Abstract: The article is devoted to the study of the formation of the cultural and landscape environment of Moscow. The cultural landscape is considered as a result of the co-creation of nature and man, which is especially pronounced in urbanized space. This can be traced in historical and cultural contexts on the example of the territory located in the valley of the Ramenka River. The relevance of the study is due to the insufficient study of this territory, which became part of Moscow only in the middle of the twentieth century and the importance of scientific understanding of modern architectural and landscape transformations. The work is based on literary, archival, cartographic sources, data from their own local history observations. The work uses historical and cartographic research methods, as well as methods of local history observations, system-structural analysis.   The scientific novelty of the research consists in the systematization and generalization of multiple diverse information characterizing the history of the formation of the cultural landscape of one of the districts of Moscow; in identifying the factors that determined the peculiarities of the formation and change in time of these landscapes, in assessing the impact of modern architectural and urban planning approaches on the environmental situation. The main conclusions of the study: despite the centuries-old efforts of people to dominate the "nature-society-man" system, with the development of ecological culture, the priority of natural values in the formation of urban landscapes increases; the natural heritage of Moscow is an integral element of its cultural heritage; the construction of modern residential complexes near natural heritage sites, paradoxically, contributes to the improvement of environmental situation, creative improvement of the visual environment.

Keywords: visual environment, factors of landscape change, architectural and landscape transformations, associative landscape, cultural and landscape environment of Moscow, nature as heritage, the history of the formation of landscape, natural heritage, cultural landscape, cultural heritage

References:
The act of the state historical and cultural examination of the land plot subject to the impact of earthworks, construction, economic works on the object: "Residential complex at the address: Moscow, the intersection of the Aminevsky highway with the Kiev direction of the Moscow Railway, the Ochakovo-Matveevskoye district, CJSC. Retrieved from https://www.mos.ru/upload/documents/files/62/aktGIKEOchakovo-Matveevskoe-Berkovich.pdf
Armand, D.L. (1975). Landscape Science (Fundamentals of Theory and Logic-Mathematical Methods). Moscow: Thought.
Vedenin, Yu.A. (2000). Associative landscapes of Russia. Forest Bulletin, 5, 35-40.
Vedenin, Yu.A. (2013). Cultural-landscape approach to heritage conservation. Observatory of Culture, 1, 66-73.
Vedenin, Yu.A., & Kuleshova, M.E. (2001). Cultural landscape as an object of cultural and natural heritage. Izvestiya RAN. Ser. Geography, 1, 7-14.
Vedenin, Yu. A. (2018). Cultural and landscape space of

Abstract: Today we are witnessing a transition to new forms of work culture, in the context of the transition from an industrial economy to a digital one. Similar processes took place during the formation of the Soviet state. Then, the culture of work was undergoing its transformation from the conditions of the traditional economy to the conditions of the industrial world. Labor institutions created in the 1920s played a special role in these processes. The main purpose of the article is to analyze the process of forming a new work culture through the activities of the Tsitovites, which took place in the conditions of the cultural revolution in the USSR. The relevance of the topic is due to the historical aspect of the consideration of the described problem, not the economic one. The authors turn to the periodical press of the designated period, to archival documents, as well as to modern scientific research. As a result, the authors come to the conclusion that in the 1920s - 30s in the USSR, the processes of formation of labor culture and the cultural revolution went on in parallel and actively influenced each other. In our country, the principles of scientific organization of labor acquire the character of an important tool for speedy progress towards the restoration of the national economy after the devastation of the First World War and the Civil War. The activities of the Central Institute of Labor laid the foundation for a creative approach to labor relations, a special role in this belonged to the director of the CITA – A.K. Gastev.

