Abstract: The subject of this study is the punctuation rules for compound sentences as presented in two sources: the 1956 “Rules of Russian Orthography and Punctuation” and the “Complete Academic Handbook” edited by V. V. Lopatin. The objective is to examine the different approaches to presenting punctuation rules for compound sentences in these two sources, as well as their impact on user comprehension and practical application. The author carefully explores aspects such as the grouping of all punctuation rules, the terminology used in formulating rules, the structure and presentation of rules for compound sentences, (non)correspondence between examples and rules, consistency within each source, and completeness in accounting for exceptions and complex cases. Special attention is given to the differences in how each source represents rules for complex cases, the explanatory methods for examples, and their influence on the precision of rule application for users. The methodology of this study includes a comparative analysis of the punctuation rules for compound sentences found in these two sources, focusing on rule structure and formulation, terminology, and example correspondence. The scientific novelty lies in the comparative analysis of the formulations and systematization of punctuation rules for compound sentences across two key reference sources, the 1956 Rules and the Complete Academic Handbook (PAS), each representing different stages in the development of Russian written language norms. This study reveals shifts in rule presentation and codification principles and identifies the challenges users face when interpreting norms from each source. The study’s findings indicate that PAS offers a more flexible, detailed system with scientific commentary, simplifying understanding and application of rules in modern contexts.

Keywords: semicolon, comma, grouping, terminology, rule formulation, compound sentences, punctuation marks, punctuation rules, dash, conjunctions

Abstract: The ways of Catherine II's influence on the reader, stated through the prism of the author's strategies and tactics that characterize the consciousness of the writer and her focus on forming the model of Enlightenment based on gallant discourse is the subject of the article. The play "Oh, time!", being the first "noble" comedy, becomes the ideological message of the empress addressed to her subjects in order to introduce them to the Enlightenment. Comedy sets the parameters of what to pay attention to, what vices are condemned and how to perceive the reign of Catherine II. The communicative approach, expressed in the study of the author's interaction with the reader, is complemented by a comparative historical, cultural-historical and a method of holistic analysis of the work of art. The research methodology is based on the work of V. V. Sipovsky, P. N. Berkov, Y. Stennik, O. B. Lebedeva, A. Evstratov, Carrer d'Encausse E., K. Sharfa O. I. Eliseeva. The novelty of the research is determined by a new approach to the study of the comedy of Catherine II, which consists in a systematization of author's strategies and tactics, the consideration of which allows us to imagine the regulation of the domestic literary process of the second half of the XVIII century, to see the features of Catherine's Enlightenment, as well as to trace the birth of the author's own thinking, departing from the previous rhetorical system. During the study, three author's strategies were identified: ridiculing the vices of the older generation, supporting the younger generation and approving the model of Catherine's Enlightenment, each of which is implemented through three author's tactics: using speaking surnames within the framework of a traditional comedy of manners, pointing out the discrepancy between words and deeds, condemning domestic tyranny, introducing helper characters, liberation from Domostroi model of behavior, the need for young girls to understand their hearts, ridicule of the previous unenlightened rule, approval of the model of gallant behavior in the family-state, mythologization of their own rule. This not only characterizes the author's consciousness as enlightening, but allows to isolate the image that the writer wants to assert in the perceiving consciousness of the viewer and present the formation of the comedy genre "from within" as the interaction of the author and the reader.

Keywords: Catherine II, The play, a dramatic work, author, the actors, plot, the final, writer, The Russian Empress, comedy

Abstract: This research addresses the automated translation of Chinese political discourse into Russian utilizing Large Language Model (LLM) optimization technologies and a multi-agent approach. The study focuses on developing the MAGIC-PTF system, which implements multi-stage text processing through the interaction of four specialized agents. The system's key component is the Style Agent, which ensures stylistic uniformity and terminological accuracy based on a specifically trained LLM. The Translator Agent performs the primary translation work and is responsible for the final text formatting. The Editor Agent conducts multi-level verification and correction of translations, considering linguistic, semantic, and cultural aspects. The Reader Agent analyzes the text from the target audience's perspective, evaluating its reception by native Russian speakers. The methodology integrates LLM optimization technologies and a multi-agent approach, with experimental testing conducted on the fourth volume of "Xi Jinping: The Governance of China" and its official Russian translation. The study includes a comprehensive analysis of system effectiveness using the COMET metric and comparative testing with existing machine translation platforms. The research's scientific novelty lies in developing a methodology for applying LLMs to specialized translation tasks and creating an effective coordination mechanism for intelligent agents in the translation process. Experimental research demonstrated MAGIC-PTF's superiority over traditional machine translation systems in key parameters: terminological accuracy, stylistic consistency, and preservation of culture-specific elements in political discourse. The developed system opens new possibilities for automated translation of political discourse and can be adapted for translating other specialized text types, confirming its significance for modern translation technology development. Of particular value is the system's scalability and adaptability to various language pairs and discourse types, creating prospects for further development in automated specialized text translation. The research findings also contribute to advancing the theory and practice of LLM application in professional translation.

