the development of Russian music and instrumentation for wind orchestra. His creative activities cover many genres of wind music: march, suite, fantasy, rapsody, ouverture, poem, ballad, concert. In every genre V.G. Chernov created the works accumulating that integrity natural for the best wind scores. The creative activities of Chernov became publicly recognized and widely spread in concert practice. The research technique of the idiom is based on the musicology experience of studying the peculiarities of music thematic invention, harmony, metro-rhythmics, orchestra texture, expressive and shape-generating role of timbre, and interpretation of orchestra means. The main tasks of the research are: to give esthetic evaluation of Chernov’s Symphony #1 ‘Great Russia”; to reveal genre and style features of thematic invention and the peculiarities of its timbre realization; to demonstrate quality changes of the timbre texture; to demonstrate the characteristics of Chernov’s orchestra narration in the interpretation of instrumental means of wind orchestra; to study the continuity character and the deflection of the principles of orchestration of Russian and Soviet music in wind music.