Keywords: Bogdanov, management schools, Bessalko, proletkult, Gastev, cultural revolution, labor culture, NOT, labor institutes, laboratories of CIT

References:
Ashenova T.M. Cultural revolution in the system of public education in Soviet Russia // Russia in the period of revolutionary transformations (dedicated to the 100th anniversary of the revolution in Russia). Materials of the All-Russian scientific conference. Omsk Law Academy. 2017. S. 77-82.
Bulanova M. B. A. K. Gastev and P.A. Sorokin: at the origins of the sociology of labor / / III Gastev readings. Collection of articles of the International scientific-practical conference. Moscow, 2022, pp. 32-38.
Burganov R.F. Scientific organization of labor: history and modernity // Economic analysis: theory and practice. 2011. No. 44 (251). pp. 59-64.
Buchkina E.A. Reading hut as an instrument of cultural policy during the cultural revolution // Education and cultural space. 2020. No. 2. S. 55-61
Bulletin of the CIT.-1923.-No. 8, March 25
Bulletin of the CIT.-1923.-No. 10, May 20
Bulletin of the CIT.-1923.-No. 11, June 25
Gunoev I.S. Work culture: in search of a methodological research par

Abstract: The subject of the study is the history of the cultural landscape of the Southern coast of the Crimea of the XIX - beginning. XX century. and new methods of its study. This topic has been on the periphery of Russian historiography for a long time, but in recent years it has attracted the attention of both professional historians and local historians. Their joint efforts are aimed at localizing former estates and resorts, establishing the names of their owners and guests, reconstructing the visual appearance of cities and towns, studying the history of everyday life, identifying socio-economic, socio-cultural factors that influenced the course of the resort development of the YBK in the "imperial" era. This should serve to establish a more fair idea of the value of historical and cultural monuments, often "invisible" among modern buildings, to spread historical knowledge, to educate residents of the Crimea and its guests.
The novelty of the undertaken research lies in its historiographical and methodological perspective. The review of the authors' actual achievements in the reconstruction of the history of the cultural landscape of the Southern Coast of Crimea, in particular, the Magarach locality (starting from the turn of the 1830s, when a colony of enlightened noble winemakers was established there by decree of M.S.Vorontsov, and up to 1920), is accompanied by an analysis of the source and methodological arsenal, which made it possible to achieve success in liquidation "white spots". These are, first of all, methods of complex source studies that significantly increase the informational impact of sources of various types (written, visual, material) and types, as well as the armament with modern methods of historical research – digital cartography, work with GIS systems, databases of digitized visual data.

Keywords: cultural landscape, Southern Coast of Crimea, Late Imperial Russia, local history, complex source studies, digital cartography, geographic information system, history of winemaking, Magarach, Yalta

References:
Putevoditel' po goram Kryma. Izdanie Yaltinskogo otdeleniya KKGK pod redaktsiey deystvitel'nogo chlena KKGK i Yaltinskogo otdeleniya V. A. Merkulova. S-Peterburg: Tipografiya M.D.Lomkovskogo, 1903.
Partikulyarnye pis'ma A. I. Kaznacheeva M. S. Vorontsovu, 1828–1837 gg.// Rossiyskiy Arkhiv. Istoriya Otechestva v svidetel'stvakh i dokumentakh XVIII-XX vv. M.: Studiya «TRITE»; Ros. Arkhiv, 2010. T. XIX. S. 338–341.
Osmanskiy reestr zemel'nykh vladeniy Yuzhnogo Kryma 1680-kh godov. Sostavitel' A. V. Efimov. Moskva: Institut naslediya, 2021. T. 3. S. 218–220.
Pamyati Ivana Tuchkova. 24 sentyabrya 2018 g.  URL:https://theartnewspaper.ru/posts/6087.
Nashchokina M.V. Stilisticheskie predpochteniya v tvorchestve arkhitektora Vladimira Vladimirovicha Shervuda// Dinastiya Shervudov v istorii i kul'ture Rossii (pod red.Yu.R.Savel'eva). M: Svyaz' Epokh. Kuchkovo pole Muzeon, 2017. 502 s.
Moskvich G. Illyustrirovannyy prakticheskiy putevoditel' po Krymu. 13-e izd. Odessa: Tip. L. Netiche, 1904. 416 s.
Montandon Sh. Putevoditel' puteshestvennika po Kry