Keywords: Chinese-Russian Translation, Machine Translation, Cross-cultural Communication, Specialized Translation, Automated Translation, Intelligent Agents, LLM Optimization Technologies, Large Language Models, Multi-Agent Approach, Political Discourse

Abstract: The research presents a comparative analysis of the image of a Chinese migrant in the mainland Chinese media and the media of Chinese emigration. The research is based on the study of the content of publications such as The People's Daily and Xinhua on the one hand, and emigrant media, including The World Journal and The Epoch Times, on the other. The aim of the study is to identify differences and similarities in the representation of Chinese migrants, as well as to assess the influence of the political and cultural context on the formation of their image. In the Chinese mainland media, migrants are often presented as successful and patriotic representatives of the nation, keeping in touch with their homeland, which corresponds to China's "soft power" strategy. The expatriate opposition media is also biased in shaping the image of the Chinese migrant, often labeling migration as political rather than economic. The object of the study is the materials of the Chinese mainland and migrant media on the issues of Chinese emigration in the period 2023-2024. The subject of the study is the image of a Chinese migrant in the Chinese media. The methodology of this study includes content analysis and quantitative analysis of Chinese news media texts. As a result of the conducted research, the main similarities and significant differences in the representation of Chinese migrants in mainland Chinese media and emigrant media were revealed. The image of a migrant in the Chinese mainland media is formed within the framework of state propaganda, with an emphasis on patriotism and the preservation of cultural ties with the Motherland. Migrants are portrayed as successful representatives of the Chinese nation, keeping in touch with China and promoting its interests abroad. This reflects China's state policy of strengthening "soft power" and supporting the diaspora for economic and cultural influence in the international arena. The expatriate opposition media are also biased in shaping the image of the Chinese migrant, often labeling migration as political rather than economic. On the other hand, independent expatriate media such as the World Journal reflect more diverse and often critical points of view, highlighting the problems of migrant integration, discrimination and the complexities of life in another country. Independence from the Chinese authorities allows these media to focus on practical issues, avoiding political bias.

Keywords: immigration issues, Chinese society, Immigration wave, Political Propaganda, Soft Power, Emigrant Media, Diaspora, Chinese Media, Chinese Migration, political factors

Abstract: This article is devoted to subordinating conjunctions, in particular conditional and causal conjunctions, which have two semantic valences - the valence of condition or cause and the valence of effect. These conjunctions can be used in two types of sentences: in sentences where both valences of conjunctions are expressed explicitly, and in sentences where one of the valences is not expressed. At the same time, the content of the valence can be information related to different levels of the semantics of the sentence - to the propositional and to the pragmatic levels. The propositional level is formed by information about the situation called by the sentence, and the pragmatic level consists of meanings reflecting various aspects of the speech situation. The pragmatic level, in particular, includes such semantic components as illocutionary, epistemic and metatextual. Thus, the subject of the study is the types of conjunctions usage, distinguished depending on how their valences are expressed and what their content is. When describing the constructions, we used the method that is applied to the analysis of linguistic units expressing various subjective meanings. This method consists in explicating the features of the speech situation related to the use of a given language unit (the speaker's evaluation of the denoted situation, information about it or his/her own utterance) and taking them into account when characterizing its meaning. The novelty of this study lies in the systematic approach to the analysis of subordinating conjunctions, which is based on the identification and classification of their usage depending on the level of semantic relations. Thus, in sentences with subordinating conjunctions (especially conditional and causal conjunctions) the valences of conjunctions differ in the way of expression and the level of semantics. This allows us to distinguish four types of conjunctions usage: propositional, illocutionary, epistemic and metatextual.

