Abstract: This article introduced into the scientific discourse a previously unknown document from the personal fund of the Emperor Nicholas II stored in the State Archive of the Russian Federation. The document, dedicated to manufacturing of the imperial uniform, is interpreted via examining the sources of personal origin — diaries and memoirs of the last Russian emperor and his immediate circle, authentic uniforms of the Emperor Nicholas II from Moscow and St. Petersburg museums, as well as photographic documents from the Central State Archive of Cinema, Photography, and Audio Documents of St. Petersburg. Methodological framework is based on the chronologically problematic method. In the focus of research is the dynamics of prewar events that cover June – August 1914. Emphasis is also placed on the military representative events of foreign policy nature: parades held during the arrival of the King of Saxony Frederick Augustus III to Russia, as well as the visit of French President Raymond Poincaré. The acquired materials can be valuable for in-depth research on the military history of Russia, history of Russian culture as a whole, history of its tangible culture and costume history. Another area of possible practical implementation is the research work on studying the Russian military uniform in the museum, aimed at fulfillment of its historical-cultural potential and historical uniqueness.

Abstract: The subject of this research is the artifacts of material culture of Russian cavalry as a specific form with the capacity of symbolic and semantic content. The goal of this work lies in comprehensive examination of the process of symbolization of certain forms of material culture of Russian cavalry. The research employs archaeological material, historical journalism, memoir literature, including the works of the representatives of white émigré, such as Russian military-historical magazine “Le passé militaire” (Paris, 1952-1974) and literary-publicistic “The New Journal”. For obvious reasons, emphasis is placed on the symbolism and semantic aspect of the problem, despite a fair share of nostalgization and mythologization of historical reality. Most common principles ofresearch methodology are based on the culturological concepts of the representatives of Moscow-Tartu Semiotic School of Y. M. Lotman, B. A. Uspensky (reinterpretation of the Russian cultural history in the context of binary opposition), and V. N. Toporov (reconstruction of the archetypes of Russian culture). First and foremost, it refers to the possibilities of semiotic approach towards history, the object of analysis of which is interrelated historical texts and historical contexts. Such perspective on the problem has not been previously articulated in the historical culturology and history of culture. The history of material culture of the Russian cavalryman is described from the standpoint of culturological methodology of cognition for the first time. The conclusion is made that the process of poetization, mythologization, and symbolization of items of the Russian cavalry received demand in the extreme conditions of the turn of the XIX – XX centuries (the last years of the empire). The acquired results can be applied in the sphere of museology, which is focused not only in preservation of the artifact of material and intellectual culture, but also on fulfillment of their historical-cultural potential and historical uniqueness to the maximum.

Abstract: The defeat in the Crimean War started one of the most controversial periods in the history of Russian cavalry.  Much of what became an inseparable part of military science by 1850’s, in the second part of the XIX century forced to raise a question about the role of cavalry in the theatre of war. Therefore, the goal of this research lies in the analysis of the dynamics of development of Russian cavalry during the reign of Alexander II, initiated by the defeat in Crimean War and subsequent reforms. The author attempt to restore the history of evolution of the Russian cavalry over the period from 1855 to 1881, as well as determine the landmark changes and their consequences. The focus is made on the three different development phases: after the end of the Crimean War; in the 1860’s; and in the 1870’s. The archival materials that allow tracing the roots of the crisis of Russia cavalry in the 1850’s, as well as the dynamic of overcoming the crisis during the reign of Alexander II (1855-1881), are introduced into the scientific discourse. The acquired results lead to the conclusion that in a quarter of century, Russian cavalry has significantly improved its situation. A benchmark for its future development becomes the Cossack Cavalry; the key development vectors – narrowly specialized training, including the strengthening of material and scientific base, advancement of military hippology, military equestrianism, and sport horse breeding.

Abstract: The development of cavalry art of the XVIII century closely relates to the achievements of the Prussian military system. The subject of this research is the dynamics of development of the Russian cavalry that took place under the influence of ideology of Frederick the Great – inventor of the most powerful European cavalry of the middle and the end of the XVIII century. Russia was significantly influence by his ideas as well, but it depended on the attitude of a ruling monarch towards the Prussian militarism. The sources for this study became the military-administrative and military-charter documents of the XVIII century. Methodological foundation is the comparative-historical method. Variable comparisons allowed determining and analyzing the common and the peculiar in organization of cavalry in Prussia and Russia at different stages; its organization is attributed with the phase of eventful history. The conducted analysis demonstrates the positive and negative sides that emerged in Russian cavalry as a result of Prussian influence. Thea author concludes that it is hard to overestimate the importance acquired by the reception achievements of Frederick the Great in Russia – it determined the foundation for the development of the national cavalry art in the next half of the century.

Abstract: This article depicts the general field marshal, general cavalry inspector general Grand Duke Nicholas Nikolaevich Senior as a horse breeder and collector of hippology materials. The goal of this work is to reveal the importance of N. N. Romanov’s pursuits for the history of Russian cavalry. The author attempts to restore the history of life and activity of the Grand Duke Nicholas Nikolaevich Senior, and describe the pattern of its development. The personal biographical, property and record keeping materials of N. N. Romanov from the State Archive of the Russian Federation became the source for this research. The use of historical-biographical and chronological-problematic approaches allowed describing the life story, as well as highlighting the landmarks and patterns of development of certain events. The attention is focused on the results of activity of Grand Duke in the context of their significance for the advancement and improvement of the Russian cavalry. The acquired data complements the already known history of life and work of Grand Duke Nicholas Nikolaevich Senior, as well as the everyday life of the Russian imperial house of the late XIX century and Russian military history.