Abstract: The article presents the preliminary results of the architectural and ethnographic survey of the Varzuga settlement. The subject of the study is the traditional complex-houses in the cultural landscape of the rural historical settlements of the Terskoye Pomorye. The purpose is to determine the place and role of the house in the space of a modern Pomorye settlement; to identify the architectural and structural features, layout and decor of the dwelling as an ethnomarker of Russians in the North and the Arctic. The research is based on empirical material obtained during expedition survey in 2022 in the Tersky district of the Murmansk region. Also, it is based on the application of the author's methodology of the Doctor of Sciences (Culturology) A.B. Permilovskaya on architectural and ethnographic survey of wooden architecture objects. The author concludes that the Varzuga dwelling is a more compact version of the “brus” (beam), which is found in the settlements of the southern coast of the White Sea. The main constructive difference is that the “back” hut here is adjacent not to a cold barn, but to a significantly reduced utility yard, and has its own “main” facade overlooking the back of the house. However, in general, even a significantly rebuilt house retains its place as a factor in the formation of the cultural landscape of the settlement, bears the features of the continuity of ancient carpentry traditions, and in its laconic decor contains cultural meanings that reflect the mentality of the local Pomors population.

Keywords: house-yard complex, folk archirecture, Terskoye Pomorye, traditional culture, traditional decor, architectural and structural organization, rural historical settlement, dwelling, Russian North, Arctic

References:
Opolovnikov, A. V. (1983). Russian wooden architecture. civil architecture. Moscow: Iskusstvo.
Dal, L. V. (1874). Materials for the history of Russian civil architecture. Zodchii, 3, 30-32.
Permilovskaya, A. B. (2022). Onezhskoye Pomorye: New Results of Surveying the Cultural Landscapes of the Russian North and the Arctic in the Context of Historical Memory (2018-2020). In Kenozero readings – 2021 (pp. 69-79). Arkhangelsk: Kenozero National Park.
Usov, A. A. (2021). Features of the formation and transformation of the cultural landscape of the historical settlements of the Onezhskoye Pomorye. Culture and art, 11, 1-21. doi: 10.7256/2454-0625.2021.11.36850.
Chibisov, B. I. (2018). Lapps population of the Novgorod land in the XV – the first third of the XVI century. Vestnik of Northern (Arctic) Federal University. Series “Humanitarian and Social Sciences”, 4, 26-25. doi: 10.17238/issn2227-6564.2018.4.26.
Bernshtam, T. A. (1978). Pomory. Leningrad: Nauka.
Permilovskaya, A. B. (2015). Cultu

Abstract: This article discusses the cult of the tutelary spirits (thành hoàng) in Vietnam. These are spirits venerated as patrons of villages, rural communities and urban areas in Vietnam are expected to protect area against calamities, disasters, epidemics, wars, etc. These are mythical, historical and pseudo-historical characters who have merits to the area and its inhabitants. The veneration of them is rooted in the traditional culture. It is an integral part of the Vietnamese folk religion (tín ngưỡng dân gian Việt Nam). The spirits of the area are included in the pantheon of numerous deities and spirits (thần) worshipped by the Vietnamese nowadays despite the anti-religious policy of the Communist Party of Vietnam (in the second half of the 20th century).
The article describes reconstruction of the history of the cult and a description of its current state. The milestones of its development are considered: the formation of the cult during the Late Lê dynasty (1428–1788), development trends during the Nguyễn dynasty (1802–1945), which included the period of colonization of Vietnam by the French, the decline of the cult in the second half of the 20th century in socialist Vietnam, the revival of the cult and the entire religious system with the beginning of economic reforms and the democratization of public life in the 1980-90s, and finally, the modern flourishing of the cult and the features of its adaptation to modern conditions. The definition of the historical forms of the cult allows to identify the dynamics in its development and describe the inevitable transformations of the cult in the 21st century, which often are not realized by the bearers of culture, who perceive the cult as an ancient unchanging tradition.
The cult has not previously been studied by Soviet and Russian orientalists. I propose the first systematic description of the history of the cult and an assessment of its current state.