Keywords: incomplete sentences, asymmetric proposals, valence content, propositional usage of a conjunction, illocutionary usage of a conjunction, metatextual usage of a conjunction, epistemic usage of a conjunction, elliptical sentences, semantic valency, subordinating conjunctions

Abstract: The article discusses the problem of interlinguistic and intercultural transfer of winged words (catch phrases) in an audiovisual text of the Soviet period. The source of the material is the Russian motion picture "Moscow Does Not Believe in Tears" and its translation into English (subtitling), the material is 34 winged words (catch phrases) which were selected with verification based on Internet sources. The purpose of the research is to study the methods/techniques of transferring catch phrases in audiovisual translation (subtitling) from Russian into English, as well as to analyze the results obtained from the point of view of preserving the characteristics inherent in catch phrases and preserving the national cultural component. The main methods are the method of continuous sampling, the method of comparative analysis, the method of contextual analysis, etc. The direction of the translation (Russian-English translation) and the approach chosen by the authors indicate the novelty of the research. Having analyzed the translation of catch phrases, the authors made observations regarding the methods/techniques used which contributed to conveying meaning and complying with the norms of audiovisual translation, as well as to the conclusions that a partial loss of cultural information may occur during translation and that in a situation where a film subsequently becomes a precedent text, postediting may be required, as the conditions of how the text/part of the text functions in the linguoculture of the original language change. The results may be of interest to specialists in the field of audiovisual translation, as well as to philologists, linguists, and to ordinary readers who are interested in translation studies and/or cinematography.

Keywords: national-cultural specifics, Soviet films, motion pictures, contextual analysis, comparative analysis, subtitling, winged words (catch phrases), Russian-English translation, audiovisual translation, precedent texts

Abstract: The purpose of the article is to determine the semantic structure and features of the functioning of the means of expressing the proper multiple meaning as one of the subtypes of iterative repetition in the Yakut language. The object of the study is the semantics of an accurate or inaccurate quantitative account of situations. The subject of study is the so-called circumstances of multiplicity or counting complex. Based on the material of the Yakut language, the author, following I. B. Dolinina, adheres to the proposed terminology and suggests considering such cases of repeatability as an independent particular meaning of the iterative type of multiplicity. The main attention in identifying the semantic varieties of this meaning is paid to the use of such quantification features as certainty/uncertainty of the amount of repeatability and its limitation/unlimited. Depending on the correlation of these signs and the intensity of their manifestation, a list of representatives for each of them is determined. The main research method is functional–semantic, which uses the approach "from semantics to its formal expression" when describing linguistic material. Textual examples in the Yakut language are given using the method of morphemic glossing. The scientific novelty of the work lies in the systematization of the means of expression and the allocation of varieties of the actual multiple meaning, which had not previously become the subject of special research in Yakut linguistics. During the analysis of the functioning of adverbs with the semantics of multiplicity or counting, the methods of formation of representatives characteristic of each of the three subtypes of the actual multiple meaning (affixal, by reduplication and combination with the countable element "togul") were established. As an additional conclusion, we can cite the revealed dependence of the definition of the value in question on the temporal form of the predicate (statements with circumstances of multiplicity with a predicate in the form of the present-future and imperfect acquire habitual semantics). The theoretical significance of the results of this study is determined by the contribution to the study of the functional and semantic category of the aspectuality of the Yakut language, and may also be of interest for comparative and typological work in this field. Their practical significance is related to the possibility of their application in lexicographic and translation practice.

Keywords: adverb, circumstances of multiplicity, multiple value, account of situations, iteration, multiplicity, quantitative aspectuality, functional and semantic method, the Yakut language, numerals

