Abstract: The subject of this study is the external and internal aspects of dandyism described in the novel «Pelham, or The Adventures of a Gentleman» in 1828 by the English writer E. Bulwer-Lytton. The study examines: the style of a dandy in appearance and costume, the code of conduct of a dandy, the value content of dandyism, dandy personalities of the XIX century (such as D. Brummel, D. Byron, A. d'Orsay and others). Special attention is paid to the cultural background of the period of the late XVII – early XIX century, on the basis of which dandyism appeared and developed in England. The study uses a historical-comparative method, which consists in comparing the image of a dandy in a work and historical examples of a dandy. In addition, the ideology of dandyism is compared with the European political and legal thought of the late XVII – first half of the XIX century. The novelty of the research lies in the fact that through the study of historical sources and cultural background, having conducted a comparative analysis, it is possible to identify the influence of public thought, social struggle and political events in England and Europe at the end of the XVII – beginning of the XIX century on dandyism. After studying the text of the novel, sources and previous studies, it can be noted as a conclusion: the philosophy of Enlightenment influenced dandyism in the main way; Dandyism developed by the beginning of the XIX century and due to the socio-economic process of transition from feudalism to capitalism; From historical events, the origin of the dandy movement was influenced in some way by the European revolutions; Many dandies of the XIX century Sharing the ideas of individual freedom and individualism, they joined the ideology of classical and conservative liberalism.

Keywords: Philosophy of law, Political philosophy, Dandy, Age of enlightenment, 19th century, Literature, English culture, Classical literature, History of culture, Dandyism

Abstract: This article analyzes the Polish political pamphlets published during the time of first “free election” (1572-1574), the candidature of Ivan the Terrible or one of his sons was nominated for the throne of Polish-Lithuanian Commonwealth. The main goal consists in answering the question: did the Russian Tzar have a substantial number of supporters among the Polish-Lithuanian ruling elite, and did he have a chance for being elected as the king of Polish-Lithuanian Commonwealth in 1573. The author applies the following methods of research: analysis, synthesis, comparison, induction, deduction, problem-chronological, historical-genetic, objectivity, and historicism. The author translates the fragments of these pamphlets, as well as introduces them into the Russian scientific discourse for the first time. The conclusion is made on the significant support of “Moscovian candidate” by the Polish public opinion, and under the certain circumstances, his great chances to be elected for the Polish-Lithuanian throne. The author refutes the thesis presented in the modern Polish historiography on “miniscule” chance of Ivan the Terrible to become the king of Polish-Lithuanian Commonwealth.

Keywords: Henry Of Valois, political pamphlet, Ivan The Terrible, free elections, Polish-Lithuanian Commonwealth, Moscow state, union, seym, legation, Sigismund Augustus

Abstract: After the declaration of the Republic of Turkey former unionists became Kemalists and started the implementation of many modenizational reforms. Though republican government was paying huge attention to the transformation of the society, the results were not the ones anticipated. Westernization touched only small part of the population. Meanwhile, the traditional Turkish society continued to live according to pre-republican socio-cultural settings. In this condition government transformed into an authoritarian regime. Until 1945 Turkish authoritarianism (with clear tendencies towards totalitarianism) stressed the role of the leader of the country. First two presidents - Mustafa Kemal Atatürk and Ismet İnönü – created personality cults in order to make the authoritarian system to work. The construction of the cult was part of communication between state and society. It was implemented through different mediums. One of them was literature. Verbal fabrication of the sacrality of president was a strong way to translate images of power to the masses. “National Chief” Inonu often used this for his cult. Literature mixed Western political art with Turkic/Islamic traditional iconography, which provided more inclusivity and publicity. Using the example of literature in service of National Chief as an illustration of construction of charismatic leadership in authoritarian regimes of non-western societies, this paper demonstrates some of its main features and evaluation. This is extremely important to understand modern day authoritarian tendencies in Turkey and wider Middle East, which use these mechanisms in a way, they did during authoritarian modernization in 20th century. We provided translations of the original literary works, accompanied with more large background.

Keywords: historical anthropology, Turkey, authoritarianism, personality cult, modernization, images of power, kemalizm, traditionalism, Turkish literature, propaganda

Abstract: The subject of this research is the description of the merchant house in the compositions of A. N. Ostrovsky of the pre-reforming period. The goal this work consists in establishment of the level of authenticity in description of the house and elements of the home interior in the early oeuvres of the playwright. Stereotype about the creative work of A. N. Ostrovsky as the literary pathfinder of the merchant class, formed during the playwright’s lifetime. His plays were perceived as the “image of life” of the tradespeople, which in the 1830-1850’s has existed in its own, hidden from the strangers’ eyes world. Even the very first works of Ostrovsky attracted the interest of the critics and audience. The acquaintance with the environment from inside, language, and artistic manner of Ostrovsky imparted his compositions with a specific believability. The comparison of description of the elements of the merchant house in the works of A. N. Ostrovsky with the similar facts from the memories of the representatives of this class allow establishing the level of authenticity in depiction of the realities of the merchants. The memoir heritage, which has records of the life of Moscow merchants of 1845-1860’s, is not quite large. The scientific novelty consists in the use of the dramaturgical compositions for examination of the real life of the merchant class. The relevance of the work lies in the fact that home interior can be viewed as a cultural code towards understanding not only of the characters of its dwellers in particular, but also social group which they belong to as a whole. The description of the house contains two parts: description of the interior and exterior. The research demonstrated that the plays do not depict the outside view of the merchant house. A. N. Ostrovsky just mentions the place of action. The memories of the merchant class representatives help to fulfill this gap in lack of information. As of the interior scenery, the comparative analysis of the works of A. N. Ostrovsky with the memoirs indicates the complete identity of the interiors pictured in the literary compositions and existed in reality.

Keywords: Merchants, Cultural code, Memoirs of the merchant representatives, Historical source, Exterior of the merchant house, Interior of the merchant house, Realities of the merchant world, Daily life of the merchants, Early dramaturgy of A. N. Ostrovsky , A. N Ostrovsky