Keywords: Asian Studies, Far East religions, syncretism, deities, folk religion, guardian spirits, spirits cult, tutelary spirits, Vietnam, spirits veneration

References:
Alekseev, V.M. (1958) In Old China: Travel Diaries 1907 / Introd. by V.V. Struve and V.M. Stein. Moscow: Oriental literature.
Alimov, I.A. (2008) Demons, Foxes, Spirits in the Texts of Song China. St. Petersburg: Nauka.
Antoshchenko, V.I. (1997) Thành hoàng – Venerated Tutelary Spirits as one of the Sacred Pillars of Supreme Power in Vietnam / Report at the III Russian-French Scientific Symposium "State Ideology and Traditional Religions of Southeast Asia", 08.10.1997 (manuscript).
Bùi Quang Thanh (2017) The Originality of Vietnamese Folklore: from the Awareness of the Roots and the Psychology of Turning to National Origins – to the Tradition of Honoring Famous Figures. In: Culture and Art of Vietnam. Moscow: Forum.
Gan Bao (2004) Notes on the Search for Spirits / Transl. from Classical Chinese by L. Menshikov. St. Petersburg: Azbuka-klassika.
Gordienko, E.V. (2021) “We Order to Worship Spirits so that they Patronize and Protect”: Royal Decrees on Tutelary Spirits as Part of

Abstract: The article is devoted to the analysis of the exhibition activity of the masters of the Palekh lacquer miniature. The author has chosen as a chronological period the first fifteen years of the existence of this fishery – from its inception in the first half of the 1920s to the beginning of the Second World War. The subject of the study, therefore, is an analysis of the exhibition practices of the Palekh art craft of the pre-war period (1923-1939). The article shows the importance of the exhibition activity of the Palekh lacquer craft at all stages of this brief, but nevertheless extremely eventful period. The purpose of the article is to show the importance that the exhibition activity had for the success and public recognition of Palekh as a new and quickly became the most famous lacquer craft in Russia.     The scientific novelty of the article consists in the fact that, using historical-typological and structural research methods, as well as a historical-systematic approach, the author analyzes the most important domestic and foreign shows of the 1920s - 1930s, at which the products of the Palekh lacquer miniature were exhibited. The author emphasizes an important circumstance: the very formation and strengthening of the Palekh lacquer miniature craft in the first half and mid-1920s was caused precisely by the success of the prototypes exhibited at the largest exhibitions of that time, such as the All-Russian Exhibition of 1923 in Moscow, as well as the International Exhibition in Paris of 1925. At the same time, it is shown that Palekh's products continued to be successful at the shows (the exhibition "10 years of October" in 1927, the Soviet Exhibition in New York in 1928, the International Exhibition in Paris in 1937 and many other exhibitions analyzed in the article). Thus, it is the justification of the success of the exhibition activity of the Palekh lacquer miniature craft as an important factor of its public recognition that is the main conclusion of the article.

Keywords: soviet lacquer miniature, exhibition activities, exhibition, russian lacquer miniature, lacquer miniature, Palekh, folk art, russian folk culture, applied art, decorative and applied art

References:
Bakanov I. M. Moi kompozitsii. V kn.: Paleshane. Zapiski palekhskikh khudozhnikov o ikh zhizni i tvorchestve, napisannye letom 1932 g. i illyustrirovannye imi samimi. M., Moskovskoe tovarishchestvo pisateley, 1934. S. 109-124.
Bakushinskiy A. V. Iskusstvo Palekha. M., Academia, 1934. 270 s.
Vikhrev E. F. Palekh. Yaroslavl', Verkhne-Volzhskoe knizhnoe izdatel'stvo, 1974. 232 s.
Vystavka «Iskusstvo Palekha». Katalog. M., Iskusstvo, 1939. 128 s.
Vystavka narodnogo tvorchestva. Katalog vystavki v zalakh Gosudarstvennoy Tret'yakovskoy galerei. M. – L., Iskusstvo, 1937. 128 s.
Vystavka palekhskikh lakov. Eksport kustarno-khudozhestvennykh izdeliy i kovrov. Yanvar' 1932. S. 20-21.
Golikov I. I. Skvoz' buri epokhi. V kn.: Paleshane. Zapiski palekhskikh khudozhnikov o ikh zhizni i tvorchestve, napisannye letom 1932 g. i illyustrirovannye imi samimi. M., Moskovskoe tovarishchestvo pisateley, 1934. S. 77-100.
Gromadnyy uspekh sovetskoy vystavki. Russkiy golos. N'yu-York. 15.02.1928.
Gromakovskiy M. Iskusstvo drevnee i vechno molodoe. Po stran

