Abstract: The subject of this research is the architectural and style peculiarities of the mansion of P. I. Gibello-Socco. The object of this research is the private residence of P. I. Gibello-Socco build in 1919 in the area of a New City. The author examines the relevance topic – disappearance of the Russian architectural heritage (destruction, demolition, aggressive reconstruction) in Harbin, and possibilities of preservation of architectural landmarks in a large metropolis. Therefore, special attention is given to the questions of studying historical objects built in the early XX century (history, natural observations, measurements, current state) and their reconstructions via methods of stylistic and compositional environmental adaptation. This would allow preserving the Russian heritage abroad. The main conclusions lie in preservation of not only historical objects, reconstruction of interiors, but also restoration of their environment. The results of studying the architecture of disappeared objects of the Russian Harbin period allow conducting a fragmentary reproduction of an authentic historical environment of the city in the township “Sunny Island”. The author’s special contribution consists in examination of the objects of Russian culture, development of restoration projects, identification of disappeared constructs and their façade reconstruction. The novelty lies in description of architectural and style peculiarities of a historical object, which serves as the basis for reconstruction of P. I. Gibello-Socco’s mansion.

Abstract: The subject of this research is the formation of large city planning ensembles in socialist cities during Great Leap Forward of the People’s Republic of China. The object of this research is architecture in the style of Stalin Empire 1950s – 1960s. The author examines the influence of Soviet architecture upon the emergence of Chinese styles, such as “Style 1959” and Communist Art Deco). Special attention is dedicated to stylistic peculiarities of the new architectural objects and Chinese interpretation of the Stalin Empire. In this context, both Chinese and Soviet architects contributed to determination of the architectural trend “Su-style”. The main conclusion lies in the statement that architecture of the Stalin Empire with the elements of classicism became the national style in socialist China. Chinese architects synthesized the new normative aesthetics and discovered new stylistic and imagery resources in architecture. The transition towards holistic Chinese “socialist culture” has not been completed and currently continues.  The author’s special contribution is the research of socialist architecture of Harbin as a continuity of Russian traditions of the early XX century. The novelty of this work is defined by the first ever analysis of stylistic peculiarities of Harbin’s architecture that were built by the projects of Soviet architects.