Abstract: In his article Rozin examines the first great work by Lev Vygotsky in which the founder of Soviet psychology stated that it is possible to reach to aesthetic (artistic) experience only indirectly, in particular, through the analysis of the art form. Rozin analyzes the methodological approaches which he used in his research (naturalistic and structuralistic) and interprets an art form as some kind of a trap that catches a reader or audience trying to overcome contradictions of building an art form. The author compares Lev Vygotsky's concept of 'art as the machine for developing psyche' with Mikhail Bakhtin's concept of 'life in art'. In his research Rozin has used the methodology of comparative analysis, raises a number of questions and offers a new reconstruction of 'Psychology of Art' as well as discusses peculiarities of psychological research and science. As a result, the author demonstrates that Vygotsky's concept of art was in many ways conditioned by Marxist and structuralistic methodologies as well as the task to develop a new human using artistic means. Being focused on the problem of human development, Vygotsky interpreted art as the machine for developing the mental world and ignored the importance of art as a life style.     

Keywords: psychology, science, methodology, understanding, interpretation, reconstruction, life, art, form, conflict

References:
Bakhtin M. Voprosy literatury i estetiki. M., 1975. 504 s.
Rozin V.M. Nauka: proiskhozhdenie, razvitie, tipologiya, novaya kontseptualizatsiya. MPSI. 2008. 600 s.
Kh'ell Z., Zigler D. Teorii lichnosti. SPb.: Piter, 2003. 608 s.
Rozin V.M. Psikhologiya: nauka i praktika. Izd-vo RGGU, Omega-L, 2005. 544 s.
Rozin V.M. Vvedenie v skhemologiyu. Skhemy v kul'ture, filosofii, nauke, proektirovanii. M., 2011. 256 s.
Rozin V.M. Genezis evropeyskogo iskusstva. Filosofskiy i kul'turno-istoricheskiy analiz. M.: Golos, 2011. 397 s.
Zinchenko V.P. Kul'turno-istoricheskaya psikhologiya i psikhologicheskaya teoriya deyatel'nosti: zhivye protivorechiya i tochki rosta // Vestnik Moskovskogo universiteta. Seriya 14. Psikhologiya. 1993. ¹ 255. S. 41-50.
Vygotskiy L. S. Istoriya razvitiya vysshikh psikhicheskikh funktsiy // Sobranie sochineniy: V 6-ti t. T.3 Problemy razvitiya psikhiki. M.: Pedagogika, 1983. S. 6-58, 302-313.
Vygotskiy L.S. Istoricheskiy smysl psikhologicheskogo krizisa. Metodologicheskoe issledovanie. Sobr. soch.: v 6 t. M., 1982. T. 1. 488 s.
Aylamaz'yan A.M., Tashkeeva E.I. Muzykal'noe dvizhenie: pedagogika, psikhologiya, khudozhestvennaya praktika // Kul'tura i iskusstvo. 2014. ¹ 2. S. 206-244.
Vygotskiy L.S. Psikhologiya iskusstva. 3-e izd. M.: Iskusstvo, 1986. 573 s.
Brushlinskiy A.V. Psikhologicheskaya nauka v Rossii KhKh stoletiya: problemy teorii i istorii. M., 1997. 576 s.