Abstract: In the contemporary art of China, a special role belongs to painting on a military theme. Its formation began in connection with the need to keep a visual chronicle of the revolutionary struggle for the New China, the assertion of its status in the eyes of the people. Initially, realism was chosen as the main artistic method. By the turn of the XX and XXI centuries, as a result of the influence of modern art trends, a "new realism" emerged. The subject of this article is the pictorial work of contemporary Chinese artists who dedicate their paintings to military subjects and themes. He pays special attention to the art criticism analysis of the formal and substantive side of the paintings of the late XX – early XXI centuries. The main conclusion of the study is the establishment of the fact that under the influence of the so-called "new realism" Chinese painting associated with images of war, army, navy, has changed in the direction of images relevant to the era, as well as methods and techniques of image construction. However, at the same time, it should be noted that there is still a connection with traditions, which allows us to characterize the process of evolution of the Chinese school of battle painting. The novelty of the article is the introduction to the scientific circulation of Russian art criticism of a series of paintings by Chinese masters devoted to military topics. In general, the battle genre in Chinese painting is associated in the work with the formation of the People's Republic of China and is considered in a political and socio-cultural context.

Keywords: traditions, China, realistic art, painting, neorealism, contemporary art, batalistics, military theme, innovation, exhibition

References:
Yuan Fan (2017). The study of realistic painting in Chinese realities. Studies of Art education. No. 3, pp. 13-15.
Yungan Ya (2022). Features of the embodiment of the military theme in Chinese and Belarusian painting of the 1950s-1970s. Art and Culture. Vol. 45. No. 1, pp. 41-46.
Wang M (2018). The evolution of artistic means in Chinese painting on a military theme (the second half of the XX century). Culture. The science. Creativity, pp. 128-131.
Shue V (2018). The military theme in the paintings of Chinese artists of the second half of the XX century. The problem of finding an artistic language. Art and dialogue of cultures. Collection of scientific papers of the XII International Interuniversity Scientific and Practical Conference. Edited by S.V. Anchukov, T.V. Gorbunova, O.L. Nekrasova-Karateeva. 2018. – St. Petersburg: Limited Liability Company "Book House", pp. 89-94.
Tun Tun (2012). A brief discussion of the artistic characteristics of Chinese oil paintings on military-historical subjec

Abstract: This article examines the system of education in the philosophical college of Drepung Loseling Monastic University (India), introduces into the scientific discourse a full list of subjects and titles of the texts with their identification by the collected works of Indian and Tibetan authors posted on the digital platform TBRC (Tibetan Buddhist Resource Center). The primary sources and commentarial literature are determined. The learning process begins with the preliminary study of logic and epistemology, proceeding with the five great treatises that are core of the curriculum. The article combines classical textual approach and contextual analysis, with consideration of the Buddhist commentarial tradition; as well as methods of analytical comparison, structural and content classification. The novelty of this research lies in introduction into the scientific discourse of the previously unexplored system of education and its study guides. It is established that the monastery relies on the study guides compiled by Panchen Sonam Drakpa, as well as other prominent Tibetan authors – Je Tsongkhapa, Gendun Drub and Sherab Sangpo. The main method for digesting the material is the debates. Although with immigration of the Tibetans to India and reestablishment of Loseling College the curriculum structure was preserved, there are also innovations due to adding several grades and classes on the grammar and history of the Gelug School.

