Library
|
Your profile |
Litera
Reference:
Rakhmanikhalilelakhi Z.
Artistic Conflict in the Short Story 'Prince Oldenburg' by Fazil Iskander.
// Litera.
2023. № 12.
P. 372-383.
DOI: 10.25136/2409-8698.2023.12.69222 EDN: LJYEAM URL: https://en.nbpublish.com/library_read_article.php?id=69222
Artistic Conflict in the Short Story 'Prince Oldenburg' by Fazil Iskander.
DOI: 10.25136/2409-8698.2023.12.69222EDN: LJYEAMReceived: 04-12-2023Published: 30-12-2023Abstract: The subject of the study is the examination of artistic conflict in the short story 'Prince Oldenburg' by F. Iskander. The aim of the research is to explore the use of literary devices in conveying the emotions and thoughts of the characters. The relevance of the themes touched upon in the story 'Prince Oldenburg' by F.A. Iskander is manifested in several aspects. Firstly, the narrative addresses issues of ecology, power, and manipulation, which remain relevant in real society. The author raises the problem of the conflict between the pursuit of economic development and progress, and the protection of nature and traditions. This is a topical theme in modern society, where there is a constant confrontation between economic interests and environmental preservation. Secondly, the story discusses issues of social conflicts and misunderstandings. Prince Oldenburg faces a lack of support and understanding from St. Petersburg, as well as resistance from local residents. This reflects the current problems of society related to differences in views, values, and interests among various social groups. The research methodology is based on an analytical approach, involving a detailed analysis of the story's text and reference to the socio-cultural aspects highlighted by the author. The study of the short story 'Prince Oldenburg' by F.A. Iskander introduces novelty in several aspects. Firstly, it analyzes the internal conflicts and external challenges faced by the prince, exploring their interconnection with social and environmental issues. Secondly, the study focuses on the use of literary devices such as dialogues, internal monologues, contrasts, and sarcasm to convey the emotions and thoughts of the characters. This allows for a deeper understanding and analysis of the characters' personalities and motivations, as well as the author's stance on sociocultural and political issues. Keywords: Prince Oldenburg, Fazil Iskander, internal conflicts, external challenges, dialogue, internal monologues, sarcasm, irony, social issues, environmental issuesThis article is automatically translated. The sarcasm used by the author expresses his critical attitude towards some of the phenomena and ideas present in the work. This can serve as a tool to emphasize the negative aspects in the behavior of the characters and cause the reader to reflect on the socio-cultural aspects that the author draws attention to. The ironic attitude towards the prince's attempts to create an ideal monarchy and the misunderstanding of his activities in St. Petersburg create an additional level of conflict, enriching the text and enhancing the impact [8, p. 35]. In the story "The Prince of Oldenburg" by F. A. Iskander, social problems are revealed through various aspects of the conflict, which serve as an allegory or mirror image of real social difficulties. One aspect of the conflict, which can be considered as an allegory, is the confrontation between the Prince of Oldenburg and local residents who oppose experiments with monkeys and desecration of their grandfather's forests. This conflict symbolizes the strained relationship between modern environmental issues and the pursuit of economic development and progress. The prince, who represents power and progress, faces opposition from local residents who defend their nature and traditions. Another aspect of the conflict, perhaps a mirror image of real public problems, is the confrontation between the Prince of Oldenburg and an anonymous scoundrel who accuses the prince of planning to poison visitors. This aspect reflects the problem of political intrigue, slander and manipulation inherent in modern society. The prince is faced with false accusations and has to fight them to protect his reputation and good name. The end of the conflict in the story is not clearly or definitively traced. Nevertheless, the Prince of Oldenburg shows a willingness to subdue his pride and accept the demands of local residents in the name of a common cause. This may indicate the need for compromise and cooperation in solving social problems. The story raises important issues related to ecology, power and manipulation, which remain relevant in real society. Conclusion At the end of the article, it is necessary to draw attention to the saturation of conflicts in the story, which represent an integral part of the mosaic of irony in the character of the Prince of Oldenburg. These clashes, whether internal or external, not only highlight the importance of tension and plot dynamics, but also serve as a key to a deeper understanding of the main character. The Prince of Oldenburg, as a source and resolver of conflicts, comes into conflict with local residents, against which the symbolic struggle between environmental responsibility and the desire for economic progress is revealed. This external conflict provides an opportunity to penetrate the intricacies of the relationship between modern environmental challenges and the need for innovation. The Prince's internal contradictions, his desire for order, often interact with irony, creating comic scenes where his use of a stick to establish order becomes a source of misunderstanding and laughter from others. These internal struggles reveal the complexity of his personality and the gap between high ideals and prosaic reality. Thus, the conflicts in the story "The Prince of Oldenburg" not only give the plot tension and interest, but also play an important role in revealing the ironic shades of the Prince's personality. They highlight the multifaceted character of the main character and reveal contradictions, making his character not only interesting, but also deep. References
1. Goncharova, N. N. (2001). Cognitive Foundations of Figurative Language Interpretation at the Discourse Level (Based on English Literary Texts): Author's abstract of the dissertation for the degree of Candidate of Philological Sciences. Moscow.
2. Farkhitdinova, O. M. (2004). Irony: the Problem of Definition and Role in Philosophical Knowledge: Author's abstract of the dissertation for the degree of Candidate of Philosophical Sciences. Yekaterinburg. 3. Voltaire (1974). Aesthetics. Moscow: Iskusstvo. 4. Oldenburg, A. P. (2000). Biographical Index. Chronos. Ed. Rumyantsev V. Retrieved from http://www.hrono.ru/biograf/bio_o/oldenburgski.php 5. Khalizev, V. E. (1999). Literary Theory: Textbook for Higher Education Institutions. Moscow: Higher School. 6. Lessing, G. E. (1936). Hamburg Dramaturgy. Moscow – Leningrad. 7. Gudonene, V. (1998). The Art of Psychological Narrative (from Turgenev to Bunin). Vilnius: Vilnius State University Press. 8. Iskander, F. (2014). Prince Oldenburg. Sandro from Chegem. Eksmo. 9. Kovalenko, A. G. (2009). Essays on Artistic Conflictology: Antinomy and Binary Archetype in Russian Literature of the 20th Century. Moscow. 10. Glazman, M. S. (1973). Scientific and Artistic Thinking: Lectures on a Special Course. Moscow. 11. Bakhtin, M. M. (1986). Aesthetics of Verbal Creativity. Moscow: Iskusstvo.
Peer Review
Peer reviewers' evaluations remain confidential and are not disclosed to the public. Only external reviews, authorized for publication by the article's author(s), are made public. Typically, these final reviews are conducted after the manuscript's revision. Adhering to our double-blind review policy, the reviewer's identity is kept confidential.
|