References (transliteration):
Bakhtin M. Voprosy literatury i estetiki. M., 1975. 504 s.
Rozin V.M. Nauka: proiskhozhdenie, razvitie, tipologiya, novaya kontseptualizatsiya. MPSI. 2008. 600 s.
Kh'ell Z., Zigler D. Teorii lichnosti. SPb.: Piter, 2003. 608 s.
Rozin V.M. Psikhologiya: nauka i praktika. Izd-vo RGGU, Omega-L, 2005. 544 s.
Rozin V.M. Vvedenie v skhemologiyu. Skhemy v kul'ture, filosofii, nauke, proektirovanii. M., 2011. 256 s.
Rozin V.M. Genezis evropeyskogo iskusstva. Filosofskiy i kul'turno-istoricheskiy analiz. M.: Golos, 2011. 397 s.
Zinchenko V.P. Kul'turno-istoricheskaya psikhologiya i psikhologicheskaya teoriya deyatel'nosti: zhivye protivorechiya i tochki rosta // Vestnik Moskovskogo universiteta. Seriya 14. Psikhologiya. 1993. ¹ 255. S. 41-50.
Vygotskiy L. S. Istoriya razvitiya vysshikh psikhicheskikh funktsiy // Sobranie sochineniy: V 6-ti t. T.3 Problemy razvitiya psikhiki. M.: Pedagogika, 1983. S. 6-58, 302-313.
Vygotskiy L.S. Istoricheskiy smysl psikhologicheskogo krizisa. Metodologicheskoe issledovanie. Sobr. soch.: v 6 t. M., 1982. T. 1. 488 s.
Aylamaz'yan A.M., Tashkeeva E.I. Muzykal'noe dvizhenie: pedagogika, psikhologiya, khudozhestvennaya praktika // Kul'tura i iskusstvo. 2014. ¹ 2. S. 206-244.
Vygotskiy L.S. Psikhologiya iskusstva. 3-e izd. M.: Iskusstvo, 1986. 573 s.
Brushlinskiy A.V. Psikhologicheskaya nauka v Rossii KhKh stoletiya: problemy teorii i istorii. M., 1997. 576 s.

Abstract: The subject of the research is numerous ready-mades of a famous French Dadaist Marcel Duchamp. In his research Petrov onsiders the origin of a new art form (readymade) in line with innovative trends of the early XXth century when all the known substantial bases of culture were carelessly denied. There were many reasons for that: dramatic changes in the public consciousness, permissibility of literally all sins, "transition" to the full freedom of thought and freedom of expression, and, of course, overall instability of the historical situation which included an abundance of revolutions, wars, changes of territories and political experimentations. The author of the article presents a comprehensive approach to the phenomenon studied (ready-mades of Duchamp) where their genesis, perception and prolonged action become especially important topics. The novelty of the research is caused by the fact that there are no researches of the aesthetic fetures and anti-aesthetic provocations of Duchamp's ready-mades in culture and cultural studies. The author of the article raises a naturally-determined question about the aesthetic significance of such experiments (as examples the author analyzes such famous ready-mades as "Fountain," "Bicycle Wheel", and "Bottle Rack") and describes their role in the development of the twentieth century art in general and postmodernism in particular.

Keywords: surrealism, synthesis of arts, post-modernism, ready-made, epatage in art, aesthetics, innovation, subject, dadaism, Marcel Duchamp