Keywords: Abhidharmakosha, Madhyamaka, Prajnaparamita, Pramanavartika, Panchen Sonam Dakpa, Buddhist Education, Drepung Loselling, Vinaya, Debate, Buddhist Philosophy

References:
bLo bzang bstan 'dzin 'jigs med ye shes rgya mtsho. bCa' yig blo gsal 'jug ngogs kyi zur rgyan dang 'brel ba'i kha snon yig cha ‒ Kirti Monastery, 2012. ‒ 347 p.
Chzhe Tsonkapa. Bol'shoe rukovodstvo k etapam puti Mantry (Nagrim Chenmo) / Ch. Tsonkapa ‒ SPb.: Nartang (Izdanie A. Terent'eva), 2017. ‒ Tom 1, 2 ‒ 1712 s.
Panchen-lama Pervyy Lobsang Chok'i G'yaltsen. Obnazhennoe rukovodstvo po etapam puti k Probuzhdeniyu – put' blazhenstva, vedushchiy k vsevedeniyu / L.Ch. G'yaltsen ‒ Novosibirsk: Dzhe Tsonkapa, 2013. – 114 s.
URL: https://www.tbrc.org/#library_work_ViewInWIndow W1KG20783%7CI1KG20835%7C1%7C1%7C1%7C168 (data obrashcheniya: 01.10.2021).
URL: https://www.tbrc.org/#library_work_ViewInWIndow-W17046%7CI1KG11722%7C1%7C1%7C1%7C22 (data obrashcheniya: 03.10.2021).
URL: http://www.tbrc.org/eBooks/W1KG18129-I1KG18144-1-244-abs.pdf (data obrashcheniya: 04.11.2021).
URL: https://www.tbrc.org/#library_work_ViewByOutline-O3JT39451PD110950%7CW23828 (data obrashcheniya: 04.11.2021).
URL: https://w

Abstract: Throughout many centuries, the Russian Orthodox Church has been creating and preserving inestimable historical and cultural heritage, including the works of the ancient Russian art, ceremonial ware, and other artifacts. The second half of the XIX century marks the surge in preservation of monuments, and the Church takes active part in such activity. For the purpose of preservation of ecclesiastical antiquity were established the church museums. In the pre-revolutionary period, the museums functioned on the premises of theological academies and seminaries, dioceses, temples and monasteries, and other structural divisions of the Russian Orthodox Church. The group of church museums of that time is poorly studied. The subject of this research is the sacristy collections of temples and monasteries. On the example of sacristies under the major temples and monasteries of Novgorod, Pskov, Yaroslavl and Rostov, the article provides a retrospective overview of the activity of the large museums of antiquities. Based on the survived description of sacristies, the author analyzes the content of their collections. The content of such compilations was affected by the cultural and commercial ties of the cities. For example, the Novgorod sacristies preserve the items associated to the spread of Orthodoxy in Rus’, while the Yaroslavl museums of antiquities feature the monuments of later period. Based on the activity of the aforementioned collections, the conclusion is made that they carried out the functions of discovery, preservation, study, and translation of cultural heritage. Therefore, the prerevolutionary monastic and temple museums of antiquities performed the role of church museums. Further development of the group of church museums on the premises of temples and monasteries was hindered by the historical transformations of the XX century.

Keywords: monastery museum, church museum, monuments of church antiquity, historical and cultural heritage, collecting, heritage, Russian Orthodox Church, sacristy, ancient storage, museum collection

References:
Pokrovskiy N. Tserkovnaya starina na VII yaroslavskom arkheologicheskom s'ezde. 1888 g. 32 s.
Bychkov F. A. Putevoditel' po rostovskomu muzeyu tserkovnykh drevnostey. Yaroslavl': Tipografiya gubernskogo pravleniya. 1886 g. 27 s.
Pokrovskiy N. V. Zametki o pamyatnikakh Pskovskoy tserkovnoy stariny. M.: Svetil'nik'. M. 1914 g. 24 s.
Narbekov V. A. Novgorodsko-pskovskie tserkovnye drevnosti na XV Vserossiyskom arkheologicheskom s'ezde v Novgorode. Kazan'. Tsentral'naya Tipografiya. 1912 g. S. 15.
Alekseeva L. S., Gorbatov A. V. Tserkovnyy muzey v dorevolyutsionnyy period: etapy i faktory stanovleniya // Vestnik Kemerovskogo gosudarstvennogo universiteta. 2018. № 2 (74). S. 5–9.
Izvestiya o zanyatiyakh sed'mogo Arkheologicheskogo s'ezda v Yaroslavle 1887 g. Yaroslavl'. 1887. 160 s. S. 2–4.