Abstract: The main purpose of the study is to analyze the genre originality of the Russian (Soviet) children's poetic story of the 1920s-1940s about the travels of foreigners in the USSR, to identify the didactic significance of these works. The article is based on the works of L. Lesnoy, P. Yakovlev, L. Zilov and S. Marshak. There are two types of poetic stories about the journey of foreigners: pilgrimage trips of disadvantaged children from oppressed countries / curious Western children, as well as trips of wealthy Westerners to the USSR. The general genre features of this type of works are analyzed, including information content, specific chronotope, descriptions of the road, the environment, etc. In addition, the unique features of these works are considered: the use of elements of other genres (fairy tales, adventures, travel), an emphasis on solving ideological and semantic tasks. In this work, the topics of internationalism, unity of peoples, racial discrimination, as well as problems related to Soviet ideology, norms of behavior and universal morality are updated. The scientific novelty of the work lies in a comprehensive approach to both classical and little-studied material, including works by forgotten or lesser-known poets. Among the research methods used in this work, several key approaches are distinguished: comparative, hermeneutical, comparative typological and immanent analysis. With the help of various artistic techniques, such as contrast, detailing, the use of emotionally colored vocabulary, metaphors, repetitions, epithets, the motif of a dream, genre elements of a riddle, a shifter, etc., the complex physical and spiritual path of the characters to the ideal is reproduced, the image of oppressed countries and their inhabitants, as well as the image of ordinary Soviet people and cranks are created-rich people from the West, a wide range of Soviet realities is reflected through a detached look. As a result of the research, it is revealed that the poetic story about the travels of foreigners in the USSR of the 1920s and 1940s has a unique didactic significance: it is not only entertaining and informative for young readers, but also contributes to the creation of a positive understanding of Soviet reality and ideological foundations.

Keywords: didacticism, dream motif, cranks, journey, image of oppressed countries, adventure, Soviet ideology, travels of foreigners, poetic story, Russian children's literature

Abstract: A medical poster is a polycode text of medical discourse, the main purpose of which is to inform the participant in the medical discourse, first of all, the patient, about the existence, characteristic features, peculiarities of the course, solution and consequences of any medical problem. The object of the study is the polycode text of a French medical poster; the subject of the study is genre features of a medical poster in French, considered at the level of thematic diversity, repeating verbal and visual tools, and features of the use of paralinguistic means. The article is a fragment of a study of several genres of medical discourse, which are represented by polycode texts (medical poster, meme, demotivator, advertising), made on the material of Russian, French and Arabic languages. The analysis of the polycode text of a medical poster in French was carried out on 100 texts in French obtained by continuous sampling from the Internet. The novelty of the study is the appeal to the medical poster from the point of view of genre characteristics in the context of medical discourse. The analysis of French medical posters revealed the frequency of posters about cancer symptoms, diagnosis, types of treatment, and prevention; prevention and treatment of Covid-19. A feature of the verbal level is the choice of communicative strategy and its grammatical design in relation to child and adult recipients; inclusion of current vocabulary in the text, including neologisms, as well as preference for repeating a certain structure when organizing the verbal component of a polycode text. At the visual level, French medical posters are characterized by the frequent use of pictures and diagrams and work with color. The basis for constructing a polycode text of a medical poster is the complementary connection between the visual and verbal components.

Keywords: iconic component, verbal component, theme of a medical poster, medical poster, analysis of polycode text, polycode text, genres of medical discourse, medical discourse, paragrapheme means, French language

Abstract: The subject of the study are the poems of Vladimir Ivanovich Kucheryavkin. V. I. Kucheryavkin (1948) has been writing poems since 1970s, since 1980s he published in samizdat periodicals. Since 1994, several of his books have been published, mostly poetry collections ("Dance of the Dead Leg" 1994, "Tripod" 2001, "Into the Open Window" 2011, "To Yanzhou a Thousand Li" 2018 and others). The poems created from the 1990s to the 2010s were selected as the material for the study. The article considers representative artistic techniques of V. I. Kucheryavkin, i.e. - agrammatism. The so-called method of «slow reading» of the text, that in our case implies the linguistic evaluation, is are used. Methodologically, the author relies primarily on the works of Lyudmila I. Zubova. The novelty of the work is connected first of all with the that the work of the outstanding modern poet has been studied less than it deserves. As one of the main principles of his poetics, the article discusses «grammatical liberties», which were mentioned in criticism, but never became the object of any detailed and systematising description. Two types of grammatical "mistakes" in Kucheryavkin's texts are shown: shifting the ways of expressing animate and inanimate (i.e. the accusative case used instead of the genitive case indicates a shift from inanimate to animate, and the reverse situations, when the animate is grammatically formatted as inanimate) and the destruction of the hierarchy of objects, phenomena and actions — a hierarchy usually reflected in the structure of an utterance. Grammatical features (along with tropes and other techniques) participate in the formation of a special picture of the world, in which we find features similar to the image of the world in Eastern religious and philosophical systems.

Keywords: Confucianism, an artistic image of the world, phrase structure, animateness, grammatical deviations, linguistic aspects of poetics, Russian poetry, Vladimir Kucheryavkin, Buddhism, Chinese philosophy