References:
Antonyan K. D. «Ocharovanie durnogo vkusa»: tresh, kich, kemp kak tendentsii // Vestnik psikhofiziologii. — 2014. — ¹ 3. S. 96-102.
Domaratskaya E.S. Eksperimental'noe iskusstvo Marselya Dyushana // Izvestiya Rossiyskogo gosudarstvennogo pedagogicheskogo universiteta im. A.I. Gertsena. — 2004. — ¹ 7. — T. 4. S. 187-198.
Dubin S.B. «Samoubitye obshchestvom»: Rigo, Vashe, Kravan // Inostrannaya literatura. — 1999. — ¹ 11. / Elektronnyy resurs: http://magazines.russ.ru/inostran/1999/11/dubin.html
Dyushan M. Tvorcheskiy protsess. Vystuplenie na sobranii Amerikanskoy federatsii iskusstv v Kh'yustone (Tekhas, aprel', 1957) // Elektronnyy resurs: http://tapirr.narod.ru/art/duchamp/tv_process.htm
Krasavchenko T.N. 2008.03.005. Entsiklopedicheskiy slovar' syurrealizma // Sotsial'nye i gumanitarnye nauki. Otechestvennaya i zarubezhnaya literatura. Seriya 7: Literaturovedenie. Referativnyy zhurnal. — 2008. — ¹ 3. S. 38-47.
Petrov V.O. Iskusstvo KhKh veka: stremlenie k epatazhu // Traditsii i novatorstvo v kul'ture i iskusstve: svyaz' vremen: Materialy Vserossiyskoy nauchno-prakticheskoy konferentsii (22 marta 2013 goda). — Astrakhan': GAOU AO DPO AIPKiP, 2013. S. 53-55.
Petrov V.O. Novatorskie obrazy iskusstva KhKh veka: v rakurse epatazha // Kul'tura i iskusstvo. — 2013. — ¹ 5. S. 562-569.
Petrov V.O. Performans i kheppening — osnovnye zhanry aktsionizma v iskusstve KhKh veka // Iskusstvovedenie v kontekste drugikh nauk v Rossii i za rubezhom: paralleli i vzaimodeystviya: Sb. materialov Mezhdunarodnoy nauchnoy konferentsii 13-18 aprelya 2015 goda. — M.: Liteo, 2014. S. 348-357.
Petrov V.O. Epatazh v iskusstve KhKh veka // Kul'tura i iskusstvo. — 2013. — ¹ 6. S. 623-632.
Rikhter Kh. DADA — iskusstvo i antiiskusstvo: vklad dadaistov v iskusstvo KhKh veka. — M.: Gileya, 2014. 360 s.
Ross A. Dal'she — shum. Slushaya KhKh vek. — M.: AST: Corpus, 2013. 560 s.
Sers F. Totalitarizm i avangard. V preddverii zapredel'nogo. — M.: Progress-traditsiya, 2006. 336s.
Tomkins K. Marsel' Dyushan. Poslepoludennye besedy. — M.: OOO «Izdatel'stvo Gryundrisse», 2014. 160 s.
Fadeeva T.E. Formula Y. Boysa «Iskusstvo — vse, chto lezhit pod solntsem» i neodadaisticheskaya revolyutsiya v khudozhestvennom mirovospriyatii // Sovremennye problemy nauki i obrazovaniya. — 2014. — ¹ 6. S. 12-18.
Khausman R. K istorii foneticheskoy poezii // Elektronnyy resurs: http://hylaea.ru/haus_publ.html
Shcheglova M.V. Dadaizm — sotsial'no-psikhologicheskiy simptom epokhi peremen // Izvestiya Volgogradskogo gosudarstvennogo pedagogicheskogo universiteta. — 2005. — ¹ 2. S. 59-65.
Yakimovich A.K. Syurrealizm // Kul'turologiya. — 2008. — ¹ 1 (44). S. 76-87.
Judovitz D. Anemic Vision in Duchamp: Cinema as Readymade. Dada and Surrealist Film. R. Kuenzli. — Cambridge, Mass. & London, The MIT Press, 1996. R. 46-57.