Abstract: The object of research, the results of which are presented in this article, is the Soviet historical paradigm in its development. The subject, in turn, is defined as the achievements of Soviet historians in the study of post-war collectivization in Right-Bank Moldova. The author dwells in detail on how objective and subjective factors influenced the development of historical science in Soviet times.
The article examines in detail the evolution of topics and assessments in articles, monographs and collective generalizing works devoted to the history of the republic as a whole. When working on the article, both general scientific methods (analysis, synthesis, induction, typologization and idealization) and special historiographical methods (periodization method, historical-genetic, historical-systemic, comparative-historical) were used В В В В В В  The novelty of the research is determined by the fact that the author analyzes the works of Soviet historians from the standpoint of the modern historical paradigm, the foundations of which were laid by the scientific school of V. P. Danilov.
Based on the results of studying the Soviet historiography of collectivization in Right-Bank Moldova, the following conclusions can be drawn. Firstly, the main problem of Soviet historians was limited access to archival documents.
Secondly, the agrarian historiography of this problem is often subjective and interprets information from available archival documents and various statistical information in line with generally accepted Soviet ideological attitudes.
Thirdly, as in the case of the study of collectivization in 1920-1930, topics related to violations during collectivization, "dispossession" remained under an ideological ban. Fifthly, the specifics of the historiography of collectivization in Right-Bank Moldova became a significant attention of historians to this problem in the second half of the 1960s and 1970s, which is connected, according to our assumption, with the rule of L.I. Brezhnev, who in 1951-1952 was the first secretary of the Central Committee of the CP(b) of the MSSR and led the consolidation of collective farms in the republic.

Keywords: consolidation of collective farms, historiography, cooperation, collectivization, machine and horse rental points, agrarian reform, Right - bank Moldova, scientific school, paradigm, MTS political departments

References:
Kananerova E.N. Problema kollektivizatsii v zapadnykh rayonakh BSSR v sovetskoy istoriografii // Chelovek i kul'tura. – 2021. – № 1. URL:https://nbpublish.com/library_read_article.php?id=34811
Kananerova E.N. Problema kollektivizatsii v Pribaltiyskikh respublikakh v sovetskoy istoriografii 1940—1960 godov// Chelovek i kul'tura, 2019 – 6. S.136-153
Tragediya sovetskoy derevni. Kollektivizatsiya i raskulachivanie. 1927–1939». T. 1.-M., 1999.-459 s.
Medvedev A.I. K voprosu o provedenii politiki likvidatsii kulachestva kak klassa v Pravoberezhnykh rayonakh Moldavskoy SSR// Nauchnaya sessiya professorsko-prepodavatel'skogo sostava i sotrudnikov universiteta. – Kishinev, 1965. – 291 s.
Nyurnbergskiy protsess. T.2. – M., 1958 – 687 s.
Voennaya ekonomika SSSR v period Otechestvennoy voyny. – M., 1947. – 341 s.
Anisimov N.I. Razvitie sel'skogo khozyaystva v pervoy poslevoennoy pyatiletke. – M.,1952. – 352 s.
Nedelin S. Sotsialisticheskoe sel'skoe khozyaystvo i puti ego dal'neyshego razvitiya. – M.,1951. – 438 s.
Sotsialistichesko

Abstract: The subject of this research is the actualization of cultural heritage by museum means. The object of this research is the adaptation of persons with hearing impairment, namely the experience of Russian museums. Museum plays a significant role in the processes of sociocultural adaptation, self-identification and social inclusion of the people with disabilities, possessing a unique set of criteria, ability to accumulate and transmit cultural potential. The active participation of museums in solution of sociocultural problems in many ways determines the vector of further development of museology, implementing modern cultural practices. The authors believe that working with the hearing-impaired visitors requires reconsideration of the traditional ways of presenting museum information and development of the new forms of interpretation of exhibition material. The conclusion is made that museum personnel should orient towards the individual peculiarities of each visitor, taking into account their capabilities in selecting the channel of museum communication, forms, methods and approaches. Museum personnel should plan their work jointly with the pedagogues, rehabilitation specialists, social workers, psychologists, and persons with disabilities directly. Each museum should be provided with the necessary conditions for working with children of each disability category. Namely this underlied the development of the concept of museum tour “We Can Hear You Through The Eyes” on the premises of Kuzbass State Museum of Local Lore.

