Abstract:  
The subject of this research is the legal regime of artworks in Italy, as well as legal regulation of the relations establishes in the course of their creation and use. The object of this article is the Italian legislation regarding the works of art. The author carries out a detailed analysis on the norms of the copyright law of Italy, which presents a cognitive and practical interest for the experts in the field of copyright law. The relevance is enhanced by pursuing correlation between the differences and similarities in legal regulation by the Italian and Russian legislation of the most important types of authorial relations in the area of creation and application of the artworks. The scientific novelty is defined by the fact that this research is one of the few within the Russian science to examine the emergence, establishment, and development of the copyright on artworks in Italy. Attention is given to the subjective copyright law under the conditions of transformation of the national legal and cultural traditions in modern Italy.
 

Abstract: This article provides an in-depth analysis of the French normative and doctrinal material and judicial practice on the questions associates with the creation and use of traditional and nontraditional objects of copyrights in the conditions of digital realities. The work reveals the changes in legal relations established between the actors of copyright law within the environment of the global information society. The author examines the modern European, and particularly, French legal mechanisms of regulation of the author relations. It is noted that France in a timely manner reacts to the new demands of digital reality with legal support, even though preserves the historically formed conceptual foundations of copyright law. These foundations are currently still being based on the maintenance of balance of interests of the author of the intellectual property and the society. The author is first in Russian to examine and generalize the modern experience of legal regulation of author legal relations in France that accumulated in the area of creation and use of the works and other objects of copyright law within the information environment and presents considerable importance for the assessment and improvement of the European legislation on copyright law. The author explored the legal regime of multimedia products, including websites and audiovisual works. The article also underlines the achievements of French legislation on the course of intersection of the legal and digital realities. 

Abstract: This article provides an in-depth analysis of the French normative and doctrinal material and judicial practice on the questions associates with the creation and use of traditional and nontraditional objects of copyrights in the conditions of digital realities. The work reveals the changes in legal relations established between the actors of copyright law within the environment of the global information society. The author examines the modern European, and particularly, French legal mechanisms of regulation of the author relations. It is noted that France in a timely manner reacts to the new demands of digital reality with legal support, even though preserves the historically formed conceptual foundations of copyright law. These foundations are currently still being based on the maintenance of balance of interests of the author of the intellectual property and the society. The author is first in Russian to examine and generalize the modern experience of legal regulation of author legal relations in France that accumulated in the area of creation and use of the works and other objects of copyright law within the information environment and presents considerable importance for the assessment and improvement of the European legislation on copyright law. The author explored the legal regime of multimedia products, including websites and audiovisual works. The article also underlines the achievements of French legislation on the course of intersection of the legal and digital realities.