References (transliteration):
Antonyan K. D. «Ocharovanie durnogo vkusa»: tresh, kich, kemp kak tendentsii // Vestnik psikhofiziologii. — 2014. — ¹ 3. S. 96-102.
Domaratskaya E.S. Eksperimental'noe iskusstvo Marselya Dyushana // Izvestiya Rossiyskogo gosudarstvennogo pedagogicheskogo universiteta im. A.I. Gertsena. — 2004. — ¹ 7. — T. 4. S. 187-198.
Dubin S.B. «Samoubitye obshchestvom»: Rigo, Vashe, Kravan // Inostrannaya literatura. — 1999. — ¹ 11. / Elektronnyy resurs: http://magazines.russ.ru/inostran/1999/11/dubin.html
Dyushan M. Tvorcheskiy protsess. Vystuplenie na sobranii Amerikanskoy federatsii iskusstv v Kh'yustone (Tekhas, aprel', 1957) // Elektronnyy resurs: http://tapirr.narod.ru/art/duchamp/tv_process.htm
Krasavchenko T.N. 2008.03.005. Entsiklopedicheskiy slovar' syurrealizma // Sotsial'nye i gumanitarnye nauki. Otechestvennaya i zarubezhnaya literatura. Seriya 7: Literaturovedenie. Referativnyy zhurnal. — 2008. — ¹ 3. S. 38-47.
Petrov V.O. Iskusstvo KhKh veka: stremlenie k epatazhu // Traditsii i novatorstvo v kul'ture i iskusstve: svyaz' vremen: Materialy Vserossiyskoy nauchno-prakticheskoy konferentsii (22 marta 2013 goda). — Astrakhan': GAOU AO DPO AIPKiP, 2013. S. 53-55.
Petrov V.O. Novatorskie obrazy iskusstva KhKh veka: v rakurse epatazha // Kul'tura i iskusstvo. — 2013. — ¹ 5. S. 562-569.
Petrov V.O. Performans i kheppening — osnovnye zhanry aktsionizma v iskusstve KhKh veka // Iskusstvovedenie v kontekste drugikh nauk v Rossii i za rubezhom: paralleli i vzaimodeystviya: Sb. materialov Mezhdunarodnoy nauchnoy konferentsii 13-18 aprelya 2015 goda. — M.: Liteo, 2014. S. 348-357.
Petrov V.O. Epatazh v iskusstve KhKh veka // Kul'tura i iskusstvo. — 2013. — ¹ 6. S. 623-632.
Rikhter Kh. DADA — iskusstvo i antiiskusstvo: vklad dadaistov v iskusstvo KhKh veka. — M.: Gileya, 2014. 360 s.
Ross A. Dal'she — shum. Slushaya KhKh vek. — M.: AST: Corpus, 2013. 560 s.
Sers F. Totalitarizm i avangard. V preddverii zapredel'nogo. — M.: Progress-traditsiya, 2006. 336s.
Tomkins K. Marsel' Dyushan. Poslepoludennye besedy. — M.: OOO «Izdatel'stvo Gryundrisse», 2014. 160 s.
Fadeeva T.E. Formula Y. Boysa «Iskusstvo — vse, chto lezhit pod solntsem» i neodadaisticheskaya revolyutsiya v khudozhestvennom mirovospriyatii // Sovremennye problemy nauki i obrazovaniya. — 2014. — ¹ 6. S. 12-18.
Khausman R. K istorii foneticheskoy poezii // Elektronnyy resurs: http://hylaea.ru/haus_publ.html
Shcheglova M.V. Dadaizm — sotsial'no-psikhologicheskiy simptom epokhi peremen // Izvestiya Volgogradskogo gosudarstvennogo pedagogicheskogo universiteta. — 2005. — ¹ 2. S. 59-65.
Yakimovich A.K. Syurrealizm // Kul'turologiya. — 2008. — ¹ 1 (44). S. 76-87.
Judovitz D. Anemic Vision in Duchamp: Cinema as Readymade. Dada and Surrealist Film. R. Kuenzli. — Cambridge, Mass. & London, The MIT Press, 1996. R. 46-57.

Abstract: The author of the article discusses the purpose and means of musical-theoretical analysis and the possibility to reveal the beauty or the aesthetic value of a music piece. The first part of the article provides a brief insight into ancient philosophy to identify the differences between science and art, their purpose and methods. In Aristotelian philosophy science and art are the steps towards the truth. According to Plato, human can become the creator himself and imitate 'the eternal ideas realized in creation' by creating images of things. In the second part of the article, being based on Yu. Kholopov’s concept of musical analysis and interpretation of artistic value given by T. Cherednichenko, the author argues that the purpose of the analysis is to reveal laws of musical matter structuring, to build a model of the music work and to make a hypothesis about the initial ideas embodied by the composer. According to the author, analysis can not show the beauty of a music piece, and its value can only be partly justified. However,  analysis can give the access to the perception of Eidos impressed in musical work through enabling a better understanding of the music piece's structure. The value of analysis also depends on a researcher's ability to select an adequte method and strategy of analysis. 

