Poetics
Reference:
Radandish P.
The History of the formation of Iranian poetic avant-garde in the 20th century
// Philology: scientific researches.
2024. ¹ 8.
P. 1-22.
DOI: 10.7256/2454-0749.2024.8.70048 EDN: PUNIVT URL: https://en.nbpublish.com/library_read_article.php?id=70048
Abstract:
The article presents the origins of avant-gardism in modern Persian poetry and the stages of its development in the XX century. In order to identify the social and political prerequisites for the modernization of literature, the period of the Constitutional Revolution in 1905–1911 is considered. Attempts to renew the Persian verse and create its theory were first studied by such literary figures as T. Rafat, A. Lahuti, N. Yushij, H. Irani, Tondar-Kiya, A. Ahmadi and others. The classification of Iranian poetic movements (conservative poetry, nimaist poetry and radical poetry) is considered. An overview of the work of the main representatives of Iranian literary avant-gardism is presented on the basis of an analysis of the relationship of their poetry with avant-garde and modernist literary trends such as Dadaism and Surrealism. The periodization of avant-gardism is described, the prerequisites for its emergence are analyzed, as well as the historical conditions of its formation and features of its development within the socio-cultural context. There are broken meters and unequal stanzas in their poems, but the individual efforts of each of them could not rise to a normative level. These authors, unlike Nima, did not leave behind a single theoretical work on new poetics, where an exhaustive description and justification of the need for new literary forms would be given. As a result, the work of Nima Yushij became the culmination of their creative quest. The purpose of the article is to acquaint the Russian-speaking reader with the phenomenon of the Iranian poetic avant-garde on the examples of "new poetry", poetry of the "new wave" and "poetry of volume", as the most influential avant-garde currents of modern Persian poetry. Particular attention is paid to the creative activities of the founders of the avant-garde.
Keywords:
new Persian poetry, innovators, poetry of volume, renewal of Persian verse, nimaistic poetry, radical poetry, "new Poetry", poetry of the new Wave, Poetic avant-gardism, modern Persian poetry
Linguistics
Reference:
Wang P.
Methods of explication of objective space in P. P. Bazhov's tales
// Philology: scientific researches.
2024. ¹ 8.
P. 23-30.
DOI: 10.7256/2454-0749.2024.8.71551 EDN: NWAVWA URL: https://en.nbpublish.com/library_read_article.php?id=71551
Abstract:
The subject of the research in the article is the category of objective space in the tales of P. P. Bazhov and the ways of its explication in a literary text. The object of the research is the tales of P. P. Bazhov, combined in the collection "The Malachite Casket" (1939). The author examines such aspects as space in a literary text and its categories, the essence of objective space, and ways of explicating spatial categories in modern literature. Special attention is paid to vocabulary with spatial meaning – toponyms, hydronyms, adverbs of place, etc., without which the explication of the category of objective space is impossible. The objective space in P. P. Bazhov's tales is considered as the space of the Ural Mountains, as the space of a mine and a factory, as well as as the space of a peasant hut. The ways of explication of objective space in Bazhov's tales are determined using the categorical-textual method developed by the Ural scientific School of Linguoculturology and Stylistics. The novelty of the research lies in identifying, classifying and characterizing the main ways of explicating the category of objective space using the example of P. P. Bazhov's fairy tales from the collection "Malachite Box". There are no studies devoted to objective space in the tales of P. P. Bazhov, therefore, the study eliminates the existing gap. In the course of the study, we came to the conclusion that to explicate objective space, the Ural writer uses words with spatial meaning, which we divided into the following groups: toponyms, including hydronyms; prepositions with spatial meaning together with verbs of movement; adverbs of place. To a lesser extent, in Bazhov's tales, the explication of objective space occurs through words without spatial meaning – adjectives, personal names and uralisms, which are used in conjunction with prepositions and verbs.
Keywords:
a fairy tale, Pavel Petrovich Bazhov, objective space, space category, text categories, categorical-text method, text, folklore, The Urals, Malachite casket
Ñommunications
Reference:
Starodubova O.Y.
Decoding reality and modeling an alternative factual field in media discourse
// Philology: scientific researches.
2024. ¹ 8.
P. 31-37.
DOI: 10.7256/2454-0749.2024.8.71572 EDN: QQXXGR URL: https://en.nbpublish.com/library_read_article.php?id=71572
Abstract:
The object of the research is the mechanisms of decoding real reality, on the one hand, as well as the features of modeling alternative eventfulness of an interpretative nature, on the other hand, within the framework of media discourse. The subject of the study is the ways of constructing a new reality as a system of concepts, the means of their objectification at the pragmatic and linguistic levels within the political segment of media discourse, using the example of briefing materials by the official representative of the Russian Foreign Ministry, M.V. Zakharova. At the same time, special attention is paid at the level of pragmatics to identifying tactics and strategies, nominations of subjects participating in communication, and at the linguistic level proper - precedent phenomena, discursive words, the nature of syntagmatics, features of stylistic labeling of individual nominations and other resources that contribute to modeling not so much a new factual field as its conceptual model. In the study of the political segment of media discourse based on the material of a polycode text, the author relies on the principles of anthropological linguodidactics, including a communicative-activity approach, cognitive-discursive methods are also used to identify the features of modeling the worldview. The main conclusions of the conducted research are the establishment of the fact of perlocution, actionality of media discourse, its undeniable influence on modeling the global picture of the world and broadcasting the Russian model of globalization, as well as its influence on the recipient's consciousness. In addition, it should be noted the linguistic and didactic potential of the political segment of media discourse, especially when studying the Russian language by foreigners. The novelty and special contribution of the author to the study of the specifics of the interpretation of the event field within the framework of the political segment of media discourse is the identification of an additional component in the conceptual opposition of one's own and someone else's — another, which is positioned as a segment of acceptance of otherness, which plays a key role in creating the Russian model of globalization based on the principles of universal parity. Against this background, political discourse becomes a source of valuable information not only of an eventful, but also of a conceptual nature for both speakers of linguistic consciousness and foreign speakers.
Keywords:
precedent, strategies of speech, tactics of speech, other, someone else's, own, picture of the world, political discourse, media discourse, discursive words