Keywords: sign language translation, the museum, Exhibition, disabled, hearing impairment, excursion, museum funds, heritage, museum environment, Information Technology

References:
Van'shin S. N., Van'shina O. P. Sotsiokul'turnaya reabilitatsiya invalidov muzeynymi sredstvami. M.: GDM, 2013. 99 s.
Rodionova D. D., Pobozhakova A. A. Opyt raboty muzeev Kuzbassa s lyud'mi s ogranichennymi vozmozhnostyami zdorov'ya // Vestnik Kemerovskogo gosudarstvennogo universiteta kul'tury i iskusstv. 2019. № 46. S. 165-171.
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Abstract: The subject of this research is the repertoire of the white shaman I. A. Suzdalov-Sapalay. The object of this research is his shamanic rituals. Chronologically, the study covers the first half of the XX century. Methodological framework is comprised of the empirical method of description; general logical method of analysis by chronological principle; synthesis of the rites as a part of Aiy rituals. The method of synthesis, analysis and description of shamanic rites reveal certain pages of the ancient religious beliefs of the ancestors of Sakha people. The article examines the repertoire of shaman Sapalay – Ivan Andreevich Suzdalov, born in Abyysky District of the Sakha Republic (Yakutia). The authors introduce into the scientific discourse the unique materials on Yakut shamanism. A detailed description is given to the rituals of the last Aiy shaman (white shaman) I. A. Suzdalov-Sapalay, docymented by the folklorists-collectors. The heritage of Ivan Andreevich Suzdalov-Sapalay reveals new nuances of the forgotten early religious beliefs of the Yakut people. His description of the rites gives representation on the worldview, faith, afterlife, three souls of human being, and rituals of the Yakut people.

Keywords: shamanism, repertuar, deity, shamanic spells, folklorist, ritual, tradition, shaman, shamanic rite, traditional belief

References:
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Novgorodova A.L. Ayyy oyuuna (Sh

Abstract: This article is dedicated to determination of the role of “generation dialogue” in development of the world culture. The author substantiates the ontological status of this phenomenon, which exists in the Oriental and Western, ancient and modern cultural space. It is demonstrated that the concept of “generation dialogue” is broader than the concept of “cultural universals”, introduced by social and cultural anthropologists in the XX century, since it not only incorporates not only fundamental comparability of ethnic cultures and possibility of comparative analysis, but also allows working with any modern forms of self-organization and determining the principal cause of the existence of culture. The main goal of this research consists in the analysis of cultural inheritance and transmission of knowledge. The key regimes of cultural development indicate two foundations of cultural dynamics dichotomous by means of implementation: 1) one ensures acquisition and arrangement of the accumulated knowledge, including classification and improvement of users interface, being realized in acceptance and preservation of all kind, beautiful and valuable left by the predecessors; 2) the second is aimed at destruction of the traditions, alienation from the native, including neglect, borrowings, and creative synthesis of the miscellaneous. The latter contributes to revitalization of culture. Such form of intercultural dialogue is illustrated by the modern Benedict Abbey of Saint Willibrord in Doetinchem, which is known for Zen meditation practices by the Catholic monks and parishioners. The general conclusion is made that having the ontological status, the generation dialogue contributes to the development of culture in space and time. Dichotomous regimes of realization of this dialogue employ the incompatible means of revival of cultural memory. The article demonstrates that the determined mechanism of generation dialogue are universal and archetypical, although complicate the reality in different ways. Their balanced coexistence is essential for the full-fledged cultural development in the present time and foreseeable future.

Keywords: creative destruction, smart culture, сhristian Zen, culture genesis, memory topology, meaning of the history, modes of cultural development, cultural universals, ontology of the culture, saving found

References:
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