Keywords: science and art, art history, analysis, model, composer's intent, axiology, eidos and logos, Plato, Aristotle, Aleksey Losev

References:
Cherednichenko T.V. Tsennostnyy podkhod k iskusstvu i muzykal'naya kritika // Esteticheskie ocherki. Vyp. 5. M.: Muzyka, 1979. S. 65-101.
Zakharov Yu.K. Individual'nyy garmonicheskiy zamysel muzykal'nogo proizvedeniya // PHILHARMONICA. International Music Journal. - 2015. - 2. - C. 189 - 229. DOI: 10.7256/2453-613X.2015.2.16969. URL: http://www.e-notabene.ru/phil/article_16969.html
Shenker G. Svobodnoe pis'mo. Novye muzykal'nye teorii i fantazii III: v 2-kh t. / per. B.T. Plotnikova. Krasnoyarsk, 2003. T. 1: tekst. 152 s. T. 2: notn. primery. 128 s.
Cherednichenko T.V. Tsennostnyy analiz muzyki i poeticheskiy tekst // Laudamus. Sb. statey v chest' 60-letiya Yu.N. Kholopova. M.: Kompozitor, 1992. S. 79-86.
Cherednichenko T.V. K probleme khudozhestvennoy tsennosti v muzyke // Problemy muzykal'noy nauki. Vyp. 5. M.: Sov. kompozitor, 1983. S. 255-295.
Losev A.F. Muzyka kak predmet logiki // Losev A.F. Forma – Stil' – Vyrazhenie. M.: Mysl', 1995. S. 405-602.
Kholopov Yu.N. K probleme muzykal'nogo analiza // Problemy muzykal'noy nauki. Vyp. 6. M.: Sov. kompozitor, 1985. S. 130-151.
Kholopov Yu.N. Teoreticheskoe muzykoznanie kak gumanitarnaya nauka. Problema analiza muzyki // Sovetskaya muzyka. 1988. ¹ 9. S. 73-79. ¹ 10. S. 87-93.
Losev A.F. Istoriya antichnoy estetiki. Tom 3. Vysokaya klassika. Khar'kov: Izd-vo «Folio»; M.: Izd-vo «AST», 2000. 624 s.
Losev A.F. Istoriya antichnoy estetiki. Tom 4. Aristotel' i pozdnyaya klassika. Khar'kov: Izd-vo «Folio»; M.: Izd-vo «AST», 2000. 880 s.
Aristotel'. Sochineniya: v 4-kh t. T. 4 / Pod red. A.I. Dovatur. M.: Mysl', 1983. 830 s.

References (transliteration):
Cherednichenko T.V. Tsennostnyy podkhod k iskusstvu i muzykal'naya kritika // Esteticheskie ocherki. Vyp. 5. M.: Muzyka, 1979. S. 65-101.
Zakharov Yu.K. Individual'nyy garmonicheskiy zamysel muzykal'nogo proizvedeniya // PHILHARMONICA. International Music Journal. - 2015. - 2. - C. 189 - 229. DOI: 10.7256/2453-613X.2015.2.16969. URL: http://www.e-notabene.ru/phil/article_16969.html
Shenker G. Svobodnoe pis'mo. Novye muzykal'nye teorii i fantazii III: v 2-kh t. / per. B.T. Plotnikova. Krasnoyarsk, 2003. T. 1: tekst. 152 s. T. 2: notn. primery. 128 s.
Cherednichenko T.V. Tsennostnyy analiz muzyki i poeticheskiy tekst // Laudamus. Sb. statey v chest' 60-letiya Yu.N. Kholopova. M.: Kompozitor, 1992. S. 79-86.
Cherednichenko T.V. K probleme khudozhestvennoy tsennosti v muzyke // Problemy muzykal'noy nauki. Vyp. 5. M.: Sov. kompozitor, 1983. S. 255-295.
Losev A.F. Muzyka kak predmet logiki // Losev A.F. Forma – Stil' – Vyrazhenie. M.: Mysl', 1995. S. 405-602.
Kholopov Yu.N. K probleme muzykal'nogo analiza // Problemy muzykal'noy nauki. Vyp. 6. M.: Sov. kompozitor, 1985. S. 130-151.
Kholopov Yu.N. Teoreticheskoe muzykoznanie kak gumanitarnaya nauka. Problema analiza muzyki // Sovetskaya muzyka. 1988. ¹ 9. S. 73-79. ¹ 10. S. 87-93.
Losev A.F. Istoriya antichnoy estetiki. Tom 3. Vysokaya klassika. Khar'kov: Izd-vo «Folio»; M.: Izd-vo «AST», 2000. 624 s.
Losev A.F. Istoriya antichnoy estetiki. Tom 4. Aristotel' i pozdnyaya klassika. Khar'kov: Izd-vo «Folio»; M.: Izd-vo «AST», 2000. 880 s.
Aristotel'. Sochineniya: v 4-kh t. T. 4 / Pod red. A.I. Dovatur. M.: Mysl', 1983. 830 s.

