Functions of a Verbal Text of Instrumental
Composition in the Second Half of the 20th Century


	Culture and Art Reference: Petrov, V. O. Functions of a Verbal Text of Instrumental Composition in the Second Half of the 20th Century // Culture and Art. 2011. № 4. P. 105-114. URL: https://en.nbpublish.com/library_read_article.php?id=58397 Petrov, V. O. Functions of a Verbal Text of Instrumental Composition in the Second Half of the 20th Century Abstract: Instrumental composition with words is one of new genres of music which formed its genre features only in the second half of the 20th century. This article considers functions of a text from the point of view of a music form (introduction, integrative addition, integrative dominance, generalization, autocracy), their relations with music and inß uence on the content of a music piece. As an example the author describes V. Ekimovsky’s, R. Erickson’s, F. Rzhevsky’s, S. Zagnia’s, S. Gubaidulina, K. Huber’s, D. Ligeti’s, D. Macintosh’, E. Williams’ and D. Howard’s works. Keywords: art studies, art history, music, synthesis, form, content, text, function, post-modernism, 20th century, art. This article is unavailable for unregistered users. Click to login or register References 1. Al'pert, D. Bunt slepykh: Ispoved' // Sel'skaya molodezh', 1982, № 5. 2. Goykhman O. Ya., Nadeina T. M. Rechevaya kommunikatsiya: Uchebnik / Pod red. O. Ya. Goykhmana. M.: INFRA-M, 2001. 3. Dzhalagoniya L. A. Vzaimosvyaz' rechi i muzyki kak form chelovecheskogo obshcheniya // Voprosy psikhologii, 2001, № 1. 4. Dmitriev L. B. Osnovy vokal'noy metodiki. M.: Muzyka, 2004. 5. Zis' A. Sovremennyy sintez iskusstv // Vidy iskusstva v sotsialisticheskoy khudozhestvennoy kul'ture. M.: Iskusstvo, 1984. 6. Krasnov G. V. Memuary kak istochnik izucheniya psikhologii tvorchestva // Psikhologiya protsessov khudozhe-stvennogo tvorchestva: Sb. st. / Otv. red. B. S. Meylakh i N. A. Khrenov. L.: Nauka, 1980. 7. Krylova L. Nekotorye priemy vyrazheniya avtorskogo otnosheniya v muzyke // Muzykal'noe iskusstvo i nauka: Sb. st. Vyp. 3 / Red.-sost. E.V. Nazaykinskiy. M.: Muzyka, 1978. 8. Ruch'evskaya E. A. Slovo i muzyka // Analiz vokal'nykh proizvedeniy: Ucheb. posobie. L.: Muzyka, 1988. 9. Silant'eva I. I. Problema perevoploshcheniya ispolnitelya v vokal'no-stsenicheskom iskusstve: Avtoref. diss. …dokt. isk. M., 2007. 10. Tomashevskiy B. V. Teoriya literatury. Poetika: Ucheb. posobie. M.: Aspekt Press, 2001. 11. Kholopova V. N. Formy muzykal'nykh proizvedeniy: Uchebnoe posobie. 2-e izd., ispr. SPb.: Lan', 2001. 12. Kholopova V. N., Restan'o E. Sofiya Gubaydulina. M.: Kompozitor, 1996. 13. Shul'gin D., Shevchenko T. Tvorchestvo-zhizn' Viktora Ekimovskogo. Monograficheskie besedy. M.: Gosudar-stvennyy muzykal'no-pedagogicheskiy institut im. M. M. Ippolitova-Ivanova, 2003. 14. Duke Cason A. A performer’s guide to theatrical elements in selected trombone literature. Louisiana State University, 2001. 15. Fanany R. The musicality of language. An Application of Musical Analysis to Speech and Writing // JMM: The Journal of Music and Meaning. – Fall/Winter 2008, section 4. 16. Huber K. Des Dichters Pß ug // Elektronnyy resurs: http://www.klaushuber.com/index_ww_det.php?lg=e

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Petrov, V. O. Functions of a Verbal Text of Instrumental Composition in the Second Half of the 20th Century