Abstract: The subject of the present research is the perception of the musical-poetic discourse of Romanticism by the representatives of contemporary culture. The dominating theme in works created by romantic poets and composers is Love/Suffering aestheticized in the process of art representation. Another theme associated with Love/Suffering is Nature that was subjectively described by romantics depending on emotions felt by an author or a main character. Special attention is paid to peculiarities of the musical-poetic discourse as part of the social discourse of that age in general. In her research the author of the article has used the discursive analysis of lyrics of Schubert's romances (Lieder) which, on the one hand, are being viewed as part of the socio-cultural environment of those times and, on the other hand, analyzed from the point of view of universal values and concepts that make them relevant for a modern man. The emphasis is also made on peculiarities of this genre because it combines both music and poetry, moreover, their combination allows to achieve the integrity both poetry and music strive for. The scientific novelty of the research is caused by the fact that the musical-poetic works of romantics are being discussed as part of the discursive practices of those times and, at the same time, as having particular semantic dominants that have a universal meaning. The theme of Love/Suffering is such a dominant typical for the most popular artworks of that genre.  In her article Shapinskaya also provides a number of examples of interpretations of musical-poetic forms by famous performers as well as their opinions and thoughts on the matter. The author also analyzes the reaction of the modern audience, both prepared ones and beginners, regarding the musical-poetic discursive practices of romantics. It is concluded that musical-poetic works of those times are very important for our contemporaries who long for aesthetic values and emotions of Romanticism in the age of the cult of consumption and domination of popular culture. 

Keywords: poetry, aesthetics, culture, romanticism, discourse, value, genre, interpretation, music, emotion

References:
Dolgov K.M. Estetika: razvitie ili otrechenie? // Filosofiya i kul'tura.-2011.-5.-C. 155-165.
Nikitina I.P. Estetika i khudozhestvennaya kritika // Filosofiya i kul'tura.-2010.-7.-C. 67-75.
Shapinskaya E.N. «Zimniy put'» Shuberta v kontekste sovremennoy kul'tury: vechnye temy i bezgranichnost' interpretatsii. // PHILHARMONICA. International Music Journal.-2014.-2.-C. 272-283. DOI: 10.7256/1339-4002.2014.2.13536.
Nikitina I.P. Estetika i khudozhestvennaya kritika // Filosofiya i kul'tura.-2010.-7.-C. 67-75.
[El. resurs] URL http://www.simonkeenlyside.info/index.php/performances/performances-concert-recital-oratorio/concert-performances-2011/2011-03-13-alice-tully-hall-new-york-emanuel-ax/
Dolgov K.M. Estetika: razvitie ili otrechenie? // Filosofiya i kul'tura.-2011.-5.-C. 155-165. 25.21.[El. resurs] URL http://www.simonkeenlyside.info/index.php/performances/performances-concert-recital-oratorio/concert-performances-2011/2011-03-13-alice-tully-hall-new-york-emanuel-ax/
Gurevich P.S. Romantizm evropeyskiy i russkiy // Filologiya: nauchnye issledovaniya.-2014.-4.-C. 369-377. DOI: 10.7256/2305-6177.2014.4.13432.
Pekelis M.-Dargomyzhskiy i ego okruzhenie. [El. resurs] URL http://ale07.ru/music/notes/song/muzlit/dargomyjskyi4.htm
Luhman N. Love as Passion. Cambridge: Polity Press, 1986.
Bostridge I., Schubert’s Winter Journey. Anatomy of an Obsession. – L.: Faber and Faber, 2015
Newbold B. Schubert. The Music and the Man. – L.: Victor Gollancz, 1999
de Stal' A.-L.-Zh. O vliyanii strastey na schast'e lyudey i narodov. V kn.: Literaturnye manifesty nemetskikh romantikov. M., 1980
Rend A. Romanticheskiy manifest: Filosofiya literatury. – M.: Al'pina Pablisher, 2011
Frants Shubert. Perepiska. Zapisi. Dnevniki. Stikhotvoreniya. Pod red. Yu.N.Khokhlova. – M.: Knizhnyy dom «LIBROKOM», 2015.
Tsodokov E.S., Shapinskaya E.N. Paradoks ob opere. Dialog muzykoveda i kul'turologa. Ch.1.// Kul'tura kul'tury ¹4, 2015
Tik L. Lyubovnye pesni nemetskikh minnezingerov. – V kn.: Literaturnye manifesty nemetskikh romantikov. M., 1980.
Novalis. Fragmenty. V kn.: Literaturnye manifesty nemetskikh romantikov. M., 1980
Gofman E.T.A. Kreysleriana.-V kn.: Literaturnye manifesty nemetskikh romantikov. M., 1980.
Barenboim D. Dietrich Fischer-Dieskau was a Revolutionary performer. [El. resurs ] URL
Vasina-Grossman V. Muzyka i poeticheskoe slovo. Ch.2-3. M., «Muzyka», 1978.
Asaf'ev B. muzykal'naya forma kak protsess. L., 1971.
Shapinskaya E.N Diskurs. lyubvi. M., Prometey, 1997.
Harre R. and Gillet G. The Discursive Mind. Thousand Oaks. CA.: Sage, 1994.
Uland L. O romanticheskom.-V kn.: Literaturnye manifesty nemetskikh romantikov. M., 1980
Shapinskaya E.N. «Zimniy put'» Shuberta v sovremennoy kul'ture: vechnye voprosy bytiya i toska po utrachennym tsennostyam// kul'tura kul'tury ¹1, 2015 [El. resurs] URL http://cult-cult.ru/schubert-s-die-winterreise-in--culture-the-eternal-questions-of-bein/
Fiske J. British Cultural Studies. – In: Channels of discourse. Chapelhill: The University of North California press, 1987.
Gurevich P.S. Romantizm evropeyskiy i russkiy // Filologiya: nauchnye issledovaniya.-2014.-4.-C. 369-377. DOI: 10.7256/2305-6177.2014.4.13432.

References (transliteration):
Dolgov K.M. Estetika: razvitie ili otrechenie? // Filosofiya i kul'tura.-2011.-5.-C. 155-165.
Nikitina I.P. Estetika i khudozhestvennaya kritika // Filosofiya i kul'tura.-2010.-7.-C. 67-75.
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Nikitina I.P. Estetika i khudozhestvennaya kritika // Filosofiya i kul'tura.-2010.-7.-C. 67-75.
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Abstract: The subject of this study are temple paintings, drawn in neo-Byzantine style in the late XIX - early XX century by M.M. Vasiliev. Master's artistic original is unique among pictural samples presented to the Byzantine mode of execution. This work is supposed integral to shed light on biographical facts and stages of the creative path of the artist, as well by the examples of some works of art, to conduct analysis of the features brushwork by M.M. Vasilyev in comparison with samples of neo-Byzantine style in the works of V.M. Vasnetsov.Based on the undeniable Spirit-bearing samples temple painting Byzantine X-XII centuries and their social and artistic significance, research methodology of this study is a comparative analysis of the painting MM Vasilyev style neo-Byzantine style, generated by V.M. Vasnetsov. Critical appraisal of these artists works will contribute to the identification of essentially ideological importance and the effectiveness of their approaches of mode of execution wich are necessary for the upliftment of the society within the temple environment. The result of investigation of neo-Byzantine style of painting is supposed to separate M.M. Vasiliev creative approach from the conventional concept of "Vasnetsov school", as between them there are fundamental differences in the interpretation of images and compositions. Also, it seems appropriate to define a circle collaborated with M.M. Vasiliev, artists, which includes A.P. Blaznov, F.M. Vahrushev, F.R. Railean, L.A. Pyanovsky et al.Mural temples accomplished with Vasiliev, marked by deep penetration into the medieval image. Without departing from current trends, the master saves ideological Vasnetsov national direction, simultaneously breaking, subordinating and an introduction to the idea of communion with God Nouveau style. For contemporary art is genuine, what distinguishes painting Vasiliev and artists of his circle, can be a, figuratively speaking, the ragged ends of the thread, which stretched to the modern religious art, it will be possible to revive the friendly, lively, creative language of temple imagery, nwithout philosophize and not mindlessly copying but creating freely and truely.

Keywords: academic, Byzantine style of writing, Vasnetsov style, Temple painting, neo-Byzantine style, ideological searches, art history, Nouveau, iconographic convention, theological theory of image

References:
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References (transliteration):
A. V. Makeenkova Fenomeny «klassicheskogo» i «sovremennogo» v istorii izobrazitel'nogo iskusstva // Kul'tura i iskusstvo.-2013.-2.-C. 215-227. DOI: 10.7256/2222-1956.2013.02.10.
TsGA VMF SSSR. F. 227. Op. 1. D. 307. S. 56 ot 9 iyunya 1913 g. O nagrazhdenii podarkami khudozhnikov, prinimavshikh uchastie v sooruzhenii Morskogo sobora v Kronshtadte.
Uspenskiy L.A. Bogoslovie ikony Pravoslavnoy Tserkvi. – 2-e izd. – M.: Dar', 2008.
RGIA. F. 789. Op.
D. 79 (1888 g.). 11.Solntse Rossii: ezhenedel'nyy zhurnal. – 1913. ¹ 32.
Kolpakova G.S. Iskusstvo Drevney Rusi: Domongol'skiy period. – SPb.: Azbuka-klassika, 2007.
Krest'yaninov V.Ya., Gamlitskiy A.V., Zav'yalova A.E., Savel'ev Yu.R., Sokolov A.R. Kronshtadtskiy Morskoy sobor vo imya svyatitelya Nikolaya Chudotvortsa. – SPb.: Liki Rossii, Fond «Spas», 2013.
Petrov-Vodkin K.S. Pis'ma. Stat'i. Vystupleniya. Dokumenty / sost. sb., vstup. st. i komment. E.N. Selizarovoy. – M.: Sovetskiy khudozhnik, 1991.
Zabelin S.N. Russkie tserkvi v Evrope // Rossiyskiy Arkhiv: Istoriya Otechestva v svidetel'stvakh i dokumentakh XVIII–XX vv.: al'manakh. – M.: Studiya TRITE: Ros. Arkhiv, 1999. – S. 589–600. – [T.] IX [Elektronnyy resurs] URL: http://runivers.ru/new_htmlreader/?book=5613&chapter=84445 (data obrashcheniya 05.01.12)
Kolpakova G.S. Iskusstvo Vizantii: Ranniy i sredniy periody. – SPb.: Azbuka-klassika, 2004.
Kishkinova E.M. «Vizantiyskoe vozrozhdenie» v arkhitekture Rossii. Seredina XIX – nachalo XX veka. – SPb: Iskusstvo-SPB, 2007.
Gusakova V.O. Viktor Vasnetsov i religiozno-natsional'noe napravlenie v russkoy zhivopisi kontsa XIX – nachala XX veka. – SPb.: Avrora, 2008.
Gamlitskiy A.V. Rospis' Kronshtadtskogo morskogo sobora // XI Filevskie chteniya: materialy nauchnoy konferentsii. 24–26 dekabrya 2012, Moskva [Elektronnyy resurs] URL: http://archi.ru/lib/publication.html?id=1850569962&fl=5&sl=1 (data obrashcheniya 18.09.2013).
Gorokhov V.A., Krest'yaninov V.Ya. Kronshtadtskiy Morskoy sobor // Istoricheskiy al'manakh. – SPb.: Tsitadel', 1997. – ¹ 6.